Walkways

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Strictly speaking, walkways are about transportation. The washing machine that needs to get to the laundery room, the guests for a dinner party, hauling soil in a wheelbarrow to a bed in the garden-all kinds of activities rely on the walkway.

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This does not mean that the utilitarian route shouldn’t be scenic.  This generously sized slate walk has some beautiful curves; a curved walk invites lingering and looking.  The walk is plenty wide enough at the drive to swing the car doors open, and drop off multiple guests.

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This is one of my favorite walkways. I managed to persuade my clients to install a wood walk; they were dubious both about its serviceability, and its longevity. However, it used to be that all roads were made out of wood; they fell for this.  4″ by 4″ pressure treated lumber, in 8′ lengths, were routed to look like bricks.  The boards were laid over a 8″ deep gravel base.  After 6 months exposure to the weather, I was able to stain it black.  It has been in place a good many years now.  The new owners of the house re-stain it every few years. The ends of the taxus hedges have fence posts of the same material, capped in rusty steel ball finials.

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Not all walkways need to be a hard surface; grass makes a beautiful walk.  These gravel troughs signal the change from the lawn, to a lawn walk.  The length of the gravel trough gives visitors plenty of time to contemplate the massive door, and what might lie behind it.

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Some walkways belong to a terrace, or a series of terraces. The identical material and pattern gives visual weight and grace to this walk between terraces.   The aged cut limestone tiles, punctuated with limestone dots, is a striking way to get from here to there.

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Some walkways are more about defining a view, than transportation.  I can attest to the fact that having pushed a wheelbarrow along this path countless times, I would much rather look at it, than use it. The simple stepping stones describe a view without intruding on it.

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Some are fortunate to own homes where the old or original materials still exist.  This house built in the 1920’s was graced with with a walk of old granite setts.  As they had heaved about with the frost, and were a little dicey to walk on in the winter, the entire walk was taken up and reset. This was a bit of maintenance that counted for much;  this old walk softens the newness of the new landscape.

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This steel and concrete walk is sharply contemporary.  The softly trimmed hedges of blue arctic willow are a great contrast.  There are so many good ways to get somewhere, are there not?

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In my opinion, the walkway to the pearly gates looks pretty much like this.

The Proverbial Deck

As much as I try to have great enthusiasm for everything in a garden, decks leave me cold.  It isn’t the wood; I like wood outdoors.  Its wood in the air, and those heavy wood railings that seem so standoffish and separate from the landscape.  This deck was barely above ground, yet it had heavy looking wood railings that intruded on every view.   Its construction was more about not wanting to level the ground, than creating a garden surface to live on. 

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My biggest design concern for a terrace surface is what you see, when you are seated.  In this case, what you see are bars.  This makes the terrace a jail, not an integral part the landscape.  Though I realize that some terraces are so high up that it would be against code and just plain dangerous not to have railings, there are other ways of handling those rails. In this case, no rails were really needed.
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There is a beautiful view here that is blocked.   I was able to persuade this client to ditch the deck, as a side note to designing and installing a swimming pool.  One thing leads to another; I count on that sometimes.

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The property had considerable elevation and pitch, but the house was sited on the end of the property with the smallest space.  I designed an L-shaped infinity edge pool, for which we still needed a variance to obtain a permit.  We were too close to the lot line in one area; we would eventually install a hedge of arborvitae to completely screen the pool from the neighbors.

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Pool construction is a dirty and lengthy business.  The corner of the dreaded deck seen at the lower left edge of this photo explains the extent of the grading work necessary.
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Pools usually have tile set in the space between the grade of the water, and the grade of the top of the pool. Just like a bathtub, pools get rings that need to be readily cleanable.  The pool wall below water gets cleaned mechanically by whatever filtration system a client chooses.  We chose small pale blue glass tile, as my client wanted a light colored pool interior, that would look blue.
 102 I like dark surfaced pools that reflect whatever is in the sky.  However, some people do not like jumping into water where the bottom is not visible.  Its a matter of personal preference.  This pool thus has a white pebbletec surface.
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Full of water, this pool is azure blue; it was just what she wanted. Once the pool was finished, we built the stairs, and poured 3′ by 3′ concrete tiles with a terrazzo like surface for the pool deck.  Then it was time to deal with that original deck.�
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Happily she agreed to tear it out, and start over.  We built a deck from cypress, with mini-decks that cascade to the pool deck surface. A pool cabana with a mini kitchen and bathroom keeps all the pool activity outdoors.  It is a clean simple look.
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The pool area has plenty of pots that she takes care of herself. The deck is competely integrated into the pool garden.   Its a lively space perfect for entertaining.  The  simple landscape is is part of the space.  There is a beautiful view to the pond now.  She says she feels like she is on vacation every day-which is exactly what she told me she wanted. 

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Stone

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Stone has been used as  a material in the construction of buildings and gardens for centuries.  The Midwest has large deposits of limestone; when quarried, it is commonly referred to as Indiana limestone.  It is soft enough to machine , cut or carve.  It is an ancient material , of the earth.  It is not surprising to see it in many forms in the garden. Old stone or new, what does it matter?  Natural stone is a living material.
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Ornamental stone vastly predates the modern and sophisticated machinery we have now; many old garden pots and urns were handcarved. I planted this delightful old French stone urn with one 4″ plant of sagina subulata; it would be equally as beautiful unplanted. The stone is darkened with age; the object has history, in a visible form.
15 Montreal has many stone buildings.  It seems sensible that a City build in such a fierce climate would be made of stone, for permanence.  This feeling of permanence  gives garden objects, made of stone, great cache.  So many things in a garden are ephemeral; the stone by contrast speaks quietly to great age.�
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This building in the Old City of Montreal is now the Hotel Galt.  Its modern interior is fashioned of glass, polished concrete, molded urethane, wood, woven steel drapes-very modern materials.  Besides being a fabulous place to stay, it is a striking example of how building materials have evolved. Much of my fascination with English, French, and Italian gardens has to do with their history-their age. Newly placed limestone still holds the promise of history to come.

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The limestone step in the foreground here has blackened with age.  Limestone is porous enough to host very slow growing colonies of lichens and other plants. Many old stone pieces show the effects of coal used for energy.  Old ornament from England can be dated before, or after, the Industrial Revolution, by its surface.  Some limestone steps are actually worn down in the middle from many hundreds of years of foot traffic.

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This 19th century cistern was carved from a solid block of stone, and was probably used as a watering trough for livestock.  Filled with water, mosses and lichens flourished on its surface.  Placed in a client’s garden as a fountain, the exterior of this cistern now is velvety green with moss.  This centuries old piece is still working.

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This old carved limestone seat is supported at either end by large barely shaped pieces of volcanic rock.  Gone now, I hope it went to a shady moist garden that keeps its old plant life alive.  The base of this organic and natural volcanic rock is formally carved; the hand of a person is evident.�
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This terrace has a patina only time in a garden, exposed to the weather,  could produce.  Gardens need time; no doubt the best time to start gardening is right now.

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These old English limestone benches are more sculpture, than seating.  The giant maple that shares the space with them has heaved them topsy turvy. I have no idea to level them.  This vignette is a side story about stone.  It’s a big story about nature.  It’s a good story.

A French Style Country House

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I have lots of clients that make good moves, architecturally. I marvel at how people manage to build beautiful homes-no matter the problems.  The problems don’t show in the end; this I like.  I would never want a visitor to any of my gardens to be burdened with a discussion of what didn’t work. I just want them to enjoy what they see.   I am probably old school in this regard.    The interiors of my client’s houses so represent a working knowledge of design, a clear vision of what they need to live, and lots of  personal touches. Naturally, they like that same visual discussion outdoors.

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This really beautiful French country style house was hidden behind an early and not so compelling landscape; my clients knew this full well.  An ancient spruce under attack from gall, that hid the house was taken down.  Don’t think I take old trees down capriciously-I do not.  This spruce was fast approaching the end of its lifespan.  I did not want to design around it. 

french1The property had steep grades, and drainage issues both. I made use of a bulldozer.  That machine of mine can make quick work of a lot of ills. Just being able to see the front door was a big improvement.    

I had in my mind that big Belgian made wood boxes would benefit this landscape.  The wood repeats the wood of the shutters, and makes a statement in support of the country French idea in place from the start.  I had the idea to pick up where they finished with the house.  Those wood boxes were key.

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Though the landscape scheme is very simple, it is a formal scheme dressed down by an unpruned hedge of taxus densiformis. Two tall boxes, and two shorter ones in front seemed appropriate.

A formal statement can be formal to the nines, or gracefully reminiscent of formal.  Each project, each house, each client-I try to respond in such a way that the end product seems to belong to the house, and to them. 

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At this point the big scheme of things begins to be clear.  The grading and drainage issues have been addressed.   This beautiful house is celebrated by its landscape.  The Belgian wood boxes are perfect here.  At this point we are discussing a finish for the boxes, and perhaps a new finish for the painted shutters.

french7The lawn panels are formal, no doubt.  They are softened by the plantings in the Belgian boxes, and the wildly representing yews.  This scheme makes a presentation of the house that I think represents the feelings of my clients. In my view,  success is all about  the serious  interaction I have with clients. There is a moment, a chunk of time, in which we have a serious exchange.  Whatever came before, whatever looms ahead, we had our moment.  Notice the finish on the boxes-and a new finish on the shutters.

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These beautiful boxwood parterres were existing; I replaced the center element with Belgian wood boxes. This placement is a little unexpected, but repeats the idea of dressed-down formal in a strong way.  

french2ndtolastThese boxes overflowing with flowers make a  big statement.   Wood in the landscape is a natural.   In this case we lined the boxes with sheet metal liners, to improve the longevity of the boxes.  The entire scheme is friendly and pleasing to the eye. 

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