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The 2020 Winter Pots Part 1

I have been writing about the design, construction and installation of our winter pots in great detail for a good many years. I have done so for several reasons. First and foremost, I believe the transmission of knowledge and process is something every person should do, if they are able. I also think that our approach to the work is unique, in that we treat the arrangements as sculpture. To see the sculpture in them is to understand how we design and make them. I am all for beautiful winter pots in evidence everywhere. Beautiful container sculpture in the winter landscape enriches everyone who sees them. All of the elements have to be integrated at a finished size-as winter pots do not grow. They endure, over 4 or 5 months of the toughest weather we have – the winter.  Like a great landscape, a great winter arrangement depends on it’s interior structure. But designing the structure comes after all of the other design decisions are made. Consider every element your would ordinarily consider, designing a container-as in color, shape, texture, line, mass, volume, and proportion. But my first consideration is always the materials.

I am certainly a spoiled brat when it comes to materials. Rob shops all year round for what ends up being a whole store’s worth of beautiful materials. I can do all of my shopping in one convenient location. (yes, Deborah Silver and Company purchases its materials from Detroit Garden Works) I can find faux picks of every description and style, from astonishingly natural berry picks, to glamorous gold plastic grasses. The picks come in all lengths, most of which can be fluffed out, shortened, elongated via a bamboo stake, or cut up – depending on the intended design. What is available to me, and everyone else who shops the Works? There is a wide array of natural fresh cut willow and dogwood branches in a variety of colors, textures and heights. One of my favorites are the densely twiggy and dark alder branches. Magnolia branches in varying lengths and leaf sizes are a specialty of the house. Fresh cut greens include the giant leaved German boxwood, noble fir, pine, juniper, incense and Port Orford cedar, and variegated boxwood-by the bunch or by the case. Rob buys in a considerable collection of exterior lighting that can easily be integrated into a winter arrangement. There is nothing quite like a pair of winter pots lighting the landscape. So what materials will get chosen for a particular pot?

The materials I choose has everything to do with the taste of the client. Everyone likes something different. Sometimes I just stand in the shop and watch what people pick. Since one of my crews does the display at the shop for holiday and winter, I have plenty of time to become acquainted with what we have available. More often than not, what I do at home has to do with what materials are left the end of December. I really don’t mind this, as something beautiful can always be done with beautiful materials.

But where I do make decisions about materials has to do with how they relate to one another. Some colors are eye catching or rhythmic together. Very dark colors paired with white make for some drama. Similar colors make for subtle relationships. All the same color can shift the focus from the color to the overall form of the arrangement. Some color pairings cancel each other out, or vigorously clash. All colors are beautiful-they just need proper accompaniment. And who decides what’s proper? It’s a matter of taste. If I see a client going off the road and into the weeds, I will say something. That’s part of the job. But plenty of times I have been surprised to see what I never thought would work very well turn out lovely. That’s why more than one pair of eyes on a project can be a good thing.

This collection of red and white materials contrasts strongly, but I know that once it is outside, and nestled in a bed of noble fir, it will look festive. Once the greens have a dusting of snow, it will look like a holiday is going on. A consideration of materials is very much about how those materials will look outdoors in their intended home.

Even though I have lots of choices for materials, it does not mean I want to use all of them in the same pot. Once materials are chosen, it’s time to edit out those materials that don’t add something significant to the relationshIps established by color, shape, texture or mass. Editing is the most difficult part of designing. If there are 10 materials you can’t do without, do 2 or 3 containers instead of one.

There is certainly something to be said for a huge mass of one material. In the case of these blueberry colored picks, the subtle color will not read unless you use lots, and the pot is likely to be viewed up close. 20 of these picks out in the side yard will not read. Nor will a hundred. The small size and moody color will go gray with the distance. Up close to the front door, the subtle color can be appreciated.

Natural materials have a vibrancy and glow that cannot be replicated with a faux pick – no matter the skill of the manufacturer. I like to design around natural materials in one form or another. Most of the winter containers we do are predominantly natural materials. They are after all, an expression of the winter garden. But that is not to say that a little outright fakery might not be just the thing to bring an idea to life. Or that the investment in a collection of faux berry stems could not grace winter pots for a number of years to come.

These gold plastic grass picks do beautifully mimic the form and airy texture of real ornamental grasses, with the added attraction of a little winter show and shine. The technology and manufacturing behind the production of these picks is sure evidence of the human hand. And they can be used year after year. The durability outdoors is truly remarkable.

green and white fuzz picks

These.platinum picks would be beautiful with fresh cut poplar or beech branches.

concord grape picks

snowball picks on very long stems

short stemmed blueberry picks

Not the least of my embarrassment of riches is a giant heated garage, with room to fabricate even the most complicated arrangements. Having a warm space to construct is the ultimate luxury. A bitterly cold environment is not an ideal place to work. Even an unheated garage provides shelter, so concentrating on the making is possible. I can always tell when my fabrication crew is focused on their work. The talk drops off, and I doubt they hear what is going on around them. Providing an environment that is friendly to the work is essential to what we do. I say that, as we do hundreds of winter container arrangements every season-in a fairly short period of time. We need a place to be to do all that.

For those who do their own winter pots, it is possible to set up a temporary work station in a garage, or on an enclosed porch. Maybe there is a spot outdoors that is out of the wind. A decent place to work invariably results in more thoughtful work. It is likewise important to properly position the work. I would take the time to elevate the piece I am working on, rather than bend over it or sit on the floor. The set up time is time well spent. A favorite client has us lay down a tarp near her front door, and bring her pots inside.  Once she has filled them, we take them back outside and place them. That service from us helps to enable her to enjoy making her winter pots. For pots that are impossibly heavy to move, consider constructing in a liner that can slip down into the pot, out of view. Anything done in too big a hurry tends to look hurried. Making the effort it takes to provide for a place to work indicates that the work has importance. This is why people have sewing rooms, music rooms, garden sheds and potting benches. They provide a place to work.

We did pop these centerpieces in their intended containers in short order. We do drive slender bamboo stakes down through the arrangement in 3 or 4 places, so a gust of wind does not carry them off. Larger and heavier centerpieces have a different construction protocol, which I will address in part 2.

Our first container arrangement of the season, ready for winter.

Posted on: November 22, 2020 24 Comments
Filed Under: Detroit Garden Works, Holiday, container planting, Lighting, Winter, garden sculpture, Deborah Silver and Co Inc Tagged With: ,

A Good Year For Zinnias

Planting the summer garden in front of the shop this year was more about less than anything. Every supplier of seasonal plants was inundated with customers from the very first hint of spring. Plants I had custom grown, labelled sold, and roped off for gardens to be planted in June were a constant target of gardeners anxious to provide both beauty and interest to their outdoor spaces early in May. My plants needed feeding, watering, and a watchful eye. My grower sold through his entire June crop in May. He was not the only one. Astonishing, this. No wonder my stock of reserved plants looked inviting. I am not a fan of planting tropical plants in cold soil. But choosing to wait to plant had consequences. Needless to say, we were scrambling for material the entire month of June, and July was even worse. By the time all of our client’s work was complete, it was well in to July. So we planted the front gardens with what was left from what we had custom grown. Several varieties of white zinnias and angelonia “Steel Blue” would just about fill these steel raised planter boxes.

For the border, we managed to find some white petunias, and mixed them with the double pink cascade grandiflora petunia “Orchid Mist” – also custom grown for us. Those frilly petunia puffs are reminiscent of the tissue paper flowers made for homecoming floats in the 60’s. Given that association, it’s easy to see why those plants had not been snapped up sooner. Their habit of growth is awkward, lanky, and lax. The dead flowers persist on the plants for a long time. In spite of their shortcomings, I like double petunias. Every seasonal plant has their place in the sun. Paired with a stiff growing plant that can provide structure and support, double petunias in pink or white can be plenty gorgeous.

It was not surprising that we still had tall growing zinnias available in June. They cannot be planted too early in the greenhouse, as once the seed germinates, they grow fast. Timing crops to be ready when the weather permits and people want to shop is the black art of the greenhouse growing business. No planting crew wants to haul annuals to a jobsite that are 2′ tall in a four inch pot. I want my zinnias short and stocky. So the large growing zinnias were not available until later in the planting season. Few gardeners have the self discipline to delay planting a summer container until the zinnias are available.  Who would risk it, knowing the other plants to go with might be sold out by then. I am familiar with this logistical problem. If zinnias are well grown, and at a perfect stage to transplant, they are green. Meaning the plants are not in flower. A bench full of zinnias is an ocean of green leaves. If you are looking for a particular color, you have to read the tags. All these things work against the zinnias flying out the door. It is not really a May-ready plant.

For as simple as the big flowered tall zinnias are to germinate from seed and grow, they are heir to no end of troubles. If you are interested, see the following from the Handbook of Florist’s Crops diseases, pages 1-31.  common fungal and bacterial diseases of zinnias  Some growers want no part of this trouble, and chose to grow only disease resistant varieties such as the Profusion series. Gardeners don’t care for high maintenance annuals either. Lisa M, who does a terrific job of maintaining our seasonal plants and anything that grows on the shop property, prunes selectively to improve air circulation, squishes the sucking insects (notably grasshoppers) that transmit virus and disease via their chewing, and removes any leaves that show signs of bacterial leaf spot – and so on.

A well grown zinnia is a sure sign of high summer in the cutting garden. They don’t call the medium height zinnias “cut and come again” for nothing. They last impossibly long as cut flowers. Floret Flowers grows them by the semi truck load for the cut flower trade.   Floret Flowers   They come in just about every color imaginable, except for blue. They are old fashioned flowers, for sure. It is the one flower I can distinctly remember from my Mother’s garden some 60 years ago. Yes, the dahlia flowered varieties have a stiff and awkward look about them, but how I love their down to earth cheer and charm.

They are not at all showy like roses, dahlias, foxglove, peonies, delphiniums or orchids. They look most at home  with the daisies, sunflowers, feverfew and cosmos. The kitchen garden is an ideal place for them. It is tough to plant them meadow style with other looser growing seasonal plants in my zone, as they resent close quarters. Once you are not able to reach them to clean them up, the leaf spot, mildew and other mayhem will start to consume them. Someday I will try them with amni majus, Gaura lindheimeri, or the grass Bouteloua gracilis “Blonde Ambition”. The angelonia is a pretty decent partner. I would do that again.

A few weeks ago, the boxwood in front of the shop got their yearly haircut. The precision with which this is done is astonishing. M’s crew is a gifted lot, with an impeccable instinct for up and down, true and square. It’s as if the horizon line is embedded in their genes. The geometry of the boxwood is in sharp contrast to the zinnias.  Only a deftly pruned hedge of boxwood could make a planting of zinnias look graceful.

But the real purpose of this post is about the weather.  This year has been very hot and dry. Overall, the humidity has been low. Perfect conditions for growing great zinnias. Perfect conditions for growing all manner of seasonal plants that revel in dry heat. People may be wilting, but the seasonal flowers are very good looking this year. If you happened to plant some zinnias, that planting is exceptional right now. As no gardener has any control over the weather, the big idea here is about spending some time with the National Weather Service about their prediction for the summer in your zone, ahead of choosing what you will plant. The perfect time to grow zinnias is when a summer season will be perfect for growing them. If weather predicting sounds too tedious, then plant lots of everything. You are bound to hit the jackpot with something.

Those good years for crocus,magnolias, roses and hydrangeas are memorable. Memorable, as no gardener can count on a good year coming their way. All the terrible years for zinnias do not deter me from planting them. But this year, it was just about all I had available to plant. I do not think of the natural world as being the least bit just. This year I got lucky. lime and yellow zinnias

pink and orange zinnias

Benary Giant orange zinnia

  Pot full of zinnia “Zesty Fuchsia”

Container featuring zinnia Magellan pink

If for no other reason, stop in to see the zinnias. They are quite something this year.

Posted on: August 10, 2020 24 Comments
Filed Under: seasonal plants, flowers, Detroit Garden Works, Summer Tagged With: , , , , , , ,

At A Glance: In The Same Genre

Rob has planted so many herb/flower and vegetable pots-to follow is a big selection that compliments my last post.

Rob’s genre-I like the sound of that.

Posted on: May 21, 2020 31 Comments
Filed Under: Plants, Picture This, Detroit Garden Works, container planting, seasonal plants Tagged With: , , ,

Sustaining

My apologies to all of you who read my essays. Two days ago, the server for all of our associated websites and this blog crashed. All is rebuilt now, but my latest post, this post named “Sustaining” was a casualty, but for the beginning two paragraphs. The original version cannot be restored. To follow is a rewriting of that post. For those of you that were able to read before the crash, I hope this version will be tolerable, or better. For those of you seeing it for the first time, this is the first in a series I hope to write about planting containers for the garden. It’s that time.

The instinct to sustain comes standard issue with all living things. Animals strengthen and support their newborn young with mother’s milk, a home, and protection from danger of all sorts. That Mom supplies her young with all of the necessities of life, whether it comes from her, or from  a source of water, shelter or food nearby. Some parents with no innate directive to protect or feed their young produce progeny by the hundreds or thousands. Sustenance comes in a lot of different forms. People, those most complex of all the creatures, do much the same, but in a more complex and individual way. Luckily, many kids lacking sustenance emerge with a will to grow, standard issue. Some seed within them grows. What is truly amazing is how many varied paths of affirmation work. Astonishing, this. Plants likewise have mechanisms to not only grow, but protect their own survival for generations to come. Even the most cursory study of seeds, and the conditions under which they germinate and grow, makes it clear that the urge to survive is a most basic tenet of life. The flowers have a grand purpose. Pollination and the the eventual production of seed insures the survival of the species. Those of us who treasure flowers whenever they appear are witnessing the story of how a species is sustained from one generation to the next – every bit as much as their ephemeral beauty.

Anyone who gardens has that instinct to nourish and nurture. That comes part and parcel with the urge to try to make something grow. The effort it takes to grow and sustain a landscape and garden is considerable. Aching backs, permanently dirty nails and sunburned noses, scrapes scratches, bruises, frustrations and failures tell the story. All that effort in search of that perfect moment. The gardener enjoying the garden they create and sustain. The natural world is a world in which every living thing jostles for space, breathes, and prospers, or not. The outcomes are not always predictable or positive. Every living thing is as capable of sustaining injury or damage as they  Anyone who gardens has seen treasured plants demolished by deer, or destroyed by an exceptionally hostile winter. The list of the plants that have died on my watch is a very long list. Those plants that have persisted are a source of great joy. Life and death in the garden is pure theater. Why else would gardeners come back for more, year after year? The spring season is anticipated for months, and the experience of watching plants break dormancy and grow is an experience like no other.

Gardeners of all description are in the full swing of it now. All because the relationship people forge with nature is sustaining. There are landscapes and gardens being cleaned up. There are new plants going in the ground. There are plans for a new terrace, or a fountain. Some older landscapes are getting a refresh. A garden bench is getting a fresh coat of paint. I for one have always enjoyed weeding;  its solitary and contemplative byproduct is a tonic. Pulling weeds does not require much in the way of concentration, so there is time to hear the birds.  In a frantic world, the garden is other worldly, and restorative. That spring move into the garden is the emotional equivalent of a trip to the cottage or the beach without any travel time involved. We mark the beginning of the summer gardening season by planting containers. It’s a specialty of the house.

Rob plants containers in May in his own inimitable and sustaining style. He puts up planters that combine herbs, vegetables and flowers in a relaxed and graceful way. His plantings strongly evoke the agricultural roots of all gardening. Planting crops that feed communities is life sustaining. A place for growing vegetables and herbs in the garden takes many forms. Some gardeners plant ornamental plants incidental to a working garden. Others want a few tomatoes and some herbs to cook with. No matter the form or extent, growing those plants that sustain life sustains a very basic emotional need – a working connection to nature of which we are all a part.  Rob is apt to purchase lots of containers that compliment these first container plantings. Baskets of all shapes and styles, wood boxes and crates, galvanized buckets and tubs all speak to the farm garden.  Even the contemporary stainless steel wire baskets with fabric liners pictured above pair remarkably well with a planting of herbs.

The herb pots come first for a simple reason.  They not only whet the appetite for the summer season to come, many herbs – basil excepted – are quite tolerant of unpredictably chilly spring weather. The pot pictured above is planted with a couple miniature petunias. They shrug off cold weather as well. The plastic liner in the reed baskets help improve their longevity.

vintage berry baskets planted with rosemary, variegated scented geraniums and anbual phlox

Will the grapes produced by this grapevine be sufficient for a few bottles of home made wine, or jars of marmalade? No. But planted up in a vintage champagne grape crate, this container planting is earthy in every regard.

Mint is an impossible thug in the garden. It will run everywhere, and is very difficult to eradicate or control.  But a planting in a bucket means this fragrant herb is available for seasoning lamb or as a garnish in a summer drink.

Topiary plant forms have long been a mainstay of the formal garden. The tin pots Rob chose for them recall that history. These lavender and scented geraniums on standard are a more cottage garden version that pair will with pots of herbs and flowers. These are under planted with alyssum and lavender bacopa.

basket of herbs

vintage oval bucket filled with basil

rosemary, variegated lavender, bidens, variegated thyme and alyssum

tomato under planted with gold oregano and thyme

for the love of lavender

a collection of associated vintage and new pots

Chicago figs and yellow petunias

tomatoes and herbs planted in terra cotta long toms.

handled bucket with strawberries, thyme, and white dianthus

Rob planted The Fed  in Clarkston with loads of lavender and herbs last year. He will be doing it again this year. These pots hit all the right notes, don’t they?

Posted on: May 20, 2020 9 Comments
Filed Under: Summer, container planting, seasonal plants, Detroit Garden Works Tagged With: ,