OK, Here’s the Story

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I spent the day of the Greening garden tour at home, talking to people about my landscape, but I also fielded a lot of questions about Rob’s.  From “which garden is Rob’s?” ,  to “what was his idea here?”-and so on.  Apparently the store was so busy he was unable to get to his own garden, and talk about it with people.  What a shame.  As he is such an integral part of Detroit Garden Works as manager, buyer, and dreamer, people are naturally curious about what his personal landscape is all about. I’ll try to tell the story as best I can, as I think it warrants telling.

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He is a formidably talented designer.  More and more he consults with clients about the placement of ornament, pots and the like. He has a gift-you just need to ask him to put that to your project. Until you lay eyes on what he has done with this very small piece of property, you don’t really understand the extent of that talent.  I have over the years installed this terrace when he would be in Europe, or snapped up that collection of nyssa sylvatica (his favorite tree) when I ran across it.  He spent no small amount of time designing this landscape for himself, consulting with me, and reinventing the design; he finally, reluctantly, signed off. I knew I had to wait until he was out of town;  one fall while he was shopping in Europe, my crew installed it. 

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It’s important for clients to see a designer put themselves in the same boat a designer might ask a client to row.  Making things grow, and pulling a landscape together, can be much like rowing upstream.  If you are to entrust your garden and your money to a designer, you want to feel confident they know what they are doing, and that they have been in a boat much like yours.  This spring, the bones of his place looked great.  Simple strong gestures from a sure hand. No matter how he fretted, the result was confident.  If it appears a design is in place on this the bleakest day of the spring, they you can be assured it will only look better as the season goes on.

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It’s a very tough thing to go home and garden, when you eat, breathe and sleep it for other people, most days of the week.  He told me two things were paramount.  He wanted to make much of his view of the lake, and he wanted something along the lines of cohesive lake cottage style. This may sound vague, but he had no problem putting it together.  And he wanted it manageable; its pure torture to have something in a garden that needs attention, when you have no energy to answer.  He likes having no back yard.

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This very old French faux bois tree trunk planter is home to  a thriving colony of laurentia; that pale heliotrope blue is a rare color in an annual. So light, so delicate-everything that the planter is not. The side terrace garden is a mirror image of the shape of the driveway. The terrace itself is screened from the road just enough, by a wing wall, backed up by giant boxwood in a stocky Belgian wood planter.  

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Two chairs in the front yard are front and center to the lake view.  A quietly beautiful vintage American birdbath from Ohio is kept company in the sunken oval of grass by a gracefully swooping pin oak. This tree, his specific choice.  The simple Italian pots stuffed with ferns, heucheras, selaginella and the like have that strong woodland mossy feel.

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The wing walls are a distinctive feature of the architecture of the house; the placement of these two pots make note of that. The placement of the collection of pots direct the eye around the entire space, and suggest what is yet to come.

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I discovered while installing this landscape that the exterior walls has been buried in soil berms.  The house is actually quite tall coming out of the ground.  The collection of pots counterbalances the height of the steps, and sets them down visually. The architecture of the house and steps can be seen all the way to the ground.  This gives the landscape a European flavor. Years of travelling Europe to buy for the store has much influenced him.

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Rob knows how to place an object in a garden such that it will give you pause-quietly.  Thus this planter, half on the gravel path, half off. Though the volume is turned down to a murmur, this landscape has a very distinctive voice.

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The story of these steps says everything about the fire he has burning. These giant bolted panels of railroad ties have been lying in the abandoned railway two track next door for the past 14 years.  He finally wheeled a ball cart, rated to carry 1800 pounds, over there, loaded these 8 foot wide fragments onto the cart-horizontally-  and ran them up hill all the way to the store-in the incoming traffic lane, no less.  He told me he had no plan for what he would do, had a car appeared.   He tells me he had to lie down for 15 minutes once he got them here; he was rode hard and put away wet, getting the steps of his dreams home.  What kind of heart for gardening do you have to have to do this?  A very big one.

Dinner in the Garden

table1Its my idea to eat outdoors for 120 days of the year at the very least.  I like summer food- grilled burgers, fresh corn and tomatoes, big salads with chicken.  I am at my most vulnerable for good potato chips, and ice cream, as well.  I am impatient for this first day of the outdoor dining season, and so sorry to see it end.  In Michigan we have a lengthy dose of “lets go inside” weather.  For this reason I will still be having dinner outdoors in October, with my blanket around me.  Just get me outside, under any and every circumstance.  Dinner in the garden is my idea of fine entertainment. This 22 foot long pine and steel table can handle lots of dinner guests with ease.  Pine is a very traditional material for American garden furniture;  it just requires upkeep.  Its traditional material aside, it has a decidedly sleek and modern silhouette.  It interests me how overscaled furniture has such strong visual interest.  This long  table suggests a lot of people, close together, having fun. table2

This old French faux bois table for two makes a different suggestion.  The old concrete is beautiful on this vintage slate terrace. It is the organizing element for a private and intimate garden space.  Ornament in a garden can create a mood, and set the stage-for what, we can only imagine.

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I so love white dining furniture.  It has a clean and crisp look.  What china, flowers and food would not look great on this table? Wood dining furniture finished in high gloss weather resistant paint dresses up dinner in the garden. This dining table is placed in a garden room defined by a white wood pergola.

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This English made wirework dining furniture is so beautiful for how it graces  the landscape in a soft and quiet way.  Even with no guests at the dinner hour, it enriches the landscape.  Sometimes the suggestion that dinner might be had in the garden is as important as actually having it.  Ideally, every design issue is answered in such a way that piques the imagination.   What can be imagined changes, and evolves-thus providing no end of interest. Landscape spaces that invite interaction are successful spaces.

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I have many clients for whom contemporary design is a big love.  This very contemporary dining suite is perfectly placed on a bluestone terrace dating back some 90 years.  Who would think this stately old terrace would be so right for this steel and glass furniture?  My client, whose imagination and sense of beauty is all her own.  Everything about her, as well as her garden,  can surprise me, and make me think differently. dining1

I design outdoor dining areas for clients regularly.  Sometimes I design tables;  this table is 10 feet long, with a white oak base, and top of Valders stone from Wisconsin, with white oak spacers.   It will handle company, just fine. It will weather, over the years, just fine.  Many an event will be experienced,  remembered, and cherished, over this table.   Some say that everything that really matters happens at the dinner table. If this is true, what possibilities suggest themselves,  given dinner in the garden?

A Place to Sit

sit91If you are a like me, you do not sit much in your garden.  I can always find a weed to pull or something to stake, trim, or otherwise fuss with.  But as I subscribe to the notion that a landscape is a place to be, a place to sit seems like a very good idea.  A place to take a break, to contemplate your future, to watch the birds, to have a glass of tea-excellent.

sit10We make this scrolled steel furniture, galvanize it, and acid wash it.  It has the look of lead, that blue grey with a white bloom.  This furniture is amazingly comfortable for being made of steel. I think it is very good looking and  appropriate in either a traditional or contemporary setting.  But most of all I like that it looks like garden furniture-and not the furniture I have in my living room.  

sit11In the past few years I have seen plenty of garden furniture, made from weatherproof materials, that looks like indoor furniture; this does not appeal to me.  I like everything in the garden, to look like it belongs there.   Thus I prefer my sofa in my living room, and not on my terrace.  I very much like these 18th century Coalbrookdale chairs, in the nasturtium pattern.  They look like they were made for a garden.

sit13This is an early 20th century French faux bois bench.  Literally translated, faux bois means false wood.  The bench is concrete over a steel armature, that was carved to look like wood.  I doubt it is a place you would want to sit for long,  but it most definitely is a lovely place to sit and enjoy a garden moment. It is just as lovely as a garden ornament. 

sit1Pool furniture almosts asks for cushions.  Hot steel and bare legs is not such a good combination.  Be sure if you buy of have cushions made for your garden furniture, that they are constructed using exterior foam, which drains quickly and dries out.  Hauling cushions inside when there is a threat of rain is a nuisance.  The technology of new  fabrics rated for exterior use is considerable.  These fabrics are sunfast, and mildew resistant.  This suite of furniture looks like a cool spot to sit on a hot day.

sit2Not so fancy, but plenty charming are vintage American garden chairs.  I like everything about them-the shapes, the old paint, and the rust and how they rock.  They are easy to find a spot for, and they are easy to move to another spot, should you have a mind to.

sit3This very fine iron furniture comes from a small company in England.  The black and white checked fabric on the cushions is very smart looking, and elegant.

sit5This very old English wood bench has great style; the spindle back and the curved arms are very handsome.  The yews and pots do a great job of highlighting its form.  It is a friendly size .

sit15The chaise lounge is a bed for the garden.  Its scale and size makes it stand out in the landscape; the grouping suggests the company of friends and family.  White fabric in the garden looks as fresh and crisp as white flowers. I cannot imagine using a chaise, but I like looking at them.

sit7Stripes seem especially appropriate for a garden too.  Reminiscent of vintage awnings, they are inviting and pleasing to the eye.  These chairs are great for an extended visit in a garden.

sit14A place to sit in a garden is an essential element of landscape design.  Plan where you will sit in your landscape with as much care as you plan what you will see when you sit there.

Sculpture in the Garden-an Addendum

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Sculpture in a garden is a big topic, which I am sure will surface again and again in my writings.  Defining a sculpture can be very much about the environment in which it is placed.  It is my opinion that some sculpture absolutely relies on its environment,  in order to earn the the honored designation-sculpture.  Some sculpture I see in galleries, or museums, I would never see as sculpture-but for the gallery or museum address. Some landscape sculpture has been documented in photographs- often this sculpture is more about the moment of the photograph, than the sculpture itself. I own every book ever published about the work of Andy Goldsworthy-but many of his sculptures are ephemeral such that they are not really sculpture in a classical sense.  The photographs of his works are as much art as the works themselves. But his work makes me rethink my definitions-this is a good thing to come from looking at art.   I buy books regularly, and I read a lot.  Its exciting to see contemporary garden sculpture-what a departure it is from classical sculpture. As I am willing to be surprised, I try to temper my sense of sculpture with a big dose of what I see, and what I am asked to do.  This seems to work.   

 

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Earth sculptures have a huge history; what gardener does not know something about crop circles?  What 20th century landscape designer has not given serious thought to sculptures of earth, covered in some living skin?  What landscape designer, since the day that someone thought to design landscapes, doesn’t see when the landscape transcends horticulture and becomes sculpture?  What gardener has not been interested in Stonehenge, and every Stonehedge counterpart documented world wide?   I am not a first rate scholar on the history of garden sculpture-I am just a somewhat educated landscape designer with a big interest in garden sculpture.

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I am strictly a supporting cast, where the sculpture of my clients is concerned.  I look at what they buy, and if I am lucky, they will pile things up, move things around-and talk about what moves them. 

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Contrary to the garden sculpture placed in Europe ever since the formal garden got its name, some sculptures are ephemeral, moveable-here today-elsewhere tomorrow. These Belgian hazelwood spheres, piled up into a boxwood hedge-who does not appreciate the gesture?

 

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These birds once graced the roof of the Palais Royale in Paris. This would be the better part of two centuries ago.  What remains of them is their wrought iron armatures, and their hand-wrought feet.  This pair of ancient birds are the most spectacular sculptures I have ever seen.  They have such incredible presence, though little remains of their original shape.  They are so powerful in their shape and their bearing , though little of their ornament remains.  What landscape would do justice to them?