Archives for 2011

Especially For You, Mathias

I have clients in Ann Arbor, Michigan.  Michael, and Mathias.  I am due to make a landscape design presentation regarding their property September 10.  It has taken 18 months to get to know one another, and set a firm date.  Michael has a Renaissance sensibility.  He can hold his own about farming, romance, music, culture, gardens, a passionately lived life is his life; I am also quite sure he could fix a broken zipper with dispatch.  Matthias is French.  He is reserved, except where his dog Banjo, his garden, and his love for France is concerned.  He is talented, kindly, compassionate, and passionately French.  When Rob sent me this first picture from France, I thought first of Mathias. Though his experience is more urban than this picture would suggest, I am thinking a lot about a culture other than my own.  Rob drove down this two-track dirt road after shopping all day, to have dinner with friends- French friends. 

They have a house in town.  They have a garden property some distance away.  The garden has a small structure that houses a kitchen, a sink, and a bathroom.  She calls that building the hut.  They grow vegetables and herbs here.  The water canal brings water to their garden.  It is quiet, dusty, unpretentious-the perfect place to decompress, have a glass of wine, and fashion a dinner.  They come here quite often.  Rob told me about their place and this evening in great detail-no wonder.  It is a landscape, and a way of life that could not be further from his own.      

The landscape of this house is mostly about the existing native landscape.  The plant choices are dictated by the climate; a few treasured plants are grown in pots-herbs, vegetables, citrus trees.  There is a lot of bare dirt, and even more gravel-it is a dry climate, and gardens acknowledge this.  They are cultivated in a different way.  I cannot really explain what I mean by this, except to say that the gardens are more about coexistence, and less about intervention.

 No where in my garden do I have a wheelbarrow full of lavender; this picture makes me long for for it.  This garden is not for show, it is for living.  As much as it is a living space, it is unabashedly a working space.  There is something so comfortable and inviting about this space; there is an authenticity of place.  Do I have anything like this-no.  But what becomes so valuable about this landscape is what there is to be learned about another place, another climate, another environment.   

  This poterie garden is ornamented with terra cotta trays, broken in the kiln. It seems appropriate, this.  Though broken terra cotta plates may not translate directly to my experience, there is that idea that the most ordinary of things become ornamental given how they are placed.  The beauty of a garden is very much about its identity.    

This collection of citrus trees in pots, and the orangerie boxes with their citrus trees at Versailles differ only in degree.  French gardeners value their lemons, oranges and limes enough to cultivate them in pots.  I have seen so many textiles, pottery and dinnerware from the south of France in the colors of fruits.  That French blue?  The color of the sky, or the Mediterranean.       This terra cotta pot with its  succulents and trailing weed-nothing fussy here about the planting, or the care required.  The finish on the terra cotta so beautifully reflects the natural stone and mortar in the stairs and wall.  This container planting is subtle, and satisfying.

This olive tree is unexpectedly studded with snails, not olives.  This is indeed a landscape completely unlike my own.  

The landscape that runs right up to the sides of this two track-equally unlike my paved roads with their curbs, medians and street signs.  This kind of peace and quiet is compelling.  Mathias-his property has elements exactly like this.  Part of my job as a designer is to recognize the natural beauty of that place.  The landscape will have to recognize, not dilute or compromise what needs little help from me in the first place.  No doubt a kitchen garden, and fruit trees will figure prominently in the design.    
For 9 nights, this street in France, with the buildings run right up to the road will be Rob’s home away from home.  Every time he shops overseas, he adds to his knowledge of gardening and ornamenting the gardens practiced in other places.  How he sees that fitting with how we garden here fuels and enriches his choices.  No doubt this gets passed along to me.  In turn, I hope it will influence how I design.

Petunias Popping

I was asked recently if I had any tips for growing great petunias-this from Ann who writes the Plumsiena blog.   If you have not read it, give it a try. I enjoy her point of view. But back to the petunias;  my first tip-if you love petunias, keep growing them until you get the culture down pat.  I really like the fragrance.  I like the shape and simplicity of the flower.  I like all of the colors.  White, cream, yellow, orange, red, all the shades of pink, cerise, lavender, purple-and don’t forget the bicolor petunias.  They come single and double.  They come mini, standard, and trailing.  What do I like?  I put my effort behind this.

The Surfinia Blue Sky petunia is one of my favorites.  It is a lavender unlike any other lavender-very blue.  Blue flowers are in very short supply in a Michigan garden.  Cornflowers, and bellamosa delphiniums about wraps up the list. I am having a great run with this petunia this year.  I keep them as dry as possible.  I lift up the foliage with my forearm, and water the soil only.  I keep my fingers crossed that summer will be short of rain-as it usually is. What usually is-I cannot depend on this.   

No kidding, I lift this skirt of petunias up so my water hits the soil, and not the plants.  I never put water to the foliage.  This plant likes dry-I try to oblige.  Rain and high humidity-your petunias will pout.  I have had them rot and die overnight in wet weather.  I trim the stragglers right along.  Hard pruning a petunia means many weeks of recovery.  I try to trim a little at a time.  Every trailing stem gets a little haircut, frequently.     

It helps to choose the right cultivars.  Misty lilac wave petunias are my favorite.  The color of this petunia reminds me of the species, while rewarding my efforts with vigorous growth and easy care.  Double petunias are leggy-plant them with a frothy friend, like euyphoriba Diamond Frost.  Some petunias need a buddy to shine.   


Misty Lilac wave petunias-when they are happy, I am happy.  Petunias may be the most common of annual plants, but they have an uncommon beauty.  When they are good, they are very very good-and when they are bad, they are horrid.   

No one knows what weather a summer season will bring.  The National Weather Service predicted a wet summer for my zone.  Did I lay off the petunias?  No; I was willing to take my chances.  Any garden planting is about taking chances.  Sometimes a season cooperates.  Sometimes a season rewards my efforts such that I feel blessed.  Some seasons challenge all of my good intentions, and leave me with a bad taste in my mouth. 

For the moment, my petunias are happy. This planter hosting yellow cannas is underplanted with Surfinia blue sky and Royal Velvet petunias.  They mix via an alternate planting of scaveola.  I am happy about what I see happening here.  How did this happen Ann?  I have no secrets.  Just a big dose of hope, and persistence.     

I almost always mix my container plantings.  I like to hedge my bets.  No matter how well I garden, I am always behind that 8 ball we call nature.  Plant what you love, tend your garden to the best of your ability, and hope even more for the best.     
My petunias-they look great.  Am I responsible for that?  Not really.  I do the best I can.  Madame Nature either helps me, or dashes my efforts.  Ann, some years my petunias are terrible.  Other years, like this year, they prosper.  I am not in charge of anything in the garden.  The best thing I have going for me is my hope, and my persistence.  I give all of the plants in my garden my best effort.  I learn new things all the time, and add that to the body of my experience.  When things do not work out in spite of my efforts-I do not like it, but I accept it.

Airy

 

I greatly admire any expression that is airy, artless, graceful, breezy, unstudied, beautifully accidental or subtle- underwrought.  What do I admire this?  I greatly admire that which is the most difficult for me to achieve with a planting.  Luckily, I have help from the plant kingdom.  I have never loved the look of hosta flowers.  Sometimes I go so far as to cut them off before they bloom-reckless, I know.  But in a sunny spot, the grey/lavender of these flowers is beautiful.  The stalks going this way and that-artless.  Both nicotiana mutabilis and dward cleome have wispy flowers that flutter in the slightest breeze.  Anchored with  a solidly blooming base of petunias, this planting is a meadow in a pot.  This planting had a lot of help from nature. 

The pale pink nicotiana in the outside pots on this porch-who knew how pretty they would be with a pair of white dieffenbachia.  A few spiky leaves of green New Zealand flax unexpectedly echo that dieffenbachia color.  The variegated ivy is a casual and airy compliment to those stiff paddle shaped leaves.  This planting was better than I thought it could be.  I credit the plants for that.

Mandevillea is one of my favorite summer plants.  Vining plants have a way of growing that sets a planting free.  They will grab any airborn support.  Lacking support, they will vine down and out.  Variegated licorice has stiff stems-but they grow every which way.  I call it the cowlick plant.  It provides some stiff horizontal support to the mandevillea vines that wander.  Some of the red mandevillea flowers appear to be floating, do they not?


Plants with subtly colored flowers and foliage have that airy look, no matter their habit.  Succulents and herbs tolerate close planting, as long as I am careful not to overwater.  Closely planted plants make a community of one, as long as I do not interfere too much.  Plants left to weave in and out of each other make their own statement.  This staement is infinitely more interesting and beautiful than anything I could engineer.  

Pots placed on porches, pillars, pedestals and promenades make a studied design statement before they are planted.  A pot set in a garden bed comes out of the gate with an entirely different attitude.  This entirely formal French pot from the Poterie Madeleine has a planting that reflects the garden.        

Some clients like that wispy, artless look.  They like subtle colors.  They like the air as much as they like the flowers.  Small flowers nurture that airy look.  How hard is it to make a dahlia look graceful?  You know the problem. 

Verbena bonariensis wrote the book on airy, breezy and cloudlike.  I plant it every chance I get.  In containers, it can loosen up the most formal of landscapes.  It can define the airspace above an urn.  It needs very little in the way of staking.    

Verbena bonariensis in the ground-stellar.  Imagine this space planted with impatiens-ho hum.  This clean and crisp terrace furniture is all the more striking given the contrasting cloud of verbena in the background. 

Gardeners may think what they have to work with is the soil.  But in fact, they also have an airspace just asking for some attention.   

What overflows, what moves in the slightest breeze, what grows in out and around-this is a look I treasure.  Loose and lovely.

At A Glance: Making Changes

This client added a roof over her front door in 2005.  Since then, the front door plantings have been different every year.  What can be seasonally changed in a landscape is part of my enduring interest in gardening.  


2006


2007


2008


2009

This front door got a new walk, and an updated landscape in 2006.  It took a while to find just the right pots for the space.  So much a part of knowing what to do is the willingness to try different things. 


2007


2008


2009


2010