At A Glance: Fiery

 

 

 

 

 

 

 

 

100 Boxwood

 Concerning my schematic plan from yesterday-my clients one comment was that I needed to add 100 boxwood.  All of said 100 boxwood will be in pots.  The placement and configuration of 100 pots of boxwood every spring will be the first work of their gardening season.  They will haul them out of storage on a huge dolly (which they have already purchased), and discuss and decide where to place them.  Boxwood in all different sizes, some of which are topiary plants with distinctive forms,  in a collection of gorgeous pots.  They are both adamant, and thrilled about the idea of 100 boxwood in pots.  Far be it for me to deter their enthusiasm.   I did amend the schematic plan with a lot of green dots-although I think all of my dots only add up to 72.  I have no doubt they will be able to place their 100 pots-and have a good bit of fun doing it.

topiary boxwood

They already own a pair of these handmade French terra cotta pots planted with these boxwood.  The boxwood-buxus microphylla-was 52 inches in diameter when they acquired them.  They have been in these pots for 5 years.  I am not sure how many other boxwood they own, but they do have a substantial collection of plain handmade Italian terra cotta pots.

topiary boxwood

I will admit to a love for boxwood.  This plant speaks to no end of beautifully designed landscapes world wide.  This broadleafed evergreen graces landscapes all over this planet.  I love them pruned, wild, hedged, and in pots.  In my zone, they provide great shape, form, and color-year round.   

Growers all across the US grow boxwood in every form imaginable.  They are available 12 inches tall.  They are available 36 inches tall.  They are grown by some growers as a uniform crop.  Other growers grow them on, and trim them into spectacularly beautiful shapes. 

Clients who indicate they need to have 100 boxwood planted in  pots are clients of an unusual sort.  These are clients for whom the garden is all about romance.  What does their request mean to me?  A really good day. And a lot of thought about what a garden means.  Long after the end of the business day today, I am considering planting all of my pots next year with boxwood. Though I am unlikely to follow suit, their committment to such an extraordinary level of  romance has me thinking.  The story of a landscape dramatically colored by romance-love this.         

 

 

The Schematic Plan

What I call a schematic plan is another way of saying master plan.  A guide for the development of a landscape.  Clients who have an interest in a plan that they can work towards and implement over time always interest me.  A landscape of note implies a long term committment-gardeners willing to go that route will not only enjoy the process, but will find so much satisfaction in watching something grow.  It takes lots of time to regrade a property, reimagine the space, plant, and arrange for care.  This timeline does not even include the plants that die, and the changes that result from experience, or a change in taste.  Anyone who buys a ticket for the long term process that a really good landscape requires I admire.    

 A master plan is a schematic drawing noted for its broad strokes-not its details.  The vegetable garden will be there.  Friends will park here.  Parties could be staged in this garden.  Great views of the landscape from inside could be described by this, or that.  The rear yard will feature a particular shape-the particular plants are to be determined.  How does the landscape address movement?  The driveway needs to be this width, and accomodate this turning radius,  and needs to gracefully address vehicular traffic.   A big scheme is just that-a big fluid wish list with an attempt made to broadly define use and beauty.  There will be places to sit, garden spaces-spaces to view from afar. This master plan features a wide swath of decomposed granite all around a 19th century stone farmhouse.  There are plans for a conservatory style kitchen across the back of the house.  My clients are indicating they want to move ahead with the landscape.  This masterplan gives wide berth to additions that are planned for the house.  The additions will take vastly less time than the landscape.  I advised them that given the length of time it will take to create a landscape, the best time for them to begin construction is right now.         

columnar trees

My clients purchased a very large farm- a property that features 2 barns, 2 outbuildings, and a granary.  A granary?  A beautiful wood structure whose purpose was to store grain is a feature. My plan is to move that granary, currently set above ground on concrete blocks, directly and squarely opposite the rear of  their home.  The broad gesture?  This old stone farmhouse came with the outbuildings that make for a working farm.  Though it is unlikely that they will ever grow grain, and have a need to store it, the granary is a great place to stage a summer dinner party.  The house and the granary will become substantial bookends for a simple fountain garden.   

On either side of that fountain, there is a plan for an allee of columnar hornbeams, underplanted with European ginger and hellebores.  It would be a great spot for snowdrops and white crocus-or white Spanish bluebells.  This list may change, or be added to, or completely rethought- over time. The hornbeams will be planted equidistant from each other in this garden.  Once the allee crosses the gravel drive, the spacing between the trees gets wider, less regular.  Though they will be planted in a much less formal area, they will still maintain the site line established by the formal allee.

My clients have a particular interest in music and theatre.  They like nothing better than a summer concert staged outdoors.  The shape of the gardens adjacent to this round grass space that I call the music room make reference to their neeed for a space for such events.  The grasses are an informal material used in a more formal way.  The heights of the plants specified will provide some enclosure and privacy.  Viewed from the fountain pool, the northern sea oats will provide a contrasting and shimmering backdrop to the more formal and static hornbeam garden.  Viewed from the vegetable garden, it will look like a field of grain.  A reference to the agricultural history of the property will make those beds more visually believable, given that the setting is rural.  But those beds could be a collection of shrubs or small growing evergreens.  They could be a perennial mix that peaks during the summer months. They could be planted with roses.  A scheme needs to come first.  The details can come later.

I have labelled the vegetable garden a potager, as one of my clients is French.  The details of this garden will be provded by him.  I feel certain it will have a distinctly French feeling.  The garden footprint is exactly the size and location of a very old barn original to the farm, which needs to come down.  It is deteriorated such that to restore it would take resources my clients prefer to put elsewhere.  Hopefully someone will be interested in the salvage of all of the old beams and timbers.  The lower portion of the barn walls will be left standing, providing a fence for the garden.  Their property is host to lots of wild beings.  The floor of the barn has always been dirt.  With some work and lots of compost, it will be a great place to grow vegetables.

The other barn is in excellent condition.  It holds tools, and soil.  In the winter, the boxwoods in pots are stored here.  The barn gardens are actually quite beautiful and well developed.  There is no need to replace them.  The major changes will be about the perimeter shapes of those gardens. A hedge of arborvitae on the lot line will screen the house next door from view. A fenced cutting garden on the dog leg part of the property will be framed by a pair of pumpkin growing gardens. Two gardens devboted to growing pumpkins-how I envy them this.

The gravel driveway design is fairly close to what is existing now.  A major change will involve the addition of a drive which goes to the front door. On either side of that drive, a meadow planted with a grove of Venus dogwoods.  This meadow is a grass meadow.  A low growing low maintenance grass seed will be sown, and cut but once a year.  We have had very good luck with this particular seed mix, on unirrigated shady slopes, and in sunnier but relatively infertile ground.  The movement of all of the grasses will be a considerable contrast to the primary formality of the landscape.  

In the front, the distance between the hedge of Moonii yews and the road is 35 feet, but that footage is a steep slope, culminating in a drainage ditch.  The center of this slope will be the same short growing grass as the meadow.  This will permit a long view out, to the state lands across the road, from the front porch.  Shrubs will be planted into the slope where needed-lilacs, old fashioned spirea, viburnum, sumac, beauty bush-whatever seems right for a free for all mix.  Lucky the gardener that has enough land for a free for all. 

Of course the first step is to lay out the schematic plan, and see how it looks on the ground, full sized.  A lot of the preliminary tree work has already been done.  My clients seem to think the schem suits their property, their taste, and the history of the farm.  I am so pleased that this project is underway.   

 

 

 

 

 

 

 

 

Lighting The Side Yard

I really don’t have a back yard.  My property occupies a corner.  A front, on two sides-that is a corner lot.  I am sure that lack of a private back yard influenced the original design and configuration of my driveway.  Made of brick, (I have replaced the deteriorating original brick with concrete brick) it is incredibly wide at the street. (picture those 1930’s Packards turning in)  The drive narrows like an hourglass to a little over 8 feet wide, half way up.  That narrow gap was an effort to provide a little privacy to the side yard.  After 16 years of twice daily practice, I am able to get my Suburban out 99% of the time, without scraping the wheels on the retaining walls. 

A pair of cast iron bloodhounds on concrete pedestals are awash in decent sized and fairly mature beds of hellebores-a favorite perennial. I look forward to seeing this every day-coming and going.  This makes it a natural candidate for some landscape lighting of the celebratory type.  I will soon be coming home after dark, and I don’t want to give up the view of my dogs.   

This first pass- the light is too close, and too hot.  The intense light creates shadows that make the dog look threatening. That is not my intention.  The idea is that I get a welcome home.  The winter season would be bearable, but for the gray and the dark.     

A pair of Galaxy magnolias are planted in the narrowest part of the drive.  They have been there long enough to make a green arbor of magnolia branches overhead.  That narrow spot is the darkest spot on my property.  A big stand of dark green Picea Mucrunulatum and taxus densiformis make this moment in my landscape feel like a black hole in the winter.   

I don’t mind some stronger light here.  It helps me to get through the driveway isthmus without incident.  OInce the magnolias have dropped their leaves, the light be be much more subtle.  This landscape lighting helps me navigate. 

A friend found these Arts and Crafts style vintage light fixtures for me-they are perfect on either side of the garage.  They are always on.  Summer and winter.  Day and night.  I never tire of seeing them.  Early on a spring morning, or late on a summer day, they let me know they are there.  

Once the skies go dark, they help light my way.  Good landscape lighting is as much about function as beauty.  Though no light could ever possibly be as beautiful, in all of its variations, as natural light, the invention of electricity did indeed change the landscape. 

A flight of stone stairs begin at the driveway, and end in the upper level fountain garden.  My giant old Norway maple is a benign host to 3 spotlights that light up the drive where I park, and those stairs.  This light from above illuminates my path to the garage door, and to the upper garden, should I decide to go that route.  This lighting is not so much about a favorite landscape feature as it is about safe passage. 

Buck shut the fountain down yesterday.  It is clogged with leaves, and the weather is too chilly to linger here.  This is my most unfavorite day of the gardening year.  Water in a garden is enchanting.  serene.  sparkly and lively.  I hate having to give it up.  Next weekend he will drain the water from the fountain.  I have always disliked the coming of the end for this garden. 

Lighting from high in the Princeton Gold maples makes it easy for me to keep track of the Corgis after work.  The lighting also transforms this garden into another garden particular to the season.  My bedroom has a window that looks out on the fountain.  All winter long I keep the shade half up, and the window slightly open.  The lighting will allow me to enjoy this part of my garden, no matter the weather.

I do have a flight of stairs to the rose garden.  The stone is rough, and uneven.  For months after my knee replacement, Buck helped me walk up these stairs.  My new knee now-perfect.  But I would not walk up there stairs in the dark. 

Buck and I usually have dinner late-7:30-sometimes 8:30.  I take the Corgis out for a final constitutional, after dinner.  Milling around in the complete and utter dark with them-not my idea of a swell time.  I love these downlights in my maples.  Lighting a landscape might help provide more of what you need from a great garden than what is apparent on a summer day.  My idea?  Light, whether it be from the sky, or the end result of an electrical connection, is an important element of landscape design.  The landscape at night-a different sort landscape experience.