Buck’s Fruits And Vegetables

A Canadian city north of Toronto is in the process of updating its library and landscape.  They have devoted some of their property to the development of a space suitable for a farmer’s market.  I suspect they are interested in the library being a community center of sorts, which will attract lots of visitors-for lots of reasons.  I like this idea.  I do think libraries are very important.  Books tell stories, and teach.  Libraries give anyone, everyone, access to books.  What is written or pictured in books is priceless-they are in a way the sum total of our knowledge and our art.  Farmer’s markets are another community icon-over the growing of fruits, vegetables, and flowers.  Much of the fabric of a family is woven over shared meals.  This is the sum total of our community.  I place as much value on this as I do the works of Shakespeare.  The landscape architect commissioned four steel sculptures which will be placed in the new market area landscape.  He was intrigued by Buck’s strap steel spheres, and wanted sculptures in that manner to represent fruits and vegetables.        

I think Buck must have more clamps than any other artisan on the planet.  When he is welding steel straps to one another, every piece must be clamped into place before he fires up that torch.  Before the clamps came out, he did a series of drawing based on the architect’s specifications.  Once the drawings were approved, he printed the vertical steel ribs on a plotter exactly the size they would be in the finished sculpture.  These drawings were 20 times the size of what comes out of my printer.  The steel could be laid to the paper, and bent in the proper arc.        

The vertical ribs were bent in a 3-axis vertical roller.  The steel may appear slight in these pictures, but steel is very strong.  It cannot be bent evenly in a prescribed curve without a mechanical slip roller.  Each vertical rib was welded to a 24″ diameter steel base.  The sculptures will be installed over a light fixture which will illuminate the sculptures at night; this base will accomodate that light.    

The vertical ribs were bent to exactly match the curves indicated on the drawings.  The hroizontal ribs-now the fabrication gets very difficult.  The horizontal ribs needs to be rolled in circular shapes to start.  But in order for those ribs to lay flat on the vertical ribs, they needed a second rolling. A rolling that expresses the cant. You see how this lowest rib lays flat against the vertical rib-there were multiple steps getting the steel to perfectly mimic this shape.

This strap steel pumpkin is a low oval shape, without many clues as to its identity.  Strap steel does not lend itself to delicate gestures.  The curved stem is a signature. 

The raw steel shows all of the welds, and the streaks that come from high heat.  The stem is constructed from vineyard bar-steel embossed with the pattern of grape vines. All of the construction marks will disappear, once the piece gets its finish.  Sculpting in steel is exhausting work.  Buck came home plenty of nights to tell that this sculpture was just about to get the best of him.    Every moment is consumed with handled the weight and changing its shape with high heat and electricity.  This stem will make the identity of this sculpture easy.  

The apple is tall and gracefully curved.  I will confess it reminded me of a hot air balloon-until he attached the stem and leaf.  Poof-apple here. 

It interests me that these very abstract shapes got a representational identity boost with something so simple as a stem and a leaf.  This part of the sculptures was more about sculpting than recreating a paper based drawing in steel.   

This squash is almost 6 feet tall. Imposing, this.  No stem was called out.  I think it will hold its own just fine.   

The pear was the bear.  The shape is not in the least bit symmetrical.  At some point, I saw Buck and Dan throw their drawings away, and fabricate by instinct. Drawing this shape may be easy-making it takes a world of time and trouble. I am sympathetic.  There are times that I need to leave the landcape plan in the car, and just dance.   

Tomorrow these raw steel sculptures will enter the first phase of finishing.  I promise to post pictures of the final finish, before they are crated and shipped. This is a quick visual on the way to a finished sculpture.  Buck and his group turn out some very fine pieces-yes.

Good News

 

When Tony B. from Martha Stewart Living Magazine emailed me this past October that they were interested in featuring some objects Detroit Garden Works carries for their March garden issue, my heart skipped a beat.  OK, maybe many more than one beat.  Why wouldn’t my heart pound?  Martha Stewart has done plenty to make gardening mainstream.  I so admire how she connects thoughtful living, decorating, celebrating, cooking, gardening and growing-I read every issue.  I bring the recipes home for Buck.  Why is this?  I have choices about how to live my life day to day.  But I am, like many other people, interested in her take.  She has devoted an enormous amount of time to documenting and inspiring creativity.  In the home.  In the kitchen-and in the garden.  For regular people-coast to coast, and beyond.  She made a gorgeous garden seem attainable. 

 Like you, I have failed miserably to repreduce her gorgeous outcomes-no matter how detailed her instructions might be.  My years ago kitchen never recovered from my efforts to reproduce her spun sugar.  My garden in no way looks like hers.  This has never really bothered me.  The important thing is that she encouraged me to try all sorts of things. She tells me where she shops.  Whom she admires.  She sows all kinds of seeds-she is a teacher.  Regularly and reliably I will run from learning something.  Maybe that’s from worry that I cannot learn something. But I seem to have no problem trying out what she suggests.  I treasure her for this.

I am not always so interested in what is hip, current and fashionable-I have my own ideas about things.  But I respect her take.  I can be fancy-talk to me about hellebores, landscape design, good garden plants, winter containers, garden antiques-and so on.  But I can also be a plain and simple citizen-interested in a little guidance, a few fresh ideas.  Anyone who sows seed gets my respect.  Seed sowers-they are a breed all their own.  They might generate an idea, a recipe, a design; they plant.  They conduct.  They advise.  They suggest.  They connect with you and me and lots of others.  One seed at a time, they make a difference.  One seed at a time, they speak up. 

In any event, I could not be more pleased that Martha Stewart Living reserved a place for three items we carry-in their “Great Finds- Our 50 favorite products, projects and places inspired by the world of gardening.”  I could not be more pleased that Detroit Garden Works was included in their list.  One item, sourced by Rob.  Another-by me.  And the third-a product we manufacture.  I very much like this part.  Many thanks, Martha Stewart Living.

Structure

 

Structure in a garden, whether formal or informal, symmetrical, or asymmetrical, visually subtle or strong, is a very important element of garden-making.  A structure implies some element that is enduring.  The most elaborate sand castle will wash away with high tide.  Concrete that is not steel reinforced can crack.  A house of cards can be blown over.  Regularly, certain elements in my garden are blown over.  The annuals last but one season.  The hyssop peters out.  Roses and lilacs without regular maintenance age, and fade.  But those plants that provide structure-the evergreens, and the trees, endure, and grow to a great age.  This boxwood rectangle with its boxwood balls at the corners was planted in 1997.  It will be but 14 years old this year, but it has endured many changes of season, fungus, leaf miners, and heavy pruning.  It provides structure to this garden-the rest of which changes every season.  Tulips in the spring, annuals in the summer-the fall and winter have a still different look.  The boxwood is a living architectural, structural, element.  It provides the garden with a framework that makes a home for every other element.  In 2005, a steel gloriette arrived from France; you see it pictured here.  Still stuck in the roof, the gnarled remains of a giant wisteria. Like the wisteria and its gloriette, the spring tulips have a structural picture frame of boxwood that celebrate them.             


A gloriette provides shelter-as does a house for a family, a library for a reader, a road for a traveller, or a grocery store for a cook.  I decided to build a gloriette, in an expanded dimension, for the shop.  Buck obligingly drew one up in a retangular shape, and set immediately to making the roof.  The angle iron pictured here is a stock steel shape.  What he does with that angle iron is create a structure that will endure.  Structural elements in gardens stand in stark contrast to what is ephemeral.  Seasons come and go.  Perennials thrive, and fade.  As much as a garden is about change, and constant effort, more permanent elements provide comfort.  The hedges I planted 15 years ago make me feel like my life as a gardener has meant something; what I did in my garden when I was 45 persists.   

The gardens of my twenties and thirties do not exist anymore, but for the trees, and the evergreens.  They have persisted in spite of an ownership without a gardener.  The structure they provide still organize a property that is not much looked after.  I regret that I gave that property up.  The structure still in place-a comfort.   

Buck builds giant structures, with the help of a bridge crane.  This single panel of the gloriette under construction dwarfs him.   Plenty of structures both man-made and natural, make me feel the same way.  The Grand Canyon, Yosemite, the Taj Mahal, the Washington Monument, the Lake Michigan dunes, the redwood forests-you get the picture.  My house has been standing in the spot I now occupy- uninterrupted- since 1930.  I like this.  I very much like an idea bigger than me, a world view that makes me just a member of a big group-what gardener doesn’t?           

This modern version of my square French gloriette is long, and very tall.  I imagined that anyone who might place it in their garden would want a home for climbing plants that would get them skyward where they want to be.  I imagined they would want to walk underneath, and perhaps sit with a solid roof over their head.  The Branch Studio has close to 30 foot tall ceilings-room enough to build a structure within a structure.  

The first season I had the gloriette at the shop, we dressed it very formally, with associated tall lattice boxes, and an English lead fountain. Looking good, Buck.  I so like how the lower branches of the shop lindens frame the roof of the gloriette.  The woody structure and the steel structure overlap in a graceful way. 

The second summer, we dressed the gloriette in a far less formal way.  Rob’s Italian pot with a bamboo pole plant climber curved out with a wedged wood sphere-this is a great look.  This treatment spoke up; we sold the gloriette.

My garden is actually quite handsome in the winter, for its green structure.  I know there will be something there, once the snow melts.  The gloriette likewise had considerable impact in the winter.  The shadow on the wall behind it-so beautiful.  Creating structure in a garden asks for everything.  All of your thought.  All of your effort.  All of your history.  All of your resources.  This spring, gardeners everywhere will be buying beech trees.  Trenching for hedges.  Setting walkways.  Installing fountains.  Building gates, pergolas, and benches.  Planning to provide structure. Are you ready?  


Every year I think about a cottage.  Were I ever able to afford one, I would have no garden.  I would move in, and do nothing outdoors except go there and look.  In the woods, I would encourage the existing trees right up to and onto the foundation.  Were I on the water, I would slog through the sand, and appreciate the reeds.  Were I in the Smoky Mountains, I would put the smallest structure possible in a trillium field.  If I ever had a cottage, what nature had in store for me would be more than enought to make me happy.  Lacking a cottage on a wildly beautiful piece of property,  my home landscape asks for structure.  Steel and green.  Sounds good to me.

A Pergola For The Grapes


Lots of plants climb-all of them climb in different ways, but they all do the big job of providing interest when the planting space is small.  Climbers are of great value in the garden; they take up little space on the ground plane, and go on to generously represent high off the ground.  A small garden, a small space, a small garden space needing some live activity up high-climbing plants may be just what you need.  Some climbing plants that need a supporting structure are incredibly strong and vigorous-grapes fall into this category.

A client interested in a pergola that would support grape vines, and a swing she might enjoy with a grandchild informed the design.  An overall diameter of 14 feet would be proportional to the space.  Buck felt that a design based on curves would provide the greatest strength. 

Any gardener who has ever grown a vigorous but lax vine requiring support knows the heartache. Big strong vines can crush a light duty trellis in no time.  Wisteria, grapes and trumpet vine require serious support.  A lax vine has no natural mechanism by which it attaches itself to a vertical surface.  Clematis and climbing roses need a trellis to support their skyward growth.  Though wisteria and grapes have tendrils quite capable of a good grip, they need some physical encouragement to get up and off the ground.    

Once they are up and off the ground, grapes grow with a vengeance.  They need a very strong structure to support them.  I like steel in this application; there will be no need for paint or any other maintenance once the vines get large. The circular shape fit fine in a small area near the vegetable garden. 

For the most part, Buck  fabricated this pergola up side down.  This enabled him to work more easily with incredibly heavy pieces of steel.  Amazingly, he fabricates these large structures all on his own.  The installation today involved bolting together some 21 pieces of steel fabricated in the studio.  Level, square, plumb and true works well in the lab. In the field, it takes a lot of people, and a lot of moving up and down, and side to side-to get the pergola back to level and plumb.     <
 All of the side trusses were put up with a single bolt and nut.  Once every side truss was in place, a single long bolt that would secure 2 trusses at a time replaced the single temporary installation bolts. Buck routinely assembles an installation kit for his big projects.  Steve indicated he wanted Buck to attend this installation-he did. Every piece of steel has a label.  He did a sketch detailing the order of events, the assembly of the poles and trusses, and the roof members.   

My client was pleased.  She greatly appreciated the architectural appearance of the pergola.  When I know I have grapes to sustain, I go for serious architecture.  The Boston Ivy clings to walls all on its own.  Climbing hydrangea is slow and pokey to take hold; all I have to do is wait.  Climbing roses do not need anything all that strong; they just need whatever you are willing to give. Trumpet vine-research this before you plant-it is a thug of a plant.  The sweet autumn clematis will work with you.  Ancient ivy climbs whatever is within its range.  The climbing plants-I am sure you are familiar with their demands. A pergola strong enough to get grapes aloft and keep them there-I left that to Buck.