Belgian Hurdle Fencing

aug-13-097Wattle, or hurdle fencing is a traditional garden or livestock enclosure made from either willow or hazelwood. Last week we took delivery of a forty foot long container of Belgian made fencing. Though I am making a point of shopping my own country, I am especially attracted to Belgian garden ornament.   Rob says the Belgian climate and topography is a lot like the Midwest.  My most favorite landscape photographer Lynn Geesamon has photographed all over the world.  Her images of Belgium so strongly resonate with me, as I do think they remind me of my native landscape. Some of her images can be seen at www.edelmangallery.com.

aug-13-095A garden ornament does need to look like it belongs to the garden in which it is placed. It takes some doing to bring these twig structures from their place to mine, but it is worth it.  They are heavy, chunky and sturdy-and beautifully constructed.  Each five by six foot panel weighs 100 pounds-substantial.  We buy peeled cedar fence poles from a company in the upper peninsula of Michigan.  This material has a very local feel.

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These panels are made of hazelwood branches with the bark intact.  This makes  a very long-lived and weather resistant panel.  This natural material is friendly to climbing plants.  There are plenty of places vines to get a foothold.  They are such a great backdrop to any green living thing.  The twig brown color compliments any planting scheme.

aug-13-0771The woven branches have a great texture, and cast good shadows. The surface is lively and warm.  Burt told Rob he sold Italian shoes for 25 years, before opening his twig panel business. It is easy for me to see why he would do this; it must give him great satisfaction to be making objects that celebrate the beauty of the natural world.   Rhododendron root furniture, log furniture, twig trellissing-all of these things have a primeval appeal.

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They are dense enough to provide great screening.  Some places that require screening do not have room for plants;  these panels have a very slight profile .  I imagine they would look great installed between a pair, or a run of trees. 

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The twig boxes they make are down to earth charming.  I usually line them with a galvanized sheet metal liner for longevity.  They would dress down an ivy topiary, or dress up a planting of geraniums and strawberries.

aug-22-031Positioned with the twigs in the vertical, the panels have a different quality about them-more sculptural and sinuous. I had a client tell me she loves the beauty of ordinary materials. Things people make of ordinary materials can be anything but ordinary.  A material like this is just waiting for an inspired placement. 

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The little panels would make great edging for an herb garden.  Four panels lashed together would make a box fit for  a giant rosemary, or 4 eggplants.  They would be great for keeping my corgis out of a treasured planting. This work reminds me that there are so many natural materials around me that could be put to use or ornament in my garden.  I have only to see them.  Seeing the beauty in ordinary things-I am thinking about this today.

A Project in Dublin

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Anderson Miller Ltd., a noted local  firm specializing in hospitality design, asked if I would be interested in a landscape renovation project for one of their clients-the Four Seasons Hotel in Ireland.  How pleased I was to be asked!   They were in the process of redesigning the interior spaces of this beautiful old hotel, and were interested in including the landscape as part of the scope of their project. 

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Moments after saying yes, I was worrying.  I know not one thing about horticulture in Ireland, and I certainly was not at all confident that my views about a successful hotel landscape would mean much of anything.   But Anderson Miller had very definite ideas about where they wanted to take their project, so I had a welcome set of parameters.  They were looking for a very fresh, and contemporary approach that would leave no doubt in anyone’s mind that the only aspect of this hotel that was traditional was its vintage architecture.  Pam Anderson was interested in a use of topiary that would have a contemporary and sculptural appeal.  And she liked my steel spheres.  Make something from these elements, she said.  

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The hotel  surrounds a large courtyard space, open to the sky.  A small fountain, backed by a large mirrored wall trellis anchored one end of the space. This look did not seem historically pleasing; it seemed dated. Mature lindens ringed three sides of the space; these I liked.  They were the only large scale landscape element, and they were definitely worth keeping.  I hope some day to see their canopies pruned into very large spheres.

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The opposite end of the space featured a conservatory occupied by a hotel restaurant, a terrace, and some iron garden furniture.  Guests of the hotel did not particularly use the space; it did seem sleepy, and not especially inviting.
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The other two sides of the courtyard featured a boxwood hedge punctuated by wood benches;  I would call this a sideline landscape that was lacking a main event.  Good landscapes do engage visitors.  This landscape needed not only a reason to encourage visits, but a plan view that was beautiful; each room on the interior of the hotel has a  window, with a view to this space. Thus a landscape that was also a sculpture seemed like a good idea.

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The center of the space is a giant lawn; this seemed a good place to start.  A sculpture which would read from many stories above ground needed to be simple but interesting.  It also needed to be large enough for people to interact with it. It will not be easy to read what I have written on the drawings below, which is a good thing.  The shapes and spaces are what is important to see here, not the words.

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My schematic drawing details an elevated interior garden space, bounded on all sides by curved steel retaining walls, 21″ tall.   This elevated garden is accessible on the east and west sides by three widely curved steps. The north side features a curved bench some sixteen feet long with a great view to the fountain.  That bench can provide seating for a whole group. The fountain I like; the center sculptural element needs to be something much more interesting.  The existing lindens, whose shape is ringed in chartreuse, will have a much more sculptural feeling, set in lawn right up to their trunks.  The upper level landscape repeats the curve of the steel retaining with hedges of 36″ diameter boxwoods pruned into spheres.  The four large spheres in the drawing-72″ diameter boxwood spheres on standard.

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The blue sphere at the south end-a pool of blue tumbled recycled bottle glass set in three or four inches of water, with another large meeting-sized bench.   The centerpiece-a six foot diameter strap steel sphere.  This color version speaks much to the overall impression of the garden. Big spherically shaped lindens. Medium sized spherical boxwood on standard.  Curving shapes of small spherical boxwood that remind me of  strings of pearls.  The center space would be a beautiful place for a cocktail party, with bar tops scattered around, or set for a dinner on a long series to tables put together for a specific occasion.  The steel finished to look like lead will have a beautifully curving and contemporary appearance from the ground level. Two species of plants, lots of lawn on two different levels, and some sculpture.  All it will need is some people to be invited to the party.  The news I heard today is that Mr. Sharp, the founder of the Four Seasons, and a legend in the hospitality business, likes what he sees here.  This has made for a very good design day for me,  yes.

What Ages Well

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As much as my age can be irritating and inconvenient to me,  the age of my landscape is suiting me  just fine.  I do think it is as good looking as it has ever been.  Even better, no one could possibly be enjoying it as much as I do.  We have had a cool summer; even my lawn looks like a lawn, and not field grass.  Buck obligingly hauled the ladder out into the middle of the road, so I could take this picture; I am sure my neighbors were amused.

aug-17-042For the better part of six years I did nothing to this yard except bark the existing perennial beds, and mow the grass.  It took all my energy to handle my work-or so it seemed.  I am embarrassed to say that somewhere along the line I got an anonymous postcard in the mail:  “It is hard to believe that a person whose career is landscape would have weeds six feet tall in her front yard”.   No matter the delivery, the person had a point.

aug-17-026But perhaps even more importantly, I was ignoring the fact that whatever I did at home would need time to come of age-and that perhaps I would want to still be around to see that.  Planning my own landscape was agonizingly slow. I had no problem designing for others; I was a wreck designing for myself.  Slow turned out to be fine; who can do everything at once anyway?  Getting started-that was the key.

aug-17-029The one hundred Hicks yews across the west and down the north side came first. Given the slope of my property from the south to the north, time would prove to be an essential element.  The hedge is 4 feet tall on the south side, and nine feet tall on the north side-but every one of them is level with the horizon.  This hedge took eight years to grow in.

aug-17-045The boxwood was even slower growing;  the 18″-24″ plants I put in the ground were already seven years old when I planted them.  The shaggy densiformis yews are the newest evergreen addition; they have only been in four years.  I like all this evergreen; I can successfully maintain it. I knew I could never devote the time needed to a big perennial garden-why come home and be frustrated about what isn’t done?  Two giant blocks of Limelight hydrangeas, and 6 pots of flowers give me perennial garden pleasure, in a manageable form.

aug-16a-023I planted this city-mini allee of Yellow Butterflies magnolias for Buck-he loves yellow.  The boxwood is a big evergreen groundcover.  The petals falling on this boxwood is one of my garden’s best spring moments. The mini-boxwood strips in the foreground-this year’s landscape project.  The slope of the ground here made it difficult to mow the grass.  The magnolias have grown considerably, and the shade they cast was not optimal for lawn.  Wall stone behind them retains the soil, and in a few years, will be invisible.

aug-17-050The magnolias were planted to frame the view to the side yard.  It is hard arrange a long view on a city lot, making visual use of the neighbor’s mature elm adds much to the illusion of distance.

aug-17-060The big Yew hedge divides my public landscape, from the house landscape.  The big pots are centered in front of big panels of windows; I have good views from inside.  The ground is carpeted with herniaria glabra-rupturewort.  This plant grows like thyme, but is much more water tolerant.

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The herniaria has no need for as much water as the flowers in my pots; the granite gravel handles that problem for me. This garden is in progress.  I haven’t a clue about how to finish it, I do have the patience to wait until something suggests itself.

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Fifteen years into this landscape project, I realize inertia is the most difficult problem I ever have with it.  Once I put a burst of energy to my doing nothing state, and get going, things happen.   Once  in motion, I tend to stay in motion. Though I once thought it would be forever to see what I had in my mind’s eye come alive, it  didn’t.  Best of all, it has been worth the wait.

Time

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This Friday past I wrote some about a landscape renovation project I did in 2002. I planted a slew of carpinus fastigiata grown in 25 gallon pots for the bosquet pictured above.  The need for so many trees suggested trees of a reasonable price;  my clients understood that small trees would take hold fast and grow. No plant decision is ever easy; big trees that are transplanted at worst fail, and at best, take years to feel at home, root, and move in.  New landscapes are not hard to spot, even if large plant material is installed.  Most newly planted  plants have that distinctive look common to nursery grown plants.  Growers have different goals than gardeners.  But three years after the installation, these trees are starting to do what I knew they would, given time.

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Growers pay plenty in taxes for the land they own.  Their idea is to plant as many plants as they can,  per square foot.  A grower needs to plant closely, and harvest often.  So trees and shrubs are grown as closely together as good horticulture will allow.  These carpinus did have that skinny, grown in a row, look. Planting them too close together would have made for problems later, so there were some years my clients had to suffer the gaps in their screening.

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Perennials, including roses, are more quickly adaptable. A two gallon perennial is a big plant which will take hold in one season, given a serious gardener.  What you see here has everything to do with a gardener in charge. Though relatively easy to establish, perennials are plenty of work-deadheading, dividing and the like.  They also have a short lifespan, relative to trees and shrubs-unless we are talking peonies and asparagus.

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The small hornbeams took hold, rooted in,  and grew.  This photograph taken 5 years after the installation recorded a dramatic change; the view of the house next door is fading fast.  The bosquet is now a shady place to sit.

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What once was dirt-what once was a spare diagram for a space, is growing vigorously.  The day the installation was finished, these clients took ownership of the maintenance. It is a very good thing when a client picks up and carries on.   It did take some time to work out the irrigation issues, and there is a big pruning job to be done every spring.

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They have pruned the interior branches such that the trees provide a vaulted green ceiling.  A suite of iron furniture is complimented by a pair of antique English capitals.  The long view to a group of  agaves in stone pots, and a birdhouse, is a good one.  A garden needs time to establish a look like this.

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The landscape is beginning to look in proper proportion to the existing mature trees and yews on the property .  Proper scale and proportion is tough to plan for, as it has to be imagined.  With time, any mistakes is spacing or choice of plant material will become apparent.  I see landscapes only 5 years old that are overplanted, and consequently overgrown.   This landscape is just beginning to hit its stride.

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Even the topiary myrtles that go to the greenhouse for the winter have grown.  Their trunks have become substantial. Making something grow is no small accomplishment.  However, the patience to give a garden the time it needs is sometimes the best move you can make.