Full Circle

Yes, this is the third time that I am writing about the light rings.  I think I have good reason.  Any design idea begins in a seed-like form.  There are no specifics or details-just the idea.  That idea has to grow, develop, and mature.  Any design idea that that annoys me by the third pass, I try to let go.  The annoyance means the idea was not big enough to begin with.  After writing yesterday’s essay, I thought I might want to take my own advice.  Was there a place that those light rings might add to the shop lighting in a substantial way?  

It was not that tough to figure out.  The idea had been looking me in the face for weeks.  The rings in the window help to fully illuminate the asparagus stems.  They light the underside of the medallions above the window.     

The circular form frames the asparagus, and is a distinctly contrasting form.  Does all of this go through my head?  It does.  Understanding your own visual process is important to creating a clear and strong expression.  It may take longer than one or two or five passes.  I like to take the time, even when I have no time, to let a design project speak back to me.  What you imagined has to all be there in plain view.  If it isn’t, the project isn’t finished.   

Though I may have an idea which organizes a project, I rarely am able to design start to finish in one fell swoop.  My clients are by and large patient people.  If they are not, it is just part of my job to explain how patience can make a satisfactory project supremely satisfying.   

I did not mention the greens around the lights, which I added halfway through the project.  They are cozy looking, and they repeat the green in the boxes in another place, and on another level.  The greens mediate between the lights, and the sticks.  They frame the door in a friendly way. They have a circular, wreath-like shape.

The shop holiday decor now has a level of finish that keeps on pleasing my eye.  This is my view, many times over in the course of a day, or a week.  This makes the resolution of that view important to me. Those light rings, as simple as they are, add a lot to the view.  The steel topiary forms in the pots to which the willow is attached, and the steel topiary forms in the windows add as much to this winter garden as any other element.  I wonder how I might apply the same idea to a summer garden here. 

The structure of the light rings echo the wreath over the door, and the circles of greens around the lights. circular forms.  The lights have pompom tops-I have never really noticed that before.  The emergency light inside of the wreath-I notice that all the time.  Maybe it is time to paint the housing the same color as the wall.

The light rings in the window have greatly improved the view from inside-this I did not anticipate.  The windowsill behind my desk has a totally different look now.  It is a look, with structure.

What began with the willow over the topiary forms has now come full circle. 

 

The Eagles

 

Some years ago I ran across an extraordinary pair of hand wrought and cast iron armatures resembling birds. I must have come back and looked at them 4 times, before I approached the dealer. He told me he believed they had been eagles, gracing a building in Paris. He went so far as to tell me they had been on the Palais Royale, but had no proof of that provenance. They were obviously very old; the iron was deeply pitted from exposure to the weather and environment. The heads were long gone, as were most of the wought iron feathers.  One patch of feathers, one piece of feathers long detached, and the hand wrought iron legs and talons gave a small indication of what they might been in their prime.  

But the most striking of all that remained were their massive iron armatures.  An armature is the underpinning over which a sculpture is created.  The armature provides strength and support-a framework upon which to build the final piece.  These old armatures-visually arresting.  Emotionally arresting.  I kept coming back. Buck encouraged me to speak for them.      

 

I visited them many times over the course of 3 days.  Buying them could not be undertaken lightly.  It would require a considerable investment.  No doubt they were like nothing I had ever seen.  In the end, I gave in and bought them, as they were like nothing I had ever felt.  It is entirely possible that I would not have responded as strongly to the sculptures in their prime as strongly as I did to the aged and deteriorated version.  They had a very powerful presence, though I could see through them.  With almost every shred of ornament stripped or worn away, they were still incredibly beautiful.  There was ample evidence of the hand of the artist.  They were of imposing scale.  I never tired of looking at them.   

I did at one point have a client with a serious interest.  Buck made a pair of painted plywood pedestals, so we could display them in the air.  She decided against them.  I had not a worry in the world about this.  I had fallen for them hard.  I liked having them around, every day.  They might be the most beautiful garden ornament it has ever been my pleasure to own.  This is my personal opinion.  People respond to art in very different, and very individual ways.  I could never buy art for a client, nor would I ask someone to buy art for me.  I cannot really explain why this ghostly pair of birds wrapped their talons around my heart-but they did. 

Why this story now?  A designer from New York, who looked at them at the same show where I bought them years ago, called last week to inquire if I still owned them.  He had a client with a garden whom he thought would appreciate them.  I was surprised that he had taken note of where they had gone.  He responded much like I would have.  There are those garden ornaments that make an indelible impression.  He had not forgotten them.   

His client decided to purchase them from me.  Several days ago Steve and his crew loaded them into our box truck for a trip to Branch.  Buck will crate them for shipping to a garden in St. Louis.  I was surprised at how very reluctant I was to let them go.  More than once I thought about bringing them home, but my garden is not right for a pair of sculptures such as these.   Yet I could have lived with them all of my life, and been challenged, intrigued, engaged, and awed every time I looked at them.  This is what art does for people.   

 

I have had other perfect moments with art.  Some of those pieces I own, and look at every day.  I could say these remains of a pair of eagles are everything I ever wanted in a garden sculpture.  But in fact they are a creation of the hand of an unknown artist from better than 200 years ago that I will have a hard time living without.

I am a dealer in  garden antiques.  This means I am committed to offering my clients the best there is, given my best judgment and experience.  But I will admit there are those days when I wish I were just a private collector.  Lacking that, I would wish that I had a certain client, and a certain project that would have asked for this pair.  Lacking that, it has been my pleasure to own them for a while.  This is enough, albeit barely enough.   I feel quite sure they are going to an extraordinary garden.  Godspeed, beloved birds.

At A Glance: December 16, 7am

Steve and I both get here before daylight, so we can talk about the work for the day. This morning was no exception. That red coat of his looked great.  I was out photographing our holiday decor, now that everything is finished.  Rob is a little tired of me telling him how much I am enjoying this, but you may not be able to drop by before 7am, or after 6pm.   These pictures provide a taste of how it looks.  

The lights at night provide wholly different visual experience than the daytime view.  It will be a good while before I tire of coming to work to this.

 

 

 

 

 

 

Howard and Milo are barely visible in the doorway-I feel quite sure they like this time of year too.

 

The Hats

The last of the holiday celebration in front of the shop had to do with what Rob calls the hats over the windows.  They actually seem more like eyebrows to me.  Last year we hung burlap drapes over them.  Given our dead meadow weeds holiday theme, I thought a weedy hat might add a certain finish to the project.  They took just about forever to make.  Glueing one weed at a time takes time. After finishing the first, I spent two weeks vacillating about whether to abandon this part altogether.  It sat on a table in the back since before Thanksgiving, enduring many rainy and some snowy days.  The matted mess miraculously regained its volumetric shape, once it dried out, but really it was Jenny that persuaded me to keep going.  After they were wired onto the metal hats, I was glad I persisted.  

I added the metal rectangles and shutters to the windows many years ago.  Factory windows do not come with much in the way of architectural interest.  They warm up this old machine shop considerably.  I wired most of the dry elegant feather grass from the roof to three large bamboo poles.  I glued everything into that dried grass I could get my hands on-kitchen sink style. 

Dry anemones and hydrangeas from my yard, dry chicory, boltonia, Queen Anne’s Lace, thistle seed heads-and a whole lot more dry plant stems I cannot identify became part of these three eyebrows.  I have no idea how long all of this will last-I have never done anything like it before.  Sticks, and dry perennial plant stems-that is all there is to this.

I am happy to have something warm and reminiscent of the garden to look at, in December.