A Landscape In Focus

Every landscape presents something upon which the eye will focus.  Designing with the intent of guiding the eye can be the toughest part of the design process, as you may need to envision something which is not yet there. Or the visiting eye may focus on something to which your eyes have become so accustomed, you literally do not see it any more.  Garbage cans, pool equipment, air conditioning units-these are prime examples of what may be more prominent in your landscape than what you imagine.  I often see transformers and air conditioning equipment surrounded by giant hedges.  I wonder if this hedge style treatment does not in fact draw more attention to an unsightly object than the unsightly object itself. The very beautiful object pictured above, an English trough of considerable age; was placed where the lawn becomes a mixed shrub border. The border itself is quiet and unassuming; the planted trough organized the space visually in a strong and lively way.  The white flowers can be seen from a great distance in several directions.   

Garden furniture can likewise punctuate a landscaped space to good effect. This landscape has a natural and park-like feeling. Though this dining suite may not be a dinner destination, it encourages vistors to linger in the garden by providing seating.  Though the furniture is wirework, it becomes a visually organizing metaphor for the intent of landscape.  Parks usually provide places for people to be, and observe the outdoors.   

This very fine antique English sundial holds court in this landscape.  Aided and abetted by its massive size, striking shape, and pale limestone material, it grabs the eye the moment it comes into view. 

This 19th century French cast iron hound is one of a pair, flanking the entrance to my drive.  I see my driveway twice a day-this makes it an important garden to me.  My picea mucrunulatum is a gorgeous old plant; they were in my front yard when I bought my house 15 years ago.  I moved them to the drive, so I would be sure to see them every day.   The dogs draw one’s eye first, they invite a viewer to look more closely at this beautiful evergreen. 

Not every local point is an object.  These old spikes-who could pass them by? One year I had in my mind to do an annual garden with a little Mediterranean feeling. Those massive spiky heads atop those gnarly trunks-noticeable.  Most of the visual vistors to my shop are the people who drive by every day.  A focal point of this scale is sufficiently significant enough for a quick look.  It might even encourage someone of gardening ilk to turn around and come back for a more thorough look-see. 

This weathered English teak bench is handsome and solid. One hardly notices the browning tips on the boxwood, or the hose.  Some objects have the power to distract one’s eye away from something that is not so lovely.  If I had to have a hose available in the garden, I would want to stash it under just such a bench as this one. 

This landscape has a stunning distant view of a lake, and mature trees.  But this 19th century American made fountain does a great job of holding the entire view together.  In the lawn, a suite of white wood garden furniture.  The furniture helps to visually describe how far away the space is from the spot where I am standing.  It further more organizes the lawn space.   I do love the composition of this landscape from this particular view.  There is a strongly represented foreground, a defined mid-ground, and a dreamy far ground.  The large trees between the lawn and the lake proide a quiet backdrop for the fountain.  They also further define “at a distance” in a visual way.    


This concrete furniture I no longer have, but I did like what it did for the front of the shop.  Concrete chairs are completely impractical for a dining space that gets used every day in the summer, but they are a great choice for providing a focal point in a garden.  I have the luxury of changing what sits between these trees every year.  What pleases you in an ornament, beautifully placed,  can influence the look and mood of your entire landscape.

At A Glance: The End Of Buck Week

the tapered Hudson planters

oak garden bench

Steel table in four sections

Pergola

Breakform V-pot and sphere

event tents

bus stop pergola with oak bench

conservatory table

spheres

sculpture/fountain

steel and concrete bench

oak and Valders stone garden table

firebowl

The Solver Boxes

I have no idea whether you are enjoying the Buck week posts-but I know he is.  It is tough when you make things, and never see what becomes of them. The finish of a box is not really the finish.  The placement in a garden, the plants-there is a whole other melody to come once they leave Branch.  Any garden box asks for planted material-he is seeing that relationship in some cases for the first time.  Some boxes are one of a kind, but have no name-as they are much more about what gets planted inside, than their aesthetic appeal as objects.  These galvanized and painted sheet metal boxes are a vehicle for a planted expression.  Sturdily made, and held by substantial steel brackets, they are a forum for a planted discussion on a garage wall. The garage wall-not so prominent now. 

This giant box at the end of this driveway has a purpose.  Drive an additional three feet-you and your car would be presented with the prospect of a steep ravine.  This box is a not only a stop sign, it will stop you should you be coming down the drive on icy pavement. The boxes and plants are so much window dressing-who would guess they are more importantly a substantial safety feature.    This home is paved right up to the front of the garage and house-not much opportunity for landscape to soften all this hard surface. These boxes on the second story are galvanized sheet metal-with a sanded and painted finish antique like finish.  The color is much more punchy up close-at a distance the color is soft and unobtrusive.  This makes the view much more about plants, than about boxes.  They also make the house look warm.

A corner sun porch just 3 feet from the lot line makes an in ground garden all but impossible.  The wall hung boxes permit a garden to be viewed from inside, and do not obstruct traffic from the front yard to the back. The square footage of soil is considerable; my first complaint about most boxes like this is that they are too small.  It is not long before the planting virtually obscures any mention of the word box.

This box I did name-but Buck only made four, and they are gone now.  I call this the Charisse box, as in Cyd Charisse.  A dancer whose long legs were a legend in the entertainment business; this box has legs I like.  The flared bell flower shapes on those legs-a beautifully decorative detail.  The scroll arms and handles were time consuming to make; I never hear Buck ask when we are making them again.  But I  have not forgotten them.  They went to homes not known to me-I have never seen them planted. They do indeed make me smile-they are so light on their feet.  Not every space asks for a handsome box-some spaces call for pretty. 

These massive boxes are also contructed of galvanized sheet metal-this is a much less expensive material than 18 inch or 1/4 inch steel.  A second story balcony terrace was completely exposed to view from neighboring buildings; this client needed big boxes, and lots of them.  The first year, we planted them as a meadow.  In recent years, they have done a good job of providing a permanent home to a hedge of arborvitae.  The trick to maintaining evergreens year round, above ground-as big a soil mass as you can manage.  This minimizes the effects of freezing and thawing that ejects plants from pots, and exposing their roots to the air.  This client has a completely private outdoor terrace, thanks to this wall of boxes.

Some less than visually thoughtful builder installed a giant downspout dead center in an alcove on this client’s rear balcony terrace-unsightly. One of our two extra balcony boxes was modified and placed here.  Buck made a steel stand for the box, which includes an armature on the back which bears most of the burden of supporting this substantial decorative iron panel.  A morning glory, and a pair of cherry tomatoes will help to obscure the drain pipe from view.   

The last of the balcony boxes landed on the ground-in a bed.  I like this unexpected treatment; flowers at the bottom of the box look great.  The bed is too narrow for any garden of size; the wall behind it is very tall.  A little change of level provides some interest in a tight space. In retrospect,  I probably should call these boxes the Solver boxes.

The Hudson Box

It helps me to define something, should I be able to give it a name. I could write a book about places, landscapes and their names.  Detroit Garden Works-I named the shop by making a list of all those words that I thought best described what I had in mind.  My city, my love of what goes on locally, the garden-of course, and works-as in works of art, in the works, working garden, work it out-you get the idea.  My garden-Rob named it Corgi Run.  It is a perfectly apt description of a landscape designed to accomodate two boisterous dogs of very short stature without looking like a dog run with decoration.  The flowers are up high-as in roses, or containers, and the boxwood has corgi doors carved in their favorite entrance and exit spots.  I have grass-and only the most rugged groundcover on the ground plane. My beloved beech ferns are on an intermediate level; the hellebores are outside the fence. Corgi Run-the name says it all. I wanted to design a handsome box with rugged good looks that would be equally at home in a contemporary landscape as a more traditional one. Subtle, stately, engaging.  Naming it after Rock Hudson seemed just right.  The Hudson River landscape paintings-handsome, and distinctly American paintings.  OK, so I have an active imagination.  Hudson-what does that word suggest to you? Try naming the place before you design and plant it-who knows where that might take you.   

The Hudson box has but a few details-a generously large molding at the top ordinarily used in the construction of iron handrails, and two smaller and simpler moldings, my obscure nod to a classic Italian terra cotta double rolled rim pot. The simplicity of the design lends itself to the construction of lots of different shapes.  This particular rectangle fits the spot in a satisfying way.  Spots that need square containers, or rectangular containers seem to need just the right size-not just any size.  For years I had two round matching Italian terra cotta pots in this spot.  The round worked fine,I like the fitted Hudson box better in this space.

These squares were made to fit a specific space on a flight of cypress stairs.  The boxes are in lieu of a handrail-a simple be careful on the stairs.  The box in the background is home to an espaliered apple tree.  We lined the box with styrofoam insulating sheeting; the tree has lived over the winter in the box for three seasons now.  In this case, a very large box, capable of holding a considerable soil mass, seemed like a good idea for the health of the tree. The cypress deck is large and sparingly furnished-a big box works just fine here.

I rarely buy window boxes for the shop-what size would I pick?  No two windows are the same.  I like window boxes that go wide of the windows, so it looks like the window has something substantial to sit on.  This variation on the Hudson box with associated brackets were made for this specific window-and they look like it.  There are actually three separate boxes.  Part of this has to do with not placing too much stress on the wall when we hang them, but part has to do with the galvanzing process.  A zinc bath of some 800 degrees can warp steel that is not adequately captured by a frame.  Long boxes are particularly subject to damage.  Now we build long or large boxes from a thicker steel. 

This Hudson box was outfitted with plumbing, and makes a fine fountain. The box has legs, so the boxwood skirt does not obscure too much of the detail of the bottom of the box.  This year the boxwood covers the legs altogether.  Hudson boxes make beautiful fountain cisterns.   

Not every design looks so great in a very large size; this box is still graceful when it is large.  It anchors this side door entrance garden with ease.  My client plants for all four seasons; there is always something interesting going on. Driving up, she has a seasonal garden going on-dead ahead. The driveway garden-I have written before about the importance of the landscape that marks your arrival home.  I may not get to every garden every day-but I do indeed drive up every day. I want to like what I see, when I come home.        

The largest of my Hudson boxes to date-a cistern 4′ by 8′.  It was designed to be placed in an overscaled drivecourt.  Without going into any detail, my client shares a driveway with two other homes; a big drivecourt was needed to handle family and friends. The size of this cistern breaks up a giant paved space, with a garden object of interest.  

This big red SUV has nothing on this Hudson box cistern -does it? Exactly my intention.  Stately, handsome, graceful, bigger than life-this is how I remember Rock Hudson.  Buck’s construction is true, square, level. This cistern, though the planting is yet to come, shows no signs of him wrestling this 1800 pound object as he welded it. It is a garden ornament of grace and dignity-I cannot wait to see the three fountain jets, representing.      


This Hudson box is set in concert with a long and low window.  It features an ever so slight bow front.  Pictures of the summer planting to come.  The Hudson box-I am pleased with it.  Every one of these Hudson boxes were fabricated by Buck.  A Buck week-he deserves it.