Snow Glow

Blue skies and fluffy clouds the likes of which are pictured above are a rarity in a Michigan January. It is a bleak time of year, featuring uniformly gray-sky days, a lengthy twilight, and long ink black nights for what seems much longer than a month. February will bring more of the same. If this does not sound very appetizing, you are right. It isn’t. For that reason alone, snow can be a welcome visual addition to the landscape. Not those mountains of snow that make shoveling, walking and driving a dangerous and exhausting full time job. A new two to four inch layer of fresh snow describes all of the shapes both living and not in the landscape with a precisely applied thick carpet of bright white. A little judicious wind can whip up some interesting snow shapes on fences, benches and sculpture. Snow is water vapor in the atmosphere that turns to ice crystals without ever passing through a liquid phase. Multiple ice crystals make snow flakes. That lightweight flaky stuff can enliven a winter landscape. At least the cold comes to some good.

Our snow came early, and persisted. 3 weeks of bone chilling cold made sure it was not going anywhere. Then a week ago, a few days in the high forties reduced the mass of it considerably. The landscape was going dark again. The light in my winter containers was welcome. Providing light for the landscape is never more important than providing it in the winter. Great landscape lighting can go so far as to illuminate the structure of the winter landscape during the gray and dark days. In its simplest form, it can light the way from here to there. Seasonal/temporary lighting can add a sculptural element to the winter garden.

I especially like a lighting component in winter pots. Not only does it illuminate the materials and shape of the winter container itself, that temporary glow spreads out and encompasses the immediate environment. New technology which has produced warm and flexible LED string lighting that draws little energy, is shatterproof and good for 50,000 hours means it has never been easier or more economical to boost the light in a winter landscape. Adding arrangements to garden pots for the winter season is a must have in my garden. Lighting them means is is possible to enjoy them day and night.

Weaving light strings into the greens in a winter pot, and piling them up at the base of a centerpiece is a fairly simple task. The results are striking from a distance outdoors. And they provide so much visual interest from indoors. One client likes us to wrap the bottom 7 feet of the trunks of 4 columnar gingkos that frame the entrance to her house. She runs those lights all winter long, as they illuminate the way, and say welcome to my door. Temporary landscape lighting done in November that can light the night until the days start to lengthen is a feature of my winter landscape.

Once we had more snow, that temporary lighting was providing snow glow. Each tiny LED light that is virtually invisible during the day was magnified by the snow at night. Ice crystals meeting LED string lighting-beautiful. I miss the digging, the planting, the watering, the staking, the dividing and all else that a landscape and garden provides as much as any other gardener. But the winter has its pleasures.

The snow glow emanating from my pots lights the surrounding landscape in places I can see from inside. Planning for good views out the windows in winter is just acting on one’s own defense. The gloom can be penetrating, as is goes on so long. Is this a substitute for a summer day in the garden?  No. But expecting it to only makes one long for another time and place. The winter is its own season, and there are things that can be done to make something beautiful of the dark. Winter is the only season of ours in which an expression like this is possible.

Our snow is melting again.  We have rain this morning. But there will most assuredly be more snow before the winter is over.

Though creating sculptures with temporary lighting is a winter activity with all kinds of benefits, permanent landscape lighting is a feature I would recommend to any gardener. I like my front porch lit at night. I like my sidewalk lighting just as much. My house is set almost 4′ above the grade at the sidewalk. I would not want guests to have to negotiate 3 sets of steps without proper lighting. Big pools of light come courtesy of the snow.

 Landscape lighting is all about trying to endow the winter season with some visual interest. This pot is on axis north and south with the sidewalk, and east and west with the den windows. That placement makes it possible to enjoy this from multiple vantage points.

Yesterday morning at dawn, my snow covered winter pots were, in my opinion, the best intersection of electricity and snow that I have ever devised. Fire and snow look good together.

Those LED lights can set a a landscape on fire. Inspired to walk through the snow on the upper deck, a long exposure reveals how bright that temporary lighting can be. I can see Milo in the yard-nice. This past summer, I took all of the landscape lighting out of the trees, and placed them facing up against the fence. That permanent lighting is much more subtle, and silhouettes the trunks of the maple trees and the branches of the yews. This is the best of both lighting worlds that I have to offer my winter landscape.

 

 

At A Glance: More On The News From Branch

The Stuart garden dining table was so many years in the making. To see that table in production is a dream come true. I am a designer, first and foremost. To see a design come together and get built is what keeps me designing.

I am very lucky to have a steady stream of clients asking for landscape design. Everyone who approaches me for design is individual-and different. I appreciate that. My landscape design firm is very busy. But the years I have spent designing this garden dining table came from a different part of my design heart. So happy that Branch is ready to ship.

Ipe foot detail on the Stuart garden table

Stuart table top detail

Stuart table base detail

Stuart tables

Buck’s first bar edge rendition of the Stuart table, 2005

First 21 foot long Stuart table in place, 2006

The Barry tapers

The interior of the barry tapers

The square Barry tapers

The leg and flange detail on the square Barry tapers

The rim detail on the round Barry and square Barry tapers

the metro pots

the metro pot interior top rim helps keep the steel sides straight during the galvanizing process.

the interior of the metro pot.  The holes in the corners are required by the galvanizing plant, so zinc does not get trapped under this rim.

the basin (58″ top diameter)  and bowl (40″ top diameter)

exterior detail on the bowl

bowl interior

the square Hudson tapersthe square tapered Hudson pot bottom is comprised of 2 loose plates that sit on a rim. This helps the molten zinc to drain off the pot quickly. And it helps to insure that water drains away just as quickly.

The Dean pots

The Dean elliptical fountain

the brake form fountain

custom table and benches

Buck designed and fabricated these lattice strap steel spheres from an idea he had-no drawing. He tried to explain to me what a classic lattice pattern would look like in 3 dimensions – to no avail. Now I see. They have been a mainstay of our collection for a good many years. I am pleased to see these spheres have some contemporary style company. We are installing a pair of custom made and very contemporary planter boxes from Branch this morning-more on that later.

 

 

 

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Galvanized

the branch studio fountain 2016Every winter, the Branch Studio fabricates a new fountain or two. Some years that fountain is classical in form. Classical garden fountain style interpreted in steel interests me, and our clients. Our fountains come ready to fill, plug in, and turn on. There is something about water in the garden that enchants, so I like to make it easy as possible to have. Some years our winter fabricated fountain is contemporary. We have in the past fabricated an elliptical and rectangular steel fountain with a congested steel rod surface. The rectangular fountain has over a mile of steel rods welded to its exterior, and weighs close to 4000 pounds. Have you seen it?  The elliptical fountain has been placed in a private garden. In the interest of fabricating a one of a kind fountain, our newest contemporary fountain is a shape we have never done before.
The Branch Studio fountain 2016 (3)This winter, our contemporary fountain from Branch is spherical, and features our signature stick like and prickly surface. A pair of steel hemispheres, 64 inches in diameter,  got welded together. We sliced the top third off that welded hollow sphere.  The remaining 2/3rds of a sphere became the armature for this fountain. Owen and Riley, with followup from Sal, spent a good bit of the winter welding sticks of all different sizes to the surface. Our group of companies, Deborah Silver and Company, who designs and installs landscapes, Detroit Garden Works, who retails just about everything beautiful and useful for a garden and landscape, and The Branch Studio, who fabricates whatever garden ornament a gardener or landscape designer might dream up for a project –  hope to help every gardener and landscape designer get where they want to be with their landscape. But in the dead of the winter, we just express ourselves, and keep our fingers crossed there will be a client who hears what we have to say.

The Branch Studio fountain 2016 (1)Branch created this fountain for the garden strictly on speculation. Why would I speculate?  All of the Branch fabricators, and the studio head, Buck, are very creative people. They need a project once in a while that allows them to stretch their wings, and fabricate something new. This is a breath of fresh air for our group. It creates excitement in the studio. And is is good for a client seeking a very unusual and one of a kind ornament for the garden.

The Branch Studio fountain 2016 (2)The Branch group handled the fabrication of this fountain like they were born to make it. Once the stick making had covered the surface, a decision was made to leave the 6″ wide return plain. The contrast of one complex surface to the other plain one is striking and pleasing. The fountain jet will be fabricated next. The jet pipe will mimic the spherical shape and construction of the fountain. Water from the jet pipe splashing over a rod steel covered sphere will be quite musical.  The sound of a fountain is a considerable part of its attraction.

20160419_124028 (2)Clients considering the purchase of Branch containers are concerned about the longevity, and the durability of their resistance to rust, and rightfully so. Everything we manufacture is meticulously hand fabricated with heavy gauge hot rolled steel, with a lifetime of service in mind. The cost of them reflects this. What we do to prevent rust is considerable. All of our containers, fountains, and garden ornament are sent out for galvanizing after it is fabricated. Our galvanizing company has a zinc tank  6 feet wide, 8 feet deep, and forty feet long. This shape has everything to do with the fact that most steel that comes here for galvanizing are steel beams using in the construction of building, bridges, and so on. The plant manager was dubious the day we arrived with our first load of garden containers. 13 years later they know we are as serious about rust prevention as we are about beauty. We pay for galvanizing by the pound.  Our scale at Branch only weighs objects up to 2000 pounds.  This fountain went over the 2000 pound mark.  We won’t know what it weighs until after the galvanizing is complete. The fountain is lifted with a bridge crane via steel straps in preparation for the dip.

20160419_124120This tank holds 824,000 pounds of molten zinc, heated to about 900 degrees. The galvanization process completely immerses the raw steel object in molten zinc, very slowly.  The shock of the heat to the steel is considerable.  Steel which is not thick enough can be damaged by the plating process. The molten zinc coats every surface with a skin of zinc. How much of a skin?  This fountain will weigh 20% more once it is galvanized. This means that a 3000 pound object will emerge with 500 pounds of zinc coating its surface.The fountain was lowered into the tank ever so slowly.

20160419_124757 The shop foreman made a trip up to Branch to inspect what we had a mind to galvanize, before we took the fountain to them. An object of this size and complexity is a once a year project for us. There are logistical issues that need to be addressed in advance. There was plenty of discussion about what it would take to get the fountain to sink slowly and evenly. An object that floats on top of the molten zinc is a problem object. Our big spherical fountain had lots of holes drilled in it, which will be repaired with galvanized steel discs once the galvanizing process is complete. Our garden boxes have loose galvanized plate steel bottoms which are added after the boxes are galvanized. A box with no bottom sinks in the zinc bath.

20160419_124729The fountain took as long to emerge as it did to descend.

20160419_124500A molten zinc tank always has floating hardened zinc and impurities floating on the surface.  Prior to and during the galvanizing of this fountain, the surface of the molten zinc got raked, so those impurities would not be deposited on the surface. Occasionally a glob of something will stick to an object.  If it is chipped off, or ground down too hard, the integrity of the galvanizing might be breached.

20160419_124541If a galvanized object from us develops a small rust spot, it will do so within 2 weeks of being outdoors. That spot can be repaired with cold galvanizing compound. A breach in the galvanizing is a rare occurrence.

20160419_124549The moment any steel object emerges from a zinc bath sports a shiny as silver color. Once that object comes in contact with the air, that shiny surface begins to oxidize, and will become that dull gray color one usually associates with galvanized metal.

20160419_124649The process by which Branch fabricates, finishes, and sells their garden pots, fountains, pergolas and ornament is all about beautiful design and fabrication, and a thoughtful and serious finish that is unlikely to need any maintenance. My thanks to the plant manager for taking these pictures for me.

spherical Branch fountain (2)Back at Branch, the fountain is awaiting our final signature finish, which will give the steel that blue gray patina which is reminiscent of lead. Heather, who handles all of the Branch Studio inquiries, came with me for a look see today.

spherical Branch fountain (1)I am sure this fountain will be up and running soon.

Belgian Stoneware

stoneware 3Rob has been shopping in Belgium for at least 15 years. He has a considerable affection for the topography and natural landscape, as it reminds him of Michigan. The garden ornament has a solid and unaffected feeling about it. Many of the things he buys there have their roots in agriculture-cisterns, troughs, and the like. The pot pictured above comes from a pottery whose work he greatly admires. This will be the third year we have offered these Belgian stoneware garden pots. The come in three colors-taupe, gray, and black. The shapes are simple.  Though the shapes are smooth and graceful, the surface texture is gritty and rough, in a subtle sort of way.

pots 4That gritty texture and surface is typical of stoneware.  The name stoneware comes from the dense and hard quality of the clay body. This clay body, or type of clay from which a pot is made, has natural characteristics that result in pots more like stone than fired earth, or terracotta.  Stoneware pots are fired at a high temperature, and do not absorb water much after the firing. This inclination to repel water after firing makes this type of clay, and this type of pot, perfect for our climate.  Water that is absorbed by a pot which is them subjected to freezing can result in breakage.  Water expands as it freezes. This freezing action can shatter or break a clay pot. Anyone who has ever inadvertently left a machine made Italian terra cotta pot outdoors over the Michigan winter knows from whence I speak.  This stoneware is frost proof- this is great news for anyone who likes terracotta. Clay pots are made the world over. Clay dug from the ground in Philadelphia is very different than the native clay of southern France, or Italy. Not all clay is of a natural stoneware type. Pots made from stoneware clay bodies are of interest to us, and gardeners in our zone.

stoneware 2Some potters mix their own clay, or choose a clay body/mix that has been made available commercially, that suits their interest and intended use.  Porcelain is the material of choice for an artisan interested in a very fine and formal clay that can be thrown very precisely, and very thin. These large thick walled Belgian pots are made to hold many hundreds of pounds of wet soil without complaint. The natural clay is a friendly visual companion to plants that go in that soil. The texture is just enough, and no more. The gritty surface of this stoneware is a result of adding grog to the stoneware clay body. Grog refers to clay which has been fired, and then ground into hard particles of various sizes. Those particles are then mixed into the fresh wedged wet clay body before the pots are thrown.  As wet clay is incredibly heavy, there is a limit to how large and tall a pot can be thrown, before the clay starts to collapse from its own weight. In addition to providing great texture, both visual and tactile, grog helps provide the construction of a big pot with a little structure. The grog particles have been fired.  They will not absorb water, and melt.  Grog stiffens the wet clay, so larger forms can be thrown at one sitting.

Belgian stoneware 8Even so, very large stoneware pots may need to be thrown in stages. The lower portion may need to rest, and begin to harden, as in leather hard, before the pot can be made any taller. This accounts for one reason why large handmade pots are much more expensive than smaller pots that can be made in one sitting or throwing session. Another reason-the volume of clay consumed.  Very large French terra cotta pots are incredibly thick. Thin walled, large pots would not likely survive the heat of the firing. There may be many hundreds of pounds of wet clay in one pot. I would bet that clay bodies are sold by weight, and that weight can make it expensive to ship them. Of course as the water evaporates out of the pot, the weight is much less.  How a pot is dried, and how it reacts to the firing is a topic of much study.  Pots that have taken days to throw that break or explode in the kiln is a big loss in materials and time.  The cost of breakage becomes part of the cost of those pots that survive the firing.  stoneware rock collectionThese stoneware “rocks” are forms that can be used as a sculpture or seat in the garden.  The shapes are all beautiful, and different.  They have an aura about them, as they have gone beyond function to another level.  I am sure every gardener would perceive and use them differently. Nor would they appeal to every gardener.

stoneware 14These pots seemed quite contemporary in form and color when I first saw them, but I have since learned that what they do best is take on the quality and character of their environment.   I have seen them used successfully in modern, and even quite traditional architectural settings. One client with a classic 1920’s English tudor style house has a pair of these pots at the front door.  They look great.  They do not impose, or attract undue attention. They are simply and beautifully made. They look great, planted up. The statement they make when they are empty-sober and strong. I am not surprised that Rob would have them, a third time around. To follow are some of his pictures of the two containers that came in last week.  You can tell from his pictures, how much he likes them.

stoneware rocks

stoneware collection

stoneware 11

Belgian stoneware 6My discussion of the clay is cursory. I am not a scientist, or a potter.  I just love these pots.  If you have a further interest, you can read more about clay at  Hammill & Gillespie