One Man’s Garden

galvanized wire bracket

We had dinner over the weekend a the home of a good friend.  Barry Harrison is a design principal with Art-Harrison, a interior design studio well known in my area.  In addition to their interior design practice, they manufacture a line of fine furniture.  Each piece is meticulously hand crafted and carved from fine hardwoods.  Interested to read more?  www.artharrison.net.    Barry is a highly skilled designer, cabinetmaker and wood carver, as evidenced in his own garden.  Years ago Barry spent some time at Ford Motor Company-he could draw an entire headlight assembly for a owner’s manual-free hand.  Think this part through-a freehand drawing of a headlight assembly?  His talents are extraordinary.  As much a designer as he is an artist, one part of Barry’s garden began with this simple part-a galvanized steel hook that would hold clay pots.

Barry lives in an urban neighborhood on a very small piece of property.  Every gesture he makes has to work-there is no room really for unresolved design.  This corner of his driveway is just a few feet from the garage doors, meaning he visits this spot every day, both going and coming.  The distance from the edge of his drive to the lot line at this back corner is 12 inches at best.  There was no option for screening plants in such a small space, but there was an option for a screen. 

cedar fence posts

This ingenious green screen began with four cedar posts, the tops of which he carved into a pair of guinea hens, and a pair of ravens.  There was enough space to sink the posts deep into the ground.  He engineered a series of galvanized metal plates and rods, which would hold the galvanized hooks shown the the previous picture.  

The terra cotta pots were planted with succulents, and hung on the galvanized steel rods.  The watering takes some time and attention, but the plants seem to be doing just fine.  He’ll store the pots in his garage, or bury them in leaves for the winter.  I admire this inventive and low tech screening that is also so great looking.  The plants seem to be perfectly happy-spilling out of the downside of each pot.   

His succulent wall is beautifully engineered-and beautiful to look at.  Once he waters the top row, the drain water serves to water the row below, and perhaps the row below that.  Given that the screen is only 6 feet tall, it can easily be handwatered.  The succulents are not asking for much.  

 

The rear yard is dominated by a gravel terrace, completely surrounded by water.  Though the width of the water is slight, the pool is 24 inches deep on 3 sides, and 36 inches deep at the far end.  This water depth, and the ability to swim in long runs, around and around, keep his koi happy.  Youy would never know that a city park was just the other side of the bamboo screening.  The structure at the far end of the pool serves a dual purpose.  From this side, the wood and copper fountain with copper jets does a great job of aerating the water for the fish.  This large, architecturally striking feature organizes every other element of the landscape.

garden sculpture

A single stone sculpture on the gravel terrace keeps a small space from looking cluttered. Easy maintenance perennials such as baltic ivy, petasites, angelina, creeping jenny and ferns makes the garden easy to look after.  The koi?  Barry has a 220 acre farm in Kentucky-the koi he raises there are cared for by his parents, and shipped to dealers and koi afficianados all over the country.

garden fountains

The fountain recirculates the water in the pool.  The placement of this feature on an angle to the corner of the property creates a small niche garden which features a series of pots, and some of Barry’s geode collection.  But the star of the show, at the end of a stone path-a cast iron cow. 

Even the smallest space in a garden can make a big impact.  An inveterate collector of vintage and antique objects, I am sure he spoke for this sculpture without hesitation.  This vignette is almost all of the way to another space-the garden shed.

gardenshed

Barry’s  fountain doubles as a garden shed, which holds most of his tools, pots and soil, in addition to the filtration system and fountain assembly.  This very utilitarian space is completely hidden from every vantage point in the rear yard landscape.   

screening an air conditioner

At the opposite end of the garden-the air conditioner.  The air conditioner is under this painted wood obelisk, yes.  One panel is hinged, and folds down, making service a snap. In the top of the obelisk-long handled gardening tools. 

The view out of the back yard-another view of that succulent wall.

evergreens in containers

The house and garage meet at an angle in the back, near a pair of doors.  A giant painted oak box with a steel tuteur is the only nod to the garden in a fairly large paved space.  Only Barry would think to faux shrink wrap an arborvitae in plastic, and place the steel tower over it.  Not one branch got broken when the pot was planted.  At some point, the plant will grow through the steel, and be trimmed flat.  Clearly he is fond of making a few big gestures on his small property, rather than lots of little ones.   

There are as many great ideas for a beautiful garden here as I have seen on on properties many times this size.  Unlike a property which is defined by its boundaries, it’s hard to tell where unlimited creativity and imagination of this caliber might decide to go next.     

 

The Garden Designer’s Roundtable: Sculpture In The Landscape

sculpture in the landscape

This month’s topic engaging the Garden Designers Roundtable-sculpture in the landscape.  Like any form of art, what constitutes sculpture is in the eye of the beholder.  An ancient tree, or a specimen espalier can be a sculpture.   An uprooted tree stump, a geode, sculpted soil seeded with grass-I am very democratic when it comes to what constitutes sculpture.  I truly believe that whatever a passionate gardener chooses to designate as garden sculpture is in fact garden sculpture.  The home any gardener makes for a sculpture speaks much to what that sculpture means to them.  This particularly imposing bronze sculpture of a bear perched on a beaver’s nest was purchased by a client who loved and appreciated it.  The sculpture asked for a landscape to go with.  Garden sculpture can be placed wherever, but it needs a home.  In this case, a waterfall and pond.  A waterfall backdrop comprised of tons of rock.  Lots of dwarf evergreens.  A raft of old and large tree stumps.  A stumpery was a perfect place, a home, for this this sculpture.  Sculpture in the landscape needs a carefully and generously designed place to be.

limestone garden sculptures

A landscape is a living sculpture.  A constantly changing, and evolving sculpture.  This sculpture was carved by a person from a natural material-stone.    This hand carved stone bust spent a good deal of the past umpteen years underground.  The process of bringing it back into the light? A simple placement on a steel pedestal.  In a garden.  Into an orderly and linear landscape.   This astonishing stone sculpture is all the better, presented with the butterburrs, and the boxwood.   The landscape company makes for a living experience.  Material.  Sculptor.  garden.  experience.  A good and on going experience.   

This contemporary sculpture involved regrading and grassing a steep slope.  At that steepest moment, we amassed a flock of rocks that held the slope.  The relationship of the concrete legs, the steel, and that congestion of  rocks-engaging.  Interesting.    

siting sculpture in the landscape

This classical sculpture is set back in a field of groundcover.  Garden sculpture can set the mood in a garden. A garden with atmosphere is a lovely garden indeed. A simple space provides breathing room.  The figure is integrated into the shade garden under the canopy of an old beech. 

garden sculpture

There is no need for a garden sculpture to be big, expensive, or otherwise imposing. The only requirement?  Great sculpture invites interaction.  Reaction. engagement.  This very small lead frog organizes a surrounding garden of considerable size.  All the color notwithstanding, this diminuitive sculpture organizes one’s experience of this garden.  A rich experience-memorable.   

garden sculpture

There are those containers that I would describe as sculptural.  A one of a kind expression.  Containers call for a planting that respects that.  The containers you choose for your garden-sculptures, each and every one of them.  This particular glazed terra cotta container-strikingly textural and of a beautiful color.  The blue succulents are similarly textured, but quite contrasting in color. Eaxch element is visually stronger, given the other.

siting garden sculpture

This cast iron dog, one of a pair of bloodhounds forged by Alfred Jacquemart in France in the 19th century, they guard my home.  They sit on simple concrete plinths.  Kept company by some old picea mucrunulatum, hellebores, hostas, and sweet woodriff, they are firmly planted in my landscape.  They have a home that seems natural and fitting to me.  No matter the weather or the season, they successfully engage me day after day.  How so?  They belong here. 

Contemporary sculpture asks for lots of space.  Contemporary sculpture to my eye is much about striking graphics.  Unusual forms.  A serious dialogue.  Astonishing materials.  Room to view, lots of room to appreciate-they ask for this.  The placement of this sculpture in the lawn permits physical as well as visual interaction.     

contemporary garden containers

These hand made concrete pots with snake detail are very sculptural. The planting?  Simple.  Contrasting in texture.  The care any gardener takes in the presentation and planting of a pot makes a statement about sculpture.  The care you take placing and siting a sculpture says much about what that sculpture means to you.  Anything in the garden that means much-fuss.

garden sculpture

This hand carved limestone gothic portrait, once a part of a wall, is unrelated in period and origin to the old half round plinth.  I placed one on top of the other.  My client split them up, via a mirrored wall.  Her instinct was to separate them, over the existing landscape.    Her placement took the appreciation of that sculpture to a level that was unexpected, and exciting.sculpture in the landscape

This sculpture involving urethane spheres studded with plastic grass is placed in an elaborately constructed 19th century French urn.  That placement- delightfully unexpected.  The attending modern containers with sculpturally styled plantings provide a lot of company to that nervy plastic expression.  I can imagine a lot of lively conversation over that sculpture.

garden sculpture

Placing sculpture in the landscape is all about providing a really good home.  A believable home.  A provocative home.  A caring home.  An unexpected home.  A visually challenging home.  No gardener places a sculpture in a landscape that does not mean much to them.  Should you be a gardener with a sculpture you wish to place in your landscape, be clear about what that sculpture means to you.  Make a meaningful and thoughtful place for it, in your landscape.  A clear and deliberate placement makes a strong statement.       

I invite you to read how other members of the Garden Designers Roundtable approach art and sculpture in the landscape.  They are a lively and articulate group of landscape designers.

Susan Cohan : Miss Rumphius’ Rules : Chatham, NJ

Jocelyn Chilvers : The Art Garden : Denver, CO

Mary Gallagher Gray : Black Walnut Dispatch : Washington, D.C.

Lesley Hegarty & Robert Webber : Hegarty Webber Partnership : Bristol, UK

Jenny Peterson : J Petersen Garden Design : Austin, TX

Deborah Silver : Dirt Simple : Detroit, MI

Rebecca Sweet : Gossip In The Garden : Los Altos, CA

Pam Penick : Digging : Austin, TX

 

 

Delivering The Fountain

steel fountain

A client who had looked a long time for a fountain  fell hard for Buck’s contemporary steel creation.  I ws more than a little surprised, considering her more traditional taste in garden ornament.  But she was certain that this fountain was the perfect choice for her garden.  The job of transporting and setting it in place fell to Steve.  As you can see,  he was planning the move.      

Once he drained the fountain, he wrapped the fountain stem with heavy woven landscape straps.  As the fountain weighed in at about 400 pounds, and the site was not particularly friendly to the use of a front end loader, we would have to move the piece by hand.  12 hands, to be exact.  Each of three straps had a person at each end.  The straps would be a lot simpler to grasp that the smooth side of the bowl.  My crew can lift a lot, provided they are able to get a good grasp.

We excavates the soil from the spot where the fountain was to be placed, and filled it with coarse gravel.  A square concrete tile was placed over top.  This made it much easier to check to be sure the spot was level.  It is also much easier to adjust this tile to get it level, as opposed to the fountain.  It seemed like the fountain would be a good fit in this circle of boxwood-but we wouldn’t know for sure until we got it there.

The fountains we have manufactured at Branch of late come race ready.  The jet inside this fountain is attached to a steel plate, and comes with a valve that regulates the height of the jet.  Having a special event?  Open up the valve.  A tee fitting off the jet pipe is attached to the pump.  The cord for the pump comes through a hole in the base of the fountain.  The jet and pump assembly sits in the bottom of the fountain, making it easy to level the jet.  All the customer needs to supply is a source of electricity.

Getting the fountain through the gate was a challenge.  Luckily the gate itself was easy to lift off its hinges. Once the fountain base was resting on the second step up, the fountain would be flipped over on its side. The fountain has 4 eye hooks inside should the fountain ever have to be lifted.  It proved handy for tying the jet in place for the move.

There were but a few inches of room to spare, but that proved to be enough.  Luckily, any circular or hemispherical shape is not only very stable, but it is very strong.  This steel is relatively thin, considering how large an object it is, but there was no worry that the edge would be damaged.  At this point, we were rolling the fountain on its edge, rather than carrying it. I roll pots around the shop that I could never lift off the ground.

The last stage of the journey did involve lifting the fountain over a boxwood hedge.  My crew made it look like no big deal. 

They left me to fill the fountain-my pleasure, and my worry.  If the level were the least bit off, the water would tell that tale.  Water is always level-it’s people that get things crooked.  As I cannot abide a statue or pot that isn’t sitting level, I was willing to wait.   

I needn’t have worried.  It read perfectly level to my eye.  The wide rim of the fountain finishes the shape in a beautiful way, but it also masks any little bit it might be out of level.  The fountain was filled with water to just under that rim.  My client did very well with this-the fountain looks remarkably good in her garden. She had had an electrical box installed a long time ago, so an hour after our arrival, the fountain was running. 

The entire garden made more visual sense given a centerpiece.  The peach trees have a much more opulent and exotic look. I am standing on her porch, looking out.  The water seems to be at just the right height.  After trying the jet at a number of levels, she decided on this.  Just enough height to make for a great sound.

My client thinks it looks like I designed this fountain especially for her garden.  Since I would have never considered it for her, I realize that giving clients the chance to look without prejudice can result in an interesting outcome.   

 

More From Buck, At Branch

steel orangery boxes

tall lattice boxes

branch studio

tall lattice box

steel topiary forms

oil derrick topiary towers

steel tuteurs

oil derrick topiary towers, finished

steel containers

steel planter boxes

planter boxes

steel planter box, planted

planter boxes

planted steel planter box

steel pergola

steel pergola and planted tall Jackie box

steel fountain cistern

steel fountain cistern.  The steel grid positioned near the top of the water level is a safeguard- given very small, and very curious children. 

orangery boxes

Steel planter boxes

steel planter boxes

rectangular steel Hudson box, and associated steel Hudson planters

 

planter boxes

planted steel Hudson boxes

tomato cages

steel tomato cages in the form of classical obelisks

 auricula theatre

steel herb table, after the classic English auricula theatre. Buck has been very busy, churning out one fabulous garden ornament after another.  This plant table is proportioned exactly according to the golden mean.  No wonder it looks so solid, so satisfying, and so good.