From Start To Finish

Once in a blue moon we have a client who decides to buy new pots in December. The process from purchase to finish involves a series of steps, the first of which is the placement. Installing pots in a bed, rather than on a hard surface, is not all that usual. But in this case, I think my client made a great choice. Starting over is an opportunity. For her, and for me. It took us a few days to put everything together, but our idea was to stay on the project from start to finish.

These substantial pots were set to be placed in a pair of beds that once held some very unhappy plant material.  By large, I mean 36″ tall, and 36″ in diameter at the top. The first order of business was to level the ground they would sit on, and provide a way for the pots to drain. Given the size of the pots, elevating them on bricks seemed like a good idea.

There is measuring and more measuring involved in this phase, because none of us want to try and level or center a large pot that is full of soil, and a winter arrangement. Empty pots are the easiest to move around.

The centerpieces needed to be big and tall, to be proportional to the size of the pots. A group of tall birch poles would provide plenty of substantial height. We filled the pot with cypress bark mulch to the center rib on the outside of the pot, and set the birch poles directly on top of that bark. Having a very heavy centerpiece set this deep in the pot will help keep it secure and upright. Few things seem so forlorn as a centerpiece listing out of vertical from stormy winter weather. Once the centerpiece was set, the pot could be filled with soil.

It would not be possible to fill the pots with soil if we set the greens first, so the greens placement was out of our regular order. It came after the setting of the centerpiece. The top of this centerpiece would never fit through the hole just big enough for the birch in the center of the form. The copper curly willow we added to the birch was about 3 feet wide at the top. So we sliced the greens form into two halves. Marzela set the greens in a way that made it easy to cut through her work.

Of course cutting the form in half impacted its strength. The weight of the greens on the outer edge would eventually pull the form and every evergreen stem inserted in it to the ground. Gravity is a force to be reckoned with. The cut form needed some ballast close to the centerpiece.

We secured each half with a pair of long steel rebar poles pounded in at an angle opposite to the downward force of the heavy side.  The rebar sits above the form about 5 inches. Concrete wire was wrapped around the four pieces of steel several times.  This will keep the forms anchored, and just about foolproof once the soil freezes.

We added eucalyptus to that space between the greens and the centerpiece. That plum red is a beautiful foil to the color of the copper curly willow. We zip tied individual stems to a bamboo stake. That slender stake is much more successful an anchor than the individual stems. We also had the option of setting the stems at an angle out, rather than straight up and down.

We also added extra short stem of the willow to the base of the centerpiece, so the hole in the foam would be completely filled. Gaps between the centerpiece and the opening in the foam are an opportunity for the stems to shift. Shifting stems mean trouble.  Once the pot is finished, we look for a tight fit for every element. It should be clear by now that the engineering plays just as big a role as the design.

Once the pots were close to a finish, the lighting could be added. That lighting will do a lot to illuminate this front terrace.

I left the centerpiece visible from top to bottom from the road side view. That seemed like a good idea. We wrapped the centerpiece with its own string of lights. The lighting plays such a big part in winter pots. A few bags of soil covered the bricks elevating the pot. We were just about finished.

Our client felt a second pair of smaller Branch tapered pots nearer her front door would complete the look she was after. The last of this installation was about companionship. We were happy to oblige.

These smaller scale Branch pots near the front door completed the project. They are smaller, but just as robust.

picture perfect, in my opinion.

Recent Work

All of my group has been fabricating and installing at a breakneck pace since early November. That intensity has its ups and downs. By the end of a six day week, we are all tired. But the best part of an intense season are those great ideas that emerge. Design and fabrication is a big fluid situation ripe for innovation. I see that happening every day, from every member of my crews. They not only produce the work, they endow it. How I love that.  Would that I could express what it is like for us during this end of the year gardening season, but that would be a full length movie of interest to my group, and not so much anyone else. So suffice it to let the work speaks for itself.

English lead pot from Bulbeck dressed for the winter

Winter pot in blue and white

Layered winter pot featuring a stand u[p collar of German boxwood

trio of wood boxes dressed for winter

pots and garland

single London Plane tree lighted for winter

the pair of plane trees

Pink eucalyptus and copper curly willow

winter arrangement with faux bleached pine picks and dry okra pods

Jackie boxes ready for the holidays


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curly copper willow and cotton picks

magnolia and faux sedum flower picks

Himalayan white barked birch with a winter blanket

front porch box with a winter arrangement English urn dressed for the holidays

winter cheer for a local restaurant

Dry integrifolia and white eucalyptus mixed

a holiday and winter mix

natural

lighted winter container

Birch branches and red twig dogwood

red bud pussy willow, pine cone picks, magnolia branches and noble fir

lighted winter container with foraged tree of heaven branches

lighted topiary form with red and green

curly willow and red eucalyptus

yellow twig

red eucalyptus and icy red berry picks

red and green

5′ diameter light rings, green fuzz ball picks and red bud pussy willow make a bold statement.

A Michigan winter calls for a little gardening intervention.

 

 

At A Glance: The Installation

Those flame willow forms set in mountain hemlock from my previous post proved to be too tall to transport in our box truck. Of course they were. The destination pots are 42″ in diameter. There is only one chance to get the scale and proportion right, as none of these materials will gain in size or grow over the winter.

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Only 1 form fit in Dan’s pickup truck.

This winter container arrangement does not look too big for the pot, or the space.  More interesting is the fact that my summer planting of white mandevillea, nicotiana lime and white, and petunias was every bit this size by the end of the summer.

finished winter pot

garland and front door pots

The flame willow looks great with the brick, and the hydrangeas.

The materials for the four black urns include green preserved eucalyptus, white berry picks, incense cedar and German boxwood.

 

ready for winter

 

 

A Construction Plan

A pair of simply wrought steel cone forms can provide a sturdy armature for no end of garden projects. That precise form is orderly and pleasing set in a garden where chaos usually reigns. Any lax growing perennial or annual vine would appreciate its stability and strong shoulders. Another summer version features planting at the base, and the form presiding over all as sculpture. Topiary forms in winter containers supply instant height and presence. One year, my 6′ tall steel cone form served as a Christmas tree. Would round with grapevine and lights, I added glass berry clusters and birds. How I loved bringing the garden indoors for the holidays. Last year, this pair of mine, wound with its grapevine intact, and lights, were the focal point of the winter pots on my driveway. They made a big statement from the deck above. What to do with them this year that is different and interesting? So much of the work we do begins with an idea. What comes next is a plan for construction.

It seemed like an idea worth pursuing to line the interior of those steel forms with flame willow. Those straight copper colored stems lining the form would greatly change the look of it. It is my pleasure to have the fabricators at the Branch Studio give me a hand for our holiday and winter installations. Sal has constructed with incredible precision no end of garden boxes, gates, pergolas and sculpture in steel as the senior fabricator at Branch. He was the perfect person with whom to discuss a construction plan. If you read my essays routinely, you know we begin the construction of a winter arrangement with a dry floral foam form constructed to fit the pot in question. After marking where the legs of the topiary form would go through the form, Sal inserted a tall bamboo stake in the center. The bamboo was a marker, indicating the location of the top of the steel form.

Our initial thought to insert each stem inside the form and attach it with zip ties seemed awkward and too time consuming. Creating an interior willow form that the steel form would slip over made more sense. Sal was able to determine the sticking angle by making sure the top of each branch would touch the center bamboo stake. As no two objects are ever exactly the same, we tagged which steel form would partner with this specific willow form. Why the gap in the above picture? Sal left an opening, so he could stuff the interior with boxwood. Once the boxwood layer was finished, he would add the last of the flame willow. Such is the order of events. One of the most important aspects of a construction plan for winter container arrangements is figuring out the most comfortable way to do the work. The most comfortable way is invariably the most efficient way to move a project along. We don’t build rocket ships, we built winter container arrangements. Sal determined the spacing and angle for each stem by eye, not by measurement. The work doesn’t need to be perfect, it needs to be believable and delightful.

The tall dark green cylinder capped in red on the layout table proved to be key to the next step. It is an oversized roll of thin self sticking plastic wrap. We use it to wrap fragile items in the shop for shipping. Sal tightly wrapped the top half of the willow tower before lowering the steel tower over the top of it. Typical of his construction, the willow tower was a tight fit inside the steel.

The plastic was easy to remove, and each of the freed willow stems was re positioned. The tops of the branches are very pliable, as they are fresh cut. The top of each stem was pulled out of the steel form. That branchy finial surrounds the topknot of lights.

Leave it to Marzela to figure out the last construction detail. How would we remove the bamboo stake from the center of the willow form? I did not think ahead to that moment. Push it through the bottom of the foam form, of course. As our foam is manufactured in 2″ thick sheets, 24″ by 36″, we have to piece a form for very large pots. This the seam in the above picture. We hot melt glue 2 layers of the foam together to make a 4″ thick form. The lower layer of foam will go into the pot, the top layer of soil having been removed. The top layer of foam permits greens to be inserted horizontally. For very large pots, we make the upper foam larger than the lower. The foam sitting on the rim of the pots provides extra strength and stability to the form.

Marzela is our chief greens person. She has a gift for stuffing the forms with greens in a volumetric and convincing way. These forms have been filled with mountain hemlock. It is the most durable of all of the cut greens. Though these cut branches will take the full brunt of the western winter sun and weather for months, they will be just as green in March as they are in the above picture.

At the last, Colin checks the LED lights on the form. They still work fine, going into their third year of service. The tiny bulbs emit an astonishing amount of light. They will do a great job of illuminating the form at night. He is also adding a string of mixed berry lights – new to us this year. Translucent globes of varying sizes emit a soft glow.

A generously long string of them will emit a glow strong enough to define the form at the bottom. I suspect that at night, neither the globes nor the wires will be visible. Just the light.

The daytime look is not that bad. The silver wires on the light strings are glaringly obvious, but the main view of the pots will be from afar.

A project like this is possible given the many pairs of skilled hands that contributed their part to the end result. And there is satisfaction in having made something that works as a group.  Marzela will get the rest of the greens done in short order this morning. I think we will be able to install them today.