Good Bones

The picture above was taken in the early morning of Jan 3, 2021. I remember waking up well before dawn to a landscape whose every surface was transformed by mounds of snow. Giant snowflakes floated downward on the still air like feathers, and stuck to whatever surface they touched first. The quiet was disconcerting. My yard was truly a fairyland – the first time ever quite like this. Every shape in the landscape was faithfully described and added to by this extraordinary snow.  Within minutes of opening my eyes, I was dressed, out the door, and marveling.  I took photographs for several hours, and several hours after that the snow had completely melted and was gone. This was an incredible weather event of  breathtakingly striking and shocking beauty, the likes of which I had never seen before.

That snow dispassionately described the landscape design. I was happy about what that revealed. A good landscape composition celebrates the depth of a space by beautifully revealing its background, mid ground and foreground. Of course a landscape is a sculpture –  a three-dimensional object, if you will. Great landscape design explores that uniquely spatial quality created by land and sky-and edges. I can’t really explain what I mean by edges, except to say that everything and everyone has them. Expressing depth in a composition fuels the means by which a landscape space can be wrought and experienced. A design. Depth in a landscape composition creates mystery, and reveals surprising outcomes at unexpected or opportune moments. Some designers describe this as flow. Others describe this as rooms with transitions in between. The background space above is a thicket of tree branches indicating trees that are a ways away. The focal point of that background space is a a centrally located container with a cut evergreen tree inside. That planter box is in the front of the back – ha. The mid ground space is defined by the hedge of arborvitae that is open in the center to permit travel and views through. The gate marking that entrance and exit is overseen by a steel arbor wreathed in a pair of John Davis roses. That gate explains how the end of the mid ground space becomes the beginning of the foreground space. That arbor is centered in the transition between the front and the back. It also separates the public space from the private. The structure of those climbing roses in the snow is every bit as beautiful here as they are in bloom in June.  I mean this. The foreground space features Limelight hydrangeas, faced down by hedges of clipped boxwood, and opens up to a widening path of snow covered grass.  This composition features layer after layer of plants from front to back. What is it that makes the relationships established by this design so dramatic and clear?  The weather.


The landscape here is very simple. Lots of boxwood clipped in various shapes, heights and volumes, and symmetrically placed containers framing the walk to the front door. The containers feature fan willow faced down by cut fir boughs. This view is unexpectedly dramatic, given this rare type of snow. The snow reviewed the design, as it reduced all of the major shapes to their simplest forms. What is usually experienced in varying and often romantically subtle shades of green is presented without ceremony in black and white. A significant snowfall can reveal the bones of the design. Are they good sturdy bones?

Our most recent snow was not nearly as spectacular as the 2021 storm, but it was good nonetheless. The skirt of this container is set with cut evergreen boughs that radiate out from the center. A second set of evergreen boughs are set on end against the centerpiece. Separating the vertical fir from the horizontal is a loosely defined ring of green and white pine cones in a nest of lights. A single evergreen material has special visual interest given its multi-dimensional placement. This simple arrangement with only a few elements is all the more striking given the landscape around it.  The snow tells that story.

A different year in this location, the container sparkled with an abundance of lights. An unusually textural snow cover produced yet another visual version of this landscape. Over the course of a year or a gardening season, the weather should play a major role in the landscape design. I am an advocate of landscape design which takes a sweeping bow to that element we call nature.

Rob took this photograph of my driveway near the garage a few nights ago. I have not parked here for better than 15 years, so the landscape has grown in and over the edges of the space. I like that. I have a piazza now, rather than a driveway. There is no real need to shovel the space, as it is for viewing, and not foot or car traffic. It is amazing what an enormous difference it makes visually to make such a simple change in the treatment of a landscape space.  The snow revealed this.

That same night, the snow illustrated the transition between the driveway and the fountain garden. The pots, arbor and fence occupy that mid ground. That middle ground space can be the most difficult to define and develop in a landscape.  It sometimes involves putting an idea or an object or a plant out there in the middle and building from there. Starting a design at the front or the leading edge or the beginning is not necessarily the best or only way forward. A landscape will speak back, if you give it sufficient time. This mid ground space took many years to establish. There is no substitute for age on a landscape.

This is as close as I have been to that extraordinary snow in 2021. I am happy for it. Beautiful snow is a hallmark of our winter. Having a well designed landscape on which beautiful snow can act makes the winter season welcome, yes. The fence pictured above, punctuated by a gated arbor and flanking pots, is not that unusual a treatment of an outdoor space –  but the considerable change of level does give pause. But the simple arrangement of bold and thoughtful forms emphasizes the main idea. The legibility of intent is key to good landscape design.

Most of my landscape is going on 28 years old. That age has enriched design decisions made decades ago.  Sometimes it is good to stay the course, and see what grows.

 

The Landscape Finish

I have written a number of posts about this very special project that has taken better than a year to complete. I have saved the landscape finish for last, as that part had to wait for the walls, terraces, stairs, driveway and pergolas to at least be underway before we could begin. A close friend suggested that I post before and after pictures. When designing a landscape for a period home such as this, the outcome needs to be convincingly tuned in to the aura created by the architecture. Meaning it should be tough to differentiate between what was, and what is new. So before and after pictures can help illustrate that process. My client discovered a stack of old photographs in the basement after she purchased the home. The above picture she dates around 1925.

My first visit to her new house revealed a stately old home with an aging landscape. The driveway was very close to the front door. A limited planting space in front of the house years after planting produced a hedge of yews well over the bottom of the ground floor windows.

A brick wall between the sidewalk and the drive was covered with euonymus sarcoxie. Planted between the driveway and the walk, an ailing maple whose girdling roots had heaved itself and the sidewalk out of level.

A new drive positioned a more generous distance from the front door enabled room for planter boxes under the windows, and some breathing room for landscape and lawn. The house has become the focal point of the landscape, and there is sun at the front door given the removal of the maple. A lovely and existing multi stemmed serviceberry at the corner was preserved, and integrated into the new landscape.

The view into the side yard was typical of an old landscape. More than likely some plants had died over the years, and not been replaced. As the trees grew, the advancing shade proved difficult for plants in their vicinity to thrive. The ground sloped dramatically away from the house.

The finished front yard landscape renovation features that serviceberry tree. And a reconfigured grade. The replacement of the existing driveway meant its location could be changed, and the abrupt change of grade from the house to the property line could be softened. The boxwood planted across the front of the house was extended all the way across to the lot line. That placement visually extends the front yard landscape. In the center, a large break in the boxwood signaled the entry into the side garden. That side garden would become its own room with a view from a restored terrace off the sun porch. It would also serve as a transition space from the front to the back yard. The house sits on a corner, which present both problems and opportunities.

The idea was to respect the period, age and architecture of the house in such a way that it also reflected my client’s somewhat more modern aesthetic. A restricted palette of plants, and a massed planting can be both both classical and contemporary in feeling.

The side yard finish reveals the concession made to the original grade at the house.  A flagstone retaining wall 20″ high allowed for a flat surface on which to walk. I do not know how many yards of sand and soil were added to create the flat lawn areas you see in the above picture, but it was a huge number.

restored version of original side yard terrace off the sun porch

This side yard photo from my first visit dramatically illustrates the sloping grade.

detail  of that area 2017

This recent picture of the side garden was taken just after the installation of the fence and gates.The curved sections of fencing repeat the circular shape of the lawn panel, and then proceed straight to a terminus at the house, and the brick wall on the property line.

2019

2019

2017

lawn panel rear yard, 2019

This photo illustrates how the original terrace on the right side of this picture was enlarged to encompass all three sides of the sun porch. A wide flight of limestone stairs down to the fountain garden and cloister deals with the abrupt change of grade in a graceful way.  The seat height brick walls with limestone caps repeats and mirrors the exterior details of the house. This new part of the landscape looks as though it had always been there.

The cloister style pergola has been planted with John Davis and Jeanne LeJoie roses, and Guernsey Cream clematis.

2017

2019

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2017

2019

rose garden arbor, fence and gates at the end of the driveway.

2017

2019

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2019

After I had made my presentation to my client about a plan for her landscape, she shared several photographs with me. In the 1920’s, the landscape off the rear yard sun porch featured a fountain with a pergola overhead. I was shocked to see that the original landscape in 1920 was a close and original version of the landscape I proposed to my client. That shock gave way to a thought on my part that the design properly respected the history of this property.

2017 sun porch landscape

the view to the house, 2017

the view into the house, 2019.

2019

the view out and away from the house, 1920.

the view out, 2019

the reflecting pool

I am so pleased with the outcome of this project, and even more grateful for that once in a blue moon client that was on board for each and every detail.

 

The 2019 Garden Cruise

On Sunday July 21, Detroit Garden Works will host its 12th Garden Cruise to benefit the Greening of Detroit.  If you have never taken or heard of our tour, it began in 2009 when I became a member of their board of governors. Not being one to happily participate in meetings and such, I decided to put my effort into raising money for them. Since 2009, the tour of gardens and landscapes of my design or influence has raised close to 156,000.00. I could not be happier about this. Both Detroit Garden Works and Deborah Silver and Co pitch in to make the cruise and reception a reality. 100% of the proceeds of the ticket sales goes to the Greening. We pick up all of the expenses. And the project pictured above? It has been under construction since July of 2018, and yes, it will be on this year’s tour.

Nothing helps to to bring a landscape project to a close faster than a deadline.  I like deadlines, actually. They provide a framework around which to work. All of the contractors involved, myself included, have a personal interest in seeing this particular project come together. The client has everything to do with that. GP Enterprises handled the planting of all of the large trees, and an extensive drainage system and grading project. Ian Edmunds Irrigation is responsible for a very thoughtful watering system largely based on a network of drip zones. Mountain Pavers Construction, owned and operated by Mike Newman, built all of the terraces, retaining walls and steps and steppers, and a beautiful exposed aggregate driveway. The Branch Studio built a number of structures, containers, fencing and rails especially designed by me for this project. The landscape design was the first in, and the close of the installation of that landscape will be the last out.

We are in the process of sodding all of the grass areas.  That dirt you see in the above picture has a drain field and irrigation system underneath it. Countless yards of soil were added to make the grade flat. All of the landscaped portions of the yard are enclosed with aluminum edger strip. Over the course of several very hot days, all of the annual weeds have been scraped off, and the ground raked. My crew comes in at 7am when we lay sod. As much as can be done before the heat of the day sets in means the work of it is a little easier. I would think it would take every bit of the next three days to finish laying in all of the grass.  We will have it down in enough time for it to root in before the tour.

Much of the landscape was installed late last summer, and throughout the fall.  A collection of roses was custom grown for this project at Wiegand’s Nursery farm, and delivered 6 months before the installation date. A rose arbor from the Branch Studio will provide support for four Canadian Explorer roses known as John Cabot.  This very long lived and heavy blooming climber will give this arbor a run for its money. All of these other roses are fairly large growing shrub roses, thus the double wide border of Green Gem boxwood. Green Gem is incredible hardy in my zone. It will eventually be box pruned in a traditional and formal shape.

A quartet of steel boxes from Branch will hold flowers for cutting. That plant palette may change every year, depending on my client. This year’s plants were my choice. A new tall angelonia cultivar called Steel Blue is accompanied by the bicolor angelface angelonia and perfume white nicotiana.

What is my superintendent Dan S. doing here? He is digging over a drain line so he can cover it with landscape fabric, so the drain never clogs up with soil, and quits working. A landscape plan that includes a long range plan for watering and maintenance is a good plan. I always give my clients the option to prepare today for the future of the landscape. I know from my own experience that it will not get easier to tinker with my landscape as I get older. Planning for its care means I will always be able to enjoy it.

This mass of flowers will thrive in these raised beds. What gets cut for a vase in the house will hardly be noticed. The 5′ by 5′ boxes were set in a graveled spot to make cutting the grass around them a breeze.

The first round of grass transforms the look all of the work we have done on this landscape since last August.  This curving grass swath is a very wide path from the driveway, through the rose arbor, and over to the cloister pergola fabricated by the Branch Studio. Anyone who is interested in what the studio is capable of should take the tour, and see for themselves. This very large and complex structure is an incredibly beautiful anchor to the landscape.

The circle is a dominant theme in the landscape. The major landscape bed lines in the rear yard are portions of circles.  Those three radiused curves contrast and complement the rectilinear shapes of the cloister and raised planters. The center curve ends in spherical Green Gem boxwood of considerable size. A boxwood dot. Behind the boxwood? Limelight hydrangeas on the side curves, and Oakleaf hydrangeas in the center curve. The rear yard landscape is in large part evergreen, with a nod to a summer garden. Roses, hydrangeas, and more roses. The shadier parts of the garden feature perennials, dwarf shrubs and groundcover. Fragrance played a prime role in the selection of all of the plants. Roses, Peonies and phlox will perfume the garden. Even the pink snakeroot has a distinct fragrance, as does the sweet woodruff.  Dwarf button bush, lilacs, Viburnum Juddii and mock orange will add scent to the air one season after another.

That wood structure in the middle of the cloister? A fountain pool lies at the center of the cloister. The wood structure is overlaid with a tarp when there is a threat of rain. My client brought photographs of this house for me to see, after I designed the pergola and fountain. The original house had a reflecting pool, and wooden arbor in this location. In 1920. What a pleasure to see that what was on my mind had been expressed on this property close to 100 years ago.

This area was a grassed ditch when I first saw the property. The ground sloped down sharply from the foundation of the house and garage. This area now has two levels, both of which are flat and usable. Though I have previously posted about the fabrication and installation of the cloister,this picture provides a glimpse of how that structure will be integrated into the overall landscape. It also illustrates how the double walled structure with a roof overhead with create shade on the perimeter. Though the structure is comprised of many tons of steel anchored to 32 individual footings, and shadows cast are delicate and airy.

The fountain is tiled in its entirety.  The walls, steps, the bench, and the floor. The color variations are reminiscent of fountain tile of this era. The top 3 courses of tile have a strong geometric raised profile. I could not imagine this fountain coated on the interior with pebble tec, a common to swimming pools. This tile respects the architecture and era of the house. Gillette Pools has done an incredible job of installing a state of the art fountain/spa with the craftsmanship required to echo a previous era. My client and I fussed and fumed over the tile selection. What I see here seems just right.

The John Davis climbing roses are small yet, but they obligingly bloomed.  Each John Davis has a Guernsey Cream clematis to go with.

Yes, the tour is less than a month away, but this new project will be ready. I think the newness of it will enchant visitors in much the same way as I am enchanted. The beauty of the moment, and the hope for the future-every gardener knows about this. This is by far one one of the most exciting and rewarding landscape projects it has ever been my privilege to design and install. Thank you, H.

French pots on the upper terrace planted with braided ficus and white New Guinea impatiens

side yard curving landscape

Branch Studio planter boxes on a terrace

the front door

garden cruise 2019My photographs of this project do not do it justice. It will look very different on the 21st.  As in finished and ready for company. If you are interested and intrigued, buy a ticket, and see it for yourself in person. It will be worth the effort, and the Greening of Detroit will appreciate your support. The 2019 Garden Cruise has 5 other really terrific landscapes and gardens to visit as well. Hope to see you on the 21st.

Hydrangea Time

I am somewhat embarrassed about how many posts I have devoted to hydrangeas over the past 8 years. Probably too many. The varieties, the care, the pruning-I have covered this shrub as if I were a preteen age groupie. I am embarrassed about my love for the whole lot of them, but so be it.  Show me a hydrangea – chances are I will fall for it. Nothing says summer in Michigan so clearly and grandly as the hydrangeas in full bloom. Once the hydrangeas come in to bloom, I am not my usual self. My love of geometry and simplicity fades away. The romance of hydrangeas is tough to resist. It is impossible for me to be critical of any summer blooming hydrangeas. Even those that flop over at the slightest threat of rain. Do not count on me to detail what is not to like about hydrangeas. I like them all without reservation.

I grow Limelight hydrangeas at home. They are so showy in bloom, and so easy to grow. Mine are 15 years old. They deliver their gorgeous blooms every year on time, in spite of a lackluster or hurried early spring pruning on my part – or that week that I forgot to water them. They are forgiving of any bad move on the part of a gardener. They thrive with a minimum of care. They give so much more than they ask. They endow my August garden with that special garden magic I call summer. I would not do without them.

My landscape is primarily evergreen.  I like that structure that is evident all year round. But the hydrangeas blooming in my garden speaks to the blooming great Michigan summer. To follow are pictures of my hydrangea bloom time at home.

The Limelight hydrangeas take my late summer garden to another level. I am sure there are other hydrangea cultivars that are ready and willing to take a garden and its gardener in charge over the moon. Do the research, and choose which cultivar fits in your garden. In general, I like shrubs. They provide mass and texture, bloom in both the spring and summer seasons, and fall color. If you are looking for some great shrubs for your landscape, the hydrangeas are a good place to start. Shrub it up – that garden of yours.

 

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