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Frostbit

 Our season is changing quickly now.  28 degrees overnight made for a fine fog this morning.  We finally had that first hard frost that I dread.  It is suddenly too cold to be outside-unless you are working.  Buck has drained the pool. I have chopped back every perennial on the property.  The roses look ridiculous without their perennial friends; they are such awkward and gangly growing things. The garden has an air of resignation about it.  At least the tulips are planted.  I am as busy planting pots with bulbs as I am redoing the shop for the holidays. Having one foot in winter and another in the spring to come is a way of coping with the winter that is surely on its way here.  I have occasionally planted left over tulips in crates for the spring, but this year I planned ahead.  The shop will have lots of pots of all manner of bulbs come spring.  I bought tulip mixes, grape hyacinth mixes, white daffodil mixes-even trout lilies. Some pots I will layer-my first time trying that.  Fortunately the garage here is of considerable size, so all the pots will have an unheated but indoor space for the winter.    


My Tuscan kale pots rank up there as one of my most favorite annual plantings.  Mandevillea does just fine left to its own devices.  Plectranthus and kale are stiff and solid growers; the swirling vines lightened that heavy look. They grew such that the pots looked small-this I liked.

Plectranthus has no tolerance for frost whatsoever-as you can see. It is dramatically unhappy with the turn of events. Even that cold tolerant kale looks defeated.  Overnight the thick stems and felted leaves have turned to mush. My once handsome pots look like a compost pile. I looked at this for a few days before emptying the pots.  Buck asked me if I was hoping they would perk up-this made me laugh.  Maybe I was. 

If a leaf is chilled below the dew point of the surrounding air, and that surface is colder than freezing, frost will form. Frost-scientists call this spicules of ice that grow out from that surface. Sounds bad, doesn’t it?  If there is a wind, frost arrows might form.  Hoarfrost refers to those white ice crystals you see deposited here on this kale.  Heat loss from these leaves makes their surface colder than the surrounding air; the water in the air condenses, and freezes. 

Air hoar, surface hoar, crevasse hoar, depth hoar, advection or wind frost, frost flowers, rime-of course there is plenty of scientific discourse on the subject.  Plectranthus, like tomatoes, is killed by frost.  Hardy perennials shed their leaves, go dormant, and survive freezing.  Evergreens shrug off the freeze and stay green throughout the winter.  The needle like foliage helps to conserve moisture during that time when the roots cannot take up water. The survival mechanisms of hardy plants are amazing.

Trees can be damaged over the winter from frost.  Very cold air temperatures on a very sunny day can result in frost crack to the bark.  When the grapes on the pergola here at the shop were young, we wrapped the bark in white tree wrap.  This helped to reflect the heat of the sun on a cold January day.  Now that they are better than 10 years old, the vines seem to withstand our winter weather without injury.

The walk across the lawn this morning-crunch, crunch.

Sunday Opinion: Where Do They Come From?

A reader left a comment yesterday, asking me where my ideas come from.  Serendipitous, this question. A good friend who is an interior designer told me he regularly reads the blog of Seth Godin; he thought I might be interested.  I have been reading it ever since. Why is that? I read what he writes, mainly because I do not understand him.  Day after day, I have no idea what he is talking about. I am intrigued by this. I like to read what he says, in spite of not knowing what he says.   I am not familiar with his language, even though the words are English-this makes following his thought process highly intuitive.  Most of the time I loose track, but I still read start to finish. Sometimes I reread-this does not help me to understand any better.  I forget every sentence the second I am no longer reading it.  But I am confident that some part of me has heard what I have merely seen; something will sooner or later surface, in the form of some idea or another.  How when or why, I have no idea, nor do I much worry about that.  I read every day; I already suspect there is something there that means something to me.  That is enough to keep reading.

Where am I going with this?  Anything I might be exposed to may trigger an idea. A while ago I posted about wrapping the trunks of my linden trees for the winter.  I referenced a Japanese exchange student-roommate I had in college.  When Tomoyo was about to leave to go home, she gave me a picture of herself in remembrance of our friendship. I remembered her name for the first time in many years, writing this sentence.  She was standing next to a tree in downtown Tokyo whose trunk had been wrapped with a bamboo blanket for the winter. Who knows why I remember the photograph so vividly, though I am sure I did not want her to leave.  But my exposure to that wrapped tree, so many years before I ever but a shovel to the ground, stayed with me. The  40 years later, I had the idea that my trees might look good with winter coats.

Seth Godin actually wrote a post just a few days ago about where ideas come from.  Nature is on his list.  For me, nature is an endless source of inspiration.  This is not particular to me.  Ideas based in nature-who could begin to count them all? The monk who observed the conditions under which fruit trees thrive and bear heavily had the idea to grow trees in forms which came to be known as espaliers.  Someone observed a bank of cumulus clouds, and thought to prune boxwood in those shapes.    I am an avid reader.  Garden books, fiction, design magazines, magazines written in languages I cannot understand.  I read recipes, although I have no interest in cooking.  I read cereal boxes and maps of places I have never been.  Maybe ideas do come from reading, from other people, from places, from history, from experience-and from all the other places Mr. Godin cites.  But ideas that come from within may just come out of no where-surprise, surprise, and hello.

The Last Drop

I did truly believe I was done painting this floor late last week.  I was ready to let go.  Much to my chagrin, both Rob and Steve indicated they thought it was fine-but that they were surprised I was happy with it.  I waved them both off, but when Saturday came, I took a good look.  It was fine, but maybe it needed more contrast.  Buck brought a new quart of very dark chocolate paint with lunch.  When I opened the paint after lunch, I knew I had been Tom Sawyer-ed.  Fine is fine, but this fine could definitely be better.

Over the weekend, lots of those very dark drops, along with a second round of dark olive green drops, went to establish a zone 3.  That would be the transition space between the green zone, and the brown border. Transition spaces in any design are important.  It takes time to leave a space and reflect, then anticipate and get ready, and be presented with the next.  The  transtion spaces in my garden are built in; staircases mark not only a change of level, but a transition from one “room” to the next.  Gradeners without the luxury of built-in transition spaces manage a change of venue with arbors, groups of trees, or pots.  A perennial border which is the same on both sides of a path creates the impression that the path was laid after the garden.  Tall perennials on either side give the impression of walls, or a corridor.      

The dark drops went all over the brown border (and everything else within range) but were most frequent in that third zone.  Creating a third color zone meant I had to redo the the swoops and swirls of green.  It needed to look as though the gravelly drops came first, and the unmowed grass laying over came second.  The border also got a drip coat lighter than the lightest color I had used.  Thiese light drops helped to heighten the contrast as much as the dark ones.

The darkest green and the lightest green was swirled over the edge.  The light green reads especially well over that dark drip zone.The green is a lot more active visually as a result.  Light colors seem to come forward in a composition, and dark colors seem to recede.  This isea can be very helpful in making decisions about color in a garden-whether it be leaf or flower color.  My white anemones and lime green hostas read to my eye from a great distance, and in the evening when the light is low.  Very dark colors can be better seen, if they have light colors behind them.  I would always put yellow behind red, to better see the red.  Tall yellow marigolds behind a slightly shorter red salvia makes that red glow.  Short yellow marigolds in front of that same red salvia steal all of your attention; that red will visually recede.    


I appreciate your patience, plowing through this story a second time. But I am glad I took up the paint stick after I thought I was done. Sometimes a willingness to reconsider beyond the last drop can make a difference.

Today we are moving on to the main order of business-getting the shop in order for spring.

At A Glance: The Peony Garden


A trip to the American Peony Society yearly meeting and exhibition in Mansfield Ohio in the 1980’s-I cam home knowing I had to grow peonies.  I also knew I would have a very tough time choosing which of a few I would grow.  So I grew them like crops, in long grass-infested rows.  I have no idea where this grass came from, nor do I know what grass it is.  Do you?  They did amazingly well with this less than ideal care.  Peonies are very persistent and long lived.  By the time I sold that first garden property, the patch probably had 400 peonies in it.   


paeonia lactiflora hybrids

peony Raspberry Sundae

Japanese peony Do Tell, and double cerise pink peony Kansas

Japanese peony Whitecap

peony patch

peony Festiva Maxima

peony Pink Dawn

peony Princess Margaret

peony Kansas


peony Coral Charm