Archives for August 2019

August

Did I spend weeks designing and specifying plant material for the shop garden this past February? No, absolutely not. I rarely think about the shop plantings until our work for clients is coming to a close. That means that I scout what seasonal plant material is still available in late June or early July. I actually don’t think it matters that much what we plant. What matters is that we plant. I am a fan of any person who plants. And doubly so for those who plant and plant again. I have no need to weigh in about what is good to plant. Anyone who plants trees, vegetables, perennials, shrubs or season plants in any configuration or design – I thank you and respect you for planting.  Planting is work, but it is entertaining and satisfying work. Making something grow is a good use of time in every sense of the phrase.

You might be aghast that the shop seasonal garden design and installation hinges on the left overs at those greenhouses where we shop, but I am used to this arrangement. I do not mind in the least bit being last in line. I relish the challenge. Any skilled designer should be able to make sense of an impromptu collection of plants they never expected to put together. Surprise is a vastly underrated design element. Surprise without angst, that is. I can always tell if a seasonal planting has been thrown together in a panic at the last minute. Last minute panic usually has that aura.  But last minute does not necessarily imply a lack of design. Designing from a very limited palette of plants available in equally limited numbers is my idea of a good time. Of course some outcomes are better or more interesting than others.

What is the most important factor in a beautiful planting? Well grown and maintained plants have to be at the top of that list. Some plants are not so much to my taste, but any well grown plant has a beauty that is undeniable. It takes effort not to admire a well grown and mature stand of shasta daisies. It is easy to pass over a planting that has had haphazard care, no matter how interesting and extraordinary the plants. The care and maintenance, as in on time watering, grooming, feeding, deadheading, dividing and weeding, is key to a beautiful planting. The window boxes pictured above get a good deal of attention over the summer. As we are in love and in business over the garden, I insist that we take great care of our plantings. The star of our show in the window boxes is a new Proven Winners angelonia known as “Steel Blue”. My grower got a number of cuttings in late, and when we were ready to plant they were looking extraordinarily good.

I am very impressed by its performance. They grow tall on sturdy stems, and they seem to handle hot and humid weather without skipping a beat. That pale carmine color is beautiful. That color so echoes the striking color of bordeaux petunias. Summer snapdragon-what a charming common name for this seasonal plant. They relish the heat, and they bloom profusely. They look especially good paired with nicotiana “Purple Perfume”, which is an all-America selection. An All America selection? Look to this designation for plants that are likely to perform beautifully throughout our summer season. The All America designation is not awarded to many. It is conferred upon plants that thrive. Lime nicotiana and creeping jenny is companionable with almost any color scheme. Green is a neutral color in the garden.

This yellow and carmine purple scheme looks great on a sunny day.

This cream yellow and lavender bicolor verbena named Limoncello tells the story of our pale yellow and purple color scheme. It is a new plant for us.

The petunias further represent the surprise combination of colors thematic to the summer planting at the shop. The color contrast is soft, and engaging. Our grower’s good supply of petunias played a substantial role in the design.

Four pots outside the front door of my office are planted with Limelight hydrangeas on standard. Those creamy and greenish white hydrangea flowers coming in to bloom are the star of the show. One pair is under planted with yellow petunias and lime licorice. The pots are large enough to permit more frequent watering the hydrangeas.

The planting on the roof is just starting to come in to is own. All of those pale yellow supporting plants? Pale yellow marigolds. Splashes of yellow cannas. The coleus “Wasabi” is planted in the back row, as it gets quite tall. It is amenable to being grown in full sun, as long as it gets sufficient water. The color is a sunny yellow – quite different than its lime green color in shady spots. Lime licorice, bordeaux and misty lilac wave petunias round out the planting. The roof boxes have automatic irrigation, as getting up there in person requires a very large and heavy extension ladder. That said, either Chelsea or Karen go up there twice a week to check on everything.  Yes, we plant. Every chance we get.

The shop garden in August.

The Landscape Finish

I have written a number of posts about this very special project that has taken better than a year to complete. I have saved the landscape finish for last, as that part had to wait for the walls, terraces, stairs, driveway and pergolas to at least be underway before we could begin. A close friend suggested that I post before and after pictures. When designing a landscape for a period home such as this, the outcome needs to be convincingly tuned in to the aura created by the architecture. Meaning it should be tough to differentiate between what was, and what is new. So before and after pictures can help illustrate that process. My client discovered a stack of old photographs in the basement after she purchased the home. The above picture she dates around 1925.

My first visit to her new house revealed a stately old home with an aging landscape. The driveway was very close to the front door. A limited planting space in front of the house years after planting produced a hedge of yews well over the bottom of the ground floor windows.

A brick wall between the sidewalk and the drive was covered with euonymus sarcoxie. Planted between the driveway and the walk, an ailing maple whose girdling roots had heaved itself and the sidewalk out of level.

A new drive positioned a more generous distance from the front door enabled room for planter boxes under the windows, and some breathing room for landscape and lawn. The house has become the focal point of the landscape, and there is sun at the front door given the removal of the maple. A lovely and existing multi stemmed serviceberry at the corner was preserved, and integrated into the new landscape.

The view into the side yard was typical of an old landscape. More than likely some plants had died over the years, and not been replaced. As the trees grew, the advancing shade proved difficult for plants in their vicinity to thrive. The ground sloped dramatically away from the house.

The finished front yard landscape renovation features that serviceberry tree. And a reconfigured grade. The replacement of the existing driveway meant its location could be changed, and the abrupt change of grade from the house to the property line could be softened. The boxwood planted across the front of the house was extended all the way across to the lot line. That placement visually extends the front yard landscape. In the center, a large break in the boxwood signaled the entry into the side garden. That side garden would become its own room with a view from a restored terrace off the sun porch. It would also serve as a transition space from the front to the back yard. The house sits on a corner, which present both problems and opportunities.

The idea was to respect the period, age and architecture of the house in such a way that it also reflected my client’s somewhat more modern aesthetic. A restricted palette of plants, and a massed planting can be both both classical and contemporary in feeling.

The side yard finish reveals the concession made to the original grade at the house.  A flagstone retaining wall 20″ high allowed for a flat surface on which to walk. I do not know how many yards of sand and soil were added to create the flat lawn areas you see in the above picture, but it was a huge number.

restored version of original side yard terrace off the sun porch

This side yard photo from my first visit dramatically illustrates the sloping grade.

detail  of that area 2017

This recent picture of the side garden was taken just after the installation of the fence and gates.The curved sections of fencing repeat the circular shape of the lawn panel, and then proceed straight to a terminus at the house, and the brick wall on the property line.

2019

2019

2017

lawn panel rear yard, 2019

This photo illustrates how the original terrace on the right side of this picture was enlarged to encompass all three sides of the sun porch. A wide flight of limestone stairs down to the fountain garden and cloister deals with the abrupt change of grade in a graceful way.  The seat height brick walls with limestone caps repeats and mirrors the exterior details of the house. This new part of the landscape looks as though it had always been there.

The cloister style pergola has been planted with John Davis and Jeanne LeJoie roses, and Guernsey Cream clematis.

2017

2019

2019

2017

2019

rose garden arbor, fence and gates at the end of the driveway.

2017

2019

2019

2019

After I had made my presentation to my client about a plan for her landscape, she shared several photographs with me. In the 1920’s, the landscape off the rear yard sun porch featured a fountain with a pergola overhead. I was shocked to see that the original landscape in 1920 was a close and original version of the landscape I proposed to my client. That shock gave way to a thought on my part that the design properly respected the history of this property.

2017 sun porch landscape

the view to the house, 2017

the view into the house, 2019.

2019

the view out and away from the house, 1920.

the view out, 2019

the reflecting pool

I am so pleased with the outcome of this project, and even more grateful for that once in a blue moon client that was on board for each and every detail.