The Landscape Finish

I have written a number of posts about this very special project that has taken better than a year to complete. I have saved the landscape finish for last, as that part had to wait for the walls, terraces, stairs, driveway and pergolas to at least be underway before we could begin. A close friend suggested that I post before and after pictures. When designing a landscape for a period home such as this, the outcome needs to be convincingly tuned in to the aura created by the architecture. Meaning it should be tough to differentiate between what was, and what is new. So before and after pictures can help illustrate that process. My client discovered a stack of old photographs in the basement after she purchased the home. The above picture she dates around 1925.

My first visit to her new house revealed a stately old home with an aging landscape. The driveway was very close to the front door. A limited planting space in front of the house years after planting produced a hedge of yews well over the bottom of the ground floor windows.

A brick wall between the sidewalk and the drive was covered with euonymus sarcoxie. Planted between the driveway and the walk, an ailing maple whose girdling roots had heaved itself and the sidewalk out of level.

A new drive positioned a more generous distance from the front door enabled room for planter boxes under the windows, and some breathing room for landscape and lawn. The house has become the focal point of the landscape, and there is sun at the front door given the removal of the maple. A lovely and existing multi stemmed serviceberry at the corner was preserved, and integrated into the new landscape.

The view into the side yard was typical of an old landscape. More than likely some plants had died over the years, and not been replaced. As the trees grew, the advancing shade proved difficult for plants in their vicinity to thrive. The ground sloped dramatically away from the house.

The finished front yard landscape renovation features that serviceberry tree. And a reconfigured grade. The replacement of the existing driveway meant its location could be changed, and the abrupt change of grade from the house to the property line could be softened. The boxwood planted across the front of the house was extended all the way across to the lot line. That placement visually extends the front yard landscape. In the center, a large break in the boxwood signaled the entry into the side garden. That side garden would become its own room with a view from a restored terrace off the sun porch. It would also serve as a transition space from the front to the back yard. The house sits on a corner, which present both problems and opportunities.

The idea was to respect the period, age and architecture of the house in such a way that it also reflected my client’s somewhat more modern aesthetic. A restricted palette of plants, and a massed planting can be both both classical and contemporary in feeling.

The side yard finish reveals the concession made to the original grade at the house.  A flagstone retaining wall 20″ high allowed for a flat surface on which to walk. I do not know how many yards of sand and soil were added to create the flat lawn areas you see in the above picture, but it was a huge number.

restored version of original side yard terrace off the sun porch

This side yard photo from my first visit dramatically illustrates the sloping grade.

detail  of that area 2017

This recent picture of the side garden was taken just after the installation of the fence and gates.The curved sections of fencing repeat the circular shape of the lawn panel, and then proceed straight to a terminus at the house, and the brick wall on the property line.

2019

2019

2017

lawn panel rear yard, 2019

This photo illustrates how the original terrace on the right side of this picture was enlarged to encompass all three sides of the sun porch. A wide flight of limestone stairs down to the fountain garden and cloister deals with the abrupt change of grade in a graceful way.  The seat height brick walls with limestone caps repeats and mirrors the exterior details of the house. This new part of the landscape looks as though it had always been there.

The cloister style pergola has been planted with John Davis and Jeanne LeJoie roses, and Guernsey Cream clematis.

2017

2019

2019

2017

2019

rose garden arbor, fence and gates at the end of the driveway.

2017

2019

2019

2019

After I had made my presentation to my client about a plan for her landscape, she shared several photographs with me. In the 1920’s, the landscape off the rear yard sun porch featured a fountain with a pergola overhead. I was shocked to see that the original landscape in 1920 was a close and original version of the landscape I proposed to my client. That shock gave way to a thought on my part that the design properly respected the history of this property.

2017 sun porch landscape

the view to the house, 2017

the view into the house, 2019.

2019

the view out and away from the house, 1920.

the view out, 2019

the reflecting pool

I am so pleased with the outcome of this project, and even more grateful for that once in a blue moon client that was on board for each and every detail.

 

Cornus Kousa

From the Missouri Botanical Garden website, read the following about the kousa dogwood. “Cornus kousa, commonly called Kousa dogwood, is a small, deciduous flowering tree or multi-stemmed shrub that typically grows 15-30’ tall, with a vase-shaped habit in the early years but eventually maturing to a more rounded form. Bloom occurs in late spring. The showy parts of the Kousa dogwood “flower” (3-5” across) are the four narrowly pointed petal-like white bracts which surround the center cluster of insignificant, yellowish-green, true flowers. Flowers are followed by berry-like fruits (to 1” diameter) which mature to a pinkish red in summer and persist into fall. Fruits are technically edible, but are usually left for the birds. Oval, pointed leaves (to 4” long) are dark green, but usually turns attractive shades of reddish-purple to scarlet in autumn. Mottled, exfoliating, tan and gray bark on mature trees is attractive in winter.

This matter of fact description does not begin to address the beauty of a kousa dogwood in full and glorious bloom. I doubt I have ever written about them in the 10 years I have been publishing my garden design journal. Primarily as I have never ever seen them so spectacular in flower as they are right now. The kousa dogwood is native to Japan, Korea, China, and Taiwan.  They are rated as hardy and thriving in zone 5 to 8, but my experience suggests they can act a little hostile towards our baking summers, and heavy clay based soil. They seem to favor thin compost rich soil on the acid side that drains in a twinkling of an eye. I do find they perform better than American dogwood (cornus florida) in general.

My theory seems to have some support. This has been the rainiest and coolest spring I can ever remember. We have had many more rainy than dry days. It was 48 degrees this morning, and barely 60 degrees this afternoon. The ground is completely drenched. I make an effort to stay out of the garden, even if it means the foot tall weeds are getting closer to 2 feet tall. The grass is squishy. For the Kousas to put on such a rare show of extravagant bloom says there is definitely something in the air that they like.

The actual flowers are small and insignificant.  All of the show comes from the four stiff bright white bracts that surround the flower. In a stellar year, those thousands of bracts overlap one another to produce a solid sheet of white. Even at maturity, a kousa dogwood is small enough to comfortably place in an urban landscape. Sited with some afternoon shade, a routine source of water and great drainage, all a gardener has to do is wait for that one year when all the stars align for a super bloom.

Should you be one of those people who drives the neighborhood to look at holiday lights, a cruise might be in order.  You can spot them for at least a block away. Out of flower, they have handsome foliage, and even more handsome exfoliating bark when they are older-but the star of the once in a blue moon show are the flowers.

In 2009, a hybrid of Cornus Kousa, and the Pacific coast dogwood, Cornus Nutallii, was introduced from the breeding program at Rutgers University. Again, from the Missouri Botanical Garden website:  the dogwood “Venus”  These four trees planted in the tree lawn at my house are young, but they will grow. Even at a 2″ caliper size, I can spot the flowers from several blocks away.

This hybrid is hardier than either parent.  They thrive in full sun, and grow fast when they are happy. The flowers can easily reach 6″ to 7″ in diameter. We have probably planted better than 100 of them since 2011, with only a few losses. They are a little shy to bloom until they have been in the ground for a year or two, but once they start, they are stop you dead in your tracks gorgeous.

They rival the magnolias for the showiest spring flowering tree.  As with Cornus Kousa, Venus flowers in June, avoiding late spring frosts that so often damage the flowers of magnolias.

A pair of small trees I planted 3 years ago are covered with flowers this year.
This shade garden planted some 4 years ago for my clients features a pair of Venus dogwoods. They are especially happy to have them this year.

Cinderella

A client asked of we would be able to light a pair of London Plane trees that we planted on either side of her driveway near the road – for the winter season. Of course I said yes. But I should back up. To say that we planted them warrants further explanation. I asked Ralph Plummer, owner of GP Enterprises, to locate, secure and plant a pair of London Planes of substantial size at the street entry of a landscape I designed and installed.

He obliged with a pair of eight inch caliper Planes that topped out at nearly 30 feet tall. I like big elements in the foreground of a landscape composition. That size is a request to focus and a visual invitation. These giant trees frame the view ahead. I had been absorbed with the installation inside the gates. My client made a request to me for a pair of big framing trees outside those gates. I can assure you flat out that my best projects as a designer have a committed and passionate client as a partner.

So back to the lighting of these trees. Of course Rob backed us up at Detroit Garden Works with LED compact string lighting strands that were 110 feet in length, and featured 2000 lights each. We wound the trunks and major branches horizontally with these strands – lots of them. This day in November was 20 degrees. The weather was an enormous challenge to the work, but that is not news where gardening is concerned.

Our lighting via ladders took us up close to 20 feet. My client called to ask when were we coming back to do the rest? I should have known that the limit of our reach on our ladders was a self imposed limit. If the sky was the limit, I was going to need some help. Mike Shecter sent two of his people over with a lift. That machine enabled them to wrap both of the trees much closer to the top.

There are a few landscape companies in my area that offer holiday lighting, but that is a very specialized niche. The purchase and maintenance on a piece of equipment like this has to be very expensive. Not to mention the workman’s compensation policy on people who are working this high off the ground. I was happy to get some help with this project, and even happier that I do not own this machine.

Trees densely wound round with lights is not especially unusual. Many commercial businesses feature very elaborate lighting schemes for the holiday season.  I understand why. The light is dazzling, and uplifting. As in festival of lights. As much as I loved this look, something was missing.

We put together a pair of light garlands in our shop, featuring 100 feet of LED compact lighted zip tied to a corresponding length of LED strands with the larger C-7 size bulbs. As there was no way to draw or describe the installation of the garland, I was part of the install crew. We laid the garland on the ground, and dragged and pulled it until it described a large circle on the ground all around each tree. A ladder, a 6′ 2″ tall person, a 10 foot bamboo stake with a hook at the top, and 4 support people were all we had in the way of equipment.

The lowest point of each loop/swoop is just about 6′ 2″ above the ground. It was easy to have Colin stand underneath the loops so we knew how low to make them. As bright as they are at night, these lights are a little tough to see during the day. The tops of the loops were secured to lighted branches via a zip tie. Having learned this the hard way, I would recommend tagging the ends of each strand of lights with its own zip tie. The technology of these lights is amazing, but they are by no means perfect or foolproof.  If you have a strand go out that cannot be fixed with a new transformer, you want to know the location of the end of that faulty strand. Trying to find it on a cold winter’s day is exasperating, especially considering that this work is next to impossible to do with gloves on.

The gardens added a whole other dimension to the lighting scheme. What was impressive in its scope was now a jewel in the landscape. They have that aura of romance.

I posted this picture that David took the other morning at 8am on instagram. Landscape designer Susan Cohan commented: “Cinderellas!” What a wonderful way to describe them! Though London Planes are stately trees with gorgeous exfoliating bark and luxuriously large leaves, dressed in lights and wreathed in garlands, they are the stuff of fairy tales. Wrought from a very static and hard material, the effect is graceful and dressy.

The snow a couple days ago adds yet another dimension-the warm fire contrasting with the cold ice and snow. Winter lighting and weather play off one another in a way that provides a lot of visual punch while the garden is dormant. They shine forth on all but the sunniest winter days. As sunny winter days are few and far between in my zone, I would not do without the lighted winter landscape.

Several of these pictures were taken by my client. I know she is enjoying them.

I am hoping they make her feel like Cinderella.

Growing On

Picture this, from fifteen years ago. Nicole and Ross had a mass planting of yews original to their house right up against the foundation of the right side of the house, and enclosing the front porch. They had gotten large and leggy,  as yews frequently do. The house has a distinctively low and wide profile that was overwhelmed by all those yews. The house could barely breathe. The only other landscape elements existing were trees-a large gleditsia, or honey locust, and a very large and imposing American elm.

I told them we could move the yews away from the front porch and foundation, and plant them in a spot that would provide a little privacy from to their front porch and door without looming over them. I couldn’t wait to dig them out and move them. We also removed the concrete sidewalk that came from the drive, and ran along the near foundation to the front porch. We closed off that side entrance to the front door by moving one of the iron panels from the center front of the porch to the side. I envisioned a new walkway that would lead visitors to the middle front of the porch, placing them face to face with the front door.

There would be some private space in front of the porch. The trunk of the big honey locust  would provide a sculptural element.

 

The front yard was a large grassy area completely open to the street. Those yews were all different sizes and heights, but we hoped to groom and prune them to encourage them to grow better at the ground level in the future. In an effort to speed up the process, we installed parallel row of new and smaller yews on the inside, to hide the bare legs you see in the picture above. We planted boxwood next to the foundation of the house. This smaller growing evergreen would not overpower their low slung house or windows. Foundation plantings need to be respectful of the architecture that sits on that foundation. A landscape should feature the most prominent feature, not engulf it. The location of these yews had everything to do with a capped pipe sticking up out of the grass – flagged in the above picture.  It could not be moved or removed, so we landscaped to disguise it.

At the end of this renovation, we installed a stone walkway with concrete tiles, running in front of an old cedar adjacent to the drive. I placed and planted a fern leaf beech in the lawn, and a tricolor beech to the right of the picture window. It did not seem like much at the time, but growing time would favor what had been done.

A month ago they called.  Everything had grown a lot, and some things not so much-could I come and take a look. The boxwood had grown so much that the stone path to the front door looked and functioned more like bed edging. The big honey locust had gotten a lot bigger, meaning that moss had all but overtaken the grass and the stone landing in front of the porch. The tricolor beech had grown in handsomely.

The interior row of smaller yews had not fared so well.  The shade from the locust, beech, and the old yews had about done them in. Even though the original yews were as leggy as ever, they now completely blocked the view of the front yard.

The American elm is now of enormous size. It must be better than 80 feet tall, and the canopy casts an enormous amount of shade in all directions. To the left in this picture, a white pine that had also grown out over the lawn.  Behind the white pine, a huge branch of the honey locust hanging over the yews.

The south face of the yews was more than decent, as it had much better light. They had grown several feet taller, and they did a great job of screening the pipe.

But the house side view presented a much bleaker picture.Yews are amazingly shade tolerant, but there is a limit to what they can take. A number of the smaller ones had been pruned, or browsed to death by deer. The arborvitae at the end of the yews was in much the same shape-too much shade for too long had taken its toll. It was too big and in too poor a shape to make it worthwhile to move.

It did not take long to get those yews out. Nor did it appear that something was missing from the landscape. The shade has become a major element of the landscape. The trees and the shade-atmospheric.

The biggest surprise was the fern leaf beech.  That 4 foot tall tree had grown incredibly tall and wide in 15 years. It seemed like the landscape needed little beyond what the beautiful trees were already doing there.

The trees are large enough now to provide some privacy from the road, and frame the view out to the treed lot across the street.  There is a long view now from the house, out.  We did add enough soil to level the ground, and we seeded the area with a sun-shade grass mix. However, I feel sure that the moss will reclaim the area from the grass in short order.

We enlarged the sidewalk by 18″ from the drive to the porch terrace. Once we got close to the locust, we quit digging for a base for the stone. I had no intentions of cutting into the surface roots of the tree. We had some flagstone stockpiled at the landscape yard that was a pretty good match.  Once the surface of the stone ages, and the moss fills the gravel joints, it will be difficult to tell that the walk had ever been disturbed.

The view from the drive is inviting. The wider walkway makes it possible for two people to walk side by side.

The landscape lights were readily relocated, as were a trio of vintage concrete mushrooms.  They have taken on the job of screening the pipe in the grass.The tricolor beech, and a pair of vintage stone ravens on pedestals are beautiful and distinctive.

The view from the street will be greatly improved once their arborist comes to cut the dead wood out of the locust, and the suckers from the base of that incredible elm.  The lower trunk of that elm is spectacular, and will easily be seen from the walk and the street. I know my clients will continue to take great care of all of their trees. The healthy American elm is ample evidence of that.