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A Construction Plan

A pair of simply wrought steel cone forms can provide a sturdy armature for no end of garden projects. That precise form is orderly and pleasing set in a garden where chaos usually reigns. Any lax growing perennial or annual vine would appreciate its stability and strong shoulders. Another summer version features planting at the base, and the form presiding over all as sculpture. Topiary forms in winter containers supply instant height and presence. One year, my 6′ tall steel cone form served as a Christmas tree. Would round with grapevine and lights, I added glass berry clusters and birds. How I loved bringing the garden indoors for the holidays. Last year, this pair of mine, wound with its grapevine intact, and lights, were the focal point of the winter pots on my driveway. They made a big statement from the deck above. What to do with them this year that is different and interesting? So much of the work we do begins with an idea. What comes next is a plan for construction.

It seemed like an idea worth pursuing to line the interior of those steel forms with flame willow. Those straight copper colored stems lining the form would greatly change the look of it. It is my pleasure to have the fabricators at the Branch Studio give me a hand for our holiday and winter installations. Sal has constructed with incredible precision no end of garden boxes, gates, pergolas and sculpture in steel as the senior fabricator at Branch. He was the perfect person with whom to discuss a construction plan. If you read my essays routinely, you know we begin the construction of a winter arrangement with a dry floral foam form constructed to fit the pot in question. After marking where the legs of the topiary form would go through the form, Sal inserted a tall bamboo stake in the center. The bamboo was a marker, indicating the location of the top of the steel form.

Our initial thought to insert each stem inside the form and attach it with zip ties seemed awkward and too time consuming. Creating an interior willow form that the steel form would slip over made more sense. Sal was able to determine the sticking angle by making sure the top of each branch would touch the center bamboo stake. As no two objects are ever exactly the same, we tagged which steel form would partner with this specific willow form. Why the gap in the above picture? Sal left an opening, so he could stuff the interior with boxwood. Once the boxwood layer was finished, he would add the last of the flame willow. Such is the order of events. One of the most important aspects of a construction plan for winter container arrangements is figuring out the most comfortable way to do the work. The most comfortable way is invariably the most efficient way to move a project along. We don’t build rocket ships, we built winter container arrangements. Sal determined the spacing and angle for each stem by eye, not by measurement. The work doesn’t need to be perfect, it needs to be believable and delightful.

The tall dark green cylinder capped in red on the layout table proved to be key to the next step. It is an oversized roll of thin self sticking plastic wrap. We use it to wrap fragile items in the shop for shipping. Sal tightly wrapped the top half of the willow tower before lowering the steel tower over the top of it. Typical of his construction, the willow tower was a tight fit inside the steel.

The plastic was easy to remove, and each of the freed willow stems was re positioned. The tops of the branches are very pliable, as they are fresh cut. The top of each stem was pulled out of the steel form. That branchy finial surrounds the topknot of lights.

Leave it to Marzela to figure out the last construction detail. How would we remove the bamboo stake from the center of the willow form? I did not think ahead to that moment. Push it through the bottom of the foam form, of course. As our foam is manufactured in 2″ thick sheets, 24″ by 36″, we have to piece a form for very large pots. This the seam in the above picture. We hot melt glue 2 layers of the foam together to make a 4″ thick form. The lower layer of foam will go into the pot, the top layer of soil having been removed. The top layer of foam permits greens to be inserted horizontally. For very large pots, we make the upper foam larger than the lower. The foam sitting on the rim of the pots provides extra strength and stability to the form.

Marzela is our chief greens person. She has a gift for stuffing the forms with greens in a volumetric and convincing way. These forms have been filled with mountain hemlock. It is the most durable of all of the cut greens. Though these cut branches will take the full brunt of the western winter sun and weather for months, they will be just as green in March as they are in the above picture.

At the last, Colin checks the LED lights on the form. They still work fine, going into their third year of service. The tiny bulbs emit an astonishing amount of light. They will do a great job of illuminating the form at night. He is also adding a string of mixed berry lights – new to us this year. Translucent globes of varying sizes emit a soft glow.

A generously long string of them will emit a glow strong enough to define the form at the bottom. I suspect that at night, neither the globes nor the wires will be visible. Just the light.

The daytime look is not that bad. The silver wires on the light strings are glaringly obvious, but the main view of the pots will be from afar.

A project like this is possible given the many pairs of skilled hands that contributed their part to the end result. And there is satisfaction in having made something that works as a group.  Marzela will get the rest of the greens done in short order this morning. I think we will be able to install them today.

Spring At Detroit Garden Works: An Addendum

As I was writing about the spring opening of Detroit Garden Works, it occurred to me that what the shop does best is reflect the taste and sensibilities of a wide range of gardeners. I have Rob to thank for that. Many years ago I made a landscape design call to a client whose house and art were of a contemporary ilk. On his rear terrace was a classical and traditional Smith and Hawkins teak bench. That disconnect made me blink. I suggested that he find some terrace furniture that more accuratetly represented his aesthetic.  So called contemporary garden ornament has been available for commercial projects for a long time-if you equate simple and functional with contemporary. I am thinking urban trash receptacles, bike racks and giant fiberglass cylinder planters. What was readily accessible to private gardeners was meager. Times have changed in that regard.

Shopping European markets has also made a big difference in the style of ornament we are able to offer.The Belgians, Dutch and French have been of a contemporary mind in the garden for quite a while. The containers pictured above are made from recycled tires from a manufacturer in France. They would look very disconcerting in my garden, but my client with the contemporary art collection would feel right at home with them.

I probably have said this before, but it is worth repeating. Any idea about period or style that you express indoors is fine to take outside. And advisable. A well done landscape does have an aura- an aura of genuine expression of some kind or another is unmistakable. A judicious selection of garden ornament is a strong and vibrant way to indicate an aesthetic point of view in the landscape.

A tree is a tree, with its own aura. That same species planted in a random grove in tall grass creates a different aura, driven by the aesthetic of the gardener in charge. A collection of that same tree planted in a grid could have a very formal aura-or a contemporary one. A garden ornament added to any one of these landscapes can organize and make the intent of that gardener clearer. This room at the shop is interesting, in that it takes traditional objects, and by association with more contemporary ones, gives those traditional ornaments a more contemporary aura. In the above picture, vintage French galvanized metal seed pans were lined up and stacked on a shelf against the far wall. The overall shape and grid has a very contemporary feeling, though I am sure the pans were originally used as a simple growing tool. The traditional glazed French jarre with a cream rim in the foreground is a very traditional shape. Paired with a vintage modern teak garden furniture set, the clean lines and simple shape of the container becomes its dominant visual characteristic.

On the walls in the background of this picture, a pair of antique French conservatory windows look at home in a more contemporary setting.  Their visual meaning is about their simple geometry, and not about their history. I would imagine the conservatory they came from was probably of a traditional sort.

The birdbath in the above picture is an antique piece from England. It is easy to imagine it in a classical English garden. But I suspect it could be right at home in a more austere and modern garden. To determine whether a classical piece might work in a contemporary garden, I try to ignore where or how the piece might have been used, and concentrate on its overall shape. The short version is to appreciate it in the abstract, and without preconceived notions.

The urn pictured in the opening above has a very traditional connotation and shape. Its visual aspect is in strong contrast to the concrete bowl planters placed on top of the wall. Each asks for a specific kind of garden.

I have seen lots of fish ornaments for gardens.  Some are whimsical.  Others are accurate to a specific shape and color of a kind of fish.  These French made steel sardine garden stakes have a sleek and contemporary look. They represent in the abstract the rhythm and sparkle of a school of fish in water. Rob has used these in contemporary container arrangements to great effect.

The vintage containers on this shelf have a decidedly modern feel.

This grill bears no resemblance to the Weber of my childhood. Contemporary fixtures for kitchens have been around a good while.  It is so great to see them becoming available for the outdoor kitchen. This Ofyr grill uses wood as a source of heat, and the top rim is a cooking surface as well as the grate.

This collection of grape gathering baskets have quite a history, but attached to a wall and planted in an architectural way, they could be a welcome addition to a contemporary garden.

This contemporary version of birds on a wire come from the same French company that makes our sardine stakes. They come with one, two, or three birds wide at the top. Oh the possibilities, for a contemporary garden maker.

April 2, 2019

What was noteworthy about this past Tuesday, the second of April? We planted containers and flower beds at 5095 for spring, 3 weeks earlier than last year. Our first spring planting. The morning was decidedly chilly, but the afternoon was sunny and warm. I could not have been more pleased or content to be outside planting. It was great. Nor could I have been more happy that we could be outside working the beginning of April. Northern zone gardeners are stuck inside longing for another time and place- for the duration of the winter. By the end of March, I am impatient for the winter season to turn to spring. And grumpy every day that it doesn’t.

The beginning of April is not always the beginning of our spring. Last year’s April was wintry in every regard. Mountains of snow deposited over the winter had no impetus to melt. The daytime temperatures were barely above freezing. The nights were plenty cold. The weather was conducive only to ice making. Giant piles of snow transformed by freeze and thaw into ice were everywhere. We planted this project April 22 last year. Embarrassingly late, that.

That I was outdoors on a sunny day with no more than a spring jacket to keep me warm was a good day indeed. I have more to be thankful for than this. My supplier of twigs sent an outstanding collection of fresh cut branches to us. That he farms willow and pussy willow provides great scale to my spring containers. Our pansies are fall sown, and over wintered in unheated greenhouses, so they are good to go outside the moment I take delivery. A whole collection of visually persuasive faux grasses-I thank Rob for them. They provide an intermediary layer between what is tall and what is short. These pots would be rather awkward without them.

A sunny warm April day, some spring centerpieces of note, and a raft of thriving pansies is enough for this early spring day. I went home both happy and satisfied. Nothing in my garden has made itself known.  Later spring will be a symphony. At home, and on the job. So many voices – so much to see. Spring in full blast is hard to keep track of. But this earliest moment, out planting, was the gift of the early season.

This bed full of a pansy mix will sparkle all season.  Lavender shades, Delta Premium violet and white, and pansy beaconsfield mixed will shimmer. If you plan to mix varieties, 3 types provide a more even mix than 2.

This bed of pansies will thrive well into June, should my client decide to delay her summer planting. She might be tempted this year to let this spring planting mature. I for one would be much happier planting her containers for summer in June. Both the soil and the air will have warmed up by then – just what seasonal tropical plants want.

Cool Wave Berries N Cream is a spreading/trailing pansy.  It is perfect for those container plantings that ask for flowers spilling over the edge. This pansy is reputed to survive our winters with aplomb, should you decide to plant it in the ground. This urn was planted with hanging baskets of this pansy. The more mature size of the plants in the basket provide height and volume right from the start.

There are few signs of the perennial garden in this area. These spring pots provide some visual interest, in the meantime. Containers in every season can be a bridge from one garden moment to another, a landscape or garden idea tested in miniature, a laboratory for testing new plants – I do value what containers can bring to the garden.

boxes planted for spring

This long trough is my favorite of the group. The columnar lemon cypress will go on to ornament both the summer and fall planting here. Pots of Persian limes between the cypress will do the same. Yellow and violet pansies compliment the spring green. The summer green will be just as luscious.

Four large planters in the back yard are routinely planted with multi-trunked Himalayan white barked birch. We take them out of the pots in the fall, and winter them inside our landscape building. Very few woody plants are hardy over the winter in pots. With their roots above ground, they struggle to handle the extreme cold of our winters, and unexpected freeze and thaw cycles. Even though our building is unheated, it provides protection from winter wind and sun. As all of the leaves drop in the fall, they have no need for light in the winter months. The birch provide much needed scale to a rear terrace that is large, and a pair of doors from the inside that are very tall.

This is the first year I have under planted the birch for spring. On the terrace-flats of pansies and violas. The mix is lively, as I hoped it would be. Anyone who plants containers brings an idea about shape, mass, texture and color to their plantings. In this early spring container planting, color is a key element.

Mixing plants implies a brew. I like this. Who knows what nature is brewing up next, but for now this spring brew tastes great.

It was a good day.

A Spring Mix

We plant loads of containers in April in celebration of the spring season. The length, depth, and breadth of that planting is informed and driven by those materials available that can tolerate the chill. Farmed twigs are shipped to us in early spring and late fall. They provide mass, volume and height to our container arrangements at a time when the spring season is just beginning.   I cannot express how intrigued I was, given a recent and unexpected gift of 50 stems of a new variety of pussy willow. P sent them unannounced, and I was pleased to get them. How gorgeous are these twigs? The white, gray and black catkins are quite unlike any pussy willow I know of. This variation was observed in their field, and the decision was made to propagate the plant. They sent me all of the rest of the stems they had available – 200 – with a promise there would be more available next year.

In asking for a potential name for this new cultivar, they adopted Rob’s suggestion. Spring Velvet it is. Aptly named, I think. My suggestion of Spring Sensation was the first thing that came to mind when I saw them. It is so rare that a new plant or cultivar becomes available for early spring containers. That small group of plants (I do include the cut stems of willow and dogwood in that group) that can handle the very early spring weather becomes larger as the weather moderates. April 1, my planting options were limited to twigs and cold grown pansies-provided the night temperatures did not dip below 24 degrees or so. Now, given that is April 15th, we will be able to expand our palette of plants.

Those first plantings rely on the mix, meaning the mix of colors. I would not have thought that merlot colored pansies would work well with pink wing violas and lavender pansies, but this mix turned out to be surprisingly lively. Does the variegated Algerian ivy get its leaves singed when night temperatures go too low-yes. But the risk is low enough to warrant planting them, and hoping for the best. This planter is on a covered porch, with walls on three sides. The Janet Craig dracaenas we plant here for the summer stay beautiful long into the fall.  As for the faux picks, I like what they add to the mix. Green fuzz ball picks and white deco ball stems are graphic and sculptural. They are also whimsical.

This series of boxes feature the straight and vertical stems of copper willow, and the horizontal layer of pansies. The faux grass picks add a transitional layer that softens that intersection between the copper willow and those pansies. Though the faux grass is faux, they have a relaxed look that is not only believable-it is welcome. Faux grasses have progressed from a stiff and painfully obvious imitation to a graceful and charming representation of what is to come. The signs of spring are still subtle here. Hardy ornamental grasses in my zone will just be waking up the beginning of June. These boxes speak to spring in a brash and sassy way.

This container features a tree hydrangea which we overwintered inside our unheated landscape building. It will be a while before there are leaves. The process of watching this shrub leaf out is an experience of spring not to be missed.  Three cultivars of pansies with closely related color make for a mix that is visually interesting.

Mixing colors is a way of making familiar materials seem fresh.  Once this planting grows in, it will be easier to see that the color in the pots is related to, but different from the pansies in the ground.

This contemporary spring planting features a color palette notable for its strong contrast.

This pot is entirely planted with lavender shades pansy.  The color variation is built into the cultivar. The night temperatures had improved sufficiently to permit adding white annual phlox and alyssum to the pansies. All around the contemporary centerpiece-lettuce. The faux grass is very short stemmed and droopy. The paddles are sections of palm leaves that are dried.

This box is in a very protected location. The birds nest ferns will readily handle the chill. The rest of the box is planted with white pansies and alyssum. The texture of the alyssum will soon provide a frothy foil to the broad leaves of the ferns.

The pansies we carry are sown in October, and overwintered in unheated tunnel houses. It makes sense that our grower has selected varieties that are well adapted to, and thrive under these conditions.  Though there are a finite number of pansy and viola cultivars, there are lots of ways in which those cultivars can be combined to achieve a distinctive look.  This client likes bold color, and strong contrast.

The plants in this box are pastel and pale in color. Once the phlox gets growing, the box will have a volume better proportioned to the size of the box. Looking over pictures of some of the pots we planted last week, they are indeed remarkably different from one another. It is a pleasure to have something to plant in early spring.

This basket is Rob’s planting.

 

Not only do spring containers represent a preview of what is to come in the landscape and garden, they will just be hitting their glorious best at the end of May and on into June.