Breaking Ground


Theodore Roethke is one of America’s most respected poets.  He was born in Saginaw, Michigan in 1908, to German immigrant parents-Otto Roethke and Helen Heubner.  His parents were market gardeners, and owned and operated 25 acres of greenhouses with Theodore’s uncle.  Much of his childhood was spent in those greenhouses.  His second book, “The Lost Son”, contains several of what are known as his greenhouse poems. 

Images and metaphors derived from the natural world are much a part of his writing.  Long before I ever had the conscious idea to design gardens, I treasured his work. I studied early twentieth century poetry in some detail in college.  For whatever reason, many of the lines from his poems have stayed with me.

One phrase I have always liked- “The time comes when the vague life of the mouth no longer suffices…”  I am taking this phrase completely out of the contextural meaning of the poem, but it perfectly expresses that moment when the time for the designing, the discussion, the redesigning, and the additional discussion, comes to an end.  Enough decisions have been made in order for a project to proceed.   

A landscape plan is just so many marks on a page-a drawing.  That drawing has only two dimensions.  It does not really describe the sculpture that will be.  But drawings are critical in a project such as this.  Preceeding the landscape, a pool and poolhouse will be built.  Though my drawing described the physical location, shape and size of the pool, and the location of the poolhouse, that drawing needed lots of details-what materials would be used?  What would the poolhouse look like?  What features would be incorporated?  How many months of the year did the client foresee using it?  Building a pool and poolhouse is a complicated and considerable undertaking, but even the smallest landscape project needs to be thought through.

The integral spa on axis with the rear terrace was agreed upon, but the client wanted a slightly longer and slightly narrower pool.  The architect took my idea for a pair of poolhouses linked by a conservatory structure, and designed the poolhouse.  The general contractor decided with the client how the interior space would be handled.  He needed the poolhouse to be longer, so as to have inside space for the pool equipment.  He favored solar panels to warm the poolhouse early and late in the season.  I integrated these and every other good idea into what became the final landscape plan.  Ideas are one thing.  Building a project requires ideas that work. 


The pool contractor sorted out all of the many details needed to build the pool.  The depths of the water, the steps, the filtration system.  The general contractor oversees the entire project, so construction goes smoothly, and things happen in the right order.  This GC is very low key, and equally good at problem solving-just the person to handle a project like this. 

Once a coherent design emerged from the client and all of the design and build people, finish plans were drawn, and submitted for review to the planning board. Once the permit was issued, the pool was dug, and lined with a steel mesh that would reinforce the concrete.  The giant and deep hole you see here, encompassing the steep change of depth of the pool, will be filled with concrete.  This will stabilize the entire underwater structure. A pool needs to stay put.  Any action from the frost that might heave the pool upwards, and crack it-every effort is taken to avoid that. 

Of primary concern in the initial design-a gorgeous oak of considerable stature.  My clients love this tree.  The pool was sited to avoid any damage to it.  I was relieved to see no roots exposed in the excavation necessary to provide level ground for the pool.  This oak sits on a hill that slopes dramatically down to the house.  Eventually, a stone retaining wall between 3 and 4 feet tall will be built to hold the soil on the oak side.  The pool and surround will be built at the grade of an existing rear terrace.  A drainage plan for both the ground and the wall-a subject of much discussion and planning.  

A decision was made to integrate the soil unearthed from the excavation of the pool into the existing property.  Hauling away soil is a time consuming and expensive process.    This is a large property, and I have ideas about where this soil can go.  The drainage work, and grading of this soil is part of the landscape project. 

No one could like a gigantic pile of dirt awaiting a sculptural disposition better than I.  I have walked the property at least 5 times, imagining what might be come of it.  I am inclined to leave most of it on this north end of the pool.  The natural grade of the land at the north end of what will be a pool slopes down precipitously.   A large area of level ground there would be ground they can use, enjoy, and garden.  More than likely I will be able to stablilize the soil with a gradual slope down.  Perhaps we will need some retaining on the east side.

As for Thoedore Roethke,  I was thinking about him the past Friday.  He died in 1963 at the age of 55, at the home of a friend on Baimbridge Island in Washington- a heart attack while he was in the pool.   That pool was subsequently filled in, and today is the rock and sand Zen garden at the Bloedel Reserve.  No where is there any mention of Mr. Roethke, but I would imagine he would approve of a garden in this spot.  There does indeed come a time when the vague life of the mouth no longer suffices.  We broke ground.

 

Breaking Some Eggs

An old client with a new house-it happens on occasion. As I have lived in the same house for going on 18 years, I did not envy them this change. The old house and the new house are quite similar in size-not so the property.  They exchanged a very large, expansive, and private property for a city sized lot.  The back yard was very small; most of the space was taken up by a lap pool.  I knew we would have to break a few eggs before this landscape would pass muster.    

 

A really beautiful and old multitrunked magnolia was moved to the front yard.  We ditched a number of spireas, and a group of old and diseased evergreens.  The iron fence between the drive and the yard was removed, and stored.  At this point, the proximity of their house to others in the neighborhood became painfully obvious.  How could we arrange some privacy?  Privacy in an urban neighborhood is a relative thing.  Buck and I were privy to the music played graduation party given by our neighbors for their daughter.  We enjoyed that, but we also treasure our visual privacy.  

The lap pool was dug out; the hole was back filled.  We planted spruce along the back lot line, as we were able to secure trees with considerable height. Given that there was no room to maneuver a full sized tree spade, each tree was dug with a spade, balled and burlapped, then driven in and planted with the help of an excavator.

Those trees did a lot to screen the neighboring houses from view.  There was precious little space left over with which to design, but the walkway from the detached garage to the house would be a well used thoroughfare.  The walkway to the far library porch-equally important.   

The stonework took a lot of time.  The walkway to the sunken library terrace bumped out midway across the rear of the house.  This radiused terrace would provide a stopping point should there be a party or event.  No matter how small a yard, good and graceful circulation is important.

It seemed just about forever that this project was on hold, awaiting the completion of the stonework.   

Once the stonework was complete, we created a landscape bed in exactly the same radius as the leading edge of the terrace.  We planted a hedge of limelight hydrangeas-a favorite of this client.  A housewarming gift of 500 white tulips got planted in a space which would eventually be a collection of white flowering perennials. 

Great care was taken by the architect on this project to design a pergola which would connect the garage with the main house.  The main function of that pergola-to provide cover in that walk from the garage to the house in inclement weather.  My input-a clear polycarbonate roof.  No need for them to feel they were walking through a tunnel.  The pergola design got worked out.   DeGroot Spire arborvitae were planted as a green wall between the driveway, and the back yard.  They will tolerate the small space given to them, and will eventually be able to be pruned formally across the top. 

The original iron fence and gates have been reinstalled.  Today, there is no hint of what it took to transform this space.   

Small spaces are very hard to design, as every square foot counts.  There is no room for an unresolved issue or tentative solution.  Every element has to work, with every other element.  What you see here is the result of a client, an architect, the excavator who removed the pool, a stone mason, an electrician, a pergola construction company, the large tree moving and planting company, the air conditioning and generator people, the painters, and our landscape company-working together to produce a credible landscape project.     

There is no hint now of any broken eggs.  All of the discussions, revisions, and re-revisions are in the past.   

Of course there will be ongoing issues.  But there will also be ongoing pleasures.   

This brick wall to the west-my client had no love for the look of it.  She likes green.  Happily we were able to plant ivy grown on galvanized steel screens.  They are taking hold, and will cover this brick wall in no time. 

 

I am very pleased that this landscape renovation, which started late in 2010, is finally finished.  Big changes in a landscape take lots of time.  Change lives on a diet of time and more time.  I try to remember this.

Boxed In?

landscape design

A rectangle is an easily recognizable 4-sided shape.  Like circles, ovals, triangles, and parallelograms, they define or outline a geometric shape.  This lovely home could be easily be sketched on a piece of paper by connecting a series of rectangles, triangles, squares and ovals.  Every one of these basic shapes is created by the lines that enclose, or define it. A linear representation of the front door would look like a series of squares put together in such a way as to create a rectangle.  This photograph, is its most basic incarnation, is a rectangle.  The composition of the photograph is determined in large part by its 4 edges.  Shade trees and evergreens are often described by the shape they most represent, as in “broadly pryamidal”, or “oval”. A two-dimensional shape expressed in three dimensions has its own vocabulary.  A circle in the third dimension is a sphere.  A cylinder is constructed from two circles and a rectangle.  A rectangle in 3 dimensions is a box.  A box may vary in dimension, but for design purposes, a box is a box.          

French wirework bench

Any landscape is confined by  the edges of the property.  A property may be a rectangle or a triangle, or a combination of many shapes.  But in every case, a property has limits.  What is visually available to your property is confined only by what you cannot see, but those places where you can plant have been drawn on a piece of paper known as its legal description. There is no need for a legal description of a property to dictate a landscape design.   Most urban properties have ties to a slew of rectangles.  That could be a street or city sidewalk. A driveway.  A hedge of arborvitae planted by a neighbor.  If you visualize what is within your design reach on your property, more than likely it is a box-and a fairly plain box at that.  This property has a very beautifully done, asymmetrically curving bluestone walk.  In renovating the landscape, I admired how that curving feature both countered and complimented all of the existing rectangular shapes.  A pair of trees, a curve of boxwood, a curved French wirework bench sitting on a gravel double sided crescent, all respond to that generous and fabulous sweep of stone.  

bluestone walkway

We installed a stone walk to the back yard very close to, and parallel to the garage.  This side yard is primarily an efficient means to get from the front to the back.  But the addition of the arbor to the foreground pots and bench helps to slows the eye.  The parallel bed of ivy to the right curves and crosses over the path in the far ground.  This creates a sense of anticipation for what might come next-just around the corner. 

raised stone firepit

The rear property is very shallow, and long.  It is most definitely a box.  We had the idea to outwit that box.  The circular firepit in the foreground is a strong visual stopper.  It also strongly serves as a gesture that challenges the idea of a box.   The  narrow lawn that swings around the firepit terrace, widens,  and curves back to the left behind a midground seating area directs the eye around the space.  That curve is repeated on the right side; a privacy hedge of arborvitae is planted in a shallowly curving line.  This rectangular space has been scribed with curving beds that do not reveal the landscape all at once. 

granite block firepit

A landscape that encourages the eye to focus on a particular feature slows down the pace of discovery.  There is time to see and take in the relationship between the gravel terrace, the firepit fashioned from old granite setts, the cylindrical side tables and the circular contemporary chairs. 

curved garden beds

The wide grass path veers to the left, directing attention to a perennial garden, and terrace.  A fountain set in the lawn is somewhat visible at this point.  The curving lines, and furniture provide lots of interest to the midground space.

perennial gardens

A large terrace is three steps up from the grade of the lawn.  The lawn formerly ran right up to its stone retaining wall.  The addition of the curved beds in lawn not only directs the eye to the steps, but they soften the large rectangular stone terrace.

terraced landscape beds

One area of the terrace is simply furnished with a dining table and outdoor kitchen.  The white painted pergola and trellis  give the grill plenty of garden oriented company.  This arrangement was solely the work of my client.  She has a great eye, and is a pleasure to work with.   

wood pergola

A pergola at the opposite end provides a beautiful transition from the terrace to an interior sun porch.  A climbing New Dawn rose has gracefully draped itself over the pergola roof.  Climbing plants rescue pergolas from their inherently boxy shape.  A small scalloped bistro table and pair of chairs placed in the shade provided by the rose is a beautiful touch-again from my client. This part of the landscape is not apparent until you turn the corner, and are right up to it.    

garden terrace

The fountain at one time had a home on the terrace.  Moving it to the lawn plane, and curving a hedge of arborvitae behind it makes this narrowest part of the box seem spacious.  There is actually very little space between the leading edge of the terrace and the lot line.  The round fountain, and the accompanying curved landscape minimize that boxed in feeling.

garden views

The change of level in the rear yard gifted it with lots of built in interest.  Though a space can be severely rectangular, that is not to say that the floor has to be flat.  Layers of evergreens, or sculpted soil can focus attention on what is inside a space, rather than what defines, or confines it.  Sometimes I will design from the center out to the edges of a boxy flat space, rather than from the edges out. 

gravel driveway

The very first work I did for this client years ago involved suggesting that her that a old spruce could be left intact the middle of her gravel drive.  Yes, they are able to drive around it, and into the left bay of the garage.  That spruce makes so much out of a small rectilinear drivecourt, as do the curving edges of the approach.  The quite serviceable driveway is an interesting feature of the landscape.  Out of the box, that is.     

 

Sunday Opinion: Effort

I have been on the business end of a hose recently for what seems like a lifetime.  A lifetime?  Not really.  The extremely hot weather Mother Nature has thrown my way simply means I have had to make an effort.  Certainly an extra effort.  Anyone who gardens knows that preparing soil for new roses requires great effort.  Cooking compost requires great effort.  Planting a hedge of yews, or a rose garden, takes effort.  Any garden, on the best day of its year, that looks effortless, but is anything but.  Making the effort is what makes a charming garden stellar.  A thoughtful landscape remarkable.  A simple gesture, fueled with great effort, can be extraordinary. 

 Anyone who gardens knows that the work of a garden is never done.  That work can consume every ounce of effort you have available, and then some.  Once you catch your breath, some other surely labor intensive project beckons.  All that is required is your committment.  Committment is a fancy word for effort-I will translate.  Significant effort is what makes for a great garden.  The best effort?  The best garden.  Effort that makes your hands and back hurt-I am sure you are familiar with it.   Anyone driven to plant a perennial border of note, or a landscape that enchants, has already come to terms with, and signed up for, considerable effort.   That activity driven by effort makes you sweat all over.

  I would call landscape and garden design the anticipation of a great effort.

The impulse to devote great effort implies, and results in the the laying out of the beds, the edging, the planting of the beds, the watering, the maintenance.  For established gardens in my zone, effort this minute is all about supplying adequate water.  Every week, every day, there is something in my garden that asks for my effort.

Effort fuels the impulse to move things around. The energy to make changes. Once I commit my effort, I sort out and think through all of the options.  No idea can stand on the strength of a thought.  A great idea is no idea, unless there is a mechanism for expression. 

All of my efforts, given this extraordinary heat, are directed towards keeping everything alive.  I am watering the roses, the trees, the containers-suffice it to say that I am watering.  On any given day, the best of my efforts may be directed in response to a specific challenge.  On other and more quiet days, my effort might make for a design that might mean something.

My advice?  Make the effort.  You will be amazed, at the end of a gardening day, how good that effort feels.