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Monday Opinion: Disappointment

If you garden, disappointment comes calling on a regular basis.  Plants fail to perform as advertised. Violent rains flatten the delphiniums just as they are about to come into bloom. Japanese beetles are poised to devour every rose-and I mean every rose.  An old and treasured lavender inexplicably gives up, and dies.  A stone pot cracks, and goes over.  Driven by some incomprehensible impulse, the child of neighbor picks all the buds off the lillies.  A lawn service obliterates the ground level bark all around from a treasured  paperbark maple with a weedwacker.  A painter dumps his paint soaked turpentine all over a favorite hellebore.  Slugs chew their way through an entire bed of hosta, one plant at a time.  Overnight, mildew blankets the monarda.  The tomatoes rot, or crack-or both.

The concrete aggregate terrace installed at great expense settles, and sinks.  An old grape dies before you notice the bore holes riddling the trunk.  An unexpectedly early frost kills an old lantana topiary you forget to take in.  An irrigation valve springs a leak, all but drowning an old rhododendron.  A pampered hydrangea refuses to bloom.  Does not all of this sound familiar?  Disappointment – I do not know any gardener who has managed to avoid it.

Our current gardening season has piled insult on top of the ordinary disappointment.  A warm winter was a boon to the survival of insect and fungal spore populations.  My roses rarely suffer from blackspot; I had a full blown text book case of it in April.  A late April frost ruined every flower bud on 12 magnolia trees, and damaged some of the leaves and stems.  Other gardeners lost Japanese maples, and young dogwoods altogether over that frost.  The Michigan fruit industry suffered terrible losses on trees in bud and bloom too early.  The heat and the drought in July-it is impossible to know which was worse.  This is not my garden’s best year.   

Other bad news of note.  The virulent and deadly water mold, plasopara obducens, which has plagued impatiens plantings in Europe and Florida, is showing up all over the northeast and midwest.  The downy mildew appears on the undersides of the leaves.  The leaves of affected plants curl down and under.  Eventually the stems collapse, and the plants die.  I almost never plant impatiens, but I have plenty of clients who do. Plants can be sprayed with a fungicide as a preventative measure, but I have seen the disease this week on plants that had been sprayed.  If you do have diseased plants, take them out, bag them, and put them in the trash.  The spores of the fungus can live in the soil up to five years-do not compost these infected plants.  And do not plant impatiens in that spot next year.  What a disappointment this is to the many people who grow impatiens in their summer planting beds and enjoy them so. 

No matter the disappointment, there is a flip side.  I feel certain that the bedding plant industry will work very hard to eradicate this disease.  Bedding plant breeders will study what makes New Guinea impatiens, and Sun patiens immune to it.  There will be a number of competent and intelligent people putting their skills to work.  There is an entire winter ahead for gardeners to learn about what other kinds of annual plants can provide color and interest in shady areas.  There are ingenious people out there ready to do what it takes to circumvent adversity-you could be one of them. 

Buck and I have been watching every day of the Olympic games, but for different reasons.  He is interested in any and every sport.  I am interested in any person with passion who determines a goal, and gives it their all.  So, we watch.  The effort of every athlete, and the families of those athletes, no matter their sport or their country, is extraordinary.  Jordynn Wieber, the 17 year old captain of the US gymnastics team, the world champion gymnast, wobbled in the qualifying events for the overall Olympic medal in gymnastics.  Only two US gymnasts can compete in this category.  She was eliminated from this particular competition-she came in 4th, on the American team.  She is a 17 years old, a young person who no doubt has devoted every moment of every waking hour for many years to that moment when she would compete in England.  Her disappointment?  I am sure it was utterly devastating.  I felt so terrible for her.  Under no circumstances could I have handled this level of demand and pressure when I was 17.  I am heartbroken, for her.  

That heartbreak expressed, I so admire her effort.  Her years of effort.  I equally regret how a person this young comes face to face with a disappointment most adults would struggle to deal with.  I admire how she has handled her disappointment.  First up, she cried.  A good cry over any disappointment is probably healthy.   My point here?  My disappointment with my garden this year-nothing like Jordynn’s.  Adversity?  I have the feeling that after her tears,  she will rise to the occasion.  She is so like a gardener, don’t you think?  The future for her, and for Michigan gardeners, is bright.

From Shakespeare, 

Sweet are the uses of adversity,
Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head;
And this our life, exempt from public haunt,
Finds tongues in trees, books in the running brooks,
Sermons in stones, and good in every thing.

These lines written by Shakespeare in his play As You Like It – appropriate.  The original meaning is not in any way directed to the disappointments gardeners face this moment, but I still take comfort in them.   The good in everything part-timeless. Godspeed, Jordynn.

 

 

Classic

Classic-this word suggests those design details that withstand the passage of time.  A classic suit, a classic black dress, a classic room- each is timeless.  Satisfying and visually meaningful , no matter the era.  A landscape design that is classic gives no hint of its age or period.  These extraordinary designs in no way reflects a trend, or popular opinion.  They just are, on their own, in spite of the passage of years or the whim of popular opinion, extraordinary.   

The gardening trends that turned my head over the past 35  years are many-that story if of not so much interest to you, or to me.  But some gestures are classic.  Worth going back to again and again.  Green and white-this color scheme is a garden classic. 

Green and white has a history of expression in the landscape that knows no bounds.  White flowers nestled into a green landscape-Sissinghurst, in a word.  A white garden-timeless.  Green and white awnings-a classic expression that can be interpreted in an entirely contemporary way.  Green and white is a simple, maybe obvious decision for a landscape or a garden room, but it is a classic one. 

I am attracted to color.  Bright color.  Saturated color.  Like a moth to the brightly colored light-that would be me.  But I am appreciative of those classic garden gestures that rely solely on green and white.  There are lots of shades of green.  White in the garden has a wide range-from cream to bright white.  Green describes no end of colors-from lime to blue-green.  A good garden pays much attention to the greens of the foliage, as the flowers are so ephemeral and short lived.  I admire any designer who works with an eye for color.

The fall season features the colors traditionally associated with the harvest.  Orange, yellow and cream.  The drying leaves are taupe, and brown.  The kales and cabbages are dark purple, and turquoise.  The pansies are cream yellow, and strikingly intense yellow.  Pansies are available in blue, lavender, and rose.  Fiber optic grass is lime green, as is angelina.  

That said, there are bright whites, creamy whites, dark greens available in the fall. Green and white is a classic-in the garden, in the conservatory, in the landscape.  Local growers are happy to oblige those gardeners who have a mind to represent a classic look.  Or a traditional look.  Or a funky look.  The availability of lots of different choices means that every gardener can have a look that expresses their own distinctive point of view.

This client subscribes to a classic look.  No matter the season, she likes green and white.  Should you not be interested in the yellows and oranges that characterize a Michigan fall, you have other choices.  She was hesitant to fill these steel boxes with gourds and pumpkins, until I told her she could have green and white. 


The cultivation of a garden is the product of a very indivual expression.  The head gardener-that would be you.  Each Michigan fall harvest season is big and wide enough to provide materials that enable every gardener to speak their piece. In their own way. The oranges and brown traditionally associated with our fall are not a given.  You have the freedom to express the fall in whatever way you want.  Nature provides for a lot of choices.  You need only choose.  These boxes loaded with green and white pumpkins and gourds would not be  to my client’s taste.  She was not aware that she had choices other than orange.  She was relieved not to have any orange, yellow, brown, or cream.   This does not surprise me-she has taste that runs to the classic.

At A Glance: The Shop In October

Detroit Garden Works

Wow-how the time has flown since the spring!  If you are too far away to visit Detroit Garden Works, these pictures might give you an idea of how it looks in the fall season.

pots planted for fall

materials from the garden for the fall season

the last of the espaliered lindens showing fall color

very small winking owl baskets made from paper mache

the window boxes!  The flowers have grown to within spitting distance of the ground.  The south side of the shop gives them plenty of protection from the cooler nights.

More great fall materials

fall pots with redbor kale and yellow pansies

an October celebration of green

toffee twist carex and matricaria

fall pots and pumpkins

October light

How Rob keeps the shop takes my breath away.  Should you be within range (we had visitors from Deckerville Michigan, Paris France, Ann Arbor Michigan, and Washington DC today-besides the local traffic), the shop is worth the visit.  Out of range?  We’ll  stay in touch.

 

The Grapevine Deer 2012

We have offered these life size grapeview deer sculptures at Detroit Garden Works for many years now-I never tire of them.  Unlike the deer that can devastate a bed of hostas, or chew the bark from treasured trees, these deer sculptures are beautiful in almost any landscape or garden.

On the inside, they are heavy gauge welded steel rod.  This makes them incredibly strong and sturdy.  If we place one in a landscape bed, we drive steel rebar deep into the ground next to each leg, and wire the steel frame of each foot to the rebar pins.  This keeps them in place and upright, in all kinds of weather.

In spite of the steel inside, the sculptures are very graceful, and capture the spirit of the beast.  The long legs and overscaled ears of this pair instantly identifies them as fawns.

The grazing doe has a long graceful neck and petite sized legs.  The doe, buck and fawn are life size, and can be sculpted in a standing, grazing, or lying down position.  Whether a single deer, a trio,  or a herd, they are beautiful in a garden.  Some of that beauty has to do with the material itself.

Vitis, or grape, is hardy in many places in the US.  Wild concrod grapes are common in my area.  The vines, harvested after the leaves fall, are the basis for many natural sculptural forms.  We have had grapevine cones, spheres, garlands, baskets, trellises, plant climbers, rustic fencing and wreaths.  The vines dry a beautiful cinnamon brown color, and are amazingly durable.

We recommend sealing these sculptures once a year with WaterLox, or a similar sealer.  Properly sealed, they will give many years of service in the garden.  Only one client of mine has had one long enough to send it back to be redone

But the real beauty of the sculptures is the hand of the sculptor.  A small group of perople make these deer.  Once you see enough of them, you recognize the hand.  I do not know their process, but I would guess the vines are soaked until they are pliant, and then applied and worked around the forms one strand at a time.  Once vine section is parallel to the next, and very densely woven.

I feel sure the vines are sorted and graded.  The larger vines form the body of the deer.  Much smaller vines are used to finish the legs, and fashion the feet.  The forms are sinuous and rhythmic.

I am not sure what is so compelling about them, other than to say they are a story about nature in form, material and narrative.  They are not a graphic representation-they capture a certain wild spirit that is hard to ignore.

I still remember the year of the Christmas buck.