Tuesday Opinion: Rhythm

Someday I will  plant a giant circle of deciduous trees.  Or a square. or a rectangle, or an irregularly shaped enclosure of trees.  Most of the trunks will be too close together.  There may be one entrance, which is also an exit.  There may be an entrance and a separate exit.  There may be one entrance, and several exits. There may be one entrance on axis, and other oblique entrances. No matter the shape, the canopies of the trees will create a tent.  Inside the tent, there will be a bench, or a collection of benches.  The garden on the outside of the tree tent will be inviting and friendly.  The inside of the tree tent will be plain.  Just grass, and a place to sit.  I would visit the tree tent every day, every season, year round.  Maybe very early, before work.  Maybe late in the day, after work.  Maybe more than twice a day.   Why would I want such a garden? A daily garden?  For the sake of rhythm.

Like most gardeners, I am tuned into my garden at specific times of the year.  The first signs of spring.  The spring trees blooming.  The planting of the spring-and the summer pots.  The roses coming on.  The late summer garden.  The fall, and finally the winter.  These moments are an intense experience.  The hellebores in full bloom make me feel dizzy, my focus is that intense.  Other times, I barely notice what is in front of my eyes.  I have this issue to attend to, or that.  The delphiniums may be sending up a strong second flush that I barely acknowledge.   Up and down-that would be me in the garden.  Miss topsy-turvy.  Would that I could be more consistent and less scattered.

On and off is not my favorite place to be.  A lengthy “on period” means I can establish a rhythm.  It is not so tough to imagine this.  In simple terms, practice makes perfect.  Those times when I am focused on the garden, day to day, my garden benefits.  The 2 months I spend planting summer pots-I am quite sure the last of those pots are the best.  Once I have gotten into a rhythm, there is flow.  I stop thinking about what to do, and just do.  Stating and stopping and starting up again in the garden shows.  A design may appear disjointed, or fragmented.  Or even worse, careless.

A regular rhythm is like a pulse, like a heart that beats regularly.  Repetition sets the stage for a rhythmic expression.  The big idea here-anything you attend to, or practice every day establishes a rhythm.  Once you have a rhythm going on, a beautiful expression is not far behind.

As for my tree tent-I imagine it as a place to recapture that sense of rhythm.  A place that can store momentum.  Of course the tree tent is an idea that could exist only in my imagination.  Maybe the real solution is to figure out how to keep the door to imagination propped open.  Today I have a large Christmas tree to decorate. It is a project I have not done before. I have assembled a collection of materials-they will be looking at me.  And my crew will be looking at me. I am sure I will be trying out different arrangements, stopping and starting, until that certain state of mind that I call rhythm gets switched on.

 

 

Making A Lot Of Little

landscape-design.jpgAn old client bought a new house.  The landscape out front was not so swell-I am sure you can see an overgrown and poorly tended collection of plants that have no relationship to each other.  A great landscape needs to respect, enhance, and challenge the space and the architecture.  Not to mention the need for an expression that is interesting, and polished.  This home was built in the 1920’s.  Who knows what landscape might have been planted after the house was finished.  I felt really certain that the current landscape was cursory, if not left over, and not so much oriented around the architecture.  This is not an unusual.  Not everyone is so interested in the landscape, much less good landscape design.

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My client, however, was very interested in landscape design.  She wanted her new home to have a new landscape.  A fresh design.  A design that she would delightedly call her own.  Delight is a state most everyone can relate to.  Landscape delight revolves around a few issues.  A home is the largest feature on any plot of ground.  The shape, the size, the height, and the style of that architecture should inform the attending landscape.  A delightful landscape looks like it belongs to the house and property upon which it is planted.  A good landscape resonates with a house and property.   That house informing the design does not mean reproducing the landscape design of that period.  It only means that any large structure that sits on a property needs to be grounded in a thoughtful and beautiful landscape design, properly proportioned.  A good landscape has an idea about house and ground that is delightfully framed and executed.  On my first visit, I so loved the house, and all of its features.

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My first installation visit to this property was about eliminating her feeble collection of plants in front, and creating some basic green structure.  The cost of implementing this part of the plan would depend in large part on the size of the plants.  Great design is not one bit related to the cost of an installation.  We can buy and install plants of many different sizes.  The design called for green structure that came away from the house, and enclosed the sidewalk to the driveway in a configuration that made visual sense.  In other words, a bed of some size.  She wanted to make the biggest impact she could within the confines of her budget.

landscape-project.jpgGreat landscape design may be about a moment imagined for the future.  Small plants cost less.  Big plants cost a lot.  Most of the boxwood on this project are 12″ to 15″ tall.  We paired lots of those little boxwood with four boxwood of considerable size.  Contrast is a very powerful design element.  In this case, the contrast in size made the entire installation look more important visually.

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The 15″ Green Gem boxwood are really small.  Small enough that they are grown in pots.  Small works great, when they are contrasted with companion plants of greater size.  36 inch round Green Gem boxwood spheres are rare, indeed.  Splashy.  These four big bits would make lots of the smaller bits.

landscape-renovation.jpgThis is the first part of the plan to be installed. Designing with staging in mind involves 2 things.  The part has to look finished on its own-not piecemeal. The “part one” also has to be ready and friendly to the next phase, whenever that phase comes along.

making-a-change.jpgThe installation of this boxwood parterre would look fairly routine, but for the larger balls on the four corners.  The four boxwood of scale attract attention.  Behind the boxwood, several rows of Little Lime hydrangeas.

landscape-design.jpgWhat goes between the hydrangeas and the boxwood is under discussion. We probably will not do anything here until the spring, which means there is time to think it through.

landscape-renovation.jpgThis picture explains the visual logic of the location of the parterre.  That space could be handled in lots of interesting ways. It could be lawn, or ground cover, or more boxwood, or a combination of all the aforesaid,  or gravel, or?  For now, part I is holding its own.

 

A Topiary Garden

garden.jpgI have been planting pots for this client since 2005.  He really enjoys his garden, and I look forward to planting for him every year.  As for the landscape, it was not my favorite.  A circular drive court was planted round about with ink berry.  Over the years, the ink berry died out in patches, and what survived grew leggy.  The landscape did have to its credit a number of large arborvitae which had been pruned into shapes, and several espaliers.

garden-and-landscape.jpgThe rest of the landscape was a random mix of hydrangeas that did not bloom much, and perennials which asked for full sun and perfect drainage. The vast majority of the plant material was not happy where it was planted.  Moist shade is not a spot that asks for or welcomes thyme. Thyme is very small leaved, and grows but a few inches tall.  Placing it in the landscape effectively is all about a good understanding of scale.  An old, limbed up, and half dead maple tree was not adding much to the landscape either.

garden-and-topiary.jpgBut what was obvious to me was that this client truly enjoyed his topiary plants above all.  I respect and enjoy landscapes in which the structured plants are contrasted with a looser garden.  In this landscape, the contrast did not seem to work.  I so rarely take the time to critique.  In general, I think the energy it takes to criticize would be better spent in an effort to suggest a solution, or a better way.  I was sure this landscape did not represent what my client loved about landscape-so I persisted. It did take me every bit of 18 months to convince him to redo the landscape.

placing-the-boxwood.jpgClients are ready for change when they are ready. This is not unusual.  All of us are ready when the moment comes when we are ready. My client made a decision.  We moved on that decision. It did take but a half day to rip out the ailing ink berry. Another half day for the pink hydrangeas and company.  The shape of these beds made it very difficult to plan a formal design with topiary boxwood. I had 18 months to work out the placement.  I was ready.

topiary-garden.jpgMy landscape design is predicated on an arrangement of shapes and only 2 plants.  Specimen size 3′ by 3′ Green Gem boxwood, 15″ tall Green Gem boxwood, and Little Lime hydrangeas.  My client also has a big interest in contemporary design and art.  The house is an interpretation of classic French design.  I was after a landscape design that had its roots in classical landscape design, with a nod to a modern aesthetic.  I was also interested in the landscape representing my client’s love of topiary.

boxwood-spheres.jpgA pattern of offset 3′ by 3′ Green Gem boxwood spheres was alternated with blocks of 4 squarely placed  15″ Green Gem boxwood is a pattern that is repeated in stripes perpendicular to the house.  The round shapes contrast with the geometric placement.  This view down the drive is strong.

boxwood-garden.jpgWe had drainage issues.  I will not bore you with the problems associated with the drop from the street to the driveway plane, and how we handled the water.  If you search the above picture, you can see the drain pipe to the left of the boxwood planted on the left side of the walk to the back yard.  Providing for proper drainage is essential.  Handling the drainage gracefully takes lots of planning and work.

topiary-garden.jpgThis landscape renovation honored first and foremost my client’s love of topiary evergreens.  Secondarily, the landscape renovation reflects his interest in contemporary design. I was so interested that all of the spaces be simple and integrated.  The driveway and drivecourt is a much larger space than the landscape spaces. A strong pattern would minimize the visual draw of the drive, and maximize the visual attention to the green spaces.  That said, any landscape needs to challenge and enchant.  At the end, I feel sure that the reconstruction of this landscape is particular to the taste of my client.

topiary-garden.jpgEvery client is different.  A good landscape designer needs to have the ability to absorb and then design for different. Any gardener who has a mind to design for themselves needs to first and foremost listen to their own voice, then acknowledge the demands of the space, and be bold about a plan.

topiary-garden.jpgThe renovation of this landscape went well.  The soil was surprisingly good and easy to work. We dug and planted for 6 straight days.

topiary-and-espalier.jpgFormal landscape designs have their proponents.  Vis a vis this project, I am one of them. I like formal landscapes, when they are appropriate to a site and a client.  I like other than formal landscapes, given a specific situation.  Redoing a landscape is a big fluid situation-any designer knows this.  If you are a gardener who designs for yourself, I could offer this advice.  Take the time to figure out what you want first and foremost from your landscape.  Next up, dream and scheme.  At the last, make a move.  As for this landscape-it is all about the beauty of the topiary plants.

topiary-garden.jpgMy client likes what we have done. I am pleased with the finish.

Monday Opinion: Sharing

Gardener/readers write me on and off, astonished about the degree to which I am willing to share my knowledge and process.  Why wouldn’t I?  I was raised to believe that sharing with others was good.  If you are like me, you grew up with a Mom who encouraged sharing.  Share a toy.  Share you seat on the bus.  Loan your sister your prized sweater. Share the letter your teacher sent home with you with your Mom – this would be a Mom talking.  Share your questions, hopes, fears, and aspirations.  That call to share had another call attached to it.  Share, with the idea that you might help.  If you are able to share such that you can help others, help them.  I arrived on this earth endowed with plenty of infantile selfishness-it took a Mom to temper that.  Did I really want to share my prized baloney and mustard sandwich on white bread with a classmate who had no lunch?  Not until I was instructed that sharing was a very special kind of giving.  A kind of giving that was part and parcel of being a decent human being.  My Mom assured me I would feel good about it.  And that what I got out of the giving was in the end,  irrelevant. This also from my Mom.   I may have had no relationship whatsoever with that kid who had no lunch.  I may not even have known her name.  But if I could get by with a half a sandwich, which of course I could, it was incumbent upon me to share the half I could do without with another.  It was the right thing to do.  And it did, incidentally,  feel good.  Now, the sharing seems effortless.  I am by no means the exception.  I believe that people come by the instinct to give and share, naturally-don’t you?

The right thing to do-what is that?  Every gardener, and landscape designer, comes face to face with this question over the course of a project.   I like to share the design process with a client, just like nature reveals herself to me.  In a genuine design relationship, lots of things are shared.  Needs, dreams, concerns, budgets-there are lots of topics to cover.  The client’s issues are invariably more important than mine.  A beautiful design that does not work for a client is not necessarily a beautiful design.  It is a design the heart of which fails to engage a client.  This is a polite way of describing a dust bin.  Just my opinion, this.

In the shop, we try to share the best advice we have available.  A client with whom we do not share our knowledge is a client who has not gotten from us what they should.  No matter my willingness to share, there are those times where we fail. I take that failure personally.  We should be able to give timely and sound advice.  That given, there are those times when what gets said doesn’t get heard-or what was heard bears no resemblance to what was said.  This happens all the time.  Communication is the art of life, is it not?  Some things that go wrong in the garden can be squarely attributed to the nature of the season.  Other things that go wrong might be attributed to a casual share, without any depth, or an insincere communication.

I have this communication problem on occasion with my garden.  I may plant what I want, without listening to what has been shared with me by nature-about my weather, my zone, my seasons, my soil-you get the drift.  I am eminently capable of being insincere with nature, as I don’t really want to answer to her.  What I do not hear can come back to haunt me.  Yes, usual sharing implies another who is engaged, and listening.  Nature does neither.  Nature has no need for a relationship with me. I am a small part of a much bigger scheme.  She has no time for me.  The entire burden of a successful relationship with nature depends on me.  How tiresome is this?  A gardener of the true sort establishes a fluid truce with nature-this is a kind of sharing.  Sharing, with the primary responsibility clear from the start.   Sharing as I usually experience it as a designer is a person to person pursuit.  That sharing works some times-other times, not.   Most people have shared something at one time or another that has not been heard.  Operas have been written and performed for centuries about this.  It is tougher than it appears, sharing in a real and thoughtful way.

The most difficult moment in the landscape design process comes at the beginning.  You have a design to present.  You have a conceptual plan to share.  Taking enough time with this part is essential. The design is a collaboration-there is the sharing of information that goes back and forth across the table.  That sharing may take a lot of time to transform into a final plan.  Once there is agreement on the big issues, there are lots of details to share.  Secondary but so essential to sharing-patience.  Patience is not my long suit, but I try.  Patience can also be overrated.  Knowing how to bring an unfounded worry to a close is a way of sharing that is caring.

The second most difficult moment is that moment when a project is done.  You will no longer be there every day, working on this part, but watering and tending that other part that is finished.  Some clients can see instantly that moment when an installation becomes their garden-they say thank you much, and push off on their own.  Bye Bye.  Other clients are less confident.  You may need to drive by, regularly.  Sometimes it’s important to keep on sharing until there is no more need.  Am I good at this?  Sometimes.  Other times, I call the memories of my Mom in- to give me a hand.

I would share anything I know about horticulture or design with anyone.  What I know is just my experience-nothing more, and nothing less.  Is my knowledge special?  Not particularly.  What works for me is different than what works for lots of other gardeners.  As much as things in the garden fail, lots of things work.  Designers would do well to keep that in mind.  There is no one way.  There are lots of ways.  Do I worry that someone else might duplicate my work from something I shared with them?  No.  My eye is my eye-this part of me is not transferable, nor can it be replicated in every detail.  Lucky, this-for everyone involved.  Anyone who might try to replicate my work will eventually be frustrated and unsatisfied.  Hungry.  Every person with a sincere interest in the landscape needs to rely on their own vision to finish a garden, or a landscape, or a moment.  Every landscape I design and install needs a client to eventually sweep the scene with what is all their own.  Having had good advice and design help, eventually being left on one’s own is a very good place to be.    There is so much satisfaction to be had from one’s own invention.  Some create gardens on their own.  Some create landscapes via a relationship with a designer. All sincere paths to good design are good paths.

Whether you are a landscape designer, or landscape architect, or a passionate gardener,  I will respect you enough to assume that you are a creative person whose job it is to imagine a project, and research anything you need to bring that project to fruition.  I assume you are able. There are no shortcuts.  Take the time, and do the work you need to do.  The work you put to any project will, in the end, reward you.  What someone has shared with you is not necessarily the gardening gospel.  It is a point of view.  And not necessarily your point of view.  Trust your eye.  If you cannot trust your eye,  look outward.  Most importantly, look inward.

I have a big interest in good gardening outcomes.  World wide, there are so many beautiful landscapes and gardens that support that idea.  Your computer is a means by which you can learn.  What is out there being shared?  Garden Design by Carolyn Mullet-I read her facebook page every day.  The time she takes to share-extraordinary.  Her editing, and choices of a topic to share-equally extraordinary.

What comes of your exposure to the work of others is that germ of an idea that might inform your own garden.  Respond honestly and passionately to the work the work of your designer.  In the interest of a better outcome-share what you can.  Listen when you have a mind to.  The aura created by that sharing all around – beautiful.