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More On The Front Door

My small arts and crafts/mediterranean house features an enclosed front porch.  The front door is flanked by large pair of  matching arched windows.  It took an embarassing number of years to figure out that though I wanted to screen the portion of the garden close to the house, I needed to landscape such that the door would be visible from the street.  I like how the landscape and and pots work together to say welcome, at the same time as they provide me privacy. I am finally happy with how this looks. 

This front door seemed to ask for a little celebration; we added a roof over the porch, widened the walk considerably, and placed two large bronze urns on either side of the porch.  Wide walks permit placement of containers so they frame a view, rather than obstruct it. As you can see, the walk from the driveway to the door is short-the big idea here?  Make much in a small space.  

Rob’s house is very tall out of the ground; he literally has a staircase going to the front door. A poorly designed landscape would only intensify that gawky architecture.  The placement of multiple pots helps to set the house down visually, and features the unusual wing walls.  There is all of the intent of a garden here, in a form of his own making.  All of his plant choices are green and textural-any flowers are green. Distinctive-his choices.    

Front doors that are part of a large covered porch can be challenging.  This front door is part of a greater room.   Pots at the door-I think my client thought it would dilute the simple presentation of the house. The pots on top of these newel posts function as living finials, and make an uncluttered, but welcoming gesture.  The effect of this entrance planting is restrained-gently austere.  This vintage house gets a decidedly modern feeling from a careful editing job.

Covered porches can be dark, lacking a natural light source.  This yellow glazed French pot lights up this darker area; the Japanese maple is a light, lacy, and charmingly lanky choice for a pot. Licorice is surprisingly tolerant of low light; its pale green color looks fresh against the dark brick.   Hello, number 1201.    

Though this modern house has a wide staircase to the front door, the steps are shallow.  This makes any placement of containers on the steps difficult.  Which step, or how many would get containers?  Multiple containers would seem out of keeping with the clean lines of the architecture.  The columnar red foliaged maples “Princeton Sentry” are amazingly handsome here. Containers set in a landscaped bed-this can be a great idea.  Large limestone pots placed into the groundcover in front of those maples adds so much interest to the entry.  The reproduction Frank Lloyd pots set on pillars I always plant simply, and with lots of color-I have an instinct to warm those pots up with plants that would never make the top ten list of modernist approved species. 

The entrance to this gated community serves much the same purpose as a front door. You have to stop your car, and knock.  Nonetheless, the pots at the gateway say welcome in a very cheery way.  These green glazed French olive jars contribute as much to the visual impression as the plants.   

Simple terra cotta pots-it is amazing how these plain claypots are so iconic and symbolic of a garden-I am comfortable putting them just about anywhere. How one dresses and arranges them makes all the difference.  These lovely variegated hedera topiaries are strong and gorgeous on this front porch.  The plain pots may be simple, but they are placed at a good height.  Terra cotta squares turned up side down make great pedestals.  Terra cotta pots-I insist on the saucers.  They are an essential part of the look .  I like gestures that look finished.  


Very contemporary homes house people .  I try never to forget this.  The front door of this home is not apparent from the street.  The single pot-which last year I planted with a boxwood on standard, inky fingers coleus, and lime licorice, signals where to turn left, towards the front door.  The small scale of the topiary head to the wide dimension of the pot-this low and generous mass with a dot hovering overhead- I like. Containers at the front door is a broad topic.  I so like that every front door needs a different treatment. We may all be gardeners, but we garden individually.

New Lime

New Lime is a paint color from Benjamin Moore. 2025-30, to be exact.  Jenny just painted 4 terra cotta pots this color for a client-I am very interested to see what she plants in them. Whatever she does, it will be exciting to the eye.  I have a long history of fascination with lime green.  I can still see my mother’s raised eyebrows when I picked out a lime green dress for my junior prom-never mind the reaction of my classmates all decked out in peach, pink and blue chiffon.  To my eye, lime green is all about watery fresh, mint, new, light, lively-everything a spring garden has to offer.  My Princeton Gold Maples are lime green all summer-but when the first leaf out-this I would call wildly lime.  Delish. 

There are few hellebores I would turn away from my garden, but I have a particular love of the green ones.  There is something about that color that says spring so strongly, I am not able to resist. 

The giant maple in my fountain garden blooms chartreuse, and leafs out new lime.  Though the leaves turn dark green as they mature, this is my favorite time for them.  Even the blue of the sky seems new. 

Many white flowers are stained green-hellebores are no exception. Ranunculus, dahlias, Japanese anemones, Sally Holmes roses-what I like best about white flowers is the green that comes with them. 

Lime green hostas so light up a shady spot.  The beds of Sum and Substance hosta on either side of my drive are veastly better than landscape lighting at dusk.  This picture was taken late in the summer-the plants still look fresh. Chartreuse green has the effect of endowing any other color with a little electricity.   

This spotted hellebore is from the Royal Heritage strain/mix.  Some seedlings grow up a dark and muddy rose/red/mauve-not my favorites. I do like the spotted flowers; that background green makes that wine red spotting read clearly.  Not that I have one thing against mud-every gardener’s spring is chock full of it.  I am not in the mood for moody in the spring.This green lace primrose is as frilly and cheery as any spring flower I have ever seen.  Everything I have read tags this plant as a zone 6-I would not expect it to be hardy in my area, unless I make special provisions, and pray a lot.   However, they do wonders for a spring container planting. 


The asparagus in my yard has been popping up for several weeks-though its color is a darker version of lime, they make my mouth water. 


To give your spring containers a big dose of luscious, lime them up.  New lettuce is a great companion plant.  Other good green choices for spring containers?  Parsley, rosemary, strawberries, creeping jenny, angelina.  But this lettuce is a one-plant brass band playing that tune, spring is in the air.

Pollarded


I am sure I have written before on the subject of pollarding. Pollarding refers to the practice of cutting back the branches of a tree to within close proximity of the main trunk.  Pollarding originally had much to do with practicality-home fireplaces needed wood to burn-for cooking, and for heat.  Americans are used to the sea from shining sea-endless land.  In Europe, space was precious.  Fuel-even more precious.  Cutting trees back to their main trunks for firewood was not an aesthetic decision-it was a life decision.  In many European countries, pollarded trees enabled large growing trees to thrive in small spaces, along narrow streets.    American gardeners are not used to seeing this type of pruning as our country is vast.  There is rarely need for any American gardener to cut trees back this hard.      

My Palabin lilacs on standard were in place when I bought my house some fifteen years ago.  For the first nine years I lived here, I did nothing to the landscape, save planting some 6 foot arborvitaes and in one moment of garden angst, 100 Hicks yews.  The Palabin lilacs on standard kept growing, despite my neglect.   

Not that I minded their growing. Every year they put on a show of pale grey violet blooms that made my heart pound.  When they are in season, they are dramatically in season. I plant Palabin lilacs regularly; they deliver much, and ask for little. But having planted a slew of boxwoods, and 11 Princeton Gold maples, the available space for the lilacs-diminishing.   


In recent years, I have pruned after their bloom, pruned again-and pruned more.  I wanted a low oval profile-not a ball shape.  In retrospect, I realize that I was bold in my mind, but timid in my pruning.  I posted about pollarded trees, and these lilacs some time ago.  A reader encouraged me to go ahead and cut them back; he was quite sure I needed a push.  He was right-I needed a push.  

The better part of two weeks ago, I cut these old Palabins back hard.  I have not heard one word from them, to date.  I am sure they are shocked, outraged, and disgusted with me.  I have not seen one bud push forth on these giant stems.  The jury is still out-no doubt. Some times I am spot on with aesthetic decisions, to the betterment my entire property.  Other moves I make that are dicey-all I can do now is wait.   Should you wonder if I am chewing my nails-pretty much.  Should they decide to leaf out around these thick old branches, I will be thrilled.

Making Interesting Conversation

The big blue tuscan kale I know as Nero di Toscano is a favorite plant.  The giant blistered blue-green leaves have that vaguely prehistoric look to them.  The common name, dinosaur kale, aptly describes this massive growing, highly textured plant. As with any member of the brassica family, they are beloved by chewing insects.  It is a rare cabbage or kale whose leaves do not bear holes and chomp marks.    

The lower leaves mature in a spectacularly unattractive way. Some ornamental cabbages are grown for the cut flower trade; a long thick stem will have a tuft of brightly colored or white leaves sitting on top.  All plants have characteristics that are less than desirable.  Annabelle hydrangeas are weak stemmed, and flop over the minute they are in full bloom.  The roses get blackspot; post-bloom maturing foliage on daylilies is nasty looking.  Designing with plants is much about pairing them with other plants that minimize those faults.  I would not give up growing kale over their legs.  

I planted the pots in front of the shop this year with the aforementioned kale, green and white variegated plectranthus, and sun parasol white mandevillea.  I thought the three planted together would make for some interesting conversation.  This plectranthus is lax growing.  The thick stems will droop under their own weight.  They grow vigorously-in this case, they are growing vigorously around the kale that are loosing their lower leaves.  Their trailing habit makes them the perfect cover-up for those awkwardly leggy and stiff growing kale. 

Related to coleus, they do respond to pinching back, but once the weather gets hot, they grow with huge stem spaces between the leaves.  This puts them on the verge of becoming a vining plant.  This does however take time.  They are great for a gardener that likes to watch things grow.  These pots in their infancy were not all that great looking.  I avoided looking at them all together for the first month after they were planted. 

These concrete pots are quite tall, and have a smaller planting area that what I would like.  Though they have a graceful presence as an object, it is not easy to grow something in them large enough to balance all that pot height.  I think this planting is my best shot ever at getting a finished proportion that is right.  We have had such a warm and rainy growing season this year that the pots are already rootbound. Maintaining these another few months will be a challenge. I need more horizontal volume from that plectranthus-judicious pinching back is in order. 

The third party at the table, the white mandevillea, is a tropical vine that doens’t begin to get going until the weather gets really hot.  This plant did not perform particularly well last summer, as the weather stayed cool.  The Sun Parasol series is known for its glossy and disease resistant foliage. The red cultivar is particularly heavy blooming. My experience with other varieties, such as Alice de Pont-spider mites and mildew rule the day.  No thank you.  Though this plant is a vine, I decided to grow it as a trailer, and let the chips fall where they might.  One never knows what a plant will do, left to its own devices.   

Early on, I was worried this might have been a mistake. The pots looked ungainly, underscaled, and ill-defined.  But plants seek the sun, and live companionably with other plants.  Most of the plants on this earth manage to live and prosper without much help from people.  The three plants in these pots share one characterisitc-they are all vigorous growers.  The battle they do for light and water is creating the overall shape you see.  They share the light and water as they are fairly equally matched. The large mandevillea flowers help cover the leggy kale as much as the plectrathus does.  The mandevillea gets support from the stiff stems of the plectranthus. 

These tall pots are finally beginning to look like something.  The combination is to my eye more interesting than any of the individual plants.  Growing mandevillea as a trailer, and plectranthus as a climber and a kale for some other purpose than braising is what makes gardening so interesting.  Whenever I visit a garden or a landscape, a good deal of what I see is that conversation between the gardener and the natural world.  Is there an interesting conversation going on?  Is one of the involved parties talking too much, or not enough? 

 I am hoping these containers are a little better than half-way to being good.  Should they never get really good-fine.  There will be something about the experiment that will help make me a more interesting gardener.