Fencing For Privacy

I would say relatively few of my clients fence for privacy.  Most gardeners would choose plant material to screen untoward views. if they had the chance.  But very small urban properties-mine included-do not have the luxury of space.  This client designed and had built a fence which would afford him some privacy from neighbors very close by.  Painted that shade of disappearing green, it would screen the garden at the ground level from a neighboring house.  The lindens would provide screening in the airspace, an important consideration in neighborhoods with two story homes in close proximity.


Though the landscape has the appearance of a sunken garden, the lindens were actually planted in raised beds.  This did a great job of making the ground plane of the yard even more private. The trees create the illusion of a much bigger space than what actually exists.  Only the trunks occupy any space in the yard.  The tree tops are shared with the neighbors, creating more privacy for all.  A wood pergola with a gridded roof and gravel floor would provide space for seating and dining.   

10 years later, the lindens had grown considerably, and grown unchecked.  I will specify lindens for screening in a small yard, as they respond really well to pruning.  Left unpruned, they grow to enormous size.  The privacy fence appeared black in the increasing shade.  The hydrangeas were getting that leggy light starved look. A wisteria vine planted on the pergola had run rampant, and had almost completely covered the roof. 

Arborvitae that had been planted in the raised beds around the pergola; there was insufficient room for any more lindens.  The privacy they afforded from yet another neighboring house had further limited the available light under the pergola.  An update was in order, the first of which involved the fence.The arborvitae were removed altogether, in favor of a new fence.  Though these Belgian woven hazelwood panels provide a lot of privacy, light still comes through.  The wood for these panels is farmed using a method known as coppicing.  The shrubby trees are periodically cut back to the ground.  This hard pruning result in long straight branches, suitable for weaving into the panels  The coppice wood from which the fencing is constructed still has its bark.  This gives the fencing a much longer life.  Importing wood from another country that still has its bark is a laborious and expensive procedure.  Both US customs and the USDA have to be absolutely sure there are no pests hiding under that bark. The peeled cedar fence poles come from the upper peninsula of Michigan; 4 feet is set below ground to insure the fence will stay straight.

Venus dogwoods were planted in lieu of a large growing evergreen; their airy habit of growth will provide privacy without blocking so much light.  The wisteria got a much needed haircut and thinning.  The boxwood will will provide some green during the winter months, and will never grow so large as to obstruct a view of the fence.    

The lindens were given their first haircut.  Pruning trees that have never been pruned involves small steps over a period of time.  In a few years, they will read as a deciduous hedge above ground.  All of the other plant material in the yard will grow better, given the extra light. 

The original back yard fence found a new home in the front yard.  A neighboring white wood fence with a lattice border was not particularly appealing to my client, nor did it do any justice to the trunks of a hedgerow of Ivory Chalice magnolias. Along the driveway in front of the garage is a pass through-not a spot to linger.  The solid wood fence provides complete enclosure close to the ground.  The magnolias do the work up high.  


The dark solid wood fence handsomely compliments those tree trunks.  Most importantly, this fence clearly represents the aesthetic of sense of my client.  It is important to drive up to a landscape that pleases your eye.

The Garden Gate

Every landscaped space has an entrance.  That entrance may be physical, as in a path or stairs that lead the eye, and inspire the feet.  Some entrances are strictly visual.  A large open space without a visual cue about how to enter and where to go may seem muddled.    A landscaped space running the depth of a property might have screening, or fencing on the long side, but there should be clues about where to enter, and where to exit. Some gardens have a gate at the entrance.  Garden gates are beautiful, and functional. This gate spanning a driveway is one of a pair that when closed, says private.  When they are open, they say welcome.   

This decomposed granite walkway to the rear landscape is bisected by a pair of gates. The gate is a visual cue about a change of venue.  In the time it takes to open the gate, and pass through, a visitor has paused, and is ready to move on.  This gate does not particularly keep anyone or anything in or out.  It is a beautiful opportunity to rest both visually and physically, before going on.  

Some gates are part of a wall.  The brick wall enclosing this garden permits a visit to the rear of the landscape; take your pick, which gate you wish to open.  The pair of gates finishes each end of the long mirrored section of wall.  A landscape beyond is clearly visible above the wall; the gates are an invitation to visit that space.  The gates are wood, painted in a subtle color that does not detract in any way from the beauty of the walls.    

Vegetable gardens in my zone need to be fenced.  We have woodchucks, rabbits, and deer for starters.  The gate here-an exact replica of my client’s father’s vegetable garden in Italy.  A simple pine frame with a crossbar and an X covered in galvanized chicken wire seems completely appropriate to the feel and the function of the space.  The simple hand forged gate hardware-beautiful.  This garden gate is designed to make good on its promise to keep out furry trouble. 

Gating an arched space can be handled in a number of ways.  This gateway has a fixed panel of ornamental iron at the top.  The gates are tall rectangles that cleanly meet that pediment.  These gates separate the rear yard from the pool yard.  These gates are beautifully forged, yet easy to see through.  A gate left open is inviting.   

Some walls ask for a gate that is barely visible.  Why is this? This gate goes to a place not nearly so dramatic a place to be as this pool deck.  Some gates are about utility, and function.  Subtle gates make passage possible, without disturbing any of the visual experience of the space.     

This solid wood gate has the look of an interior door.  That solid surface screens the space beyond, and provides a beautiful backdrop for a small antique sundial. Once the arborvitae grow in, the tall chain link utility fence will no longer be visible.  The gravelled space in the foreground functions much like a foyer in a home. 

Some gates have a specific purpose.  This gate may not be gorgeous, but it is child proof.  Some gates are more about safety, than beauty.  Clients with small children need to restrict certain spaces-in this case, a swimming pool.  Once the children are old enough, the gate can be removed.  


My gates and fence keep kids out of my yard.  I have no objection to kids in my yard, but my fountain could be a hazard.  Both gates into the yard are kept locked. They also keep my corgis on the property, and out of the street.  The open ironwork preserves the view out, and the view in from the sidewalk; there is no need to block the view, just the passage.  These gates replicate a pair of iron panels outside the front porch.  They do a graceful  job of making a space both private and safe.

Finished Fountain


I wrote a post earlier in the week about painting a fountain; this was the last step in the renovation of this space. This was the look in 2005.  Once the fountain painting was done, we painted the interior of the pool with black pool paint.  The water plants came last. 

That Plastic Grass Sculpture

What lies behind ball number 3?  I could write a novella about this client, but here is the short version.  She has kept me on the edge of my design seat for better than 10 years.  By this I mean she encourages me to be the best I can be.  Her point of view takes unique and original to an entirely different level.   She collects contemporary art, and has a fierce love for great architecture of any description.  Her landscape is unlike any other that I know of, and is mostly of her own doing.        

8 years ago I made this plastic grass sculpture for her.  To be installed in this very fine and rare example of 19th century French iron cutwork urn lined in tin.  She bought the urn from the shop-her ideas about how to plant it startled me.  Would it have been my idea to plant this urn with spheres of plastic grass-no.  I followed suit-this is mostly what I do with her.  Had I ever made anything like this before-assuredly not.  Did I like it-yes.  Even on a gloomy day in January, there is a garden party going on.  I am skipping over a lot of discussion between the two of us, but in the end, I believed these grass planets hovering did her particular style of justice to the urn, and the space.       

 Many years this sculpture endured the sun-I had a call from her a month ago asking that I redo it.  The fire had gone out of those spheres.  I find even the most UV light resistant material will eventually show signs of fading.  The materials available now are somewhat different than what I had to work with 8 years ago, but the interior structure and urethane spheres were intact.  These spheres bob all around on a windy day; I was pleased to see that the only part of the sculpture that needed attention were the grass mats.  

Once the urn and sculpture were delivered to my shop, we removed all of the faded grass mats and assessed what materials we would need to recover and redo those 7 urethane spheres.     

The grass mats are comprised of a plastic grid; each intersection of that grid has a tuft of grass.  Given that the lime green plastic grass had the best resistance to fading, I decided to do more spheres in that color, with a variety of textures.  The mats come 12 inches square, so fitting them to the curved surfaces takes a little ingenuity, and a lot of time.        

We removed the grass tufts, and fitted the grids in much the same pattern as the original.  Even on the largest sphere, no 12″ by 12″ grid would lay flat.  We had to cut the grids just small enough to enable a smooth surface.  Once the grid pieces had their tufts reattached, we filled in any areas that seemed thin with grid pieces 12″ long, and one tuft wide. Each piece of grid is secured to the surface of the sphere with greening pins.  A lot of this work had to be done on a ladder; the overall height of the piece is about 7 feet. 

This chartreuse plastic grass has vibrant color, and great texture. Neither the urethane balls nor the grass mats absorb water.  Both rain and snow keep it clean.    

 A new life for this sculpture-we finished it today.  I like a working life that has lots of variety, and in this case, a little off beat.  Does it bother me-the plastic part?  Not at all.  No matter the material, the sculpture is the result of the work of a group of real people.   

We loaded up the sculpture this morning.  A large diameter steel ring fastened to the interior of the urn keeps the sculpture upright.  This was an important part of the construction, as the finished piece is extremely heavy.  This also meant we were able to move the entire piece with relative ease.      

The sculpture is back in place, doing its provocative best to tell another kind of story.