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Designing Summer Containers

Detroit Garden Works 2015Eric Hofley, owner and publisher of Michigan Gardener Magazine along with his brother, Jonathon, published a rather lengthy article of mine about designing summer containers. The article just came out a week ago in their May issue. If you are local to Detroit Garden Works, you are welcome to come in and pick up a copy-it is, and has always been free.  The magazine covers everything of interest of gardeners in our state. You can check out the website for their their publication here:   The Michigan Gardener    Detroit Garden Works has advertised with them since they first began publishing, 19 years ago. We value that relationship.  Jonathon and Eric handle all of our print advertising their media company, Motor City Publishing. For those of you who are too far away to pick up a copy of their magazine, I have reprinted the article below. Our weather has taken a sharp turn towards the warm.  If the suddenly warm weather is getting you to think about your summer containers, there might be something here of value to you.

landscape 2013

I have been a landscape and garden designer for over thirty years. The prospect of a new project still has the power to interest and enchant – for this I am grateful. Landscape installations which have grown in and been well maintained are a great source of satisfaction. Of special interest to me in any landscape design is the unique role played by the seasonal planting of containers. No news here, should you be familiar with Detroit Garden Works. Nineteen years ago, Rob Yedinak and I opened a retail store dedicated to fine quality ornament for the garden. The lion’s share of our focus is on containers of every conceivable period and style. Why so? Any one who loves the garden loves the beauty of nature. A summer container is the best of both worlds. A container of a certain style, and a planting of the moment, to go with.   An empty container represents the opportunity to create an arrangement of plants all one’s own choosing. Designing and creating a seasonal living vignette in a container is not only fun, it is satisfying. A container is a vehicle by which a gardener can make a very personal statement about nature and beauty. The results can be seen and enjoyed in the space of one season. Given the almost limitless number of plants that can thrive in a container planted for the summer season, it would take several gardening lifetimes to even make a dent in the possibilities. That summer annuals grow and mature in but a few short months is a relief. One can abandon a scheme that disappointed, or try something new for the sheer joy of trying something new. A well maintained container planting of interesting design has the potential to create a landscape all of it’s own- in miniature. It is a visual look book of what is on a gardener’s mind at that particular moment. My container choices over the years represent the evolution of my taste in plants, and arranging plants. A thoughtfully designed container is an experience of the landscape on a small and intense scale. Planting summer containers is way of exploring plant relationships that can inform the bigger garden and landscape in a small time and space frame. A landscape is a long term commitment, requiring decisions that are not so easily changed. A well designed and mature landscape is a treasure. A collection of containers set within that landscape keeps the garden dialogue fresh and interesting. Planting containers is not just an exercise, it is an education that is ongoing, and can span many years. The ability to plant and care for containers can persist long after the ability to cut beds, turn soil and plant trees has waned. To follow are my thoughts and opinions about the ingredients necessary for a great summer container.

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THE POTS
Strictly speaking, any object that can hold soil and permit water to drain away constitutes a pot. But a beautiful container planting is as much about the container as it is about the plants. A container planting that considers the size, shape and decoration of the container as part of the overall effect is especially beautiful to my eye. A container represents the gardener’s point of view as much as the plants they choose. If a cottage garden, and the notion of farm to table enchants you, then perhaps a collection of vintage galvanized metal containers will help to make that idea visually stronger. If the architecture of your home is crisp, clean and contemporary, pots of that ilk will satisfy you. If a whiff of history is your idea of a great fragrance, then an antique or antique reproduction urn will serve your point of view well. If a planting that flows over the edges of the pot all the way to the ground represents your style, then go for containers on pedestals. I would advise purchasing containers that you truly like, as your love for the container will inspire what you fill it with. Choose containers that are properly proportioned to their placement. Pots on the front porch need to be large, so the planting can be seen and enjoyed from the sidewalk. Pots on a terrace should be scaled to put both the pot and the planting at eye level, when you are seated. Terraces are for sitting, relaxing, and having dinner. Some terrace pots should be tall, and their contents taller – with the idea of screening an untoward view, or providing privacy. A container on the dining table needs to be low and wide to permit conversation across the table. I recommend containers with big planting spaces. Big containers give me the opportunity to explore the relationships of color, texture, mass, line and shape-in a detailed way. I like lots of room, so I can put together an entire collection of summer annuals that might grow up together, interact, and shine. Big containers mean a big soil mass, which will hold moisture in the heat of the summer. A big pot will forgive you if you are late to water is a pot worth having. Knowing the time you will put to the maintenance of your containers should inform your choice of plants-and pots. Great pots with a design or material that pleases you sets the stage for all that is yet to come. If you are in the decision making stage about containers and where to put them, an initial purchase of fiber pots or burlap pots is a great way to test your ideas without great expense. However, my experience is that a great container will encourage a great planting.

summer container 11THE SOIL
I have no use for peat based artificial soil mix for container plantings. Soil mixes were designed and manufactured for growers. These mixes are lightweight, and sterile. They need a growers hand to provide regular fertilization. I like soil -as in garden dirt. Soil, sand and compost- dirt that weighs a lot. A topsoil mix in your containers will retain water more evenly, and provide micronutrients whose composition is essential to the health of your plants. This is just my opinion, based on may years planting containers. If the thought of hauling around 40 pound bags of topsoil leaves you cold, be encouraged by the fact that 2/3’s of your container should be drainage material. If you have ever pulled a cleome from a pot at the end of the season, the roots of that 6 foot tall plant are barely 8 inches long. Too much soil in a pot can leave that soil waterlogged.  Seasonal plants need no more than 10 inches of dirt.  Annual plants like regular water, but they like good drainage even better. At the bottom of your container? Hardwood bark is great, for a single season. We use bagged cedar bark mulch. Gravel is a long term drainage material. I have planted many a container with the plastic left over from cell packs of plants. However you arrange for drainage-the fact of the drainage is key. 3/4 drainage, and 1/4 soil.  No kidding. Into the soil, we turn under a handful of osmocote. This time release fertilizer which breaks down in reaction to the soil temperature will feed your pots until the heat of late summer releases the last of it. Container plants that need fertilizer will tell you. The leaves may have gone pale, or yellow, or the growth spindly. We feed with liquid feed every 10 days in late summer and fall-every gardener has their favorite. Some plants favor poorish and infertile soil. Having an idea of what plants you plan to use can inform your choice of a soil mix.

Oct 2 2012 078CONTAINER DESIGN
Designing summer containers is a big topic. There are so many factors which influence success. Containers are planted with a collection of small plants all about the same size, whether they be transplanted from a cell pack, a six pack, or a 4” pot. But that uniformity of size is just the beginning. Some annual plants will always be short, or cascading. Other may grow to a medium, or very tall height. Some are wide, and boss all the plants next to them around. Others are shrinking violets, and need their own air and light space. Think about how each of your plant selections will behave, once they take root and start growing. A successful relationship is key.  The test of the design comes when a container planting matures. The overall shape of the planting, and the mature relationships established by the plants are very important design factors. One can never know to a certainty how plants will react in a given situation. This means the best way to create great containers is to plant lots of them, and keep planting. Another method is to benefit from the experience of others. Look at lots of pictures of container plantings, and figure out what about them appeals to you. The experience can only make you better.

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STYLE
Containers can be planted in a variety of styles. Contemporary container plantings may feature a single plant, color, or texture. Pots with a very restricted or austere plant palette have a contemporary or modern feel. That said, a small pot planted solidly with Dahlberg daisies can be quite cottagy, in a very cheery way. Yellow daisies have a certain look that will persist no matter how they are planted. Very formal plantings can be equally austere. I think there is little visual difference between a contemporary and a formal planting. The feeling established by the environment around that container will influence how the style is interpreted. Big containers gone wild and exuberantly overflowing have that English garden look. An urn with a single agave has a very Mediterranean look. A galvanized pail planted with weedy growing annuals is what I call the roadside weed look. Rob is particularly fond of this style. Containers planted symmetrically, and layered by height have a semi-formal and traditional look-as in the spike and geranium pots so beloved by my grandmother. A pot with geraniums in the center, and spikes all around the outside has an entirely different look. Asymmetrically planted pots have a very dynamic and informal look.

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COLOR
How people see and react to color is a highly personal thing. There are many more colors in nature than what we have words to describe. I am very interested in the relationship of one color to another, and many of my containers reflect this. Every flower comes with leaves that also have a color. Some greens are cool and bluish. Others are warm and yellowish. Other foliage can be red, black, gray or white. Pale colors read great at a distance, and at night. Dark colors read well up close, and glow in the sun. White is sparkly and refreshing in the shade, but can provoke squinting in full sun. Put your plants all together in your shopping cart before you plant them in your pots.

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TEXTURE, MASS, SHAPE, AND LINE
Flowers and leaves have a particular quality to their surface. Petunias and nicotiana leaves are fuzzy, whereas ornamental black cotton leaves are shiny and hard surfaced. Contrasting the textures of plants creates interesting relationships. Sometimes the relationship of one to another is more interesting that either one, on its own. Phormiums are thin and spiky. Dahlias are buily and stiff. Licorice is lax growing, hairy, and small leaved. Weaving in and out of a plectranthus planted near by is a relationship of great visual interest. By the same token, white mandevillea planted as a trailer rather than a climber features the line it would take naturally, without the benefit of a trellis. Plants have personalities particular to them and no other plant. Assessing what about a plant pleases you the most will help you make good design decisions.

summer container 2014

THE PLANTS
One need not restrict their plant choices to summer annuals that are native to tropical zones. Boxwood are handsome in pots, and some gardeners will have nothing else. Perennials, grasses, herbs, vegetables, small trees, shrubs and groundcovers can be very effective in pots. Hostas in pots can be successfully wintered over in their pots in an unheated garage. I have one client with a Japanese maple that has been in a weatherproof pot next to her garage for 20 years. We cut holes in a large second story deck for another client-her Princeton Gold maples were quite happy, the last I looked.

summer window boxMAINTENANCE
No discussion of summer annual plantings is complete without a discussion of the maintenance involved. Planting containers before the soil has warmed up is asking for trouble. Most of them originate in tropical places. Many of them can be permanently stunted by too early a planting. Try filling your containers with spring bulbs and plants, if you hate looking at empty pots. A container withered and dead from lack of water, or rotted from soil that did not drain is a dreary sight indeed. Worst of all, it may discourage a person from ever gardening in containers again. Plants coated in aphids are unappetizing, to say the least. So gardener, know yourself. If time is at a premium, select plants that thrive on drought and neglect. Consider adding irrigation lines to your containers, if you cannot look them over every day. If you are a heavy waterer, plant plants that like being drenched, or grow in a bog. Lotus and water lilies in pots are beautiful in containers. Auto irrigation is not perfect, but it can buy you a little time. Try a few containers before you try 100. See if having them will prove to be a pleasure, or a nuisance. Try plants that are vigorous-success with plants will help make you more adventuresome the next time around. If you lose a plant in a pot, replace it. There is no rule that says you need to look at a dead plant, or a gaping hole, the rest of the season. But most of all, enjoy them. From the design to the planting to the care to the finish, planting containers for the summer is such a pleasure.

Blanketed

snow-day.jpgI know how deep the snow is the moment the corgi legs disappear-8 inches.  The snow we had last Friday-as you can see, just about 8 inches.  A decent show. Not at all like the overwhelming snow dumped on the northeast.  If you are digging out of 18 inches or more, you have my concern and sympathy.  However, our modest 8 inches transformed the landscape.  All the little bits and pieces close to the ground disappeared from view.  The shapes of the snow were governed by the wind.  All that could be seen-the big picture.

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Much of what a good designer provides resides in their ability to focus on the big picture.  The simple picture- the important and pertinent picture.  This is not an easy or God given ability.  It takes work to develope an eye that sees like this.  I find my experience as a gardener, my long standing interest in design, and my abiding love for the natural world enables me to help clients-some clients better than others.   As for my own landscape-I am floored.  I can barely help myself.  I focus on the details that either don’t matter, or are too early in the process to matter. That said, I understand why people who love the garden enough to want good design call me.  A landscape is a big investment emotionally, and financially.  If you love it, and if you plan to put any amount of money to it, you can’t afford not to hire someone to help frame the big picture.  This recent 8 inch blanket of snow has me thinking about those issues.  The above picture has no scale or reference.  No relationship to anything else.  The twigs might be photographed against the sky.  Or the ground.  Where are we here?  A little visual vertigo is at work here.  landscapes without any point of view give me the same feeling.   The designed landscape is composed.  It has an idea.  It has stars and supporting cast members that interact.  It has a back story.  There is tension, rhythm and release.  There are places to be, places to see, and a mean by which to navigate both physically and visually.

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Falling snow and wind creates shapes and spaces.  Plateaus.  Mountains-and voids.  Heavy snow creates a momentary landscape.  An utterly simple landscape.  The landscapes created by nature have plenty to say to those of us who design landscapes.  Great landscape design addresses shapes, mass, line, volume, texture, color-and use. Though natural shapes made by the snow are driven by climate, weather, ecology and topography, the design elements are the same.

line-in-the-snow.jpg

The back edge of my boxwood hedge had just a few sprigs showing after the storm.  It is easy to see the shape, even though most of the detail is buried in snow.  This photograph is graphic.  Black and white.  There is no visual description of the space.  No variation in color.  No shadows.  No point of reference.

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The snow that covered the base of this topiary form was just enough to describe what lies beneath it. The shadows and volumes describe a shape-and a space. There is visual interest.  How might this translate to the landscape?  A slightly sunken circle of groundcover will have much more visual impact than a circle of groundcover set at grade.  If you mean to install a circular shape, do it accurately.  Lopsided execution is irritating.  A circle of groundcover on a slope-be sure you intend to feature an ellipse.   A shape such as the snow describes here would have to be planted with a very finely textured and low growing plant, for the shape to read.

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The thoughtful use of mass and texture in the landscape can create and sustain great visual excitement.  The smooth texture of the horizontal layer of snow in contrast to the interplay of snow describing the shapes of the leaves in the vertical-beautiful.  The upper mass of snow is connected to the ground level mass of snow by a vertical and highly textured shape.  This snow composition features volume.

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The repetition of shapes, or the discussion of a single shape, makes a stronger and clear statement.  This urn has several layers of circles.  One layer is defined by repeating spherical shapes.  The base is round.  The snow clings to the circular rim of the urn.  Your eye understands that the urn has a rim, and an interior well.  The snow in the center sank under its own weight.  The sunken shape-a half sphere.  The wind whipped the ground snow in a wider that perfect circle around the base.  There’s a visual discussion of circles and spheres going on here that is striking.

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The relationships between shapes, masses, lines, textures and space is made so clear by the snow.  I know what walls, fences and tables are.  I know what objects these words describe.  But the snow makes me see them as shapes.  I know that the partial table is near to me, and the wall is further away.  And that the electric pole is very far away.  God landscape compositions make a visual description of the space being viewed.  Though it is very hard to describe in words how a composition can be spacially rich, a snow storm can help me see it.

 

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Color is a very important element of the landscape.  How light affects color is an equally important element.  The blue sky behind the copper willow makes that willow glow.  The blue sky relates to the blue shadows on the snow.  The out of focus blue gray fence in the center left of this picture helps the composition to work spacially, edge to edge.  Edge to edge?  This picture has 4 sides that frame the view.  There are many ways of framing a landscape view.  Trees.  A pergola.  A pair of pots.  A fence with its gate open.  Framing the view is an invitation to enter, and interact.  Where would you frame the view?  Up close?  Far away?  These are decisions that need to be made deliberately.

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So many elements in the landscape have interesting surfaces.  In this case, snow reflecting the sun.  Stone, leaves, sky, flowers-every element in the landscape has a particular surface.  The relationship of one surface to another tells a story.  All the same surface-as in what was created by the snow we had-enchanting for the first three days, and thereafter monotonous and stifling.

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Checking out the compositions created by our snow-engaging.

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It does make me really crabby if the mailman walks across the snow in my front yard to get to the mailbox.  I actually asked him to use the sidewalk.  I am sure he thought I was nuts, but I don’t care.  Experiencing that snow exactly as nature engineered it is the best part of the winter season.  I do not disturb any snow unless I have to.  Who knows how many days it will take for the visual lessons to sink in.

path.jpg

If you are digging out, I am sure you are thinking about the most efficient way to get from one place to another.  Milo is pretty good at designing paths.  His snow paths have to do with how fast and efficiently he can make the left turn coming out of the front door, to a destination down the driveway.  That curve is is particular to him.  In much the same way as a landscape design is particular to a certain gardener.

Sunday Opinion: Making It Work

I have a new client-a daughter of an old client.  She is a young person, with children.  She has a fairly large property in a really nice neighborhood; she has lived there 6 years.  They have ripped out some things.  They installed a really nicely done terrace in the back-that took a big chunk of their landscape budget.  Now what?  Lacking a clear idea of where she might want to see in this landscape and garden in 10 years, she is circling, waiting, and wringing her hands.  Finally, she calls; I am glad she did. 

I plan to provide her with a schematic plan.  A different sort of schematic plan.  When I was her age, I had loads of energy-energy to burn.  I feel quite certain that she has that same level of energy-I will suggest that she use it.  There are so many things that young people can do for themselves to make a landscape come to life.  She is passionately involved in everything about her life.  My plan is to siphon off a little of that passion in furtherance of a great landscape.  She has enough energy to power a Volt-it just needs a little direction.  What makes a young gardener put their foot down on the accelerator?  A plan that makes her feel that a beautiful landscape is within her grasp.  A plan that enchants her such that she cannot wait to get out there and make it work.

The plan also needs to address the issue of success.  Nothing is more disappointing than a great plan that once implemented, does poorly, or dies.  I was garden obsessed such that the dying and the dead did deter me in the least.  This is partly my personality, but I did not have kids to raise.  The people that I know with children are very busy people.  My evenings were my own-I could dig a drainage trench, or dig rocks into a garden-I had nothing calling me after dinner beyond my own exhaustion.  For her, I would design with a time table in mind.  Prepare this ground, go shopping for plants.  Take the plants out of the trunk, and plant them.  If she cannot swear she will water until she is blue in the face, I will teach her about how to lay soaker hoses, and tell her where to go to buy them.  Then, and only then, go to the next spot.

I do intend that she will lay out, and dig her own beds.  She is perfectly capable.  It may be the most valuable thing I will say to her-that she is capable.  She has a very nice husband who is encouraging her to make some moves.  He clearly knows how to make things, build things, look after things.  Together they will make a great landscape installation team.  Their joint efforts will save them a lot of money. 

There will be lots of places in the plan to play with.  They may decide to grow roses, or invest in peonies. They may switch this plant for that one.  My job is provide them with a foundation they can get behind today, and appreciate many years from now. My big idea here?  There are many ways to make something work. 

My first garden was a God forsaken, utterly neglected 5 acre piece of property.  On the down side, I had just about 25 dollars to devote to the reclamation.  On the upside, I held this property for 15 years-every year I made a dent.  15 years of dents can add up to a transformation.  I am counting on this for her.

There are lots of ways to make things work.  This client-no doubt she has the ingenious gene.  My job is to loosen that rusty valve, and get her to turn the tap on.  This part of the schematic plan is every bit as important as the plan itself. 

I can dream.  I can draw.  I can wave my hands.  I can explain, I can quote-but in the end, the best thing I do is provide a plan for making things work.

Vernissage 2015

Six years ago today, April 1, 2009, I published my very first post. How pleased I was to have a  a forum for my gardening journal!  I  revisited and revised this post in 2010,  2012, and 2014.  To follow is this year’s version of the essay Vernissage.

snowdrops in spring

Strictly speaking, the French word vernissage refers to the opening of an art exhibition.  I learned the word recently from a client with whom I have a history spanning 25 years. Our conversation over the years speaks a lot to the value of nurturing long term commitments.  I have learned plenty from her, and from her garden, over the years. In the beginning, I planted flowers for her.  Our relationship developed such that I began to design, reshape, and replant her landscape.  She was passionately involved in every square foot of her 8 acre park.  Needless to say, the years flew by, from one project to the next.  I have favorite projects.  An edited collection of fine white peony cultivars dating from the late 19th century was exciting to research and plant.  A grove of magnolia denudata came a few years later.  Another year we completely regraded all of the land devoted to lawn, and planted new.  I learned how to operate a bulldozer,  I so wanted to be an intimate and hands on part of the sculpting of the ground.  There were disasters to cope with, as in the loss of an enormous old American elm.  Deterring deer was nearly a full time job.  Spring would invariably bring or suggest something new.

snowdropsIn a broader sense, vernissage refers to a beginning- any opening. I would prefer to associate spring with that idea described by vernissage. This has a decidedly fresh and spring ring to it.  I routinely expect the winter season to turn to spring,  and it always does.  But every spring opening has its distinctive features. Last year’s spring was notable for its icy debut. Grape hyacinths and daffodils ice coated and glittering and giant branches crashing to the ground. The snow that was still very much a part of the landscape in mid April.  This year, a different kind of drama altogether. A cold none of us could shake. My first sign of spring was the birds singing, early in the morning-just a few days ago. I still see snow on the north side of every place. It was a bit of a shock, realizing how long it had been since I had heard the birds.  Why the break of my winter this year is about hearing the singing-who knows.  Maybe I am listening for the first time, or maybe I am hearing for the first time. Or maybe the birds are singing ahead of the spring.  Every spring gives me the chance to experience the garden differently.  To add to, revise, or reinvent my relationship with nature.  This past winter was the most miserably cold I ever remember.  It just about reduced my spirit to a puddle on the ground.  Spring is not so close to being here yet, even though it is April 1.  But I see the signs.

hellebores.jpg
Much of what I love about landscape design has to do with the notion of second chances. I have an idea.  I put it to paper.  I do the work of installing it.  Then I wait for an answer back. This is the most important part of my work-to be receptive to hearing what gets spoken back. The speeches come from everywhere-the design that could be better here and more finished there. The client, for whom something is not working well, chimes in. The weather, the placement and planting final exam test my knowledge and skill.   The land whose form is beautiful but whose drainage is heinous teaches me a thing or two about good structure.  The singing comes from everywhere. I make changes, and then more changes.  I wait for this to grow in and that to mature.  I stake up the arborvitae hedge gone over with ice, and know it will be two years or more-the recovery.  I might take this out, or move it elsewhere.  That evolution seems to have a clearly defined beginnings, and no end.

hellebore.jpgThis spring will see more than anyone’s fair share of burned evergreen and dead shrubs.  The winter cold was that bad. But no matter what the last season dished out, sooner or later, I get my spring.  I can compost my transgressions. The sun shines on the good things, and the not so good things, equally.  It is my choice to take my chances, and renew my membership.  The birds singing this first day of April means it is time to take stock.  And get started.

Hyacinths bloomingI can clean up winter’s debris. My eye can be fresh, if I am of a mind to be fresh.  I can coax or stake what the heavy snow crushed.  I can prune back the shrubs damaged by the voles eating the bark.  I can trim the sunburn from the yews and alberta spruce.  I can replace what needs replacing, or rethink an area all together. Spring means the beginning of the opening of the garden.  Later, I will have time to celebrate the shade.  I can sit in the early spring sun, and soak up the possibilities. I can sculpt ground. I can move all manner of soil, plant seeds, renovate, plant new.  What I have learned can leaven the ground under my feet-if I let it.  Spring will scoop me up.  Does this not sound good? I can hear the birds now; louder. Rob’s pot full of hyacinths that he put on a table outdoors was instantly full of bees.

spring containers
Today also marks 23 years to the day that Rob and I began working together. There have been ups and downs, but the relationship endures, and evolves.  Suffice it to say that Detroit Garden Works is an invention from the two of us that reflects the length and the depth of our mutual interest in the garden.  No matter how hard the winter, once we smell spring in the air, we stir.  The beginning of the gardening season we short list as vernissage.

spring containersWe have begun to plant up spring pots.  Our pots feature hellebores, primrose, and spring flowering bulbs. What a relief to put our hands back in the dirt.

spring containersA sunny and warm day brings every gardener outside.  Being outside today without a winter parka- divine.

pansiesVernissage? By this I mean spring.