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Sunday Opinion: Looking After One’s Own

A recent article in my local newspaper warned readers about how garden centers can offer bad advice to their customers.  He referred in particular to a reader who had written in regarding 30 boxwood that she and her husband had purchased from a garden center, and planted themselves.  On the advice of the nursery person, they did not remove the burlap from the rootball, and they planted the shrubs such that part of the rootball was above grade. They furthermore had installed drip irrigation.  Some time later, she realized her plants were not thriving; the leaves had started to turn yellow, and/or red.  What was the problem, and what should she do?  Though the writer did answer with the obvious –  that it is very difficult to diagnose plant problems without observing them and the environment in which they were planted – a diagnosis he did make. His conclusion?  Watch out for what garden center people tell you. From the fact they were watering with drip irrigation, he deduced she might be overwatering as our area had had more than enough rainfall this year. She should water less.  He went on to state that given the rules regarding proper planting practices, which have not changed over the past 25 years, she had planted the shrubs improperly.  She had been given very bad  advice from the nursery staff person.  For starters, the burlap should have been completely removed from each shrub.  For finishers, each shrub should have been planted with the top of the rootball just below the surface of the existing soil.  The soil should then be tamped down, and a “a ridge of soil a foot or so” should ring each plant so as to capture rain.  Lastly, he states that as there are no exceptions to these rules, they should give consideration to digging up and replanting all thirty boxwood.

My first reaction to this article was to look at the science.  I checked out the rainfall history for past 90 days in our area via the National Weather Service.  Unless I am reading the table wrong, our area is four to six inches below the average rainfall normal for this time period.  We certainly have not had the relentless rain that other parts of the country have experienced this year.  We have had an unusually cool summer, which could perhaps account for a slower water evaporation rate from the reader’s soil.   Yellow leaves on boxwood can be a result of other things besides too much water-as in too little water, root rot, winter damage, fungal infections etc.  I am of the opinion that the proper diagnosis of a plant problem cannot be made without a visual inspection and assessment of the environment.  I also think diagnosing the problems of plants is as much an art, as a science.  The diagnostician will give weight to this factor more than that one, based on his experience and judgment.

In the nursery industry, a “B and B” shrub refers to the fact that it is balled and burlapped.  Successful tranplanting of a shrub from one place to another has much to do with maintaining an intact rootball.   The burlap on a small shrub, and a wire cage over burlap on a large tree is a means by which to protect the integrity of the rootball.  Evergreen shrubs in particular need fairly large rootballs to weather the insult of transplanting. Broken rootballs can kill plants. The plastic burlap common years ago has given way to fibrous burlap which does rot, given enough time.  I myself have planted many thousands of boxwood over the past 25 years; I have never removed the burlap entirely from the ball. I only cut the burlap away from the trunk and shoulders of the ball for two reasons.  I do not want burlap exposed to the air to wick water away from the rootball. More importantly,  I need to visually inspect the top of the ball.  Sometimes in the process of burlapping, a rootball goes soft, and soil from below gets accidentally mounded up around the trunk of the plant. The point at which a trunk becomes roots tells you what goes above ground, and what goes below, and seeing is believing.  One cannot assume that the soil you see on top accurately represents the true top of the rootball. Likewise, the top of the burlap tells you nothing about the juncture of trunk and rootball. Planting any plant too deep is a sure recipe for failure; roots drown if water cannot drain away from them.  I would never plant a shrub slightly below grade for this reason. I routinely plant shrubs slightly above grade; there is plenty of support for this practice in the literature.  I furthermore have a hedge of arborvitae whose mulched rootballs have been sitting on top of my gravel driveway for the past 3 years; they are thriving on this mini-mountain berm. It is my opinion that there is no one set of rules for planting- any deviance from which will result in failure.  I have seen many successful plantings over many years that do not play by the aforementioned rules. 

My point with all of this?  Horticultural practice has changed plenty in degree, if not substance, over the past 25 years.  The body of scientific information changes and grows regularly.  Anything you read and absorb from university cooperative extension agencies, garden centers, the internet, the RHS dictionary, and other gardeners can help you be a better gardener – provided you realize there will be no substitute for your own trial and error, your own experience and good judgment.  I am a landscape professional whose planting practices have worked successfully a great majority of the time over the past 25 years.  This does not lead me to suggest that how I do things is the right or the only way to do things. What works for me could be of interest to you, or not. Any gardener is free to subscribe or not to an idea; it is their decision.  This is precisely why people consult with others, and get second opinions.

When I make decisions, the responsibility for that decision becomes mine.  In many years of garden making I have had plenty that has not worked.  By and large, my failures belong to me, and not someone else. Anyone who purchases plants at a garden center and plants them, assumes the responsibility for what happens as a result of their selection, placement, planting, watering, winter care, pruning, feeding-and so on.  Though many garden centers have free replacement policies, that does not apply to plants that are alive, but in poor health.  Protect your investment of time and money by becoming educated. If you have the idea to plant, learn about how to do so before you invest your money time and effort.   If you don’t educate yourself, the plants will educate you; they do not always give out second chances.   If you still are uncertain as to how to proceed,  get a consultation from someone whose knowledge and experience makes their opinion a good bet. Though garden centers do plenty to educate their staff people, not everyone’s knowledge and aptitude for  planting or diagnosing problems is equal.  It is a simple matter to ask a salesperson if they have a shade garden at home, and for how long, before taking their recommendation on the merits of various shade perennials. The surgeon who will replace my failing knee this winter has replaced thousands of knees successfully.  This is an excellent reason to have consulted him, and trust his judgment.  Were I having problems with shrubs I had spent a lot of money time and effort to plant, I would consult someone who diagnoses these problems professionally.  As I would want to claim ownership of my successes, I need be willing to own my own failures.     

 Though I design and plant for my clients, I explain that the responsibility for the health and well-being of that landscape is theirs, once I have finished and gone home. Though I check in once in a while at the beginning, I need them to keep up with what I have begun-water, watch, and call me at the first hint of trouble.  Though I have made a career of planting plants, I have asked for help plenty of times.  I know all I have at my disposal to help people is my experience, integrity, and reasonably good judgment.  I am not the keeper of the keys. Though I try very hard to ensure success for my clients, this does preclude things from going awry. The best reason for taking on responsibility?  No one will ever care as much about your landscape as you do.   Taking responsibility is as rewarding as it is scary;  seeing one’s committment to keeping a landscape alive and thriving come to an ongoing and evolving fruition?  So very satisfying.

Once A Year. This Is It!

We have been slammed at the shop since this past Monday.  Detroit Garden Works conducts one sale a year.  From the day after Christmas until January the 8th, we put every holiday item on sale for 50% off-and everything and anything else in the shop at 20% off.  Should you be a gardener interested in a bit of a bargain-once a year, we oblige.  This is it.  Jenny has plenty of pictures posted; www.detroitgardenworks.com.  After the 8th, we are open by chance or by appointment until March 1.  This gives us some time to travel, shop, repaint, clean, and plan.  So should you have a mind to drop by after January 8, email us, call ahead, or knock on my front door.        

Gardening might be best defined as a “this is it” pursuit. Should I neglect to plant crocus in the fall, I will have plenty of time regret it, come spring.  Should I not take the time to see and enjoy my March crocus, I might miss them. A two day span of exceptionally cold weather-those flowers will vanish-until next year.  There are times when I might turn back the clock, or ask for an extension-but time waits for no garden. Tune in to the crocus, or wait until next year.   

The hellebore flowers are not nearly so fragile.  They stay with me for a while in late March and April.  I make it my spring business to look at them every day.  Planting them on the driveway was no accident; I have two chances every day to enjoy them.   How the flowers emerge from the ground, mature, and dry right on the stalk is a process that takes weeks.  But once those weeks pass, hellebore heaven will have to wait until next year.  I leave the flowers be, hoping some seed will mature, drop and grow.        

I may photograph the tulips outside my office every day.  Like the hellebores, observing their manner of emerging from the ground and growing is a yearly treat.  The flowers are glorious.  They come in an extraordinary range of sizes, colors and forms.  For my pots in the garage, I bought smaller numbers and as great a variety as I could.  Why not try as many as possible?  I was caight flat footed by the early cold this fall; the pots were outdoors a little too long. Every time I look at these pots filled with dirt, I search for signs of a bulb-fest to come.  Nothing doing.  I’ll have my this is it moment, for better or for worse, months from now.     

With the exception of double bloodroot, no flower is more fleeting than the magnolia.  Really cold spring weather can shut down the show before it even opens.  No matter than you have a valid ticket. Should I be so fortunate to have a good show from my Galaxy magnolia, I can be assured it will not be a long one.  I have 2 chairs and a table on my upper deck.  They are placed to take advantage of the aerial view pictured above.   I may need a coat and hat, but I am out there. The ephemeral beauty of everything that blooms in my garden has much to do with why 2011 will be my 33rd gardening season.   

I cannot remember another year when the roses were this prolific. 2010 provided spectacularly great growing weather from early spring through June.  This John Davis rose of Janet’s was smothered in flowers for weeks. Wherever I saw roses, they were glorious.  Janet, who devotes her summer gardening life to her roses insisted that I come and spend some time with hers.  I am so glad I did.  On both of our minds-is this it?  Is this the best the roses will ever be?    

Even the Queen Anne’s Lace in the field was lush.  Regular rain early, and a very hot and dry July made the meadow next door look dreamy.  This was nature at its weediest best.      

The sunflower season is one of my favorites.  I buy them at market as often as I can.  There is not a form shape or color I do not like-although the orangy brown varieties seem a little silly.  I like my sunflowers to remind me of the sun, and sunny summer days.  I like to have bouquets of them throughout the season.  These stems I stuck into a large brick of oasis taped into a clear floral dish.  Sunflowers are big, heavy and unwieldy.  Worst of all, the water fouls quickly, and needs frequent changing.  I set this dish on top of a glas vase full of water which I tinted yellow with food coloring.  Amazingly, sunflowers last for days out of water altogether. 

By the time my Honorine Jobert anemones start blooming, I know the end of the season is not long off. The cooler nights make this once a year display go on for quite some time.  But once the nights turn very cold, the flowers vanish-until next year.   


The fall color on the Boston Ivy was short lived this year.  Some leaves dropped from cold before they turned. The color-not so great as it was in 2009.  But I had no complaints.  Once a year, I have my chance to enjoy it.

Loud And Clear

Airy and wispy container plantings are not for everyone.  Furthermore, there are some places that they simply don’t work.  These planter boxes sit on the wall enclosing a parking lot of a restaurant only a median away from a busy four-lane road.  The speed limit is 45mph; the noise is deafening.  In the 2.5 seconds it takes to zip past this wall, there is an impression that will register with even the most garden-deaf driver.  The combination of colors is ebullient, enthusiastic, splashy-friendly.  The boxes are overflowing; the plants all look healthy.  My client takes great care of them-just like she takes care of her restaurant. That message is loud and clear.              


These large Belgian boxes are visual stoppers at the corner of this terrace.  They ask for a robust planting.  Plants with large leaves and substantial size go a long way to capture the eye.  Bananas, calocasias, alocasias, cannas, farfugium, tibouchina grandiflora-there is a long list of tropicals that can easily handle holding down the fort. Vigorously growing plants in bright colors will chime in.  The smaller planting of a lemon tree, and a pastel mix of petunias, though robust,  would be lost without the big backup.       

A solidly robust planting has much to do with the choice of plants.  The three plants comprising this pot have grown together in a shape that is dense and low overall. Just try to get by it without looking.  Chartreuse makes every other color pop all the more; creeping jenny is a vigorous perennial that loves some shade, and will grow in a bog. There is nothing subtle or airy about this planting-this is by design.   

I can say the same for this pot.  It has grown so vigorously that the pot is no longer part of the composition.  Black and red; red and green-these color combinations are dramatic.  The contrast with the off white wicker furniture is all the more dramatic.  This modern furniture is very chunky and overscaled. These two chairs have some planted company that is even larger, and more chunky. The topknot comprised of a dwarf yellow variegated dracaena and a coleus-that look is in no way planned.  Just natural.  

Gartenmeister fuchsia is an upright variety that handles hot weather like a pro. It can grow to a substantial size, and can easily be wintered over.  However, the dark foliage and small tubular dark orange flowers are rather subdued.  A tutu of lime green coleus turns up the heat.  The red geraniums,magenta petunias and lime licorice don’t hurt. This fuchsia is naturally very airy growing; its woody shoots grow every which way. The colues masks all of those wild hairs; these plants grew together densely in a cone shape.  

Big growing plants are accompanied by lot of leaves.  The leaves of the trailing verbena and petunias are barely visible in this picture, but there is no mistaking the coleus and dahlia leaves.  My office is dark, given this window box planting.  Any container design warrants some study.  Do I need this planting to block an untoward view?  Do I want a container to stand out, or integrate into the large landscape? Right now is a very good time to be looking over your container designs; I take notes.    

A very large terra cotta pot with a purple chocolate glaze is home to this monochromatic planting. Black calocasia, a purple black leaved coleus, and moses in the cradle, makes a sizeable statement about volume and texture.  Calocasia ia a very obliging tropical, in that it will grow as big as the container into which it is planted.  This planting is the better part of 8 feet tall.  This discussion of texture anf form-loud and clear.

Cannas and zinnias-they both are big growing and leafy.  A skirt of trailing geraniums and lime licorice add lots of color at the base.  A neighbor standing behind this pot on the sidewalk would not be seen.  Sometimes a blocky and solid planting can organize a space-in this case, it presides over a densely growing square of boxwood.  Solid, dense and visually clear-this is how I would describe this spot in the landscape.

Large leaved caladiums depend on their size and shape to make a statement.  I like how lush a well grown plant looks.  I am leaning towards planting a lot of them next year.  Loud and clear is much about vigor.  I would much rather work to keep a growing fool of a plant in line, than every day have to convince a prima donna of a plant to choose life.  This is a personal preference. Even the subtle and wispy growing plants that I favor are strong growers.  

But back to loud and clear.  On that list of plants that can deliver that for you-big growers, dense growers, robust growers, large leaved plants, large growing plants, brilliantly colored flowers.  Brilliantly colored leaves; leaves with great shape and texture.    It is up to you to put them all together in a way that enchants your eye.

Paint

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Paint is one of the most versatile and accessible of any decorative material.  Though cave paintings were done centuries ago, the first patent in the US for paint available in a can was granted in 1867.  Early paint was composed of many different materials and colorants, suspended in a medium which would make the color brushable.  Vintage painted steel and wood garden furniture is readily available-in various states of disrepair.  Old, chipped, and weather worn paint on a garden bench can be charming.  A fresh coat of paint can dramatically alter the appearance of a house, or shed.  Old style adirondacks chairs with original paint are always in demand.  Old chairs repainted in vivid colors are visually invigorating.  Paint types and formulas are available for every surface and situation imaginable.  Some day I would like to try Annie’s chalk paint ( http://www.anniesloan.com/index.html ) both inside and out.  The surface sounds beautiful, and it can be used inside and out.  No matter the circumstance, I use Porter Paint.  It is a favorite brand of sign painters.  In my opinion, it resists cracking, fading, and peeling better than any other paint I have used.  The exterior Acrishield is 100% acrylic paint-not latex paint.  We use this on any exterior surface we want to paint.  Porter Paint is made in Pennsylvania, and is not always easy to find, but amazingly, it is available in my neighborhood ( http://www.pontiacpaint.com/).  Paint is a relatively inexpensive decorating material with one caveat.  What was once painted will eventually need to be repainted.  Is that so bad?

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Rob and I bought a small collection of fiberglas garden ornament which was delivered late last week.  Though we had a lengthy discussion about the finish with the rep, I was not happy with what got delivered.  Fiberglas is a friendly material, in that it is impervious to weather, and light weight.  But it is by no means a natural material.  If I have to have fiberglas, I like it to look like fiberglas.  Fiberglas finished to look like something it is not-just saying.  The plaque pictured above had been spray painted the most horrifying shade of dead white imaginable.  I knew I had to paint it.  A dear friend had just introduced me to hand screened en grisaille wallpaper-meaning wallpaper that is all shades of gray from black to white.   Those gray landscapes have been on my mind.  I bought 4 quarts of Porter exterior paint, and went to work.  What is pictured above-the finish.  It is by no means a great work of decorative art, but this painted surface is much easier on the eye than what was. 

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This set of wall hangings depicting a classical interpretation of the four seasons-not so great looking.  The white is harsh.  The pits in the surface of the fiberglas, even more harsh.  Beautiful white painted surfaces outdoors can be difficult to achieve.  A very stark architectural white that is fresh and airy on an indoor surface can be strident and off putting outdoors.  Toxic white I call it, as no one seems to warm up to it.  White outdoors is always warmed by the quality of natural light.  This flat and unnatural white made me squint.

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Buck tells me that cast concrete which is not vibrated sufficiently develops what is known as bug holes.  The air which produces this pitting has not been vibrated out of the mix.  I am sure these fiberglas bug holes were deliberate.  This was an effort to make brand new molded fiberglas look like aged stone.  I am sure it is as unconvincing a surface to you as it is to me. The pits were sprayed with a very dark stain.

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This pitting is not so attractive. After all, cherubs are supposed to look sweet, or devilish-not scary.  The runny nose look-not my favorite. 

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The pitted areas would have been much more effective, has they been confined to the shadow areas.  A base coat of Porter exterior satin paint filled in the worst of them.

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The figure of the summer season on the far left in its original state shows how some ornament for the garden can be vastly improved in appearance with a little paint.

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The annotated collection is much more to my liking.  After the base coat, I used a slightly darker color in the shadows, and a slightly lighter color on those surfaces closest to my eye.  A little paint can go a long way towards improving the looks of anything it touches.  The best part?  If a first effort or color doesn’t work, there’s always the option to try again.

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Though I would touch the surface of an antique or lovely vintage ornament for the garden,  a little paint can go a long way.