Archives for September 2009

Mossy

Aug 28 004

sept11a 009

Aug 28 008

sept11a 005

Aug 28 006

sept11 003

sept11a 003

sept9 010

Aug 28 013

sept7 002

sept7 001

sept11a 008

sept9 011

The Landscape To Go With

 

aug-28a-033Yesterday I discussed all the grading and stonework that was necessary for this project; what a relief it was to finally be putting plants in the ground!  The neighborhood association belatedly decided this wall needed to be screened by plants. They apparently did not permit walls in front yards. So I planted a slew of Annabelle hydrangeas; my clients have a great view of the wall in the winter.

aug-28a-032The upper level we did screen from the street.  Houses that sit high afford little in the way of privacy. I interspersed five little leaf lindens in a hedgerow of techny arborvitae.  The techny’s are dense, and slow growing.  They also tolerate some shade, although the plan was to keep the lindens pruned.

aug-28a-029Lindens belong to that group of trees that do not mind shaping.  I have seen old ones not much taller than 15 feet, with densely foliated heads. My lindens at my store are boxed; they have been pruned into rectangular shapes. They are a hedge high above ground.  They greatly soften the appearance of the building-originally a machine shop built in the 1940’s.  These lindens I wanted to keep in scale with the house.

aug-28d-725The house seems to sit lower than it once did.  Though the front door of the house is off center, the landscape balances the space.  The granite walled portion of the facade reads as a centerpiece, of which the front door is a part.  The landscape making much of the bluestone staircase centers the view.

aug-28d-720There were two issues driving the design of the upper level.  How could the sidewalk gracefully turn towards the front door?  The walk from the street now empties into a large rectangle of gravel; its color and size makes it read as the dominant element. The taxus viridis, naturally a very columnar yew, is planted in rows perpendicular to the house.  This distracts the eye from the fact that the property in the background is dropping downhill. The techny arborvitae at the end are actually much taller than the yews-but everything reads  about the same height.  In time, the yews could be topped level with the horizon, thus minimizing the slope down to the west.

aug-7-10-am-064Eight years later, the landscape has begun to grow in. This front courtyard is private, and simple. 

aug-7-10-am-052
One large concrete pot is planted for all four seasons of the year; it is the one landscape element that has a presence in both the upper and the lower garden.aug-7-10-am-065
The contrast between the pruned elements, and the billowy hydrangeas makes the street view a good one.

aug-7-10-am-051
Given enough time, the taxus viridis will completely frame the trunks of the lindens.  It is so good to have something in a garden to look forward to.

Lamenting September

dsc06554The last two nights the temperatures have been in the high forties and low fifties.  Great.  I am on the deck last night- in my fleece-having a glass of wine, and contemplating the end of summer.   My plants in my pots have gone from gorgeous to grumpy. What to do? The topiary sculptures I make from natural materials in the fall and winter help me face the 6 months we have coming up in Michigan when the garden is dormant. The sculptures are set in dry florist’s foam-I use the John Henry brand.  This sculpture, made from a dyed and preserved grass, preserved reindeer moss, and paper dogwood flowers, helps me to bring the beauty of the garden indoors.

dsc06886Glass can make great containers for sculptures.  This vase by the Parisian artist Vanessa Mittrani is filled with white sand to give it weight.  I seal the sand in the vase with a giant blob of hot melt glue, and wedge the foam in the top.  Paper hydrangeas, mini-roses, and paper covered wire make for a sassy little something that reminds me of the garden. The purple paper hydrangeas bring out the purple/rust color of the wire in the glass.

dsc03690I consider paper a natural material, since it comes from trees.  This combination of paper hydrangea petals, and diminuitive paper daisies describe a classic topiary cone shape.  The flowery pompom at the top is constructed from individual dried bleached seed pods.

dsc03673Integrifolia is a plant native to Australia, and probably other places as well.  The leaves hold tight to the stems for a long time; they also take dye beautifully.  This topiary began with individual leaves glued to a spherical form in a pattern reminiscent of an artichoke.  As I worked towards the bottom, I reversed the curve on the individual leaves for more volume.  The very bottom of the sphere is stuck with short branches just a few inches in length. Preserved reeds bowing out from a twig trunck make for a stem; the base is covered in preserved green seedheads.

dsc08518Paper roses on paper covered wires are a delicate contrast to the heft of dried okra pods.

2008-lobsinger-pot-3This very large scale sculpture has twigs and short birch branches for a centerpiece; the collar was constructed of fresh southern magnolia leaves.  Magnolia dries beautifully, and lasts a long time.

dsc03678The science of preserving natural materials has become quite sophisticated.  I for one would never have a house plant.  I am happy for the season where I am not a plant caretaker.  An object like this demands nothing from me; I just look.  The reindeer moss in a color they call spring green is  my idea of  good color.

october-25-pictures-0341These steel leaves are by no means a natural material, but they describe one.  The base was buttered with ceramic tile mastic, and embedded with tiny shells.  The stainless steel wire is difficult to handle; I usually have to get help from a second pair of hands to glue it in. 

dsc03675This whimsical topairy makes use of two bird’s nests made of various natural materials, sandwiched together.  I buy these long stems covered with hundreds of chocolate seeds.  After taking the seeds from the stem, I glued the individual seeds onto this base.

dsc_0006I call this a presentation box. The box itself is a photo box meant to hold 8 x 10 photographs.  Should the box never have anything in it, it will still be fun to look at. 

dsc06550
My landscape superintendent gave me a book on crop circles.  I am embarassed to say I had never heard of them.  This sculpture I made was motivated by my excitement about those circles. I stuffed the pocket created by gluing two magnolia leaves together with all manner of dried snippets from the garden.  I scratched my own version of a crop circle into the magnolia leaf around a hole in the leaf.  Today I will cut some limelight hydrangeas pinking in the cool weather to dry.  Okay, its September in Michigan.

Lost Landscape

jacobson0001I started to work on this lovely  property in 1998. Set in a forest of old trees, the house and landscape had that quiet woodland up-north feeling.  Everything I designed for this client I kept in keeping with that feeling; few properties come with an aura as strong as this one did.  A case in point; this driveway was laid out with the house in the 1920’s-and was no longer wide enough for modern vehicles.  My solution?  Edge the drive in small round native to Michigan granite rocks, and let the moss go to work on them.  Anyone over the edge with their SUV-no harm. Do no harm-this was my organizing metaphor.

jacobson-1I like formal spaces in front yards, as I like a public presentation that looks good every day.  All of us are very busy people-I like a landscape that can wait.  But boxwood or taxus hedging seemed alien to the feel of this space.  The golden vacary privet-an old plant not much in fashion since its hey day in the 50’s, seemed perfect.  The chartreuse color would light up the shade.  This very informal material used in a formal way, was a nod to the period and feeling of the vintage house, and its landscape.

aug-28d-569This picture is taken from the road. Old weeping Norway spruce were planted very close and gracefully to the foundation of the house.  I repeated this woodland feeling at the road-with a break, a view.  A brief view.

jacobson-7The gold vicary described the shape of a circular sunken garden.  What I love the most about the native Michigan woods are how quiet they are; no noise which is technological in origin. No radio, no cars, no jet skis, no boats-just quiet.  The sound of birds, wind, footsteps-these sounds are native, natural, and good.   Sinking a garden even a little intensifies the quiet.  Two simple steps of grass with round rock risers-a casual, northern Michigan detail. 

jacobsonAnd the ferns?  Everywhere.  Ostrich ferns as a groundcover-this is a beautiful look.  The texture, scale and informality is easy on the eyes, and pleasing.  Drifts of ferns really interest me as a designer.  They are bold and sculptural in big masses.  But they speak directly to the primeval forest; the look of a stand of ferns wrings all the tension out of me.

aug-28c-1024No doubt this was a shady, mossy, quiet, not perfect, natural, woodland landscape.  A grouping of funky containers and sculptures, set in groundcover on the far east perimeter, was a nod to the point of view of the client.  I love a collection of objects that band together to make a sculpture.  sept2-003I wrote last Sunday in my weekly opinion post that a ride by this treasured project of mine revealed that the client has ripped most everything out, and installed a new landscape.  I felt the shock that anyone feels when they come face to face with something so totally unexpected that blacking out seems an appropriate response.  It took me two days to recover, but recover I did. 

sept2-002My clients have their own lives, and their own idea of beauty.  They hire me-I am not a favorite aunt, or a Mom, or a daughter.  Their lives change-I am not privy to most of that.  I may be close beyond close for the duration of the project, but I am usually their fifth business.  At my age, I know who I am. I appreciate that the lives of my clients are not subject to my review.  I furthermore understand that my ownership of a project is while I am making it.  What happens after-I am not responsible, nor am I honored.  This is as it should be.

sept2-006It is not my idea to critique the new landscape-that is not the point of this post.  I am not interested in being a critic.  I am interested in writing about my life as a designer.  It is very tough to see years of work erased-no one cozies up to this.  Least of all me.  I am interested in history, and continuity.  But I do not always get my way.

sept2-008No matter how this landscape looks now, I am not unhappy about how I approached it. I have no second thoughts. I will sleep sound tonight.