Sunday Opinion: Learning The Language

Margaret Dickson may have been the most gifted gardener I have ever had the privilege to know.  Of Scandinavian descent, she was a woman of few words and much energy.  As far as I could see, no plant was unwilling to grow and prosper for her. Not a square foot of bare soil existed in her vast wildflower garden. She had no specimens of Arisaema Sikokianum, Trillium Cernuum, hepatica triloba or sanguinaria canadensis f. multiplex.    She grew sprawling colonies of Stinking Benjamin,, stands of rare Jack-In-The-Pulpits, lush carpets of liverwort and  densely populated communities of double bloodroot. There were more than a few groups that I did not recognize, had never seen, and have never seen since.  She had no interest in names and nomenclature. Gardening with her much much akin to watching my Aunt cook-no recipe, no weighing, no measuring, no checking the clock.  Margaret had some innate and instinctive ability to look at a plant, know what it needed, and plant it correctly.  She knew when to stand back, and let nature take its course.Her garden told the tale; she grew lush hedges of Japanese painted ferns every inch of 24 inches tall.  Her pipsqueak starts of Varder Valley boxwood matured with lightening speed. Plants I was certain were not hardy, grew in her garden like it was a planet unto itself.  No doubt many years of gardening and more gardening had funded her with a knowledge that transcended language.

Though my Mom saw to providing me with my own wholly owned ground, some rudimentary tools and lots of encouragement at a very early age, my gardening future took a turn when I was 14.  The Daniel H. Fletcher Memorial Scholarship to the Grosse Pointe University School landed me in a ninth grade latin class.  I had no concept of the benefits of a classical education, and even less interest. That first day, I remember being told a string of words I could not pronounce nor comprehend translated as “All of Gaul is divided into two parts”.  There could not have been more than 15 kids in this class-there would be no refuge from what promised to be the most useless, dry and unsatisfying way to spend time ever devised by an adult. And anyway,where was Gaul? I was astonished at how unsympathetic my parents proved to be; children have a properly dubious view of adults.  I was sure they were all nuts about insisting that I have a command of another language.

I was never good at translating Latin, so I hated it.  My translations were always rife with errors, as my teacher was happy to note, every day, if necessary.  After no small amount of pleading, I was allowed to transfer into Mrs. Renaud’s first year French class.  Any student of whom she asked a question, in French of course, was required to stand to answer.  If you did not answer correctly, you had to remain standing until you answered successfully.  After spending the better part of that hour on my feet for what seemed like a month, I finally decided maybe the Latin wasn’t so bad after all.  At least if I were to suffer the indignity of poor public performance, why not do it in the comfort of my own seat?  I stayed with that teacher, and that language throughout high school; we both stoically endured my mediocrity.  I went on to study classical languages further in college; I fulfilled my language study requirement studying Greek one on one with Dr. Poggi.  He proved to be very good natured about my lack of insight or gift; he pushed me, and I slogged through it.

In my late twenties, an inexplicable interest in growing orchids surfaced.  I liked the idea that I could hang them in my trees in my North Carolina front yard; their shapes and colors were strange and mesmerizing.  I began to read, and much to my amazement, I had no trouble with the reading, no matter how technical. Horticultural nomenclature, or a system for the naming of plants, devised by Carl Linneaus in the 18th century, was a breeze for me.  Though no one speaks Latin, the derivation of words in many modern languages comes from that Latin, or the Greek.  The Latin all made sense to me, for the first time.  The name of a plant can tell you plenty about its habit, its shape, its origin, or possibly its color or texture.  The formal language of horticulture does help me to grow things, as I do not have the gift that Margaret had.  Most certainly it enables me to communicate precisely and specifically with growers and nursery people, not to mention other gardeners.

Once my infatuation with orchids waned, my interest in garden plants came to the fore.  I would say my entire early plant education came from reading the White Flower Farms catalogues over and over again. The nursery was founded in the 1940’s by Jane Grant and William Harris, writers turned nurserymen; the business was sold to Eliot Wadsworth in 1976.  So charmingly and enthusiastically written under the pen name of Amos Pettingill, those catalogues made me want to grow plants. Better yet, he made learning the latin names easy.  Even today I am amazed at the wealth of information, coaching and inspiration those catalogues provided me at a time when I had little money to allocate to buying plants. My first Rosa Rubrifolia and Paeonia Tenuifolia  came from them.  I would not be one bit surprised to learn they are still thriving.

Among other things, Margaret taught me to fear no plant, and plant freely. Her life was cut way too short by an illness she could not stop from growing. I took care of her gardens now and then when she was too ill to leave her upstairs bedroom.  I would go and see her afterwards; she would invariably fuss that she had seen from her window a  goose in her garden.  I always promised I would be sure to chase it way, and repair any damage.  It was after all, her garden. I did what I could, but I could not do how she did. Margaret’s gift to me was no different than the gift she gave to her garden. She taught me that more important than my knowledge of the language of horticulture is my understanding that each gardener has a way of making things work that is all their own. She taught me to be confident to go my own way.  Nurseries always provide plant care tags that will tell you the name of the plant you are buying.  Lacking that, the vast and comprehensive resource that is the internet can give you just about any information you think you need.  But the physical process and experience of gardening is so interesting and such fun I hope to never get over it.  How could I communicate that I am compelled to grow?  I would show you my garden.

At A Glance: November Skies

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Shopwrecked

Nov 5 011Though I shopped this past January for the holiday, and most everything was here this past August, I am never ready for what it really takes to change seasons.  Have you ever?  Even the corgis have that slightly appalled look on their faces.  I am certain that the 10,000 square feet I have to deal with is secretly multiplying in the dead of night. It seems that everything needs to get moved-at least twice. Spaces have to be cleared-and of course cleaned-before they can be re-imagined. Sometimes it seems like my imagination will never ignite.  When that everything involves stone, steel and lead, I have been known to daydream about being in the stamp-collecting business.

Nov 5 004Rob likes everything imaginable in front of him all at once. The disaster that is his desk-loaded with messages, invoices, catalogues, notes, and all manner of other bits, spreads to the floorspace like a slime mold on steroids. This week he has been working away on the last of my leftover Halloween candy; the combination of his blood sugar level and his natural propensity to disorder defies description.  Suffice it to say, I am living in a universe tending towards dissolution.    

Nov 5 005The greenhouse fernery, so gorgeous a week ago, is now bulging with all those things that have lost their homes, and have no place to go.  An impossibly delicate terra cotta pot with applied roses from Espace Buffon in Paris is one of a hundred fragile items crowding my office conference table.  What floor space is still available makes walking through any room, objects in tow, nervewracking.  Should anyone out there know of a small scale hovercraft rated for interior use, please let me know.  

Nov 5 013The rear portion of the shop is a cavernous garage-at least it seemed that way when I bought the building in 1995. Today every square foot has something going on, and not in any particular order.  The arrangement of boxes so neatly shelved and stored has become completely unglued.  The corgis treat this space like a formula one course, fraught with hairpin turns and unexpected obstructions.  Great fun for them-not so much for me.  This space needs to be shovelled out soon,  such that we have room for the crew and materials necessary to construct of all our winter and holiday decor. 

Nov 5 021Progress has been made; certain big gestures are in place. Every box I unpack, I hope I remember what I was thinking when I bought ,works out.  My idea of holiday has everything to do with materials and references to the garden.  This part is simple. It takes a great deal of concentration to shop materials from 30 or better vendors such that you end up with a cohesive collection; this is only the beginning. Remembering what I had in mind over 10 months ago-even my notes don’t ring any bells.  The materials pile up faster than I can do display; just this morning a semi truckload of twigs arrived.  At this moment, the driveway is impassable.    

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Though this scene smacks of a storage facility whose loading in has never been accompanied by any loading out, my clients seem to like this phase.  They amiably poke through everything, and have no problem asking to have a promising box opened for them-thank heavens. They even go so far as to say how beautiful everything looks-I think they feel sorry for me. This process takes a month anyway, start to finish.  I learned a long time ago, if you do not set a deadline, you will never be done. 

Nov 5 010Next week Thursday November 12th is our deadline.  We host an evening holiday preview and shopping soiree for our clients.  Our 4pm to 9pm event ran until 11:30 last year.  We serve a little something to eat and drink; lots of people come, and we have a great time.  We aim for picture perfect,  we are 6 days out and counting. I don’t see how we will be ready this minute, but somehow we will get there. Stop in, should you have a chance.

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Now, where was I?

On Stick Support

Hofley-Cueter Wedding

Fall weddings are not the norm for me; in addition, this request came from from gardening friends and colleagues.   Jonathon Hofley, publisher of the well-known magazine The Michigan Gardener, and owner of Motor City Publishing, and his part-time art director and full-time firebrand fiancee Celeste were to be married.  I instantly started fretting about what all from the garden would not be available for their date, but I need not have worried.  Lucky for me, they liked the idea of sticks, grasses, mosses, vines and seeds-in season. Framing the doors of the church,  starkly bare beech trees are set in pots finished in mood moss.  These trees supported a smattering of white roses, visible from far away. 

Hofley-Cueter Wedding (14)This gorgeous Melkite Catholic church needed little in the way of decoration; the beautifully vaulted white-walled interior was formally appointed with iconographic paintings of figures central to their faith.  I found four 3″ beech that had not survived the season in my landscape supplier’s bone yard; they would be destined for another kind of life.  Bare grapevine garland would be dressed up with bitterweet vine and the rose “Hollywood”.  No other white rose opens so beautifully, and stays fresh longer, out of water.  The pews we marked simply with  sprays of grasses with seed heads intact, to which we added orange and white roses.   The dressy olive green double faced satin formally acknowledged the space, and the occasion. 

Hofley-Cueter Wedding (2)Even the bride’s bouquet included delicate birch branches.  Variegated miscanthus grass and hosta complimented the orange freesia, ranunculus and roses. The bare stems were dressed in braided satin ribbon; the contrast in materials is particularly lovely. 

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Shades of red, orange and white came primarily from roses; the season for garden flowers had passed.  Always with flowers for a wedding reception is the crucial issue of placement.  Flowers that obstruct the view across the table are unfriendly to conversation between guests.  As reception venues are rarely personal, its important to create a mood and aura specific to the occasion that is evident upon entering the room. That first impression is important.  How the airspace is handled creates an overall impression of happy anticipation at eye level for the celebration to come.  

Hofley Wedding 05 (42)Stout bundles of willow sticks get my flowers in the air.  The rustic fiber pots filled with hemp fiber make an unmistakable reference to the garden.  The metal pole set in concrete not seen here is an apparatus which keeps the flowers aloft securely.

Hofley Wedding 05 (14)The generic quality of the room fades away; what is left is a celebration of saturated fall color, and a very important event involving family and friends.  The tabletop level decor has interest and presence which will please the eye, but not obstruct anyone’s view.

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Bar tops were simply decorated with clusters of roses fruits and vegetables.  Peppers and peaches take on an entirely different aspect, out of the garden or the kitchen. The ability to visualize materials out of context can expand your decorating repertoire. Orange bell peppers are not only delicious, they are strikingly attractive.

Hofley Wedding 1005 (3)Celeste provided the table numbers, the calligraphy of her own hand. Large pieces of mood moss, when grooved, made naturally beautiful stands.  The fresh green acorns-another nod to the season. 

Hofley Wedding 05 (53)The effect of these flowers is so enhanced by the company of a length of bittersweet vine.  The vine creates a visual context for the flowers. The creation of a visual world complete and believable is a daily challenge in the store;  important events demand this too.

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It is hard to go wrong with flowers-no one disputes how beautiful they are in their own right.  But the support from the sticks enabled me to generate some atmosphere.