Monday Opinion: Depth

From Roy H Williams:  “According to String Theory, what appears to be empty space is actually a tumultuous ocean of strings vibrating at the precise frequencies that creates the four dimensions you and I call height, width, depth, and time.”  I know, it takes time for a sentence like this to sink in.  Should you truly be interested in string theory, I can say that Steven Hawkings has more than a passing interest in it-check it out on Wikipedia, and read on. I have a much less scientific interest in this theory.  I have more of an interest in depth as a key element of good design.

 Landscape design is much about numbers and measurements.  The height of a pergola and the width of a sidewalk, the turning radiuses of UPS trucks, the angle of the sun in the fall,  grades, fall, drainage schemes, the angle of repose, ppms of fertilizer, the plants needed per square foot, the face feet of stone required, the longevity of certain species of trees, the composition of soil, proper planting practices, and scale drawings-the accumulation of knowledge of these things begins to make for a design judgment with depth.  The more “strings” I can become familiar with means I am one step closer to a “tumultuous ocean of strings”.  I am thousands of strings short of a Kathryn Gustafson or a Beatrix Farrand, but I have accumulated a few strings along the way.    I doubt I will ever understand the scientific meaning of strings, but I can understand how many different threads woven together can create something new altogether.  Given a little poetic license, imagine how a great landscape that is a tumultuous ocean of strings might go on to makes an utterly memorable and emotionally charged four dimensional sculpture.  Sensational-yes.

The depth of the ocean is not really so much different an idea than the depth of a person’s knowledge.  Though it is so easy to look up the cultural requirements of hellebores, possessing depth on the subject means growing them, over and over again, in lots of different environments.  Should you wish to grow gorgeous hellebores, put your hands in the dirt.  Or find someone whose hands will gather that knowledge for you.  Given this, my most trusted source on the subject of choosing perennials for a particular place is a grower who has grown many hundreds of thousands of plants in his career-both at work, and at home.  His depth is vastly greater than mine.  Once I have heard his string, I may accept it, or move on. 

There are those times when making a right choice about which plants to use is not the best choice.  Some out of the ordinary plantings are worth taking a chance on.  This means that the string which is about the scientific choice is reverberating with a string of another sort.  It might be a visual string, or a string about memory, or a string about geometric relationships.  This may sound like loads of gobbledegook, but the chance that it may resonate is just as great.  The depth of any gardener’s life, knowledge as aspiration, makes for quite a stew.  The same is true for garden designers.  If you are a gardener looking for a designer, see how many strings they have to put to your project. See if your strings will harmonize with theirs.  

I have posted, and have more posts to come, involving schematic plans.  I rather dislike landscape plans with too much detail in the beginning.  It is a rare project that takes me more than 8 hours to conceptualize.  How so?  Clients have every right to expect that I have depth in design and horticulture.  That I am educated, and keep up with what is new.  The depth of my understanding of their needs and requirements for the landscape-they need to assess that on their own.  But they can expect that I have experience.  That I will know what visual and horticultural relationships work.  And all of those numbers-I know them.  I provide an overall idea in a conceptual plan,  given how I hear all the strings resonating in concert.   A client, should I manage to interest them, responds by stringing up an instrument all of their own.  All of the details come from their strings.  They need a kitchen garden here, and not there.  They like this stone-not that.  A place to plant with their kids-where will that be?  A place to entertain family.  A memory of a certain tree, or a certain garden.  An idea of what beautiful looks like.  It is the relationship forged over these details that makes for that tumultuous ocean of strings.  Not everyone knows how to create or facilitate that, but everyone knows what it sounds like. 

Listen to see if that idea for your garden rings true.  Is there a depth of strings reverberating?  Any move in a landscape or garden that is more about a look than a life that has depth will sound like a spoon hitting a tin can. You’ll know when you need to invite a few more strings to the concert.   

 

Other Pairs Of Hands

Two clients, gardening partners, purchased a vintage ranch home on a substantial piece of property a few years ago.  After spending a lot of time renovating a backyard landscape and pool, they were interested in tackling the front yard.  They called me to consult.  They had the original landscape plan-I am guessing it dates back to the 1940’s.  The plan was drawn up by Ilgenfritz Nurseries, a Monroe Michigan based nursery and landscape business which first opened around 1915.  How great they have this original document.

The landscape had declined some since the original installation.  Every landscape is either going forward or backward-there is no such thing as neutral, where nature is in charge.  Some very large trees survived, including one of the most gorgeous mature green spruce I have ever seen-in the back yard.  The house sits up high- and the neighborhood is known for its walking population.   A city owned walking path runs through their property.  They wanted privacy from the street. 

Another major issue-a greatly degraded driveway needing replacement.  The drive was due to be ripped out-but they wanted a landscape design consultation before they went ahead.  The orange circle in the above picture-would their landscape benefit from a landscape island in the center of the new drive? 

A breezeway between the garage and the house had been enclosed.  That breezeway is now the dining room.  The plants in the beds?  Those plants moved out of the rear gardens to a temporary”nursery” spot.  The original sidewalk was showing its age, but the concrete itself seemed appropriate to the architecture of the house. 

 They were in need of a schematic plan.  A concept that would include a driveway, a walk,  and some screening.  This is an instance where I would rather look at a plan on paper than the real property.  It is very hard to look at what has always been, and imagine it in a completely different way.  If you fancy doing your own design, find a document that describes how the house sits on the property, and blow it up so you can see the spaces.  The relationships of house to land.  A scale drawing comes in very handy, should you want to determine how many astilbes, or how many magnolias you should buy.  As for a new driveway, be sure you drive the route before you commit to the paving.

Since they would be doing their own planting, I marked up the front facade of the house with those lines that represented the edges of architectural features-as in the location of solid walls, and the architectural edges.  This house had walls in a number of different planes-that would play a part in the design. The sightlines-meaning those views from the windows, would play a crucial role in determining where evergreens should be planted for screening. 

 

 True to the original landscape, they were interested in an informal plan which would have plenty of opportunities to plant specialty evergreens.  They  also wanted a very simple landscape that would look good year round with a minimum of maintenance. They wanted to spend most of their time in the summer gardening in the back yard.  After putting a sheet of trace (tracing paper) over the original design, I drew in the givens-the house, garage and porches. The existing driveway in this picture is outlined in red.   I could see right away that the most dramatic change they could make to their landscape would be to relocate the driveway further away from the house.  The house has plenty of green company on the left side, as pictured above, but little on the garage side.  

 I am not crazy about landscaped islands marooned in a sea of paving.  They look disconnected.  Oftentimes they do not prosper.  The roots of trees and shrubs favor a free run over a space limited by hard surfaces.  I like driveways and walkways that look like the garden came first, and the hard surfaces last.  I proposed to keep the entrance to the drive at the street in the same place.  But I thought a drive that veered away from the house would allow for a generous amount of green on the garage side of the house.    Why a parking court?  The front of the house is quite a hike uphill from the street.  They have the room for off street parking. 

The existing sidewalk was very close to the house.  I moved it out by three feet.  This made a long gracefully curved walk to the parking court possible.  Should that walk be too long for an older person, a garage entry would be close at hand.  A large landscape area around the new drive would focus visual attention on the plants, and not on the expanse of paving.  A simple and linear evergreen planting describing the changes of plane would look appropriate with the architecture, and be fairly easy to maintain.  Proposed locations for evergreens take the locations of the windows in front into consideration.

 Their driveway starts where you see the road ending in the distance.  A very unusual cicumstance, this.  But I feel they will take the project in hand, and put the landscape to right in their own time and way.  The slope you see to the right?  I am sure there are some pines in its future.

Structure From Evergreens

 

 The structure afforded from evergreen plantings is never more apparent in my zone than in the month of March.  Debris litters the ground in the garden, no matter the quality of my fall cleanup.  The hydrangea heads have been blown off their stems by gusting winds.  There are places where the visuals are not the best.  But my evergreens go a long way towards providing my winter landscape with structure.  This is the third season for this double ball yew topiary in this concrete pot.  The boxwood semicircle, the topiary and the hydrangeas organize this part of my garden in every season.  

 

spiral juniper topiaries

 Evergreens planted in pots is a beautiful look, but they require special care.  They ask for pots of a good size.  Beware evergreens that have small rootballs.  Healthy and well grown evergreens oftentimes have rootballs wider than their tops.  They need water early in the spring, late in the fall, and perhaps in the winter.  They can be worth the trouble-what they do for the entrance to this pool house is considerable.  They soften and compliment the architecture.  They bring a sense of the garden all of the way up the stairs.  They are of a size and shape which is proportional to the hard structure.  They make the entrance visually welcoming. topiary boxwood

Some evergreens are amenable to formal pruning.  Boxwoods tolerate precisely geometric pruning quite well.  Heavy snow can burden formally pruned boxwoods such that branches crack, leaving the plant vulnerable to fungal infections.  I make an effort to keep the snow load on mine at a minimum. This formally structured garden is beautiful no matter the season, or the weather.  The enclosure provided by the arborvitae, and the yews makes this living world complete unto itself. 

annual borders

 Annual borders can be subtle, wispy, rowdy or structured.  Annuals cannot provide much structure to a garden, but they certainly benefit from it.  The formally pruned yew hedge behind this garden provides a strikingly simple and effective backdrop for a collection of delicately colored and structured flowers.  This hedge of evergreens is darkly beautiful in shape, size and mass, but it is the contrast of the annual border that so strongly makes that point.boxwood parterres

Boxwood has been planted in shapes both rectilinear and curved for centuries.  One boxwood on its own can be quite lovely, but many planted to form shapes gives the collection a sculptural quality.  The grass in the foreground, the yews in the mid ground, and the arborvitae in the background create a landscape with four distinct layers.  The flowers provide considerable seasonal interest, but the landscape composition is still as strong visually in the winter months.

evergreen structure

Large evergreens do a great job of screening out untoward views.  They can provide a landscape with a sense of privacy.  The yews at the lower level provide additional privacy to anyone seated in the garden.  The pool and terrace are not completely enclosed; the wide opening is an invitation to a lake view not pictured here.  The transition from bluestone terrace to lawn helps a highly structured landscape breathe.

topiary carpinus

I planted this carpinus as an 8 foot tall tree when I was young.  Its mature size and formal shape is stunning.  Carpinus is not evergreen, but its leaves hang on quite late and on into the winter.  Sometimes they do not drop until they are pushed off the branches by the new season’s emerging leaves.  The boxwood hedge in front provides a little structure which helps the ground the tree.  The trunk is virtually invisible, given the dense shade under the bottom leaves.  Without the boxwood, the tree would appear to be floating.

evergreen hedge

This yew hedge repeats the structure of the wall and its limestone cap.  The repetition of the shape of the wall with a hedge somewhat taller than the wall organizes the pool terrace garden.  The pots are filled with many kinds of annuals in a loose and flowing way.  The structure provided by the evergreens highlights those plantings.  From outside the pool terrace, the wall seems all the more important visually for its yew lining.

structure in the landscape

A sculpture is given special visual prominence in a landscape by the evergreens that surround it.  The tops of the yews are being pruned with the horizon, and not the grade of the driveway.  It will take a few more years before the hedge is completely level.  Standing at the entrance to this garden, there is much less of a sense of a sloped space.     

walled garden

 

This small private garden is completely walled by evergreens.  The boxwood provides interest on the lower level, and makes much of an antique sundial.  The peonies bloom but for a short time in the spring, but their big glossy leaves are a compliment and contrast to the evergreens all summer long.  I would doubt there are many visitors here in the winter, but it is an enchanting secret garden in the summer. 

 

yew hedge

In this instance, the yew hedge provides a graceful transition from the mature deciduous trees in the background.  Though the panic grass obscures 3/4’s of the height of those yews, it lends its weight to the panic grass hedge. That hedge has a very prominent role in the winter landscape, as the grasses are cut to the ground, and the blue grey plectranthus succumbs to the first frost.

grass sculpture

Grass does not immediately come to mind when one thinks of evergreens, but in my zone it is green most of the year. Though it grows beneath your feet, it can be a very important element to the structure of a landscape.

Structure In The Landscape

 

Structure can refer to anything that gets physically and tangibly built.  Familiar structures are houses, bridges, amphitheatres, pergolas, and bus stop shelters.  This may be just me talking, and not the dictionary, but structures imply strength and durability.  An igloo is a structure that is very durable and liveable in the appropriate climate.  A pergola can be variously built to support a clematis vine, or a wisteria.  Structures of stone, as in the pyramids in Egypt, have existed for many centuries.  A classical cathedral in Europe has a physical structure in the form of flying buttresses that permits great height and lots of glass.  A bridge enables overhead foot or vehicular traffic.  Structure might refer to an armature inside a sculpture. This waterbridge built in Magdeburd Germany in 2003  (photo from Twisted Sifter, April 2011) is a spectacular example of  structure.

 

Structure can also refer to those things that have a different sort of physical presence.  A well written paragraph has a structure, as does a haiku, or a limerick.  A classical opera has a structure which might better be described as a form, or an organization of certain elements.  Paintings are structured by their edges, no matter what shape those edges take.  The composition of a painting has a structure that may vary greatly.  A 16th century religious painting may have plenty in common with a painting by Picasso, but their structures have distinct differences. 

 

 

 

 Baseball and scrabble both have rules which structure how the games are played.  Physically exhausting games such as hockey are structured very differently than chess.  Imagine a game (this implies a structure) or sport (this emphatically implies structure) with no structure.  One person might show up with a bat in a neighbor’s basement-then what? That person would need to create a structure based on the physical limitations of the space and his solitary tool, and create a game.  Alternately, 50 people might show up in snowmobile suits, swim trunks, shoulder pads and helmets, with bikes or  decks of cards in a parking lot, or on a mountain top.  Then what?  The game would be created, rules would be established.  Teams would be chosen, or every person for themselves would compete against a goal, or a standard.  Or perhaps everyone would read from their favorite book-to what end would have to be decided. 

 

This is a long way of saying that great landscapes and gardens benefit from some structure.  This does not mean they need to be formal, or traditional, or boring.  It means there is a deliberate arrangement of each element. The relationship of one element to the next is deliberate.  As in organized.  Organized spaces are pleasurably easy to follow, both visually, and physically.  A path leading to an abrupt dead end with no visual prize is frustrating.  A landscape that suggests certain relationships is intriguing, satisfying. 

 evergreens in the landscape

Visual organization comes in lots of different forms.  Evergreens planted in shapes or lines provide structure that is evident in every season.  This boxwood parterre/sculpture provides a framework for seasonal plantings. Were nothing else planted, the landscape would still read.  In all of the seasons.

containers in the garden

A large pot set in a meadow can organize, or focus the eye.  The edges of a meadow might provide it with structure.  Very architectural plants can provide structure.  In wild places, species will colonize areas that provide them with optimal conditions.  Every aspect of nature, beginning with the arrangement of molecules and ending with the arrangement of the solar systems is about structure. 

Grass can comprise those spaces left over once garden or landscape beds are cut.  Or they can have a powerfully purposeful shape.  In this case, the lawn covers sculpted soil.  The amphitheatre organizes a large space, and provides direction as to where to walk, or where to hold a concert.  The structure of this lawn makes it makes friendly to people.

myrtle topiaries

These four matching Italian pots and myrtle topiaries visually mark the walkway from the house to the side garden. As that walk crosses over the driveway, it is a good idea to provide some structure-as in  “slow down before you cross-check out these topiaries while you are waiting.”

parterre garden

This cutting garden is enclosed by a stepped hedge of yews and boxwoods.  During those parts of the year when this ground lies fallow, the garden will still have a shape, and some enclosure.  It will still compell the eye.

 This contemporary garden is very structured.  A wall of green in the form of Thuja Nigra, a single tree and a sculpture make for a very minimal, but visually satisfying landscape.  Imagine the sculpture without the green wall behind it-I am guessing it would be barely visible against the visual noise from the houses down the street.  Imagine the sculpture without the tree-lonely and disconnected.  Imagine the tree and the arborvitae hedge without the sculpture-sleepy.  The relationship and placement of each element is deliberate, structured.  This structure makes the experience of the landscape an interesting one.