The Branch Studio Prototype Sale

If you read this journal regularly, you know I own a fabrication company known as The Branch Studio.  We manufacture garden ornament, boxes and pots for the garden. We also manufacture custom steel ornament, pots and fountains for private clients and designers nationwide. This weekend, Rob has organized a sale of Branch prototype pots at Detroit Garden Works. They are available for sale at or below our cost to manufacture them. I am sure you have questions, so let me explain.

Any company that designs a three dimensional object intended for production begins with drawings on paper. Some designs get test built in paper or foam core board. I cannot imagine how architects take a set of drawings for a building and review them, imagining in the third dimension. Some architects make a practice of building models of buildings they are proposing.  I have seen pictures of some that are beautiful in their own right. Buck and I have a much more low key process. We talk, and we trade sketches. As I am a designer, and he is a fabricator, there are fireworks. He wants a design that once fabricated is sturdy and serviceable. He wants a fabrication process that is smooth and reasonably quick. I want a design that is beautiful, properly proportioned, and with just enough detail to make it memorable. It is difficult to determine if a design for a container detailed on paper meets all the criteria that both Buck and I require to put that design into production. So we manufacture the idea, and take a good long look at the result. A prototype from Branch is an idea that gets spelled out in steel.

We were interested in a few designs for more contemporary garden pots to round out our collection of garden boxes. The round Barry tapers began with a half-oval rib detail that culminated in a round steel leg. The V-shaped flanges on either side of that vertical rib seemed like a great idea, visually. I find that many contemporary garden pots to be dry and lacking interest. Shape is an integral part of contemporary design for garden pots, but a shape without some detail seems blank and wanting.  During the production of this prototype, Buck had several issues. The subtle V flanges were flat, which made it very difficult to weld them to the curved surface of the round body of the pot. It was not possible to curve those small pieces mechanically by rolling them prior to welding them on.  Once the flanges were welded on to these tapered curved pots, the welding process threw the the top of the pot out of round. The flange sections were flat, and the rest of the container round. Viewed from above, the shape wobbled. Not pretty, this. The addition of a thin flat round ring welded onto the top of the pot to cover the the out of round result worked, but it seemed of  too meager proportion to the rest of the pot. In addition, welding the flanges to the surface of the pot took an incredibly long time. Of course I was interested that the flange that look like it had melted over the vertical rib. As Buck informed me, steel does not melt over anything. The V steel flanges were good looking, but just too labor intensive to create. It took Owen upwards of an entire day to weld the flanges for a single pot. A detail that takes an entire day to weld is too fussy. The picture above tells the story. The pot on the left features the subtle detail of the flanges. The top rim is too thin. The revised pot on the right has no flanges, and a rim with substance. The revised pot, which we have put into production, is simple and substantial.

Rob decided to relieve Branch of a various prototype pots they had made over the last year by staging a prototype sale. Most of all of these prototypes are available for less than what it took to produce them. I could say that I have mixed feelings about that, but I don’t.  It takes time, effort, and no small amount of investment to move an idea along. I will say that it is hard for me to let go of the prototypes we have available with my beloved flanges. But so be it.  Any person who purchases a Branch prototype gets a one of a kind garden pot at an incredibly good price. Then good news for us? We can go on designing, and we can manufacture new ideas.

The Dean pots. We love the farm and cottage look of them.  But farm and cottage style suggests a price that is equally down to earth. These Dean pots cannot be made for what it cost to manufacture a galvanized metal washtub.

These small Jackie boxes have an experimental finish that Buck calls a polar finish. A second wash after the galvanizing process brings out the white in the finish. These prototypes are about a finish we decided not to pursue, but that does not mean there is any defect in the finish. Someone out there may quite like them.

So pleased to see so many Branch Studio prototypes together in the same place. Today, 7 experimental pots found new homes. I a so pleased about that.Seeing how Rob has arranged the new contemporary stock boxes intermixed with the contemporary Branch Studio prototypes – terrific. You can see what changes have been made. And as we will not produce them again, they are one of a kind pots.

We have a new design we are looking at-Branch produced 4 of them. We are calling them the framed tapers. They are loosely based on a pair of pots Rob brought back from France. He really likes them, so we’ll see if other people do too.

Interested?

the Branch prototype sale

At A Glance: Green Schemes

We are better than halfway, doing our summer container installations. More on that later.

Bold Or Bashful?

Designing great container plantings asks for thoughtful decisions about lots of visual issues. A container is a landscape in miniature. Every design issue that manages to get addressed in such a confined space means that container will satisfy the viewer on multiple levels. Superb container plantings are layered, organized, and deliberate. I greatly admire container plantings that are visually interesting, whether they be formally or informally imagined.  I especially like the organization phase. How do I plant for my clients? I like to know to location of the pots, the size and style of the pots, the architecture of the house, the sun and shade exposure, and the style of planting that most closely represents the point of view of the client. But truth be told, I ask about color first. Color is an incredibly important design element, if for no other reason that everyone reacts individually and strongly to color. The pale yellow and vaguely violet upright verbena named “Limonella” pictured above has a subtle coloration that I find fascinating. My grower, on the other hand, could not decide if it was good or blah. Consequently he only grew a few flats.

There are plenty of seasonal plants that have equally reserved coloration.  This bench is home to showy oregano, silver dichondra, variegated licorice and euphorbia “Diamond Frost”. Though they all have subtly different textures, shapes, and habits of growth, the color is uniformly subdued. The color green reads as a neutral color in the landscape for obvious reasons. A pot of white geraniums surrounded by a frothy mix of the aforementioned plants would be quietly satisfying in coloration. The contrast between the unflappable form of the geraniums and the airy and flowing form of the supporting cast provides visual interest on a different level. The fact that each of these plants requires similar light and water means there will be opportunity for each individual plant to thrive.

Some seasonal plants are bashful in coloration for other reasons. The Cathedral series of annual salvias are avilable in a range of colors, from white, pale blue, lavender and dark purple.  What makes their effect in a container reserved is the fact that they will always sport more foliage than flowers. The individual florets are small. Breeders have worked hard to create a flowering salvia with more visual punch, but I find the quieter bloom habit charming. Scaevola, commonly known as fan flower, features diminuitive lowers all along fleshy green trailing stems.  It provides as much volume as color to a container arrangement.

Yellow and pale lilac petunias are subdued in color, and similar in value – meaning the colors do not contrast much. Mixing them with the Limonella trailing verbena is an idea I would like to try. Adding vanilla marigolds to the mix would introduce a like color element with a contrasting height.

These yellow with a blue eye streptocarpus would be a great fit with the yellow and pale lilac petunias, but the science would be all wrong.  This plant requires a fairly shady location to prosper. It is always good to keep in mind that good horticulture comes before any other design element.

Some tropical plants are anything but bashful.  Persian Shield is a plant prized for the brilliant red violet color of its foliage. I have never seen it bloom. That color is the most vibrant given a partial shade location. It may fade in full sun. Red violet is a shade of purple that leans to the red side. Some call this color magenta, or carmine. As I favor harmony in color, and contrast achieved by light and dark, I would plant lilac and or red New Guinea impatiens with it. The red geraniums in the background of this picture accentuates the red highlights in these purple leaves.

Persian Queen geraniums pack a powerful punch of color.  The intense hot pink flowers sit on top of intensely lime green foliage. If bold color is to your liking, this plant delivers the goods. You can calm the color with dark purple petunias, heliotrope, or the softer colored lime licorice – or add flames to the fire with red annual phlox or red seed geraniums. This plant is great for pots that are viewed from afar. There would be no problem spotting even a small container of these in the landscape.  The dahlias are the show stopper darlings of the container world.  The colors are intense and jewel like.  The sheer size of the flowers is as powerful as the color. Given lots of sun, regular moisture and food, they will bloom profusely. The best flowering actually comes near the end of the season.  They are beautiful in September and October.

There are plenty of plants for partially shaded locations that have strong color.  Begonias are hard to beat. A mix of all the colors available is as effective as a mass of all one color.  The less well known lime selaginella, or club moss, can effectively lighten up the shadiest spot. With a regular source of moisture, it will cascade over the edge of a pot.

But if you love all and every color equally, and are pleased by representing as many of them as you can in a container, you are not alone.  There is something so lavish and exuberant about a mass of mixed color plants. Nature’s colors all go together. If mixed colors are pleasing, then the next most important design element is the overall shape. Plants that grown tall and linear can be balanced by plants that grow low and wide. Airy growing plants can be countered by plants with a prominent structure. All of the contrasting shapes, tectures and colors of green will certainly knit the arrangement together.

See what I mean?

 

Spring Flying By

It seems ridiculous to be talking about spring container plantings when our current 80 degree temperature is expected to soar into the 90’s over the new few days. But better an ephemeral spring than none at all.  April was a very tough month. Scary freezing temperatures and snow hovered over the entire month.  Planting this year’s the spring pots required coats, hats and gloves, but we got them all done by April 20. These Branch Studio boxes pictured above were planted with lavender, rosemary, lavender mix pansies and alyssum, and have grown considerably since our early April plant date. The spring is all about a celebration of the first to emerge, and endure. Simple and satisfying, filling planter boxes early on with chilly soil, and plants that shrug off the cold.

Rob planted lots of pots and baskets for spring.  Most of them are gone now. Who could resist a basket full of lettuce? Cold tolerant vegetables make great container plants. There is something so fresh and juicy about spring green.

I have a number of clients for whom I plant spring pots, and to the last, they all like something different.  This client has a decidedly contemporary point of view. We planted accordingly. Tall and short pussy willow in several distinct layers speak to an architectural arrangement. Taupe dyed eucalyptus all around provides some weight in the midsection. The light and dark pansy mix-sparkly. The contemporary Belgian pot is a beautiful shape, and has a subtly textured surface. The planting features the pot. The selection and arrangement of plants in a container adds the evidence of a point of view. That point of view provides another layer of engagement to the viewer. The color of the pussy willow and eucalyptus echoes the color of the container in a succinct way, and it helps to greatly animate the color of the pansies and violas.

That giant cast iron cauldron at the end of the Detroit Garden Works driveway gets dressed up every season.  We mean it to say hello, and welcome. The previously pictured container would be too tailored and austere for this spot. I like containers in which every element is intended, and has a reason to be. The end of May, these pansies are blooming profusely. A spring container can be enjoyed from the moment it is planted until summer arrives July first.

These citrus mix pansies planted weeks ago have grown in, and are still growing. The centerpieces are fake and fanciful, to my client’s delight. The pot in the background has a sweet pea captured inside a tightly configured ring of pussy willow. Sweet peas are notoriously sloppy growers. The pussy willow will support this lax growing vine. The placement of the sweet pea next to the bench insures that fragrance is part of the enjoyment of the container.

This early spring pansy planting underneath a multi trunked birch is the first breath of spring in this landscape. Comprised primarily of trees, shrubs and ground cover, this under planting of pansies and alyssum previews what is to come in this park like setting. Spring can never come soon enough in our zone. The hellebores in my yard were buried in snow until late April. It seemed like the flowers bloomed and matured in the same breath. Many of the spring flowering trees were very slow to come on this spring, but for the redbuds.  I suspect that as they bloom before they leaf out, the flowers came at their usual time, and lasted for weeks. The crabapples leaf out, and then bloom; they were fleeting in flower. My dogwoods had 6 days of glorious bloom, and then faded fast in the heat of the past few days. I may have missed the lilacs. Who knows what 90 degree weather will do to the spring container plants, but they have been glorious so far.

pale yellow and red violet in a spring garden

Columnar rosemarys inside a quartet of steel obelisks. The cool wave pansy mix “Peaches and cream” has a gracefully trailing habit.

Daffodil mix pansies and romaine lettuce at the end of May

Cut pussy willow branches, cream eucalyptus, and bicolor pansies

4 spring pots with concord eucalyptus and lavender mix pansies.

pussy willow, pansies, and ivy in a shady location

pussy willow, rosemary and pansies framed by a hedge of Ruby Queen oakleaf hydrangeas – this is a very good spring look. I am sorry to report that our spring is rapidly fading. I am happy to have some pictures.