Garden Designer’s Roundtable: Take The Tour

This is my first time posting as a member of the Garden Designer’s Roundtable.  Every month, a group of landscape and garden designers from all over the US and Britain post on a single, mutually agreed upon topic.  This month-a discussion of our own personal gardens.  I live in an urban neighborhood first established in the 1920’s.  My 1930 house is a curious amalgamation of both Arts and Crafts, and Mediterranean style architecture.   

There are 8 steps up from the street to the front door.  Every change in elevation in the front is marked by yew or boxwood hedges.  I like evergreens in the landscape, but I am especially fond of them in my own garden.  My landscape was designed to give me what I want most when I come home from work.  A little peace, a big dose of quiet, and not so much work.  After designing and planting all day, I want to come home and enjoy being outdoors with Buck and the corgis. 

I will confess that I have a weakness for containers-I do have quite a few.  Watering and deadheading my pots is a pleasure I look forward to at the end of the day.  The groundcover underneath these containers-herniaria.  Getting a lawn mower to this upper level would be a nuisance.  The yew topiaries have survived their third winter in these big concrete pots.  These containers look fine even in the winter-a season my zone is noted for.  Empty pots in the winter have such a forlorn look.

On either side of the house, on the house side of the tallest yew hedge, are blocks of limelight hydrangeas.  They start blooming in late July, and entertain my gardening eye until late in the fall.  As long as they get a spring pruning and some regular water, they deliver a lot more than they demand.

Inside the gate, my south side garden.  There is a place for Buck and I to sit, and grass for the corgis.  Sinking the lawn panel 8 inches, and retaining the original grade with steel provides a little visual interest to a landscape that is very plain.  The boxwood and arborvitae provide a sense of privacy and enclosure.  This space is neat and organized-unlike my desk and work life.

annual container planting

I plant this giant concrete square for the summer.  A very large pot in a small space not only organizes the space, it enables me to have a version of a garden that I am able to look after.  I want to come home to something that looks good to me, and takes just a bit of care. 

In June there are a few roses on the south side.  Carefree Beauty, Sally Holmes, and Earthsong are all strong performing low maintenance roses.  On the wall, the dwarf climber Jeannie LeJoie, and the large flowered climber Eden.  For a few weeks there is enough glory to satisfy me.  There is some Boltonia, hardy hibiscus, and white Japanese anemone for later season color.  I planted some asparagus between the roses.  This year I did not pick any.  The roses are getting large, and starting to crowd them out.

At the bottom of the rose garden steps is a fountain garden.  The pool is 26 feet long, and 9 feet wide.  The sound from the jets is lovely.  I can hear it from the deck where we have dinner outside, and all of the rooms on the back of the house.  Princeton Gold maples, yews and pachysandra are planted on the perimeter.  Around the pool-herniaria. 

annual gardens

It is 5 steps down from the fountain garden to the driveway.  My car is usually parked here.  I like driving up to the pots, and the color from the narrow strips of annuals.  The butterburrs on the left are difficult to keep under control, but I have help from a local nursery that comes for them, and pots them up for sale.  Sometimes I buy them back, if I have a good spot for them in a client’s yard.

I will be planting my pots the first week of June or so, after I have the planting for clients a little further along.  The bottleneck in the drive makes that drivecourt a little more private, and a little more inviting.

container gardening

I do have lots of pots on the deck, all of them terra cotta.  I think they look great with my house. I spend at least an hour out here every night, puttering, while Buck cooks. 

The room where I write is just inside the open door pictured above.  We have that door open all summer long.  The corgis like going in and out.  They are happy outdoors if I am inside writing-as long as that door is open.  One nice feature of city living-we never have mosquitos until after dark.   

On the north side, I have a little garden of sorts.  A few dogwoods, rhododendron and azaleas are original to the landscape.  Last year I tore out an overgrown block of ornamental grass, and planted a small perennial garden.  A much smaller version of what I had when I was in my 30’s.  It is a little wild, and not so neatly kept.  I like this change of pace from the rest of the landscape.  My garden gives me a lot of pleasure and privacy.  It has a quiet atmosphere-perfect for me.  The rest of my family likes it too.

Interested in the home gardens of the other members of the Garden Designer’s Roundtable?  Check them all out!

Susan Morrison : Blue Planet Garden Blog : East Bay, CA

Rebecca Sweet : Gossip In The Garden : Los Altos, CA

Pam Penick : Digging : Austin, TX

Mary Gallagher Gray : Black Walnut Dispatch : Washington, D.C.

Jocelyn Chilvers : The Art Garden : Denver, CO

Deborah Silver : Dirt Simple : Detroit, MI

Debbie Roberts : A Garden of Possibilities : Stamford, CT

Christina Salwitz : Personal Garden Coach : Renton, WA

Andrew Keys : Garden Smackdown : Boston, MA

The Details

As I have written before, my job for a client is best described as a conceptual plan.  A schematic plan.  A few broad strokes, an idea.  All of the details, which make a landscape project, are all about a relationship.  The strength of a designer/client relationship makes all the difference in the world.  My client was discerning, committed, articulate-a joy to work with.  These rustic concrete planters with iron rings-she thought they were prefect for the front door.   

garden pergola

She wrote me once that she dreamed regularly about what this garden would look like.  That’s when I started sending her the landscape/garden installation news, regularly.  She was decisive-but she was open to suggestions.  She took a lot of time with me.  I took an equal amount of time with her.  All of the details of this project have everything to do with her taste.   

stone walls

She made me want to be the best I could possibly be.  My landscape design practice has been graced with clients like this.  She asked me to design this landscape as if it were mine.  I had never been asked that before, but I did just that.  But I have Harriet to thank for all of the details that emerged along the way.  This is her house and garden-not mine. 

white barked birch
She made time to work through the details.  These Himalayan white barked birch-especially for her.  Birches are a favorite tree. The details of my plan are all about what she likes. 

espalier trees

stone planter box with espaliered katsuras.  Frank Lloyd Wright reproduction stone urns.

steel pots

Steel fence and tapered steel Hudson pot


gate cane bolt detail

garden gates

side gate

steel fencing

steel fence with shelf

outdoor shower

outdoor shower

exterior spiral staircase

circular staircase from the first floor terrace to the second floor balcony

bluestone paving

stone terrace in bluestone squares and dots set on the 45

hot tubs

 Spa featuring blue grey glass tiles, and copper waterfall

hot tubs

spa detail

 deck/dock cantilevered over the water

 The house is beautiful.  The landscape-my best effort.  I could not be more pleased about the relationship, the process, the finish.  She influenced and brought to bear every personal detail.   All my thanks,  Harriet.  I could not have begun to do this project without her.  Our relationship is on a certain kind of common ground.  That ground will be an organizing metaphor for the future of this landscape.  I expect to hear about this landscape again from her-soon. 

 

 

 

 

Lots Of Property

 

This piece of paper does little justice in describing the size of this property, but perhaps if I say that every square inch represents 400 square feet, you will  get the idea.  Transforming what was a field with an occasional box elder, lots of buckthorn and plenty of quack grass into a home with a landscape has been an enormous project that is still going on, years later.  The land is very hilly and high.  While that seems so romantic at first glance, it did make for a site where the winds, summer and winter, are fierce.  Steep slopes are great for goats-and very tough for people.  Nonetheless, I have a client with lots and lots of property that he loves, not to mention lots and lots of energy.  He has a mind to live here-beautifully. 

 

The construction of the house came first, of course.  Then, a landscape plan.  My client knew there would be a lot of time between the beginning and the end of the landscape project-me too.  Something is always in progress.  Progress, no matter how slow or intermittent-is a good thing.  Given the intense winds, and the acres of dirt, his first move was to grass every dirt surface and install irrigation.  That done, some perimeter plantings of evergreens were installed to break the wind as much as to screen the property.  The landscape in the front was designed, and installed.  Given the sheer numbers of plants required, certain key plants were big to begin with-others planted by the hundreds were smaller in size.     

 A big home is one thing, but large tracts of land are usually known as parks, farms, ranches, or golf courses. This much property was a big thing to take on.  But my client has an incredible amount of energy, and a vision for his place.  It is just going to take some time.  A number of dry stack stone walls were built to transform an irregularly hilly site into three large level planes that would be friendly to people.  Last year, a terrace and dining area was installed off the back porch.   

Under construction now, the pool, and a wood pergola.  The construction made quick work of destroying the lawn, but this phase will be coming to a close soon. The idea is to have grass, pots and planters-and friends over for a swim in June.  Well, that may be a little bit optimistic, but not too much so.  What you see here is a lot of broken eggs-but I see plenty of cooking going on.       

The back of the pergola will be closed off with a series of horizontal cordon espaliers.  They will provide some filtered privacy, and with any luck, some fruit.  The pool was designed with a very minimal surround.  Large paved surfaces around a pool say “swimming pool”-loud and clear.  Minimal pool coping quietly says “reflecting pool”, dead ahead.  People who go the distance for a pool generally have very definite ideas about how they should look.  This pool will have a very dark pebbletec surface inside.  That dark color means every cloud in the sky will be reflected in the surface of the water.  It will be much more a water feature in feeling than a swimming pool.  The only other accompaniment-4 very large steel boxes from Branch, with their characteristic dark grey patina.  

The pool is just days from a finish.  The debris has been hauled away, and the ground regraded. This was not a job for two men and a pair of shovels.  Lots of people were involved.  I so like to build things-this stage of a project is my idea of adventure.     

There were lots of documents.  Lots of trades coordinating their efforts.  Lots of measurements.  A whole lot of work to do.  One step at a time.  No matter a big, a small, or a medium sized project, everything moves one step at a time.  

Why this picture?  You are looking at the pool terrace retaining wall surface, and the first post of the pool fence.  The plan here-a double row of hydrangeas.  The outside row, closest to the wall-Annabelle hydrangeas.  Unstaked Annabelles.  Thier natural propensity to fall over will greatly soften the stone wall.  I cannot wait to see how that looks in 3 years.  The back row-Limelight hydrangeas.  I have never planted them together before-but a tall stone wall and a pool fence asked for some big simple solution to both issues.  Annabelles and Limelights together-my idea of a really great party.  The grass in the background-a grass ramp up to the pool level-for those guests for whom stairs are too tough.

 

 These stone walls were the first gesture.  They are better than 5 feet tall, and beautifully done.  There was a year when all that got done was the grading, and these walls, the irrigation system, and the grass. 

Now the upper level has the pool-the pergola is not far behind.  The stairs are in.  The fence posts are in.  This is a very exciting time for me-seeing a conceptual plan with just a few lines come to life.  Any time now, we will be installing the gardens. 

 

 A year ago, I was looking at all of this grass, and trying to imagine a rear yard landscape.  I stood a good 10 feet above the house grade to take this picture.  All of the terrace furniture-piled up on the back porch.   

There is a terrace now-the furniture is out.  An outdoor grilling area not pictured to the left of this photo-operational.  I cannot tell you for sure if this is phase 4 or 5 or 6-but I can tell you this project is on the move. As for the pace-whatever makes sense for my client.         

 

Monday Opinion: Depth

From Roy H Williams:  “According to String Theory, what appears to be empty space is actually a tumultuous ocean of strings vibrating at the precise frequencies that creates the four dimensions you and I call height, width, depth, and time.”  I know, it takes time for a sentence like this to sink in.  Should you truly be interested in string theory, I can say that Steven Hawkings has more than a passing interest in it-check it out on Wikipedia, and read on. I have a much less scientific interest in this theory.  I have more of an interest in depth as a key element of good design.

 Landscape design is much about numbers and measurements.  The height of a pergola and the width of a sidewalk, the turning radiuses of UPS trucks, the angle of the sun in the fall,  grades, fall, drainage schemes, the angle of repose, ppms of fertilizer, the plants needed per square foot, the face feet of stone required, the longevity of certain species of trees, the composition of soil, proper planting practices, and scale drawings-the accumulation of knowledge of these things begins to make for a design judgment with depth.  The more “strings” I can become familiar with means I am one step closer to a “tumultuous ocean of strings”.  I am thousands of strings short of a Kathryn Gustafson or a Beatrix Farrand, but I have accumulated a few strings along the way.    I doubt I will ever understand the scientific meaning of strings, but I can understand how many different threads woven together can create something new altogether.  Given a little poetic license, imagine how a great landscape that is a tumultuous ocean of strings might go on to makes an utterly memorable and emotionally charged four dimensional sculpture.  Sensational-yes.

The depth of the ocean is not really so much different an idea than the depth of a person’s knowledge.  Though it is so easy to look up the cultural requirements of hellebores, possessing depth on the subject means growing them, over and over again, in lots of different environments.  Should you wish to grow gorgeous hellebores, put your hands in the dirt.  Or find someone whose hands will gather that knowledge for you.  Given this, my most trusted source on the subject of choosing perennials for a particular place is a grower who has grown many hundreds of thousands of plants in his career-both at work, and at home.  His depth is vastly greater than mine.  Once I have heard his string, I may accept it, or move on. 

There are those times when making a right choice about which plants to use is not the best choice.  Some out of the ordinary plantings are worth taking a chance on.  This means that the string which is about the scientific choice is reverberating with a string of another sort.  It might be a visual string, or a string about memory, or a string about geometric relationships.  This may sound like loads of gobbledegook, but the chance that it may resonate is just as great.  The depth of any gardener’s life, knowledge as aspiration, makes for quite a stew.  The same is true for garden designers.  If you are a gardener looking for a designer, see how many strings they have to put to your project. See if your strings will harmonize with theirs.  

I have posted, and have more posts to come, involving schematic plans.  I rather dislike landscape plans with too much detail in the beginning.  It is a rare project that takes me more than 8 hours to conceptualize.  How so?  Clients have every right to expect that I have depth in design and horticulture.  That I am educated, and keep up with what is new.  The depth of my understanding of their needs and requirements for the landscape-they need to assess that on their own.  But they can expect that I have experience.  That I will know what visual and horticultural relationships work.  And all of those numbers-I know them.  I provide an overall idea in a conceptual plan,  given how I hear all the strings resonating in concert.   A client, should I manage to interest them, responds by stringing up an instrument all of their own.  All of the details come from their strings.  They need a kitchen garden here, and not there.  They like this stone-not that.  A place to plant with their kids-where will that be?  A place to entertain family.  A memory of a certain tree, or a certain garden.  An idea of what beautiful looks like.  It is the relationship forged over these details that makes for that tumultuous ocean of strings.  Not everyone knows how to create or facilitate that, but everyone knows what it sounds like. 

Listen to see if that idea for your garden rings true.  Is there a depth of strings reverberating?  Any move in a landscape or garden that is more about a look than a life that has depth will sound like a spoon hitting a tin can. You’ll know when you need to invite a few more strings to the concert.