Taking the Next Step


It was not my intent to give the impression that the time it took to write my previous post was in any way comparable to the time it took to light up that first vintage steel hoop and end up manufacturing steel light rings. In face I want to discourage that interpretation. That post was written well after the fact and in a matter of hours. The evolution of that glimmer of an idea to light up a vintage tractor wheel and hang it in a tree to shipping light rings all over the US – that took years.  It takes loads of time to move off one’s own familiar dime in search of a new way of seeing –  or being. Doesn’t it?

It was many years ago that we moved up to making light rings with multi colored light strands. White mini lights were not the only game in town, right? The hoops were fashioned from channel steel the width of which snugly held the incandescent light strings in place. The wrapping of the lights was a very formal and serious affair. Once Rob leapt off the usual and familiar, he abandoned the incandescent light strings for LED’s. The price had come down, and the expense to power them up was dramatically less. That was a crucially important step, but it meant that the hoops had to be redesigned. The ring is wider and the channel is deeper now. The best news of all of that transformation is the cost of running the lights around the clock, and close to all year long, was very reasonable. The interest in the hoops grew.

I recall a fling with LED cherry light strands. Rob does make lots of winter/holiday lighting available to customers of Detroit Garden Works. The cherry lights are just one style of many we have had available to use. We took to those cherry lights-meaning we wrapped light rings with them.  The fascination with those luminous sphere lights goes on – as well it should. I also remember a brief bead we had on various mixes of lights large and small. We were hooping it up.  Years later, a five foot ring belonging to an adventuresome client now has lighted ornament hanging in that big empty space inside the ring. Hung from an arbor at the far end of her driveway, it lights the way as much as it says welcome home and Merry Christmas. The winter lights have a sculptural intent, but they also shoo away the dark.

Rob stepped up to a version of the hanging light hoop that featured four rod steel legs. The new free standing rings could be placed in pots, or directly into the soil in the landscape. This step forward was liberating. One year a five foot light ring strung with our LED mini lights was wreathed in large galvanized snow flakes –  zip tied on to the steel circle – one 3-D flake at a time. I don’t remember how that idea came to be, but it was smashing.  Months ago, a client with existing light rings was looking for a fresh iteration. I was fussing a little and fuming plenty about what to do with them –  not seeing a clear way forward. It finally occurred to me that her lighted rings could be armatures or structures. Those rings could be the supporting cast.  A foundation upon which another independent element could be added.

I found a direction worth pursuing. Pairing a light ring with a 6′ long lighted twig garland proved to be just the thing for taking a sculptural step. This light garland is very different than a typical light strand featuring all of the lights in an evenly spaced row. Once the garland is fluffed out, it added volume to the ring without weighing it down.  The sturdily wired and lit branchlets enabled placing them both to the inside and to the outside of the ring. We featured this pairing this past week in the winter containers in the front of the shop. The long wired arms make the lights appear to be floating around the ring. Handsome, this.

Once all of our winter work for clients is done, we dress the front of the shop. This is a project we greatly enjoy, as it signals that all of our booked work is finished. The pace slows down. We take that time to sort out how we want to proceed, as we can. The centerpiece of this garden is a large and substantial cast iron vat.  Five cases of noble fir from an alternate supplier sitting untouched in a corner proved to be the largest and longest fir boughs of the entire season. We had no idea that these boxes held such evergreen gold.  That robust scale and length was just what this light ring and vat needed to make a winter container where every element is of proper proportion to the size of the space and the container.

The windowsills inside my office are deep. I would say a foot or better. I have long toyed with the idea of making that interior sill space part of the exterior winter display-and vice versa. There is no reason not to. The glass is not a barrier to seeing. We loaded small galvanized rectangles with dry foam and lights, and 4 rows of pussy willow, set them close to the glass.

Those closely spaced sticks provided a simple yet uniformly textured background to the rings. It afforded the vignette some depth. They helped to define the space. They look good!

Making the view of the inside an integral part of the outside also provided privacy from the inside out. Every step we took with this project was a step in a direction I liked.

Filling the 2 planter boxes on either side of the front door solidly with bunches of pussy willow completed the look.


Bring it on, January.

Ringing In The 2025 Winter Season


It is probably close to 15 years ago that Rob wrapped a vintage steel tractor tire hoop with a string of incandescent holiday lights, and hung it in a tree. On a whim, I might add. A hank of ten ends jute attached to the top of the ring at one end,  and a stout branch of the tree on the other end, also provided cover for the electrical cord at the end of the light string that would run across the top of the branch and back to the main trunk. Once that cord dropped to the ground, an extension cord would deliver the electricity needed to light up that ring. So unexpectedly beautiful -a  lighted circle effortlessly suspended from a branch of a tree. With no apparent source of electricity.  Magic, this. And not to mention simple. One lighted ring 3′ in diameter would speak loud and clear to the holiday and winter season ahead – every day and all through the night.

In its most basic form, a circle is a powerful and compelling shape. It has no beginning or end. The history and importance of the circle in art, engineering, music, mathematics, astronomy, design and so on dates back centuries. There is much more to the symbolism and meaning of a circle than its geometry. Very little of human endeavour does not touch on or recall the circle in some way. Every circle I design in to a landscape recalls all of that history. A circle has an aura that comes with it. Every lighted circle displayed over the winter and holiday season makes that aura visible.

That first lighted hoop gave way to a channel steel version designed by Rob in various sizes, and manufactured for Detroit Garden Works. Later came his rather brilliant design for a spiked hoop held aloft by a steel rectangle whose four long rod steel legs could be inserted into the soil in a pot or in the ground. Lighted hoops featured in winter and holiday pots and container arrangements delighted my clients. They have become a mainstay of our winter season. Soon we were shipping the lighted rings all over the country. I was so pleased to see our gardening clientele coming to Detroit Garden Works to shop for materials for that 4th season.  The winter.

Those original hanging light rings from years ago did a brave job of keeping the dreary part of the winter at bay. The dark part, that is.  Having moved the design and construction of our winter container arrangements indoors means we have time to study on the design and construction. The time constraints of the winter container season is an invitation to hurry.  Hurried work can look hurried. So we have had some time to study on those light rings, and think about how else we could use them. Or what we could add to them.

It was inevitable that given enough time and exposure, we would start to tinker with that basic light ring. Maybe a different style of light would change things up. Perhaps the ring could be a structure – an armature upon which something else beautiful and sculptural could be built. For this project, the lighted ring was lined with a diminutive evergreen garland that would connect that steel circle visually with the evergreens populating the box. The circle is stronger, and is a more important part of the composition, given the additional emphasis that the garland provides. The trio of over scaled steel pine cones that Rob had  sourced overseas anchors the ring to the ground plane of the box.

Each of the four light rings are immersed in alternating rows of red bud pussy willow stems.  Two fingers between each branch is how we space them. That thicket softens the geometry of the circle. It provides some mystery. The mass of them soften the light shining back into the windows. The twigs, and greens surrounding them suggest a garden environment – similar to and reminiscent of those places outdoors that gardeners treasure. Needless to say, I have clients that keep their light rings powered up all year round. Given how little power the LED lights draw, there is no reason not to enjoy them all winter long.

Whether the weather  obliges with one inch or 10 inches of snow, the rings will keep beaming.

Lighted Rings For Winter Pots


The centerpiece for a winter container will be all the better with the addition of light. After all, we have 12 hours of darkness this time of year. Nothing warms the winter landscape like lights glowing. Years ago it was a source of endless frustration, trying to arrange and suspend incandescent light strings in the air-so as to illuminate a twig based centerpiece. LED lighting devices are readily available now, making the job of getting winter containers to glow an easier one. Many of them so faithfully mimic a natural twig that they are invisible during the day. But no device is as beautiful, sculptural, effective, and simple as Rob’s light rings. A steel circle welded from steel channel is wound round with LED light strands that are attached every few inches with small zip ties. The rings have a base with 4 prongs that can be inserted into the soil of a container, or in the ground. The winter container pictured above was done by a good client of ours, whom we loosely coached on the finer points of our method of winter container construction. It did not take much time for him to grasp it all and run with it. This 54″ diameter bowl is home to a 5′ diameter light ring. The effect, even during the day, is spectacular. A light ring of this size needs additional ballast in the form of steel rebar, which is pounded down in to the soil, and attached to the light ring armature with concrete wire.
This picture reveals the look of the light ring from the side. We frequently make a separate foam form for the light ring, which will sit on top of the form that holds the greens. This makes for an easy installation of the light ring. Barely visible at the bottom is the triangular steel armature for the ring. This form is incredibly strong and stable.

This particular construction features ball shaped lights attached to white faux branches. As the container has white faux berry stems, the lighted sticks are readily disguised. Making the lights in a container as invisible as possible during the day is a mark of thoughtful construction. Once this container is installed, no one will see the cords, transformers and electrical strips. What will shine the brightest is that all over glow.

The light ring is first and foremost a circle. That geometric form has no end of symbolic meanings, many of which have significance to gardeners. The lighted ring is a symbol of hope to me-the hope for the light at the end of the long tunnel coming up called winter. And the banishment of the winter dark. If none of those descriptions prove to be appealing to you, there is also the simple beauty of the form, and how it can organize and add visual and emotional heft to a winter pot. I am personally fond of an arrangement that keeps the complete circle visually intact. We either cut the greens below the lights on the ring, or install short pieces.

When Birdie adds greens to an arrangement, she is always watching the effect of her placement, and not her hands. This is a difficult concept to put in words.  The hand will find the spot to insert a stem when the eye finds the spot where the stem should be.  It takes imagination and confidence to work like this. The dry floral foam is very forgiving of a placement that needs to be changed or tuned up.

Though the twigs, picks light sticks look wonderfully chaotic, the process of assembling them so all the elements are evenly and brightly lit asks for a focused hand.

I can tell by the relaxed look on Birdie’s face that she is about to sign off on this pair of arrangements.

They look fiery in the shop.  They will light the front door and portico of our client’s house in a dramatic and welcoming fashion.

The finished winter box has a sculptural presence, even during the day. It is evident in this picture that all of the lights in the ring will be clearly visible at night. Tougher to spot are the lighted white stems integrated into the dogwood branches.  They will help to illuminate those branches at night.

pair of lighted pots

Snow flurries and a garland finishes the winter warm up.


See what I mean?

A Perfect Moment

By late January, winter has an immutable grip on my zone. It’s cold, but the cold is not the spirit breaker. Its the gray. All the imperceptibly different versions of gray. The massive and almost daily uni-cloud that covers the entire landscape from the sky on down. We have weeks and weeks of it yet to go. Michigan has an impressive number of cloudy winter days. That day after day gray, on top of the cold and wintry weather, is a serious damper for anyone who lives to be out of doors. Gray days and lengthy nights ask for a little intervention. Just in case you are asking why I still have a lighted tree on my deck January 21, this is the reason. That glow from the tree is warm and inviting. It banishes a bit of the gloom. And it casts what the winter has to offer in a positively beautiful light.

It is not too many for me – having two lighted trees. This one in my side yard illuminates the entire area. People often ask me what kind of lights I use. That doesn’t matter so much, although LED lights are certainly more economical to run. What really matters is using lights in sufficient quantity to provide the quality and extent of light you want. Though this is the south side, it is exceptionally dark in the winter. The surrounding arborvitae are every bit of 14 feet tall, and their foliage turns black/green in response to the cold. They are brooding and monolithic. The tree provides just enough light to bring this part of the landscape into a winter focus. On a gray day, the tree sparkles. I don’t visit this spot so often in the winter, but I see it from inside every day and every night. The light is an invitation to enjoy the landscape from afar. Its no secret that I believe lighting and winter containers are both essential elements of the winter landscape. How and when to provide it may be addressed in November and December, but what they provide is most welcome in January and February.

Lighted containers installed in the landscape in November and December are ready for the winter weather. Containers decorated for the holidays celebrate a specific event, but once those holiday elements are removed, a winter container is set to perform over the long haul. We will have wind, heavy snow and bitter cold along with the gray. Once in a blue moon, we have a snow unlike all others. The wet sticky snow falls slowly and vertically in windless and entirely quiet conditions. The total snow fall is but an inch or two or three. But it sticks to and steadily builds on every surface it touches. The quality of this kind of snow is such that it even sticks to vertical surfaces. I have never heard a weather news caster predict such an event, but air temperature and humidity play a crucial role. The science aside, it is a perfect moment in the winter landscape. No lighted winter container is ever more glorious than when clothed in snow like this.

The same is true for the landscape. A good design is both revealed and invigorated by weather. It is a vital element in the landscape over which a gardener has no control. Some weather is entirely destructive, but there is always the opportunity to re imagine and rebuild.  Whether it be rain or snow or fall leaves, or the drop of spent magnolia flower petals, a fresh coat of weather tells a story. In the above picture, the design elements of line, mass and texture are illustrated in a graphic way. The color of the light is in especially striking contrast to the somber surrounding landscape.

Fantail willow branches sport an infinite variety of curving shapes. The snow, and a strategically placed spot light, feature not only their shapes, the the overall shape created by their placement.

To follow are too many pictures of my visit to the garden that day. I was outside at 6:45 am, and back indoors by 8:15.

 

 

The towering maple in the far left background and the weeping Norway spruce in the right mid ground have probably been there better than 50 years. The arborvitae and foreground boxwood are about 20 years old. The Princeton Gold maples in the far background were planted in 2005. After that, the large container in the side yard. Next, the hydrangeas. The arbor and John Davis roses are probably only 4 or 5 years in. Did those climbing roses look at beautiful here as they did in full bloom? Oh yes. A lot of years came together in preparation for this perfect moment. It was indeed a very brief moment. This extraordinary snowfall melted away within a few hours. The relationship between nature, the landscape, age and the ephemeral keeps me designing.