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The Natural Order Of Things

 


I had a client in the store a few days ago, needing some help with planting a pair of containers.  She told me she needed a thriller, some fillers, and some spillers for her pots.  ???  I was at sea.   This sounded like some popular container composition slang; I asked for an explanation.  The explanation was as follows.   A tall center of interest plant, with some slightly shorter supporting cast plants, and trailing plants to spill over the edges of the pots.  Voila-a perfectly designed and beautiful pot.  Formulas-I instinctively have an aversion to them.  The pot pictured above looks like a mess with no discernible design, but give it a few weeks.  The “spiller” plants are planted in the center.  The “filler” plants are planted on on the edge.  I abide by the natural order of things when I need to.  The seasons change-I get behind that.  The west sun is merciless, unlike the life giving east sun.  The natural order of things apply to natural phenomena.  All else-whatever idea you have, try it out.  Be confident enough to try things out of order.    

This may be my most favorite container planting of this season. A purple spike may bring the thriller status to mind-I had another idea.  What happens when I plant the thriller plant, in multiples,  in the spiller slot?  We’ll see how this planting matures-but I like the idea that I have dwarf and luminous white and green caladiums in the thriller spot.  The button ferns-they defy categorization.  They do not spill-they are drapy. I promise to take another picture in 6 weeks or so.    

Last year I planted white mandevillea vines in the front of the shop.  No stakes, no trellis.   I let them grow as they would-my thriller became a spiller.   They were beautiful. How they looked encouraged me to be free of an outline about the natural order of things.  Gardens that I see that are free-free from popular sentiment, free from formulas, free from preconcieved notions-are they not so beautiful?  I pin my climbing roses to the wall, and I stake my mandevillea.  I give my clematis a trellis on which to climb.   I follow the rules-mostly.  But there are those times when a preconceived order of things may not be the most interesting solution.

Vernissage 2016

008Seven years ago, on April 1 of 2009, I published my very first post entitled Vernissage. As in a beginning-not only of the gardening season, but a beginning for my writing. How pleased I was to have a  a forum for my gardening journal!  I  revisited and revised this first post in 2010,  2012, 2014, and 2015. To follow is this year’s version of that first essay, Vernissage.

VERNISSAGE (15)Strictly speaking, the French word vernissage refers to the opening of an art exhibition.  I learned the word recently from a client with whom I have a history spanning 25 years. She is an art collector. Our conversation over the years spoke a lot to the value of nurturing long term interests and commitments.  I have learned plenty from her, and from her garden, over the years. In the beginning, I planted flowers for her.  Our relationship developed such that I began to design, reshape, and replant her landscape.  She was passionately involved in every square foot of her 8 acre park.  Needless to say, the years flew by, from one project to the next.  I have favorite projects. An edited collection of fine white peony cultivars dating from the late 19th century was exciting to research and plant. A grove of magnolia denudata came a few years later. Another year we completely regraded all of the land devoted to lawn, and planted new. I learned how to operate a bulldozer,  I so wanted to be an intimate and hands on part of the sculpting of the ground.  There were disasters to cope with, as in the loss of an enormous old American elm. Deterring deer was nearly a full time job. Spring would invariably bring or suggest something new. All these years later, there is a body of work existing that I call the landscape.

May 11, 2016 006In a broader sense, vernissage refers to a beginning- any opening. The opening of the gardening season has a decidedly fresh and spring ring to it.  I routinely expect the winter season to turn to spring,  and it always does.  But every spring opening has its distinctive features. Some springs are notable for their icy debut. Grape hyacinths and daffodils ice coated and glittering and giant branches crashing to the ground. The snow that can be very much a part of the landscape in mid April.  This year, a different kind of drama altogether. A very warm early March, and then a stony silent cold we have yet to shake.  I usually associate spring with the singing of the birds. I hardly noticed the singing this year, until this past week. The cold that has been reluctant to leave means my experience of spring has been late. But every spring gives me the chance to experience the garden differently. To add to, revise, or reinvent my relationship with nature is a challenge I anticipate. This past winter was mild. Endlessly mild. That endless and mild cold is still going on. It has been hard to rev up. The last of this cold just about reduces my spirit to a puddle on the ground.  Spring is finally underway, in a chilly sort of way.  I may not like the lingering cold, but my spring plants are holding.  The daffodils are incredible this year.  The magnolias have been blooming for weeks. The hellebores have been in bloom for going on 6 weeks.  The leaves are beginning to emerge.  The perennial garden is stirring.

VERNISSAGE (1)Much of what I love about landscape design has to do with the notion of second chances. I have an idea.  I put it to paper.  I do the work of installing it.  Then I wait for an answer back. This is the most important part of my work-to be receptive to hearing what gets spoken back. The speeches come from everywhere-the design that could be better here and more finished there. The client, for whom something is not working well, chimes in. The weather, the placement and planting final exam test my knowledge and skill.   The land whose form is beautiful but whose drainage is heinous teaches me a thing or two about good structure.  The singing comes from everywhere. I make changes, and then more changes.  I wait for this to grow in and that to mature.  I stake up the arborvitae hedge gone over with ice, and know it will be two years or more-the recovery.  I might take this out, or move it elsewhere.  That evolution of a garden seems to have ill defined beginnings, and no end.

VERNISSAGE (4)This spring will see an average share of burned evergreen and dead shrubs.  The winter cold and wind was neither here nor there. I am still wearing warm clothes. But no matter what the last season dished out, sooner or later, I get my spring.  I can compost my transgressions. The sun shines on the good things, and the not so good things, equally.  It is my choice to take my chances, and renew my membership.  The birds singing this 11th day of May l means it is time to take stock.  And get started.

VERNISSAGE (3)I can clean up winter’s debris. My eye can be fresh, if I am of a mind to be fresh.  I can coax or stake what the heavy snow crushed.  I can prune back the shrubs damaged by the voles eating the bark.  I can trim the sunburn from the yews and alberta spruce.  I can replace what needs replacing, or rethink an area all together. Spring means the beginning of the opening of the garden. I can sit in the early spring sun, and soak up the possibilities. I can sculpt ground. I can move all manner of soil, plant seeds, renovate, plant new.  What I have learned can leaven the ground under my feet-if I let it.  Spring will scoop me up.  Does this not sound good? I can hear the birds now; louder. Rob’s spring pots of daffodils have been in uninterrupted bloom for weeks.

April 5, 2016 047This spring marks 24 years that Rob and I began working together, and 20 years that the shop has been bringing our version of the garden to all manner of interested gardeners. There have been ups and downs, but the relationship endures, and evolves.  Suffice it to say that Detroit Garden Works is an invention from the two of us that reflects the length and the depth of our mutual interest in the garden.  No matter how hard the winter, once we smell spring in the air, we stir.  The beginning of the gardening season we short list as the vernissage.

VERNISSAGE (14)We have begun to plant up spring pots.  Our pots feature hellebores, primrose, and spring flowering bulbs. What a relief to put our hands back in the dirt.

VERNISSAGE (9)My garden at home is greening up. A sunny but chilly evening brings me outdoors. Being outside today without a winter parka- divine. The thought that the entire gardening season is dead ahead is a very special kind of delight.

VERNISSAGE (2)Vernissage? By this I mean spring. I am so enjoying it.

Sunday Opinion: Why Do You Do It?

I read Rochelle Greayer’s blog, Studio G, an ambitious compendium and commentary on all things garden and landscape design related, almost every day.  One day she is seriously reflecting on how she interprets the body of information regarding the importance of organic food.  The next I am seeing before and after photographs by a neighborhood gardener that does all their own work.  This might be followed by information on new product design, a historically significant garden, or plants of interest.  Speaking of interest, her interests have astonishing range.  She does an incredible job of sorting, editing, distilling and reviewing.  She writes beautifully.  You know this, I am sure.  But I would go on to say that she writes with a serious intent  She is a garden journalist in the best sense of the word, but I so like that she crosses that  over with impunity, and makes clear her own point of view, her questions and concerns.  I recommend reading her.  I promise you will be dazzled.    www.studiogblog.com.

One of her features that I especially like is her monthly “blogs I like”.   I have to say that when I made her list early last year, I was embarassed, but more than pleased.  But more important than that, I like checking out what she is reading now.  I so value how she shares.  More often than not, her blog is a sturdy bridge to places I really need to visit.  In February, a link to a blog she likes and reads every day- www.thinkingardens.co.uk.  I spent a lot of time reading there over the past few days.

In plain view when this website comes up- an addendum.  “for people who want more from gardening than a garden.”  I instantly gravitated to this community to which I believe I belong.  I read lots of their essays-many of which provoked me, and none of which disappointed.  No doubt,  I want more from gardening than a garden.  

Why do I garden?  First up, I love having my hands in the dirt.  The dirt of my subdivision childhood- understand that I grew up in a neighborhood reclaimed from vast tracts of dirt.  The dirt I am dealt, the dirt that is close by all the time, the dirt of my childhood-the dirt I make via composting-bring on the dirt.  Once I was old enough to make the shocking discovery that dirt enabled life-this made me a gardener.

 This is by way of saying that I no doubt I want more from gardening than a garden.  I want a way of life.  I want membership in any gardening group for whom the beauty of nature is a way of life.  I want exchange. I want community.  I want provocation.  I want a considerable, serious, and continuing discussion of aesthetics.  Many thanks for helping to provide this, Rochelle.  Thanks to you,  I have a new place to read essays about all of this, and more.

Studio G- you are reading this, are you not?

Zero At The Bone

 The first week of January for me is all about a certain dormancy that comes with the finality of season coming to a close. If you are old enough to have fallen asleep in front of a tv, and woken up the static that came after the day’s programming was over, you get the idea.  My pause button is engaged.  I am still putting the last of the holiday half and half in my coffee, and dreaming.  That phase will come to an abrupt end, the first of next week.

Next week, Rob, Steve and I will be scouting and shopping in the US for what we need to add to the spring of 2012 in the shop.  The end of January we will clean and repaint as usual.  This year I have a hardscape installation scheduled for the same time. 

The Branch studio is in the middle of a fabrication project for a client in Fort Worth. 

 Another local client’s iron work is scheduled to be ready for installation in two weeks.  We will have steel garden ornament from Branch at the shop this spring very different than anything we have done before.

 

 

 Rob will be on his way to Italy towards the end of January, until mid-February. 

 A pair of containers are scheduled to arrive from France in mid February.  Are my winters sleepy, like my garden?  Not especially. 

 

The garden is quiet over the winter.  This means there is as much time to drift over ideas, as there is time to concentrate.  As much as I dislike the winter, I could not do without it.      

 

To the best of my knowledge, Roland Tiangco, a graphic designer about whom I know little except that he lives in Brooklyn, created this interactive poster in 2009.  I never feel so much at home as I do with my hands in the dirt.  I look at this work of his from time to time-regularly.  This work of his is extraordinary.  Every time I see it, I feel that zero at the bone.  Zero at the bone?  Shockingly good. As in the bouquet of butterfly weed seed pods Rob assembled pictured above.  Shockingly provocative.  If you missed it, take a look.  http://havenpress.com/projects/roland-tiangco/

A much different zero at the bone event?  The house Richard Meier designed and built for Howard Rachofsky. I live in a 1930’s Arts and Crafts house of which I am quite fond.  But this house challenges my eye in every way.  Love the landscape-a lawn interrupted by what looks like corten steel.  The photographs by B. Tse are great:    http://www.flickr.com/photos/b2tse/2219686720/in/gallery-43355952@N06-72157622884919368/

Such is the winter work.  Providing for a spring that is zero at the bone.