Let It Be

As much as a landscape and garden evolves over time, the same could be said for a gardener. Those of us who garden probably don’t give much time to that thought, as the process can take years and really never ends.  No one becomes a gardener overnight. Just like a landscape does not come in to its own for years. I was in my twenties when I first started gardening seriously, so my process was governed by an intense curiosity tempered by ignorance. Trial by error – and more error than not. And then there was the issue of restricted funds. A sympathetic Mom bought loads of plants for me. She was never critical of my failures. Like most Mom’s, she was generous with her knowledge and support. She only wanted me to keep gardening. I had so much more energy than experience. So I threw myself at all of it like I had 10 minutes to live.


I would move plants around 3 or 4 times until I was sure they were in the right place. And maybe again for good measure. Even then, I fretted. I watered, all the while worrying that I hadn’t watered correctly. I would quit with the water for a while and then start up again. I poured over catalogues of companies that sold seeds and starts – and then agonized over which and what to buy. I bought too much. I visited every nursery I could within hundreds of miles. I could barely keep my eyes on the road for looking at the trees. I pulled the weeds and turned the soil. There were soil tests, amendments and additives to be considered. There was mulching and feeding. I edged, dead headed, divided, pruned and paced from one end of the landscape to the other.  Had my plants been able to talk they surely would have protested.  I never let or left them alone. I told myself that all that tinkering was a way of learning. Luckily, plants are very tolerant of glad handling, and can survive all but the most egregious missteps. I killed plenty of plants, and continue to do so to this day. But I garden differently now.


These photographs depict my driveway, and the landscape that has grown up around it. 25 years ago, the drive was surrounded by grass. I like grass, but I better liked looking at plants going and coming home from work. A driveway garden is an important garden, as the gardener is there almost every day. And sometimes multiple times a day. So I planted and maintained every bit of it for years. The pruning and was important, as the drive had to accommodate a vehicle coming in and going out. It would not do to have a magnolia branch scraping across the windshield. The drive surface has to be shoveled and the sticks picked up.

This small drive court was too prominent a spot to not plant up, so I did. As much as I dared. I did on occasion get called out for letting things get out of bounds. Heaven forbid any dirt or dead leaves would stick to his car. He was not a gardener. I kept the landscape on the perimeters.  This was Buck’s driveway and parking place, and I respected that. He passed on five years ago, so there was no longer any need to prune, trim, rake,  shovel, dead head and spit polish. So I have let it be. I let it all be what it wants to be now. I have not and do not intervene or maintain unless there is a dead branch or leaves to sweep up. I don’t inspect it anymore. I glance at it. Or make a trip down the driveway which is now a walking path. I don’t shovel the snow here.

winter pots

See what I mean?

The fountain landscape and garden had been planted every bit as densely as the driveway, but the time came when it had to be redone. The new group of trees – a vase shaped cultivar of tulip tree called “Emerald City” – was planted as a grove, and not in a row on the property perimeter. The sunny spots left over were carpeted in grass. The shady spots were planted with a grassy and vigorously growing perennial liriope spicata. A collection of black Belgian stoneware stools are sprinkled throughout the space.  The cedar fence was stained black, and the tree trunks were whitewashed with watered down latex house paint.

The liriope protects the tree bark from the mower. That protection does not require any maintenance. Should the liriope spread into the surrounding grass, the mower will slow it down. Grass invaded by liriope is fine by me. I am willing to let it happen, and give the natural course of events a chance. I have not decided yet what will happen as the trees grow and cast more shade. More liriope? Take note that this plant will spread with abandon, so if you have to have your hands on your garden, this plant is not for you.

The grass and liriope mix around the tree trunks-and the stools. Though there is not much too this, I find it supplies what I need from my garden now. It could be it is my most favorite garden ever. I am always glad to get home from work and go here. I pick a spot to sit.

This raised bed dating back decades is all liriope now. The stone captures it, and keeps it from spreading. I would not at all be surprised one day to see it growing through the stone.  That will be fine too.


It was not easy to get my crew to do a casually messy job of mowing the grass.  They wanted it mowed shorter. And edged. I said no.  I don’t garden like that anymore.

Good Bones

The picture above was taken in the early morning of Jan 3, 2021. I remember waking up well before dawn to a landscape whose every surface was transformed by mounds of snow. Giant snowflakes floated downward on the still air like feathers, and stuck to whatever surface they touched first. The quiet was disconcerting. My yard was truly a fairyland – the first time ever quite like this. Every shape in the landscape was faithfully described and added to by this extraordinary snow.  Within minutes of opening my eyes, I was dressed, out the door, and marveling.  I took photographs for several hours, and several hours after that the snow had completely melted and was gone. This was an incredible weather event of  breathtakingly striking and shocking beauty, the likes of which I had never seen before.

That snow dispassionately described the landscape design. I was happy about what that revealed. A good landscape composition celebrates the depth of a space by beautifully revealing its background, mid ground and foreground. Of course a landscape is a sculpture –  a three-dimensional object, if you will. Great landscape design explores that uniquely spatial quality created by land and sky-and edges. I can’t really explain what I mean by edges, except to say that everything and everyone has them. Expressing depth in a composition fuels the means by which a landscape space can be wrought and experienced. A design. Depth in a landscape composition creates mystery, and reveals surprising outcomes at unexpected or opportune moments. Some designers describe this as flow. Others describe this as rooms with transitions in between. The background space above is a thicket of tree branches indicating trees that are a ways away. The focal point of that background space is a a centrally located container with a cut evergreen tree inside. That planter box is in the front of the back – ha. The mid ground space is defined by the hedge of arborvitae that is open in the center to permit travel and views through. The gate marking that entrance and exit is overseen by a steel arbor wreathed in a pair of John Davis roses. That gate explains how the end of the mid ground space becomes the beginning of the foreground space. That arbor is centered in the transition between the front and the back. It also separates the public space from the private. The structure of those climbing roses in the snow is every bit as beautiful here as they are in bloom in June.  I mean this. The foreground space features Limelight hydrangeas, faced down by hedges of clipped boxwood, and opens up to a widening path of snow covered grass.  This composition features layer after layer of plants from front to back. What is it that makes the relationships established by this design so dramatic and clear?  The weather.


The landscape here is very simple. Lots of boxwood clipped in various shapes, heights and volumes, and symmetrically placed containers framing the walk to the front door. The containers feature fan willow faced down by cut fir boughs. This view is unexpectedly dramatic, given this rare type of snow. The snow reviewed the design, as it reduced all of the major shapes to their simplest forms. What is usually experienced in varying and often romantically subtle shades of green is presented without ceremony in black and white. A significant snowfall can reveal the bones of the design. Are they good sturdy bones?

Our most recent snow was not nearly as spectacular as the 2021 storm, but it was good nonetheless. The skirt of this container is set with cut evergreen boughs that radiate out from the center. A second set of evergreen boughs are set on end against the centerpiece. Separating the vertical fir from the horizontal is a loosely defined ring of green and white pine cones in a nest of lights. A single evergreen material has special visual interest given its multi-dimensional placement. This simple arrangement with only a few elements is all the more striking given the landscape around it.  The snow tells that story.

A different year in this location, the container sparkled with an abundance of lights. An unusually textural snow cover produced yet another visual version of this landscape. Over the course of a year or a gardening season, the weather should play a major role in the landscape design. I am an advocate of landscape design which takes a sweeping bow to that element we call nature.

Rob took this photograph of my driveway near the garage a few nights ago. I have not parked here for better than 15 years, so the landscape has grown in and over the edges of the space. I like that. I have a piazza now, rather than a driveway. There is no real need to shovel the space, as it is for viewing, and not foot or car traffic. It is amazing what an enormous difference it makes visually to make such a simple change in the treatment of a landscape space.  The snow revealed this.

That same night, the snow illustrated the transition between the driveway and the fountain garden. The pots, arbor and fence occupy that mid ground. That middle ground space can be the most difficult to define and develop in a landscape.  It sometimes involves putting an idea or an object or a plant out there in the middle and building from there. Starting a design at the front or the leading edge or the beginning is not necessarily the best or only way forward. A landscape will speak back, if you give it sufficient time. This mid ground space took many years to establish. There is no substitute for age on a landscape.

This is as close as I have been to that extraordinary snow in 2021. I am happy for it. Beautiful snow is a hallmark of our winter. Having a well designed landscape on which beautiful snow can act makes the winter season welcome, yes. The fence pictured above, punctuated by a gated arbor and flanking pots, is not that unusual a treatment of an outdoor space –  but the considerable change of level does give pause. But the simple arrangement of bold and thoughtful forms emphasizes the main idea. The legibility of intent is key to good landscape design.

Most of my landscape is going on 28 years old. That age has enriched design decisions made decades ago.  Sometimes it is good to stay the course, and see what grows.

 

The Garden Cruise July 23, 2023


Detroit Garden Works hosted its first Garden Cruise to benefit the Greening of Detroit since 2019. I feel an intense satisfaction in being able to write that sentence. Perhaps some background for those readers who are not familiar with this event should come first. The Garden Cruise is a celebration of a lot of events. The landscape design that has been my life’s work. The extraordinary relationships created with clients culminating in the building of a landscape project. The selection and placement of beautiful and appropriate landscape ornament that physically centers and metaphorically organizes the landscape in question. And those steel boxes, benches, ornament, fountains and pergolas designed and manufactured in steel by my company, The Branch Studio.  The wild shade garden portion of the landscape pictured above, which is part of the upcoming tour, features all of these things.  It was designed and planted almost 10 years ago. The rod steel sphere fabricated at Branch Studio is fixed on top of a repurposed 19th century English stone lawn roller set on end – minus its steel armature –   as a rather contemporary pedestal. That piece was sourced and purchased in England by Rob Yedinak, and shipped to Detroit Garden Works and offered for sale. The wild garden features shade plants that beautifully represent and thrive in Michigan-so hellebores, sweet woodruff, pulmonaria, brunnera, hamamelis-and hemlocks. The big old spruce had seen better days, but why remove plants of such majestic scale and presence?

These clients are extraordinary people. They have diverse interests, but to the last they are united in their love of this house which is turning 100 years old, their love of nature and the natural world, and their commitment to preservation and restoration.  The bricks and limestone slabs were part of a wall in such disrepair that it had to come down and be rebuilt. Those stone and brick elements featured in the walk above were the original wall materials they felt were too beautiful to throw away. They asked me to design something around them. We call this path from the back yard to the front yard “the history walk”. There was story telling. History and artistry. In all my years of designing and installing landscapes, this photograph of my client in his surgical scrubs touring his garden late in the day is one of my favorites.  Gardens are good for people.


They also have a big love for entertaining outdoors in the summer. I drew a 20′ diameter circle on the site plan, and wrote the word POOL in the center. Ha! That ignited a firestorm of discussion, most of which had to do with not wanting a round pool. I was able to persuade them that round entertaining spaces are so friendly. And that it would fit handsomely in their oddly shaped lot. I was able to persuade them, once the shock of the suggestion had faded. A final design featuring the change of grade between the house and the rear lot line looked exactly like who it was for.

That is an essential part of a successful landscape design – a relationship that enables work that looks like it belongs to the client and their property.  This landscape has been on the tour before, but the way in which it is evolving and maturing makes it well worth another visit.


These clients have invested 25 years in the landscape and gardens on their 7 acre property. They went so far as to purchase the house next door, as it would complete and make whole a natural feature of the land. What an extraordinary thing to do! The property is packed with gorgeous mature trees – some usual fare, and some rarely seen outside of an arboretum.

In recent years I have been involved in the landscape design of those areas adjacent to both the main house and the getaway house. This portion of the landscape has a distinctive contemporary feel that is quite formal. The allee of columnar hornbeams pictured above is at the beginning of a very unusual trimming protocol. The outsides of the trees will be pruned flat, and the interior will be a celebration of the natural arching branches of these trees.

Adjacent and perpendicular to the broad gravel pathway which connects the main house to the other is a 50′ diameter circle of liriope spicata. The texture and mass generated by this single plant is stunning. On a breezy day, it is constantly in motion. What is perhaps the most amazing is that these clients maintain virtually the whole of their property themselves. I am not sure how many containers they have filled with seasonal plants, but that number is big.


In additional to small seating areas sprinkled throughout the gardens, there are plenty of places near the house to leisurely sit and enjoy the out of doors.  They have devoted considerable effort to providing a large terrace, pergolas, and furnishings to host friends and family comfortably for meals, parties and celebrations. Plan to spend some time exploring this landscape.

My landscape and gardens have been on the Garden tour every year since they began in 2008. A visit was mostly about how plants had grown.  The only substantial change from year to year was the container plantings. This year is not so much different, except for the deck and fountain garden.

I do have new furniture, and a mix of  of pots. French glazed pots from Terre Albine so enchanted me that I had to have some at home. All of these particular pots were broken from a series of unrelated mishaps. One of the fabricators at the Branch Studio was able to piece them all back together. I like that these beautiful pots still have a place in a garden, and I love them in my garden.
I am not posting any pictures of the fountain garden. Better that you see it in person. It is completely and shockingly different than it once was. Everything has a life span, including a landscape and garden. This part of my landscape has only been in 2 years.

This client has always had an interest in plants and flowers, but he has a fairly new and more substantial involvement. I was able to redo areas of the landscape to feature more ornamental plants and containers. He is watering his pots when they need it, and keeping his eye on all of the plants.

He is thoroughly enjoying what pleasure the outdoors can provide to people.

A large scale pool which is an entertainment focal point for his family and friends now has the ornamental gardens to go with. A mature hedge of Green Giant arborvitae provides a gorgeous backdrop and lots of privacy to the pool deck. In the immediate foreground is a series of three steel planter boxes fabricated at Branch. A section of a boxwood hedge was removed and planted elsewhere in favor of a seasonal flower display.

This landscape features a formal front yard composed of masses of spherically pruned Green Gem boxwood, boxed smaller scale Green Gems, and Venus dogwoods. A hedge of limelight hydrangeas encloses it all.  This pattern of planting encloses a spacious drive court. The house sits high on a rather steep hill, so parking near the house was a landscape priority.

The back yard with literally no flat space has been transformed by a 3200 square foot wood deck made from Ipe. The far end of this deck is 11 feet above the existing grade. Inset in the deck is a three sided infinity edge pool and waterfall. At the far end, a large scale pergola designed with louvered roof panels for shade by Branch Studio provides a shady spot for lounging and dining. The surrounding landscape is informal and lush.

I do hope as many of you as possible who are reading will attend this Garden Cruise on July 23, 2023 from 9am to 4:30pm, and the cocktails and pizza dinner reception to be held at Detroit Garden Works afterwards. So many have asked me to sponsor a tour again, and to write again. I am doing both. It will be an excellent tour well worth the time of any person for whom the garden is a way of life.

All of the proceeds of the ticket sales – 40.00 for the cruise, and 55.00 for the cruise and reception –  go to benefit the programs of the Greening of Detroit – an organization whose work I think is crucially important to the City of Detroit. For further information   www.thegardencruise.org     Tickets can be purchased over the phone or in person at Detroit Garden Works.  248  335  8057.

Some Thoughts On Places and Spaces

What are we looking at here? Lacking any recognizable objects or context, it is tough to tell. As this is not a quiz, I will identify it. A 10 foot tall concrete block wall behind Detroit Garden Works, covered with the skeletal branches of Boston Ivy, has a hat of windswept snow. Behind and above it is a typically and uniformly gray Michigan winter sky. This is a verbal explanation. But the story told by the photo is not about what it is, or where it might be. It is about how colors, shapes, textures and volumes compare, contrast and relate to one another. The color of the sky is so uniform that it appears flat. The snow roll looks volumetric and sculptural, courtesy of a variety of colors in tones of gray and white. The fanciful story is how that substantial shape of gray space is weighty as there is so much of it, and in the process of bearing down on the wall, it is squeezing a textured and frozen bead of snow over the leading edge of that wall. Another rhythmic interpretation might be that the dark textured shape is rising to meet the light shape, and what oozes out once the two shapes meet appears to have depth and volume. Freed from a discussion of what we are looking at means there is an opportunity to see relationships in a composition on an abstract level. What role does seeing abstract shapes have to do with landscape design? Great landscape design begins with the bones.  And the bare bones can readily and most easily seen in the winter. Looking at a landscape critically in the summer season is difficult. It is easy to get distracted by the flowers, weeds, leaves, scents, sounds, the neighbor mowing his lawn, and all of what else goes on outdoors in the summer.      The winter is very quiet. I am a solitary visitor to my garden. I am not distracted by weeding, watering, dead heading, smelling the roses, serving dinner or working out issues from my client’s gardens. My mind can be as blank as the winter sky, should I tune in to the landscape around me, and let it speak. The winter season is the perfect time to be receptive to the landscape speaking back. It is a time to rest, reflect, reminisce, and reconsider. It is a time when there is enough time to think. It is also a time to take advantage of how winter weather recasts a landscape in a simple and abstract way. The above photograph is nature’s snowy rendering of my fountain garden. All of the textural details of the landscape have disappeared. The snow has recreated the flat land in this garden in an intriguing and sculptural way. What will I conclude from what I see? That large undulating space that ramps up at the fountain’s edge that occupies most of this garden place is intriguing. Actually grading the ground around my fountain in this way would be difficult and certainly contrived. But I certainly could test that theory on a small scale in the spring. Strongly sculpted soil would not necessarily be compatible with the other landscape elements already existing. There is no harm in passing by what a snowstorm suggests. However, it is striking that there is no landscape element in the foreground framing or defining that view out. The bottom edge of this two dimensional photographic rendering of my landscape has nothing to say. I see that now. What would it be like to look through the branches of some trees to the fountain? Large tree branches in the immediate foreground, and the background tree branches that look smaller as they are a distance away, would provide a visual description of the depth from near to far. A landscape design that creates visual depth from a view can be a very successful landscape indeed. The winter is making me rethink this portion of my landscape.

The winter reduces a landscape to its simplest iteration.  All that remains are the big gestures. A heavy snow amplifies those bones and makes obvious the relationships between the occupied places, and the empty spaces. This photograph after a heavy snow storm at the shop is a landscape of a different sort. How we arrange garden ornament is suggestive of the possibilities to gardeners who shop our place.

The place occupied by a pergola in this landscape is both a place to be, and a place to see. What permits a clear description of the place is the empty spaces all around it. The snow strongly describes that emptiness. There is a balance between that richly layered structure, and its minimal environment. That will change some, when the climbing roses grow. But their footprint on the ground plane will be vastly less complex than the expanse of roses up towards the roof. In the summer, that ground plane will include grass, gravel, limestone stepping stones, and a fountain surround. In the winter, all of the detail washes away, leaving only an abstract description of a strongly uniformly flat plane. That plane is a place for that pergola to be.

This drone photograph is courtesy of the Sterling Development Co. This bird’s eye view reveals the relationships forged between densely populated places, and empty spaces. I will confess that I was pleased to see this photograph. The drawing of this landscape is quite similar to this photograph. I was happy to see that the plain spaces-the roof of the house, the grass and the terrace – feature the pergola and the property border landscape. There is a balance struck between places and spaces. There is a tension created by that contrast that is interesting and satisfying. To my mind, anyway. I am a designer with a certain point of view.  You may have other ideas.

A wet, windy and heavy snow storm describes a window captured all around by a galvanized metal hat, a window box below, and a pair of shutters on each side. This stripped down winter version of the landscape scene describes the window in a way that challenges and informs my decisions about how to plant those boxes.

Years ago I planted some scotch pines on standard in giant casks Rob bought in Belgium. This winter version of that planting is a study in scale and proportion. The contrast of empty and active spaces. The heavy snow on the boxwood and scotch pine, and the windswept snow coating the north side of this cask made me realize that our winter weather distills the relationships between places and spaces in a way I never could. The winter season can be observed, and much can be learned from it.

The snow hat on this finial, and the simple heft of the column supporting it are all the more beautiful for the snow covered branches surrounding them.

The snow is not always a blanket that obliterates every detail. Some times it describes the most ethereal of gestures.

If you are a designer for yourself or others, I would take advantage of the what the winter season has to offer.Truth be told, it is not an off season.