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The Winter Pots: Constructing A Centerpiece

A customer in the shop yesterday remarked that the beauty of a winter or holiday container begins and ends with gorgeous fresh cut branches. I am inclined to agree. Our first delivery of fresh cut branches arrived just in time for our winter open house weekend. The tall sized second year red twig dogwood that came in has plenty of lateral branching, and astonishing height. It is clear our grower had plenty of rain this season. All of our branches are farm grown, and harvested when they are at their peak of size and color. Graded by height, they are tied off in bunches of 10 stems each. Every brightly colored and glossy surfaced branch bunch is our call to set up and begin constructing centerpieces for our winter pots.

Do all of our winter and holiday pots have a tall branchy element we would call a centerpiece? No. But there are plenty of reasons that a tall twiggy element makes visual sense in a container. Shrubs are readily identifiable in the landscape. Post the fall leaf drop, they are a tall and multi-branched presence in the winter landscape. A branch centerpiece repeats that shape and texture. Many of our tall branches have astonishing color. Red, cardinal,  black and yellow twig dogwood,  and flame and curly copper willow endow containers with a strong dose of vibrant and natural color. A vertical centerpiece is a pleasing contrast to the lower and more horizontal elements. A robust centerpiece can provide great scale and proper proportion to the container to be filled. Some height in a container can provide plenty of visual action at eye level, or from a distance. Last, but certainly not least, my zone is very hard on live plants in containers. Few can survive our harsh winters with their roots in a contained area above ground. The cut branches are especially welcome in containers on properties too small to grow large shrubs specifically for winter color. They are equally welcome in commercial settings where the landscape is sparse.

Any vertical element in a winter pot of ours needs to be constructed such that it shrugs off the gale force winds, snow, and ice prevalent in my zone. A centerpiece gone over in 6″ of snow will be very difficult to make right. Anyone who has tried to stake Annabelle hydrangeas in full bloom that have gone over in a heavy rain knows exactly how providing structure after the fact is very difficult to make work. The anticipation of trouble is not the most creative or interesting part of the job, but it does enable every gesture to come.  Very large centerpieces required for very large pots need the the most in the way of thoughtful construction. Thoughtful does not imply difficult. Preparing just takes a little time. This centerpiece of red twig dogwood will be placed in the center of a pot 36″ in diameter, and 36″ tall. This calls for an armature, or metal frame that will provide support to a host of very tall branches. Every gardener knows how much living wood can weigh. Shrubs and trees have an extensive network of roots that keep them upright. Cut branches need another scheme that can provide strong support. A pot of this size will need a bold centerpiece of considerable volume and height in order to appear proportional to the size of the pot. There is no need for a centerpiece to be under scaled. An armature does not need to be custom welded. The armature for this centerpiece is a tomato cage, repurposed for the winter season.

Each branch of this red twig, every bit of 8 feet tall, is zip tied with 8″ zip ties to every horizontal ring the tomato cage. This tight profile makes it easier to handle the centerpiece while it is under construction. We have spaced the branches as you see, as there are other elements yet to come.

A round of faux red berries are zip tied in to the spaces between the red twig dogwood. The top layer of zip ties have been clipped off, so the dogwood branches are free to arch out more gracefully. We have left plenty of open space between as we plan to light the interior of the centerpiece.

The long legs of the tomato cage will be pushed down as far as possible into the soil in the container. The bottoms of the twigs will also be below ground. Once that soil freezes, those steel rods and the bottoms of those branches will not move. But we will add 2′ long steel rebar in 4 or 5 spots that is secured to the tomato cage both above and below ground. This will provide that last and most serious measure of security.

Smaller centerpieces do not require but a single armature. All of the elements in these centerpieces have been arranged around a stout bamboo pole. It is essential that the centerpiece be zip tied in 2 spots, so the twigs do not shift. In the left centerpiece pictured above, the top of that pole is visible half way up the centerpiece. Once we center this in the pot, we will pound that bamboo stake down into the soil of the pot.

The bamboo stake is an essential element of our centerpiece construction.   A 1″ pole requires a saw to make it shorter. That pole is rarely more than 3′ tall. It is light weight, and astonishingly strong. Every element we plan to add to a centerpiece gets arranged around this pole.  Once that pole is driven down into the soil in a pot, it will provide all the ballast that centerpiece needs to stay upright.

A number of bunches of tall pussy willow, and a generous number of faux berry picks will be kept perfectly vertical all winter long – courtesy of the pole.

Constructing the the winter pots in our garage was an innovation that took quite a few years to perfect. I would suggest that a warm place is the best place to fabricate a centerpiece, and all else intended to go in a winter pot. The best work gets done when your fingers are warm.

These centerpieces have the bamboo pole pushed up so it is flush with the bottom of the twigs. But it is in there. A tree stand is a great way to keep a centerpiece upright while it is being worked on. Positioning the materials at a proper height to work on makes for a better quality outcome.

Once this centerpiece is truly centered in the pot, it will take one person to separate the branches so another person can drive the bamboo down into the soil with a hammer. A centerpiece of this size will need some steel rebar pounded down around it. A number of rotations of concrete wire tightened with pliers will bind the rebar to the centerpiece.

Sometimes we insert the twigs one stem at a time into the dry floral foam that secures the greens. As the weight of the branches is spread out, there is no need for an armature.

steel topiary form acting as an armature for tall pussy willow stems

steel armature with twigs and berries inside

a winter container without a centerpiece.

3 identical centerpieces installed side by side for a rectangular container

one stick at a time

The steel topiary form in this winter pot is strictly ornamental, and not structural. It does provide a framework for lighting. The structural armature holding the centerpiece aloft is not visible once the container is finished.

Whatever will be the centerpiece of your winter pots, a method to construct and secure it is an essential element of the process.

 

More On Winter

holiday container arrangements

This past week was devoted to getting a lot of clients ready for the holidays and the winter to come.  Every client’s take on the season is different.  How I love that.  Every project we do involves different materials, different emphasis, different style, different execution.

There are those landscapes that are very spare-they ask for seasonal company in the same vein.  There are those who love sparkles, and those who want anything but. 

The architecture makes its own demand.  Ignore that, and your winter container arrangements will look jarringly out of place.  These containers look in keeping with an idea that was established by the architecture.

There are those who delight in the light.  I will confess I am one of them.  The daytime look here-sumptuous.  The night time look-electric.

This client has small children.  The mudroom door-this is their front door.  A dog, and a few pots dressed for the season-appropriate to the occasion.

We had occasion to obtain a number of French made baskets with leather handles.  Not that you could spot those handles here, but they finish this basket in a very beautiful way.  I am sure the original intent never involved a winter container arrangement. 

How beautiful and comfortable they look at this front door.  Though the arrangement is simple and subdued, the overall shapes are generous and clear.

This 19th century white painted wirework planter is a garden ornament/container that organizes this entire garden.  For the winter, an arrangement that is just as serious as the planter.  I am particularly pleased about how this looks-and will look-all winter. 

These mossed topiary sculptures in French pots add a graceful note to this massive stone fireplace.  They will be a welcome and personal note-all winter long.

The shape and size of a container, and the location of those containers, provides plenty of clues about how to shape and size an arrangement.  

This client has beautiful terra cotta pots that sit on this porch during the summer months.  In the winter, we fill fiber pots with twigs and greens.  Very simple and uncomplicated, yes.  What would be complicated would be the idea of living with this massive porch all winter long-bare.

Michigan winter weather adds its own touch to every winter container arrangement.  This is why we construct them to withstand whatever nature has to dish out.  We might get a dusting of snow.  We might be buried in it. 

Eucalyptus is a plant whose stems and leaves are amenable to absorbing color, and preservative.  I would not want to do without this material over my winter.  A winter container stuffed full of eucalyptus-not too dressy or dramatic.  Just warm.

Another material not native to my zone-southern magnolia.  I buy the branches by the caseload.  The glossy leaves hold up over my winter beautifully.  The leaves dry the most gorgeous shade of pale platinum green you could imagine.  The cinnamon brown felted backs of the leaves-this color is persistent.  Winter long.  The color and shape of the willow-a great companion.

The relationship of the color of dried limelight hydrangea flowers to the willow and magnolia-pleasing. 

Whitewashed eucalyptus is a material of choice for those clients that swear by white.  Interested in pairing materials?  Noble fir has that blue white cast that makes it a natural companion for whitewashed eucalyptus.  

That very same eucalyptus is a gorgeous companion for the containers we make at Branch.  Steely blue.

Any container that sits empty over the winter bothers me.  I like the idea that no matter the season, the spirit of the garden goes on.  I know my trees, shrubs and perennials are sleeping.  Fine.  It is about to be winter.  But if I have anything to say about it, I fill the pots.  To overflowing.  Welcome, winter.

Helleborus Festivalis

perennial_m_helleborus_x_hybridus_winter_jewel_onyx_odyssey1

Detroit Garden Works plans to hold its first ever spring festival the weekend of March 21, 22, and 23.   We are calling the event the Helleborus Festivalis, in celebration of one of our most favorite spring flowering perennials, the hellebore.  Rob has spent weeks traveling to and ordering from nurseries all over the US and Canada, in order for us to have a collection available that will enchant both gardeners unfamiliar with hellebores, and long time serious collectors.  I have had lots of emails requesting more information on exactly what plants we have available, and in what sizes.  This post is some about our love for hellebores, and more about the specifics.  600 hellebores have been delivered over the past 2 weeks-to follow is a the Helleborus Festivalis preview.  Helleborus Onyx Odyssey, pictured above, is certainly one of the most striking varieties we have been able to obtain.

Helleborus-Black-Odyssey.jpgThis very dark and inky wine red double hellebore was bred by Marietta O’Byrne in Eugene, Oregon, and and introduced into commerce in 2008.  We have 20 in bloom 1 gallon size stocky plants available.  This cultivar is most definitely not the helleborus orientalis my Mom grew.  The O’Byrne’s breeding program has turned over the hellebore world.

helleborus-orientalis-hybrids.jpgOther 1 gallon size hellebores, pictured above from left to right, helleborus Spring Promise Conny, which features white blooms with distinctive dark wine red speckles.  Also pictured,  Spring Promise Elly, a double rose pink, the heavy flowering single flowering Merlin, and Spring Promise Bridget, a frilly single pink.  As with helleborus Onyx Odyssey, these hellebores are all blooming.  Have the idea to scout what cultivars you might want to grow or add to your collection?  We have other hellebores in bloom.  Mahogany Snow.  Icebreaker Fancy.  Icebreaker Prelude.  Our Icebreaker Corsica is already sold out-sorry.

helleborus-Snow-Frills.jpgSnow Frills is a semi double to double pure white.  Breaktakingly beautiful, the flowers of this hellebore.  This sturdy plant comes in an 8″ pot with multiple blooms, as pictured.  Snow Frills is that new cultivar of hellebore which features outfacing or upfacing flowers.  If you like white flowers in the spring, this cultivar may interest you.

one-gallon-hellebores.jpgBoth Snow Frills and Merlin are substantial blooming plants in 8 inch pots.  Merlin is a single blush pink, and clearly a heavy bloomer.

Helleborus-Spring-Promise-Elly.jpgThis picture is a closeup of the bloom of the Spring Promise cultivar known as Elly. The double flowers are astonishing in color and form .  We have a limited number of 1 gallon blooming plants available.

spring-promise-hellebores.jpgWe have a select group pf 4.5 inch pots of hellebores ready.  Though these are smaller plants, many of them are blooming.

helleborus winter-jewel-Golden-Lotus.jpgGolden Lotus is a strain of double flowered yellow hellebores exhibiting subtly different characteristics.  Though every plant is distinctly individual, every member of this seed strain group is stellar. All of our 4.5 inch plants are blooming.

helleborus-Black-Diamond.jpgBlack Diamond is just that-jet black.  None of these 4.5 inch plants are in bloom.  If you have a mind to have faith in a long history of breeding and a plant not in flower, we have healthy lustily growing plants available.

perennial_m_Helleborus x hybridus Winter Jewel Cherry BlossomWe have  four flats of 4.5 inch helleborus Winter Jewel Cherry Blossom available for purchase.  Only one plant has a flower. This cultivar is a must have, in my opinion.  Most nurseries offer just a few cultivars for sale, in their green state.  This makes them easy to miss.  Hellebores grow slowly.  Few cultivars grow on to blooming size in one season.  If you are a gardener willing to take chances, sign up for a Cherry Blossom.  Next spring, the anemone flowered blooms will enchant you.

helleborus-festivalis.jpgIn this picture, Spring Promise Bridget is sharing the stage with flats of English daisies.  We do have a number of other spring flowering perennials in stock as companions to our hellebores.  Bellis, double flowering primroses, and several cultivars of auricula primroses are available along with dwarf daffodils and hyacinths.

helleborus-Pink-Frost.jpgWe do have some 2 gallon pots of hellebores available.  Joseph Lemper is a white hellebore blooming very early in the spring.  The Pink Frost Hellebore pictured above- big plants.

perennial_m_helleborus x hybridus winter jewel golden sunrise9

This Winter Jewels Golden Sunrise-we have this plant in one gallon size.  Though our plants are not flowering, the promise of what is to come is clear.  We also have good sized divisions of the pale yellow hellebore, Spring Promise “Sally”.

helleborus-festivalis.jpgThis has been a very long and very trying winter.  Detroit Garden Works has the idea to jump start spring. Helleborus Festivalis-a week from tomorrow. With a collection of hellebores and accompanying plants that are eminently garden worthy.  If you are a collector, or a gardener willing to gamble, we have a few divisions of rarer hellebores available.  White Lady, Frilly Kitty, Tiffany, Valerie, WD Elegance White, WD Pale Pink, Winter Jewel Sparkling Diamond, Winter Jewel Double Painted, Winter Jewel Jade Tiger, Winter Thriller Green Gambler-email me for details. We are ready for spring-what about you?

The Staddle Stones

A collection of antique staddle stones arrived in the first container from England.  They precisely represent what kind of garden ornament appeals to Rob the most.  Any object with great age-that is instantly appealing to him.  Add to that an architecturally arresting form and compelling surface-I can bet that object will be in my future.  Our collection is modest-7 stones.  They are greatly prized by gardeners and collectors of fine garden ornament.      

Via Wikipedia, staddle stones were used as supporting bases for granaries, hay ricks, and game larders.  These words are not part of my native vocabulary-but words of any kind relating to gardening interest me.  These stones would elevate any number of structures with different purposes above grade.  They would protect a store of grain, hay, or game from water, or vermin infestation.  This photograph is courtesy of www.oakgazebo.co.uk; this structure is of of their design and manufacture.�
The origin of the word staddle?  In middle English, staddle, or stadle derives from the word stathel, which derives from the the old English word stathol-a foundation, support, or trunk of a tree.  I am thinking about the Tolkien novels right now-all of which I have read multiple times.  OK, I have my quirks.  A disclaimer here.  I am not a scholar regarding the history of garden ornament.  I am a horticulturist and landscape designer with 15 years of exposure to garden ornament of various kinds.  This makes my knowledge of the history of garden ornament anecdotal.  Sometimes I am way over my head.   But these antique objects do interest me keenly-so I have made an effort to learn something about them.  A stone carved to do the job of a trunk of a tree-I am interested in this.    

This particular staddle stone may look for all the world like a stone mushroom.  Staddle stones placed in landscapes as ornament are actually described as stone mushrooms.  But in fact, the domed top made it very difficult for rodents to climb into the granary.  The flat top provides sturdy contact between the building, and the stone stilts.     

They are very beautiful objects in their own right.  But their shape was dictated by a need.  An agricultural need.  A cultural need.  A way of life need.  Nothing interests me more as a landscape designer than the intersection of nature, agriculture, horticulture,  and landscape.  I have spent a lot of time at that intersection-stop and learn.  On the green signal, get going.  Yield to oncoming traffic.  Turn right on red-only when the coast is clear.  Anyone who gardens professionally understands this dance perfectly.  Any hands on gardeners understands this even better. These stones were carved from massive blocks of stone in a shape and size dictated by function.  The stones are a visual essay in form simply following function. 

This photograph came from www.geograph.org.uk.  It is a “web based project to collect and reference geographically representative images of every square kilometre of the British Isles”.  What an ambitious project, and what a pleasure to be able to see such a structure.  The brick building pictured above is held aloft by 9 staddle stones-so beautiful.  Any building lifted off the ground by staddle stones-there is no small amount of calculation involved in determining how many staddle stones it takes to raise a building bearing weight above grade.  A considerable requirement of stones for even a small structure meant a thriving local business for staddle stone carvers.  The upper Hexford granary in Oxfordshire exists above grade courtesy of 36 staddle stones.    

Many of these stones are well over a century old.  They are shaped from single blocks of stone.  The individual shapes vary-there is always the evidence of the human hand.  Our collection by and large was at some time carved from Cotswold stone.   

This photograph Rob sent me from England-compelling. These mushroom stones are truly mysterious and organic in shape-beautiful.      


The antique staddle stones seem quite at home in the shop.  They are breathtakingly beautiful-the historic use, the shapes, the surfaces, the color of the various stones,the lichens.  They, among other things, make me so glad I decided to be a gardener.