More Hounds

I am very pleased that Troy is in the process of creating his third collection of hand sculpted concrete hounds for the Branch Studio, as all but one of the original 18 dogs have been sold.  Detroit Garden Works gets inquiries about them regularly-no wonder. His sculptures accurately represent the forms of the hounds, but what is extraordinary about them is how they capture the soul and being of of a hound.  He grew up in a rural Michigan community in a family that hunted, gardened, fished, and grew a lot of their own food.  He was a naturalist, farmer, fruit grower, plantsman and gardener before he ever turned to sculpture.  His understanding of the natural world is evident in all of his work.             

His Annie is a Cattahoula Leopard cur-one of the oldest North American mongrel breeds.  Bred in Loiusiana to hunt wild boar, they are also known as Catahoula hog dogs.  Fiercely dog-like, smart, energetic and unruly, Annie is much more like a wolf than a poodle.  That barely civilized soul of hers you can see loud and clear in Troy’s sculptures. 

The sculptures begin with the a steel rebar armature that gets covered with a heavy duty wire mesh. The armature is designed and built to give the concrete strength, not describe the finished shape. But even at this stage, it is easy to see that the finished sculpture will have energy and grace.  

The frame is hot dip galvanized, to keep the steel from rusting once it is coated with cement.  Steel and cement in contact with one another is an unfriendly affair.  Cement absorbs water; steel in contact with water rusts. The galvanizing process helps keep the two materials away from each other. 

The entire form is packed solid with cement; this is a time consuming and tedious affair.  Once the form has cured, a layer of mortar is applied, and hand carved.  This is a simple description of a process which requires a considerable knowledge of how mortar can be worked before it sets up.  I have watched him work an entire day when all the mortar would do is fall off the concrete. Or another day when nothing was to his liking; he would chip it all off the next day.

Should the mortar set up faster than you can sculpt it-troublesome. A clear understanding of how the materials work allows him to concentrate on what makes these dogs sculpture.  To the last they have energy, attitude, rhythm, tension-life.   

Each dog would have a whole lot of one thing going on.  His sleeping dogs would be sleeping deeply, oblivious to all else.  His howling dogs would keep on howling, or howl louder. His playing dogs had nothing else on their mind except play.They were all engaged in some singular hound activity.  Whether sleeping, playing or barking at the moon,  I knew they would really come to life outdoors.

Though I really like all kinds of sculpture in a garden, I am particularly fond of these.  They are of a scale and grace that makes them as natural as they are striking.  Imagine this moment in the landscape without the hounds-sleepy.  Garden sculpture that does not necessarily engage, energize or require a landscape does not appeal to me as much. The dogs look great from a distance, as they are very simple and direct expression of the artist’s view of the living world.  Don’t ask me what I mean by this, but these dogs are as witty as they are wily. I doubt my garden will ever have a 19th century limestone sculpture of the huntress Diana, a steel sculpture done by Richard Sera, or a Deborah Butterfield horse, but it could have this dog. I could move it to a different spot every year. I am guessing that before long the dog would have a name. 


When Annie would visit, no surface outdoors was too high off the ground for her,  or off limits to her. You could not help but admire all that energy and zest for the out of doors.  See what I mean?

Generating Curves

I have a big love for formally conceived and planted landscapes.  Nature does wild, asymmetrical  and completely unexpected far better than I could ever hope to.  A client with whom I have been in negotiations for three years regarding her irrigation system flooding and killing her plants finally came around this spring.  “I see that the trees in the parks do just fine, though no automatic irrigation is in place.”  A client who is observing nature at work-what could be better?  I like to observe nature at work, and create spaces for people based on those observations.  Though I have a big love for the intersection of horizontal and vertical lines, I am the first to admire spaces with beautiful curves.  This design of mine for a steel pergola is organized around the elliptical shape you see in the drawing above. Should it ever be built, the bottom part of the ellipse will be implied, not represented.  Beautifully curved landscape beds imply circular shapes, though all of that circle may not be represented.       

A recent project was all about compound, curving shapes. I generate these shapes by hand; I spray dots on the ground to start.  Should you be generating curved beds, I would recommend the following.  A curved bed needs to be curved from start to finish.  Once even a small portion of  a curve goes flat, it looses impact. Some have luck dragging a hose-this method has never worked for me.  For large curves, a stake set on a proper radius, with a string attached can generate the portion of a circle you need.

Though this lawn panel appears elliptical from this angle, it is clearly circular when you are in the space.  Finding the center of the space took some trial and error, but I was finally able to wrap the string around my landscape paint, stretch it tight against the centering stake, and dot it in.  Circular shapes, and circular sculptures or spheres are visually very strong and stable.  Several cultivars of hosta fringe the lawn panel.  The relationship between this very geometric garden and the naturally planted surrounding landscape provides visual interest. 

Big swooping curves can relieve the feeling that a space is small and stuffy.  The placement of this house on its property means a very large front and public space, and a small back yard.  The addition of a curved granite terrace makes the rear yard feel bigger, more airy.  I know there are those gardeners who edge their beds by hand, but I am not good enough to hand generate a good curve with an edging spade; I invariably go off.   An investment in some edger strip pays off in the long run by keeping lawn out of a bed or terrace. 

For curves to read well, they should be simple and large.  The best way to assess if your curved beds have the impact you are after is to look at those spaces left over when you are done with your curve work. Whether they be the lawn, a pathway, or the property line, those spaces should look graceful too.  Any bed needs to work in conjunction with what is not the bed in order to be visually striking.  

Curves provide opportunities to screen views, or provide a sense of anticipation about what will come next.  This gravel path reveals little of what is to come, as it both curves and drops out of view from outside the gate.  Transitional spaces such as this one are very important in giving a landscape a sense of continuity as you move through it.  Even the smallest yard cannot be properly experienced all at once.

This old flight of stairs and lawn terrace were designed on a very large radius.  All of the attendent plant material was planted in concert with this shape.  In the distance, a circular garden whose center of interest is an antique garden bench flanked by a pair of Georgian pedestals.  This is a very formal but understated design based on the circle. 

This circular fountain is the dominant element of the landscape under construction here.  Curving the retaining wall in the background away from the fountain is a response to the importance of that fountain.  Any gesture that gets repeated emphasizes the importance of that gesture.   


Though the view in to this landscape presents a formally constructed sunken garden in a circular shape, the choice of plant material keeps that formality from seeming out of place with the style of the house.  Gold vicary privet is a plant one saw routinely in suburban landscapes 50 years ago.  It was usually planted as an accent plant, given its astonishly bright leaf color.  In this application, the vicary gives weight to a curved shape located in a space shaded by the surrounding mature spruce. Choosing the shapes of places in a landscape ahead of choosing the plants-a good idea.

At A Glance: The Eyes Have It


Weathering The Heat And Drought

A garden suffering from mid August heat and drought prostration is not a pretty sight. The street trees in my neighborhood are shedding green leaves like crazy-in an effort to conserve whatever little water there is stored inside.  Fewer leaves means less evaporation.  This might be akin to that white knuckle moment in the movies when the plane that is out of gas 25 miles from the English coast jettisons its fuel tanks, hoping a lighter plane might glide a few miles further towards land.  The weather is keeping me stubbornly on the business end of a hose every day.   My giant hardy hibiscus-who knows how a flower of this size, with such ultra thin petals manages to stay looking this fresh.  Perhaps the fact that each flower is open scarcely more than a day might be a factor.  Plants that withstand great heat and need little water may be an appropriate landscape move in hot climates, but one never knows what to expect in Michigan.  This makes smart watering a garden issue worth discussing. 

This concrete container is large enough to hold two full grown gardeners with ease.  This means it holds a whomping lot of drainage material and soil.  A huge soil mass means less frequent watering is needed.  I have been worried about the nicotiana in this pot; they are not so fond of very hot and dry weather. The large mass of soil in this pot means it stays evenly moist; this pot is more likely to handle my neglect until I can get to it with a hose.  Even and steady moisture means the planting weathers the dry hot spells with ease.  Small pots with little soil mass can become a watering headache in this kind of weather. If you have your pots on a sunny terrace, multiply the effects of the heat by 2 or 4.  Paving absorbs heat, and reflects light back up at you-and the plants in your pots.  Plan for giant pots in the sun-your smaller pots in the shade.  Pots set in the lawn are easier to look after.


Shade has a huge impact on a plant’s need for water. Direct sun accelerates the rate of evaporation from soil and leaves.  The shady spots in my yard always feel cooler.  The soil in these Italian terra cotta boxes is much cooler to the touch than the pots not 3 feet away-in full sun. They need much less frequent watering. The exposure to full sun should likewise influence the location of a terrace, should you be thinking of building one.  If you expect to spent time relaxing, or having dinner on your terrace, the position of the sun during those hours you are most likely to use it should figure prominently in determining a location.  If your terrace is in full sun late in the day, you will need a pergola, or an umbrella.  Gardens, landscapes, pots and people in sunny locations will need special attention during a prolonged hot and dry spell.

Woody plant material is much better equipped to handle extreme weather than any annual plant. This yew topiary has an extensive root system; the individual needles transpire at a much slower rate than a ligularia leaf.  Planted in a container large enough to put a substantial soil mass all around that rootball, the petunias and bacopa planted on the edges tolerate the less frequent watering appropriate to the yew.  Pairing plants with similar requirements for water simplifies the watering process.  

Some clients are reluctant to plant in shady locations; they tell me the choices for shade are few, and the few that do work make them yawn.  Nothing could be further from the truth. This large sphere of coleus is striking; at the kitchen door, in 1/2 day shade, I only have to water every 2 or 3 days.  Coleus offers more consistent top to bottom color than most flowering plants I know-whether they be annual or perennial. Their leaves may wilt in the heat, but their stems are juicy.  Like begonias, the stems store water.  They survive hot weather just fine.


Always my plan is to design and grow my plants so they insulate the surface of the soil from the late summer sun and heat.  Though heavily rooted containers will demand more thorough soakings, nothing dries out faster than one lonely plant bereft of company-whether that company be mulch, or the leaves of other plants.  Every plant in this container has their own place, but they overlap one another enough to provide a little shelter from the weather.  If you garden in terra cotta pots, you know that water evaporated through that clay from within at a much faster rate than a pot of some synthetic, non-breathing material.  The petunias that cover the terra cotta here is slowing that evaporation rate.    

This small urn, placed on a Belgian bluestone table in full sun, is planted with the right plant; lavender is obviously heat resistant.  The silver foliage reflects light rather than absorbing it.  The needle leaves transpire at a lower rate.  Lavender can also tolerate drought like conditions once established.  In my zone, they die from too much water in the summer, and soil that is poorly drained and stubbornly saturated over the winter.  I never plant them as a hedge, as sooner or later, one will succumb to the reality of an environment which is not so well suited to them.  In pots, kept on the dry side, they shine.  That is not to say this pot does not get frequent water.  The moss on the pot,dependent on regular water, is thriving; the lavender, dependent on perfect drainage, is thriving too. 


My shady spots are thriving right now, in spite of a long run of dry and hot weather. My hot spot plantings look good as well.  Planning ahead to manage a weather situation you may or may not face-this is an important part of good design.