A Reindeer On The Roof

Deer in the garden is a sore subject for those gardeners who are plagued by the destruction they wreak on every plant shrub and tree in the landscape. What they don’t eat, they trample. They even rub the bark off of trees when they are rutting, for Pete’s sake. Preventing deer from demolishing the garden is the subject of page after page of essays on Google, and countless books and videos. But the grapevine deer sculptures that Detroit Garden Works has stocked for a number of years have their fans. The life size bucks and does come in standing, grazing, and seated poses, just like the fawns. They look terrific in any spot in the garden asking for a representational sculpture fashioned from a natural material. The grapevine is wound around a substantial steel armature, and should survive outdoors for many years, providing they get a yearly application of a penetrating oil based sealer.

Who knows what possessed me to put a deer on the roof, but there is a certain Buck that has been near and dear to me for many years. That personal association aside, Christmas folklore is full of references to a certain St Nicholas circumnavigating the globe in a reindeer drawn sleigh, bringing gifts to children world wide on Christmas Eve. It is a story that delighted me as a child. Apparently I can still be enchanted by it. Winter and holiday containers and displays bring an element of delight to the landscape that has gone dormant, and quiet. It was not so far fetched to cast the grapevine deer as a grapevine reindeer.  A holiday diorama in the making, if you will.

The roof at Detroit Garden Works is home to eight planter boxes, each of which are five feet long. They were fabricated from heavy duty sheet metal – there is not one thing fancy about them. These painted metal hold soil, plants, and an irrigation system. The magic is what gets grown in them over the summer. We intended to bring a little magic to the winter season that is at hand.  Our reindeer was secured in the center via steel rebar pounded in at an angle. On an angle? A gusty wind could pull steel rods set vertically out of the soil in a matter of moments.  The steel set on a steep angle is weighted down with a thick layer of saturated and frozen soil. A wind strong enough to uproot that buck would be a rare wind indeed, and most likely would take the box as well. We took every precaution to keep that reindeer in place. Of course we needed lots of lights. And a thicket of twigs. As the soil was frozen solid, we made foam forms, buttered them with lights, and stuck them with medium height pussy willow. Each one of these forms was additionally secured with angled steel rebar and concrete wire. Suffice it to say there is a lot of rebar on the roof right now.

All of the irrigation tubes and emitters were pitched over the sides of the boxes. There was plenty of additional work involved in making it possible to flip the switch on the lights.

A simple evergreen garland, wound round with garland light studded grapevine was attached to the leading edge of the boxes, and down the sides of the building.

My crew was keen for a group portrait. Why not? These pictures do not really reveal all of the work that went in to moving this project along to this point. They were caught up in the fun of it, and committed to seeing it through.

The view at dusk made it clear we needed to do more. The thicket of twigs needed to describe the entire width of the building. We had run out of pussy willow, so what now?

The light burst collar on the deer did not illuminate the sculpture. It spot-lit the neck. The twigs were in silhouette at dusk, and invisible come dark. We regrouped.

Phase two of the fabrication and installation asked for a burlap ribbon collar. The light collar did not read during the day, and was a too strong blob of light at night. Karen obliged with the fabrication, and Joe got the collar attached in just the right spot, and at the right angle. We had to rethink the lighting.

Attaching multiple light bursts to the front edge of the twigs might do a better job of illuminating the thicket at night. It was certainly worth a try.

Lengthening the twig thicket proved to be easy. The last few bunches of black dogwood, mixed with lots of alder branches made a believable transition from the more formal and vertical pussy willow stems to a more wild and natural look. A thicket spanning the entire width of the roof seemed more deliberate and finished.

The multiple light bursts did a great job of illuminated the face of the branches at dusk.

The burlap ribbon collar on our reindeer read plainly and properly, both day and night.

much better, this.I know if Rob is photographing something, he likes it.

Who knows if St Nicholas will require the last minute services of our reindeer buck tonight, but I am sure he will have no problem spotting him from space. The Works is ready.

Flip The Switch

Our winter/holiday installations take place during the day. During regular business hours. But we do endow most every project with some night light. As much as we dare provide for. We guess as best we can about the placement and intensity of light in the winter containers. They provide both container and landscape lighting. Our zone has as much darkness as light over the course of the winter. This means the night view is equally as important as the day view.

The Lumineo LED string lights are an innovation that has made for just about worry free temporary lighting outdoors. They draw about 1/10th of  the electricity needed by incandescent light strings, But even though you can walk on the bulbs without breaking them, they do need careful handling. Each strand has a function box. Push the button, and a pattern of flashing or blinking lights can be all yours. Ha! Each strand also has a transformer, that dials down the voltage at the outlet. The wire going in and out of the function box, and the wire going in to the transformer can come loose, if it is stretched too far. We usually reinforce that connection with electrical tape. Early winter rain is the bane of winter lighting, as water and electricity do not mix.  Water that seeps into a function box and corrodes the wire inside can cause flickering, or an irreparable short.

Our electrician advised that we leave all plugs and connected open to the air, as encapsulating them in a zip lock bag means that any water that gets inside is trapped, and will not evaporate. Water gaining access to the connection between a plug and extension cord bodes ill. The fit of one to the other is not always a tight fit.  We generously wrap those connections with electrical tape. The best quality and stickiest tape we can find. We also prop up the connections so nothing rests on wet soil. We leave the tags on the lights.  They list how many lights are in a given strand, in case we do need to make a replacement.

A careful job handling the wiring means you can enjoy those lights all season long. We do run the lights around the clock. Timers can produce a surge of power when the lights go back on that can damage the string. The manufacturer recommends that given how inexpensive they are to run, dispense with a timer.

At 4pm, we have dusk, and by 6pm it is dark. As in black dark. Winter lighting can punctuate, highlight, and mitigate that dark.

the view from inside out

The view from the street is warm and inviting.

A pair of French pots dressed for winter

night light

The cooler toned lights in the greens, and the warmer white lights in the pussy willow and pine cone picks is especially effective at dusk.

This centerpiece has a 36″ tall light burst inside, which helps to illuminate the branches from within. If you have ever attempted to gracefully run string lights upwards inside a twig bunch, you will appreciate this innovation.So cozy, this.

lighted pot at the end of the driveway, 2018

My winter pots are last in line, as they should be. It doesn’t worry me much, as I know I will be driving up to something like what I had in 2018 all winter long.

lighted winter container

Detroit Garden Works lighted window boxes 2018

It’s the season for a lighted and lively recollection of the garden.

 

The Finishing Touch

The moment I saw this winter project, I knew a lighted garland wrapped around the front door surround would bring all of the winter elements together. A garland attached to that limestone surround some 25 feet off the ground that would describe the entrance to this home is the stuff of fairy tales. I told my client it would take a lot of people and equipment to make this happen. There would be no ladder tall enough and safe enough for an installation at this height. Expecting her to say no, she said yes. Given her go ahead, Templeton Building Company was kind enough to send out four sections of scaffolding, and two of their people to set screws in the mortar over the doorway, and down the sides. Four of my crew met the two from Templeton early one morning.

I was not especially happy about the process. The scaffolding was on wheels, for starters. Really? It got built skyward, section by section, until it was high enough to provide a place to work. Would I want to be up there working? No. Was I worried about each and every one of them climbing this expanded ladder to the sky-yes I was. It only took Matt 40 minutes to set the screws that would hold both the magnolia garland, and the light garland. So far, so good. My crew on the ground delivered the materials to those people who were aloft.

Once the screws were in place, LaBelle made his way up the scaffolding, hauling one end of the magnolia garland. David LaBelle is a leading fabricator for my company, the Branch Studio, and he has no fear of heights, or scaffolding. I cannot imagine how that can be, but he seemed relaxed about it, and I knew he would be entirely capable of wiring on the garlands. As the scaffolding was but 7 feet wide, we would have to install one side of the garland at a time, and then move the scaffolding to the other side.

The top surface of the top layer of scaffolding was only one board wide. LaBelle was not in the least bit concerned. The best part of all of my companies are the people who make things happen. Our group of 20 something has varying skills. The variety of work we are able to do depends on this.

Once the first sections of garland came down the right and left side, I knew the big effort to set lighted garland over this two story doorway was a good idea. The final sections of garland could be attached from a ladder.

Once the magnolia garland was secured, the light garland went up next. The garland is 50 feet long overall, and is comprised of a 100 foot strand of LED C-9 lights, and a 100 foot strand of Lumineo mini LED lights, each folded in half, and twisted together. Frequent zip ties keep the twist from unraveling.

LaBelle was ready to take this light garland up high. The LED lights represent a vast improvement in exterior lighting. This garland is amazingly light weight. LED’s now have a quality of light very similar to warm incandescent lighting.  They consume very little power, and are economical to run. But the best feature for us is the fact that the light covers are plastic – not glass. They are shatterproof.  So no harm if you drop them, or bang them against a brick wall. When first introduced, the big bulb LED lights were very expensive. 1 25′ strand would run 27.00. That same strand is less than 10.00 now.

The lighted magnolia garland over this door is beautiful – day and night. The backs of the leaves echo the color of the brick and wood architectural elements.

From the drive court, the scale of every winter element looks appropriate. From the ground plane to the sky, this winter landscape has a lot going on. That lighted magnolia garland better than two stories up over the front door does not look too big or overly elaborate. It is fairly simple, just sized to fit.

From the far side of the drive court, some rare late day December sun describes a landscape and garden ready for winter. This winter landscape has volume, structure, texture, mass, -and most importantly, lighting. A routine winter day in Michigan is gray.

Once the December light fades, there is a garden to be seen of a different sort. Light your own winter landscape as you wish. I would suggest that any effort you make to light the landscape is well worth the effort.

welcome.

Winter Red

Our second winter/holiday project comes with a story, just like our first. If you were to ask how I schedule all the work, I am sure I would hesitate before I answered. There are many factors, some involving the availability of materials and other logistical issues. But personal issues for clients play a big part in the scheduling.  A client whose daughter was getting married as I began writing this came first.  No doubt someone else will be first next season. Our second project involves a landscape client who is hosting 19 members of his greater family for Thanksgiving at his home. They live a long ways away; the earliest arrivals are tomorrow. Shortly after Thanksgiving, they are leaving on an extended trip. They wanted their holiday/winter pots to be in place well in advance of the Thanksgiving holiday with family, as they would be celebrating both holidays at once.

We began the fabrication of all of their pots and holiday decorations this past Wednesday. They had a specific request for red, in any form we might manage.  I understand that. The winter landscape in Michigan is varying shades of brown set against interminably gray skies. Our winter daylight is watery and wan. Some of my favorite shrubs and trees feature a red berry set for the winter.  A well grown stand of Michigan holly (ilex verticillata) in full berry mode electrifies our winter landscape. Funny this – I have a love for red in the landscape at the visually hungriest times of year.  Red tulips in the spring are such a welcome and cheery burst of color. A plan for red in our winter landscape is equally as celebratory. Our second year red twig dogwood bunches are especially beautiful this year. We rarely have the opportunity to purchase old growth red twig of this caliber. The thick stems are heavily branched, and arch outwards as if they were still growing. Long faux berry stems zip tied to the natural twigs make a big statement about winter red. Our winter and holiday container arrangements are as much about sculpture as they are about nature.  We know whatever we fabricate has to endure a entire winter’s worth of windy and snowy weather, unfazed. A construction site in our garage means we are able to recreate natural and graceful shapes that are able to endure the worst of our winter weather.

Our clients have one container that is 42″ by 42″ square, by 40″ tall. This is an incredibly large container that is home to a tree sized banana plant over the course of the summer.  Of course the size of a container asks for an arrangement of a proper and proportional size. The centerpiece for this pot needed a good deal of mass and volume. A galvanized tomato cage was perfect for zip tying individual cut stems of second year red twig dogwood all around the outside to create the illusion of great mass. It took 8 bunches of fuchsia eucalyptus to match the scale established by the height and diameter of the dogwood centerpiece, and the size of the container.

The upper galvanized steel ring of the tomato cage is evident in this picture. Topiary forms, or in this case, a heavy gauge galvanized tomato cage, can provide a key sculptural element to a container. I am grateful for topiary forms that enable my mandevilleas to climb skyward during the summer. Those forms can be strung with lights and grapevine for the winter season. In this case, the tomato cage provides an unseen structure for the twigs. Am I concerned that I can see this top ring? No. As you will see in the following picture, this pot is viewed from afar, rather than up close.

Not all tomato cages are created equal. Rob buys very heavy gauge galvanized steel rod cages in a variety of sizes. They provide significant support for vines, and in this case, twigs.  This very large container has a centerpiece appropriate to its size. The fuchsia and red echoes the late fall color of the hedge of the oak leaf hydrangea “Ruby Slippers”.

I asked Dan to take this picture down into the centerpiece from high on the ladder. The red twig is zip tied to the form at the soil line, and again 2/3rds of the way up. This takes some time to do, but it insures that the twigs will stay put throughout the winter. Illuminating this centerpiece from within would take a lot of light, so we installed four strands of 25 count C-9 incandescent lights.

The greens were liberally dosed with Lumineo LED light strands. Barely visible during the day, they will do a great job of illuminating the greens and exterior of the centerpiece at night. This pot will light up a fairly dark spot on the driveway all winter long.

The four boxes at the front door feature lots of that winter red. Marzela stuffs the noble fir into dry foam in the studio, and David constructed all of the centerpieces. The centerpieces are secured with steel rebar and concrete wire. The bottom portion of the foam form is wedged into the box.

 Marzela adds the last element to the pots on site.

The red/red violet seed pods on stems provide a transition from the greens to the centerpiece, and conceal any zip ties from the centerpiece construction. The greens are deliberately shorter in the center, so the entire centerpiece can be seen.

The lighting of the pots comes last. The light fixtures on the house are large, but their light is more glowing than illuminating. The lights in the pots will brighten the entrance walk with lots of light.

David and Dan rewind all of the strands for the pots, so they are easy to install.

The bed to the right of the walk is already planted with tulips for the spring.  It is planted with seasonal plants in the summer and fall.  This year, my clients requested a winter vignette with cut trees and grapevine deer, to add to the festivities. The trees were lighted in the garage before we brought them. The heaviest concentration of light is on the trunk. The lighting on the branches is lighter, both in density and color. The Lumineo strands are designed to be as unobtrusive as possible. That design works. It is hard to spot them during the day.

This is the finished installation, as seen from inside our box truck.

the finished front walk

At 5pm, the natural light has all but faded. The length of the exposure taking the picture intensifies the light more than what it looks like in person, but you get the idea.

Their landscape is ready for their holiday, and their winter.