The Holiday Landscape: Design Details

 

 

Any design – whether it be landscape, garden or holiday design – pertinent to the front door involves much more than the door.  A front door comes with a house, that has a certain shape and size.  That door comes with a stoop or porch.  There is a walkway that gets you to that door.  There is a landscape that accompanies  that walk to the door.  Some doors have a portico, or a roof, or no shelter from the sky whatsoever. Some front doors are on the side of the house. Consideration of all these factors plays a big part in successful holiday design.  This is a house of considerable stature.  The drive court, walkway, and portico are all of a massive scale.  The house is a long way from the street.  Big and bright helps to make a holiday statement in proportion to all of the other existing elements.

The portico is massive, and supported by massive columns.  The door is somewhat dwarfed by the structure over head.  A garland, and integral wreath over the door visually lowers the ceiling.  The is a friendly gesture aimed at creating a more human scale.

The rectangular pots are large, and were designed to fit in between those columns.  A thicket of Cardinal red twig dogwood and berried Michigan holly stems makes a holiday statement that is visible from a long way away. There are but a four elements in these boxes, but there is a generous amount of each. These boxes also make that porch a more private space.   

This pair of front doors are painted a very dark grey.  The porch is wide, and very simple, as is the brick walk.  A pair of Belgian oak boxes are kept company by a pair of antique English chimney pots, and a single concrete French poodle.  The double ball moss topiaries with their twig top knots and vine swirls are 7 years old-they look great with that poodle.  This fall I added a new layer of moss to the old.  As the boxes are so large, I had no worry that the moss balls would be too big, given a new moss layer.  We stuffed mixed greens into the big boxes, and borth green and variegated English boxwood into the chimney pots.  A smaller scale green is a good choice for a smaller container. 

The dark doors asked for a detail that was light, or sparkly, or both.  I glued a pair of vintage gilded angel wings together via a wood plant label.  Short screws through both layers insured the wings would stay together.  A square of foam core board glued to the back was a base for a few layers of magnolia leaves.  A gold metallic bow in the middle speaks to the season.  This detail can be changed after New Years, as the pots will look welcoming all winter long. This detail endows the front door with the greetings of the season.

An asymmetrical placement of a front door asks for an asymmetrical treatment.  A low concrete planter with magnolia and red twig dogwood provides a compact landscape for a trio of nutcrackers.  The magnolia wreath on the front door-a third element providing holiday interest. 

These clients requested a winter theme for their containers.  The pussy willow centerpieces repeat the dark chocolate stain color of the concrete pots.  The curly willow provides a little loosely described volume without interfering to the access to the door.  The decor is very simple and understated, just like the door.  

This front door is part of a large porch which extends across the full width of the house.  The pots on either side of the door are always in shadow, given the roof of the porch.  A pair of pots integrated into the landscape provides an opportunity for winter interest at the half-way point from the sidewalk to the door.  These pots also provide a frame for a stately antique English sundial. This front yard brick terrace is a room of its own.  The stairs are a transition from that public space, to the more private porch space.  The central design issue here was all about making a drastic change of grade from the front yard to the front door seem graceful.

These containers are generously sized, and for good reason.


The house is tall, and a considerable distance from the street. The walkway to the front door originates at the driveway, and is laid parallel and close to the front of the house.  There is a vast amount of lawn between the street, and the front door.  These large pots with large winter arrangements provide a winter outfit for the entire house.

This front door has a small and intimate portico; the holiday garland makes much of this.  A holiday wreath on the glass storm door completes the look.


From the street, an entirely different feeling is at work.  A massive portico covers the front door, and its personal portico.  A pair of Christmas trees set in black ceramic pots make that door seem more important.  The firewood stacked outside and to the left of the front door adds visual interest, and balance, to the treatment of the doorway.  It is important to make much of the front door.  It is the friendliest gesture you might make to your guests.

This recessed front porch features a pair of wreaths hung from the iron fretwork of the pair of front doors.  The white glass ornaments in the wreaths echoes the white light covers on the tuteurs in the boxes.  A trio of coach lights makes this front door, and all that goes with it, seem all of a piece.

This big and rangy contemporary house features a very geometric and formally clipped landscape.  A pair of galvanized pots stuffed with Rob’s signature branches and weeds is a surprising effective foil for all this architecture.  The big idea here?  Study what you have.  Make no plans to cope.  Plan to shine.

At A Glance: December 16, 7am

Steve and I both get here before daylight, so we can talk about the work for the day. This morning was no exception. That red coat of his looked great.  I was out photographing our holiday decor, now that everything is finished.  Rob is a little tired of me telling him how much I am enjoying this, but you may not be able to drop by before 7am, or after 6pm.   These pictures provide a taste of how it looks.  

The lights at night provide wholly different visual experience than the daytime view.  It will be a good while before I tire of coming to work to this.

 

 

 

 

 

 

Howard and Milo are barely visible in the doorway-I feel quite sure they like this time of year too.

 

The Hats

The last of the holiday celebration in front of the shop had to do with what Rob calls the hats over the windows.  They actually seem more like eyebrows to me.  Last year we hung burlap drapes over them.  Given our dead meadow weeds holiday theme, I thought a weedy hat might add a certain finish to the project.  They took just about forever to make.  Glueing one weed at a time takes time. After finishing the first, I spent two weeks vacillating about whether to abandon this part altogether.  It sat on a table in the back since before Thanksgiving, enduring many rainy and some snowy days.  The matted mess miraculously regained its volumetric shape, once it dried out, but really it was Jenny that persuaded me to keep going.  After they were wired onto the metal hats, I was glad I persisted.  

I added the metal rectangles and shutters to the windows many years ago.  Factory windows do not come with much in the way of architectural interest.  They warm up this old machine shop considerably.  I wired most of the dry elegant feather grass from the roof to three large bamboo poles.  I glued everything into that dried grass I could get my hands on-kitchen sink style. 

Dry anemones and hydrangeas from my yard, dry chicory, boltonia, Queen Anne’s Lace, thistle seed heads-and a whole lot more dry plant stems I cannot identify became part of these three eyebrows.  I have no idea how long all of this will last-I have never done anything like it before.  Sticks, and dry perennial plant stems-that is all there is to this.

I am happy to have something warm and reminiscent of the garden to look at, in December. 

 

Shop Light, Shop Bright

Today was one of my most favorite days of the gardening year.  I never know what day that will be-that is part of the excitement of the event.  What event?  My crews get most of the last of the landscaping work, and the winter and holiday pots finished.  One moment later, they swarm the shop, intent on getting our holiday and winter display out front up and running.  The 6 pots in front of the shop have had their centerpieces of pussy willow since before Thanksgiving.  I have had lots of time to think over a plan for the holidays.  Time has not particularly helped me this year-Icould not figure out what I wanted to do.   But I knew I needed lights-and lots of them. So why not just get started with that?

The winter is a tough season for any northern born and passionate gardener.  How I might survive the months of the grey freeze is of great interest to me.  I would much rather create a hospitable place where I can live, than wring my hands, and spread discontent. Each of my 6 pots got their own nest of lights.  We twist and zip tie 4 or 5 strands of lights of different sizes, and colors.  White, red and lime is this year’s scheme.  This is not an entirely simple thing-we plan the spacing so each 45 foot garland has lights equally dispersed along its length. 

This giant wreath based on many stems of huck-I have owned it at least 8 years.  Dusty,wobbly and in need of some some restoration work,  I got it out of storage a few weeks ago; it would be perfect for this year’s field and weed holiday theme.   I added many more twigs;  I reglued every stem all around.  Most of what existed from some 8 years ago was sound.  The staying power of weeds is well known to every gardener.  Rob  is, and has been the driving force behind this year’s holiday.  His trips into the fields to collect dead branches and weeds have made for a season with focus, purpose, and structure.  This weedy wreath would be perfect.        

A big part of the window box display in front of the shop-the dried remains of asparagus.  The cultivation of asparagus-I have read lots about this.  But only from Rob have I learned about the dry stems of asparagus-how their wiry skeletal branches might play a part in the winter season. The dead stems are amazingly persistent.

Once I get my act together on a plan, my crews make quick work of it.  The window boxes got green, and had a bed of c-9 and c-7 lights installed in the center.  Lucio was in charge of sticking the asparagus branches between the light string wires. 

Bamboo stakes at the corners of the pots form an armature around which to wind the lights. 

This gold and green sinamay does several things.  It provides a soft transition between the geometrically placed willow stems, and the hard structure that is the light nest.  The shimmery polyester threads will amplify the light coming from the garlands.   

Multiple pots with lots of lights draws a lot of power; the shop has 2 20 amp circuits specifically installed for holiday lighting. 

We have enough lights in the pots to create a daytime glow.  Michigan is well known for its cloudy winter days-this day is no exception.

Dusk arrives 4:30 in the afternoon this time of year; we have an answer to that. 

If you have not put lights outside for the holiday and winter yet, one light garland draped in the branches of the tree will do you, and your neighbors, a world of good.

Some holiday lighting asks for a well placed spotlight.  Lots of lights can throw unlighted decor deep into shadow.  Our wreath would not be visible at night, save for a pair of spotlights. 

The window boxes now provide warm companionship to Rob’s pot o fire at the end of the driveway.  Only one more detail remains to be done-can you spot what or where it will be it is?    

Do try this at home.  It will warm you up.