Sparkle, Anyone?

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My first introduction to sparkle may have been a dress my Mom wore to a New Year’s Eve party at the Whitney in the 50’s. The fabric was woven from metallic thread in white gray and black.  The dress was shimmery.  At some point I would have seen a sequined ball gown, or black patent leather shoes.  Sparkly fabrics and materials were reserved for formal evening events, when the daylight had vanished, and the party lights were dialed down low.  Sparkly materials pick up and reflect whatever light there is available. Sparkling materials seem to glow or shine from within.  In any event, all things sparkly, metallic, shimmery and glittery suggest celebration.  Sparkle at this time of year is a pleasure to the eye.

winter sparkle (8)The transition from the fall to the winter season is marked the coming of the cold, and the dark.  If I drive home from work at 5:30, it is dark.  If I drive in to work at 7am, it is dark.  November and December cold is bearable. But the dark can be daunting.  Winter container arrangements and outdoor holiday decor that incorporates a little sparkle will read better in low light. This is a holiday season, meaning there is cause to celebrate.  The copper curly willow, magnolia and boxwood in this arrangement have a glossy surface that reflects the light.  The poly mesh fabric is shot through with a gold thread every so often.  Arranging it in multiple curves and layers present lots of metallic surface area to the available light.

winter sparkle (12)Most of the green in my garden is long gone, but for the evergreens.  Needled evergreens present as little in the way of surface area to winter sun and winds-this helps them to conserve whatever moisture they have stored to survive the winter. I don’t expect or get sparkle from evergreen boughs, unless I have sprayed them with wilt pruf or vaporgard.  These waxy antidessicants will impart some shine to your cut evergreens. Burt there are other ways to introduce a little sparkle.  If you use artificial holiday picks in your outdoor containers, test them first.  A dunk in a glass of water will tell you just about instantly whether the material is suitable for outdoor use.

holiday-sparkle.jpgPoly mesh is not a natural material.  It is just what the name says it is.  It will have the same springy shape in March that it has now. Plenty of companies make plastic ornaments for outdoor use at the holidays, but glass ornaments are fine. We all have windshields, don’t we?  If I use glass ornaments outdoors, I glue on and seal the caps.  As long as you can keep water outside of the ornament, you should be fine.  Natural Michigan holly is notorious for dropping its berries fairly quickly.  A thorough soaking with vapor gard will add lots of gloss to that gorgeous red, and help prevent berry drop.

holiday sparkleSparkle comes in an incredible variety of textures.  Glittered picks reflect lots of light.  Plastic sprayed with a metallic coating glows.  Ornaments coated in glass or plastic beads refract an incredible amount of light.  Anodized aluminum wire comes in a wide variety of colors. Some paper wrapped metallic picks will survive the winter outdoors-as long as there is no rain.  Only snow. Snow resistant is much different than water resistant.  Should you have lots of rain in November and December, an acrylic sealer might help you out.

winter sparkle (17)We did this pair of Branch tapers for holiday and winter today. The topiary forms were wound with lights after I took this picture.  The big leaves of preserved silver eucalyptus reflect a lot of light. Lots of black picks with rhinestone dots will reflect the natural and artificial light.  Lots of the frasier fir boughs have small shiny gray ornaments wired to the tips.

DSC_6670There are lots of opportunities for sparkle here.  Located at the end of the driveway, these will transform and reflect the available winter light many times over.

winter sparkle (16)This third pot is located under the under hang, and will never get much in the way of light.  The silver glittered sticks in the center will make the most of whatever light is available.  I have clients for whom natural materials are the materials of choice.  Others like a little sparkle.  The best part of decorating the garden is that so many materials are available, anyone can assemble a group of materials that perfectly expresses their own individual idea of the holiday.

winter sparkle (6)The pale gold metallic picks in several heights, the cream and gold sinamay, and the pale gold pine cones in this pot are rather subdued in this pot during the day.  Come dark, the garland lights on the topiary form will create a whole lot of sparkle.

winter sparkle (14)Glass is a highly reflective material. There are enough shapes, sizes, and colors of glass ornaments to inform countless different holiday designs outdoors.

holiday sparkle.jpgIn a dark interior room, glass ornaments will gently shimmer.  The plastic bead garlands pictured here come in a 30 foot length for 6.00. They can create a lot of holiday cheer, for not so much of an investment.

holiday-containers.jpgI have yet to see a landscape visually harmed by a little sparkle at the holidays.  This is the time of year when a little celebration seems just right.

magnolia-wreath.jpgMy favorite part of this magnolia holiday wreath?  The pale chocolate string ribbon-shimmering.

 

At A Glance: One Stem At A Time

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All of these winter containers came to be, one stem at a time. I hope you enjoy the pictures as much as I enjoy the process.

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one at a time (2)one glass drop at a time.

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DSC_6573Lots of the pots pictured above were done by Rob. I learned from him how to slow down, and work one stem at a time.  He is confident enough to let a design evolve.  Nothing hurries him.  My advice?  Don’t hurry.  Take one step at a time.  Have fun.  Be challenged. Go ahead. Our 2014 winter and holiday container construction is underway-I hope yours is too.

One Stem At A Time

LH winter 2014 (1)Some winter containers ask for a centerpiece. Small containers may not have room for lots of materials in them, stuck one stem at a time. A centerpiece only occupies a few inches of space in a container – the bamboo pole and all that is attached to it, driven down into the soil, provides all of the structural support.  Some containers ask for height in the center.  A structured centerpiece is a more formal arrangement, as it is visually stable and symmetrical. The centerpieces pictured above were set in a pair of antique French champagne grape crates for safe keeping only, once they were finished. The pots they were destined for are square, and formal.  The placement on a front porch asks for enough height to be seen from the drive.  As for these rectangular crates, they ask for an entirely different construction approach. More on the crates later next week. I like to call this alternative construction the Rob technique.  Every winter and holiday container that he does for a client is deconstructed.  His design evolves, one stem at a time.

LH winter 2014 (2)My client with the formal square pots also has a pair of rectangular pots.  All four are Jackie boxes, made at our company Branch.  A centerpiece in a long box can look awkward and lonely. This client had a particular requirement for white, and light in the containers. We did the greens on the edges of the foam forms, loosely.  All of the other materials would have to be inserted into the foam, one stem at a time.  If a container arrangement asks for a one at a time treatment, the foam in the center may be three pieces thick.  Creativity – we prize that individual expression.  But the most creative work on the planet comes to no good if it goes over.  As Buck would say, the approach to the work is important.

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The center section of this rectangular form was dressed with a strand of garland lights.  Garland lights are spaced very close together on the wire.  One string has 300 lights.  The lights are pinned into place with fern pins.  A large rectangular planter asks for light which is dispersed all along its length, and strong enough to light from below all of the materials that come next. Back and forth-the light string gets set.  The tallest of the stems are stuck deep enough into the foam layers to be stable, and in a roughly formal pattern.

LH winter 2014 (6)Once the lights are pinned to the foam, we turn them on for the entire duration of the construction.  It is important to see how all of the other materials will relate to that light.  For these containers, I stuck white eucalyptus and white leptospermum at different heights.  One stem at a time.  Any project that happens one gesture at a time takes the time it takes to think every gesture through.  No matter how busy we are, Rob takes the time a project needs to be beautiful.  He is an inspiration to me.     LH winter 2014 (8)Constructing a winter container in the privacy of our garage means we can rfethink, fuss, adjust, and rearrange to our heart’s content, before we go live.

LH winter 2014 (15)Once we get to the installation phase, we are done with the creative decisions.  We just mean to install with many months of faithful service in mind.  This arrangement is secured into the soil with pairs of long steel rebar, set at an angle.  The rebar functions as roots. These natural materials are cut. We need to provide for the rooting a live plant will do naturally.

LH winter 2014 (12)The finished container is stuffed with materials that will see the winter through.  Each stem, stuck one at a time.  These clients have an extraordinary appreciation and interest in the landscape.  How I appreciate that they called on me.

LH winter 2014 (13)The smaller square boxes represent strongly – the centrally constructed centerpieces stand behind that formal statement.  Good design takes so many factors into account. Successful design requires the meeting of so many minds.  The client, first and foremost.  The architecture. The space.  The light.

LH winter 2014 (23)I encourage all of my clients to identify materials that appeal to them.  I can plan around an idea.  If you are your own client, take the time to ask the big questions before you set to the task. What do you like?  What you like will greatly inform how you represent the winter season.  There is no need to quit the garden, given the first really hard frost. There is only a need to switch gears a bit.  Michigan has 6 months of winter-we are just beginning to express our rebuttal.

LH winter 2014 (24)These boxes are dressed for the winter. Just how I envisioned them.  I have heard that my client likes them.  I am sure the light in the boxes at night will welcome friends and family.  Whatever manner you choose to envision and decorate your winter landscape-please persist. Great joy accompanies great ideas.

 

Holiday Tables At Cranbrook

Cranbrook 2014 (11)For 39 years, the Cranbrook Auxiliary has raised money for the restoration of both Cranbrook house and the gardens via the Holiday Tables event in late November. This year, 18 designers spent the day yesterday decorating their tables for the holidays. I did a table for them at least 10 years ago. A good friend, client, and long time benefactor of Cranbrook asked if I would return, and decorate a room, this being the last year for this particular event.  I am sure this group has an event plan for the future, with an entirely new format. As for this finale event-we were all in. The theme of this year’s tables-Illuminate the Season.

Cranbrook 2014 (12)If you are local to our area, you are well aware of the Cranbrook property, house and schools.  It houses one of the most respected graduate art programs in the nation.  If you are not local, suffice it to say Cranbrook is a vibrant institution with substantial gardens of which we are very proud. Interested in the entire story?  http://housegardens.cranbrook.edu/about

Cranbrook 2014 (14)The house is of a particular period and time.  The wood furnishings and tile are dark. The rugs are old and quietly gorgeous.  The lighting is subdued.  The period and style of this room drove the design for our table. For starters,  Rob hand fashioned three strands of holiday lights –  a reproduction of lighting from a much earlier era comprised of taupe colored cloth clad twisted wire, bakelite sockets, and large scale reproduction bulbs. Each bulb got its own vintage tin reflector before it was inserted into its bakelite socket.  These light strands are outfitted with a dimmer switch, so the light can be adjusted to fit the mood of the occasion. A small flock of our grapevine deer sculptures with sparkly gold and cream lit collars help populate the space. The quality of the light is key to our design.

Cranbrook 2014 (15)The china is my own, collected a few pieces at a time since my twenties. The Compleat Angler, manufactured in the early 1980’s by Portmerion China in England,  was inspired by the watercolors of English game fish done by AF Lydon in 1879. I have never used this china-I display it, and enjoy looking at it. The flatware is Ambience Olivewood, made by Alaine St. Joannis.  This we have used every day for many years. So why am I talking china and flatware?  It is a tradition with this event.  The sunset room is a fairly large room.  We were going to need more than a table, set for a holiday gathering.

Cranbrook 2014 (5)We placed three Christmas trees in the room-two of which are flocked. Detroit Garden Works is featuring flocked frasier fir trees for the holiday season this year.  They are available in a variety of sizes and colors, by special order only. These are the first flocked trees I have seen since my childhood, but apparently they are popular from the mid west to Paris. The French blue is my favorite color.  As the light string wires looked beautiful with that color, we had a color scheme for the decor. The wires themselves are handsome enough to feature them as holiday garland.

Cranbrook 2014 (20)We did bring an artificial Christmas tree.  This is my favorite style of artificial tree. It is clearly artificial-not a representation of a real tree.  The branches are brown, and lightly dusted with snow. We decorated it with pale French blue glass balls, and long crystal drops.

Cranbrook 2014 (21)The 10 foot long shallowly oval table with square ends is meant to be placed against a wall.  This was a perfect size to set the table on one side, and decorate the far side.  The flocked fir branches hold a variety of other materials.  A light strand, the dried curling fronds of garden ferns, glass balls in cream and blue, and fresh magnolia leaves are interspersed throughout.

Cranbrook 2014 (22)table detail

Cranbrook 2014 (13)The soup tureen and pike oval platter

Cranbrook 2014 (8)What I like best about this display is that it seems visually believable in this space. The antique Victorian wicker chairs are ours, but they look appropriate to the room.Every item has a vintage, or a garden feel. The color is subdued, but festive. If you are interested in seeing all 18 of the holiday tables, a formal buffet tea is scheduled for 11 to 3 today,  a cocktail party for Friday evening by reservation, and general admission Friday and Saturday from 10-4. We think the Cranbrook House and Garden auxiliary is well worth your support.