Many Thanks To Gretchen

midwest gardeners

For several days I have been fretting about this blog post.  This particular blog post-my thousanth.  What would I write about?  Granted this blog is a journal of sorts, about the day to day, or what is on my mind.  Or some design issue or plant I think might be of interest.  But should the thousanth post not be special?  I had been fretting about it for going on a week, until I had an email from Gretchen. Second from the left in this picture, she wrote that she had been reading the blog for a long time, and had even gone back to read every post all the way back to the beginning in April of 2009.  I was astonished that she had read just as many posts as I had written.  She wanted to tell me that she and 3 gardening friends had decided on the basis of that reading to come and visit the shop.  They would be travelling from Winnetka, Illinois-would I be available to meet them?

hogweed

Of course we would meet them.  I gave them a tour of both the front and the back of the house.  They looked over my library.  We exchanged thoughts about favorite gardening books.  Anne asked if I knew the plant the English call cowslips.  I had Rob look up hogweed-it is indeed the same plant.  How is it that a plant could have such a graceful common name in one gardening world, and such a threatening one in another?  Where gardening is concerned, there is always a lot to talk about.

This Chicago group of four entertained themselves-and all of us-for better than three hours. I am sure they went through the entire place at least three times. Sue kept reminding everyone that they had plenty of room for anything they wanted to take home with them.  There was a lot of discussion about who liked what and why.  I was interested in what everyone liked the best. 

Gretchen was especially fond of the sundials-I have the feeling she is very serious and passionate about the garden.  I told her I was having trouble picking a topic for that thousanth post.  She immediately suggested I write about their visit.  I loved the idea. I did not know why, until I had some time to think about her suggestion.  

Measuring up in writing, or second hand-a ridiculous endeavor. My most favorite actor-Donald Southerland.  He measures up, via his films.  Would I like him if I knew him personally?  Maybe, or maybe not.  But every design relationship depends on what happens, face to face.  One gardener to another.  Is it possible to forge a relationship over a pot full of baby tears?  This pot-Margery’s favorite.  Subsequent to meeting her in person, I would say yes.  


Another favorite-the salt glazed Errington Ray pots with lemon cypress, violas and white alyssum.  This Chicago gardener spoke for three of them.  I liked her choice.  All four of them put me instantly at ease.  It was as if we knew each other.  In a way, we do know each other.  Via the writing.  And now, there is the face to face.  Did I arrange that?  No.  They got in their car, and came over.  They made a big effort to get to me.  They thanked me for the big effort I have made to get to them.     

Gardeners come from lots of zones, states, countries and communities.  I have yet to meet a gardener that did not interest me.  They have stories to tell, interests.  Those relationships enrich my gardening life.  There are so many common bonds.  The plants.  The weather.  The design.  The seasons.  The dirt.

gardeners

Each member of this group has a life to which I am not privy.  But we have lots in common, given that each of us gardens.  There are new relationships there-given our face to face meeting.  Now I know the names, and have seen the faces of a few of the people who read what I write.  As for the thousanth post, I realize it is not the writing that deserves any attention on the occasion of the thousanth post.  What matters the most are those gardening people who are reading.  I understood from Gretchen that no one writes without asking for a reader.  She is right-I did ask her to read.  Everyone who reads this blog inspires me to write.  Many thanks to all of you.  And special thanks to you Gretchen.  I am so very pleased to have met you.  And I am especially appreciative that you designed this post for me.

Sunday Opinion: The Plants

 faux bois

The heart and soul of any landscape is the plants.  As much as I love a fine bench, or a great galvanized tub, or my edger strip that keeps weeds out of my beds, or my deck with its comfortable chairs, or my tools, or my granite mulch, or my fountain, the really important news is almost always about the plants.  Beautiful plants always get my attention.  New ones intrigue me.  Old favorites bring back memories.  Great combinations never cease to interest me.

 magnolia Butterflies 

The frost destroyed every flower on all twelve of my magnolia trees-this is news.  OK, this is news in my world.  I have a very small urban property.  The magnolias are a big part of my landscape.  If you love magnolias as much as I do, those few fleeting weeks in the spring in which they bloom is a treasure.  That flowering cut short- heartbreaking.  Though I knew the trees themselves were not damaged,  I still worried about them.  The frost wrecked brown blooms of my Galaxy magnolias are still holding on-a daily reminder of a personally grievous event that warrants no press, no mourners besides me.

perennial garden designMy most favorite moments in the garden happen unexpectedly.  A clematis comes into bloom.  The Norway maple send forth leaves.  The lawn greens up, thickens, and grows almost overnight, given some spring weather.  A trout lily comes from no where and blooms.  The roses bud, and bloom, filling my side yard with that fragrance I associate with June.  The little plants I set in my pots flush out, and make a music I have heretofore not heard.  A hummingbird visits, fleetingly. All of what the plants provide to a landscape is one miraculous event after another. 

boxwood hedge

A large tree can provide shelter from the sun.  An old tree puts one’s own mortality in perspective.  A boxwood hedge can satisfy a need for order.  A wildflower garden satisfies that need to experience the primeval forest.  A rock garden successfully planted and maintained provides that particular pleasure-knowing you have suitably provided for a unique environment.  Growing food for your family dovetails with that most elemental instinct-to make a better world, to nurture.  By far and away, the most popular plant we carry in the shop is rosemary.  The pungent smell speaks strongly to the garden.  Cut sprigs season the dinner.  A wedding featuring rosemary features the garden.  Rosemary is a symbol of loyalty and remembrance.     

  white Japanese anemone

Spring flowering bulbs attest to patience, vision and belief in the future.  Fall blooming perennials bravely provide interest and color late in the year.  Tropical plants take the heat.  They grow to astonishing proportions.  Ornamental grasses court the wind.  The grass is a place for the corgis to play, and a place where the eye can rest. A grove of trees provides shelter from a sudden summer shower.   An espaliered apple tree occupies a very small space, but can produce lots of fruit.  Succulents are so sculptural in appearance, and need little in the way of care.   

landscape design

The moon and the Mohave desert are landscapes with capital L’s, but I would not want to live in either place.  I like land densely populated with all manner of plants. How many plants does it take to make a good landscape design?  As many as you can add to your vocabulary and experience.  Or as few as you like. As big, or as little as you like.  But a working knowledge of plants is essential. Design decisions involve making choices, so there has to be something from which to choose.    

hellebores

There is no need to open a book.  The plants will tell you what they like and what they don’t.  Feel free to move plants around-they handle it well if you are careful with their root ball.  It’s about time for the plants-are you ready?

Sunday Opinion: Vernissage

Three years ago today, April 1, 2009,  I published my first post. To follow is a reprint of that post, entitled “Vernissage”.

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Strictly speaking, the French word vernissage speaks to the opening of an art exhibition.  I learned the word recently from a client with whom I have a history spanning 25 years.  This speaks a lot to the value of nurturing long term commitments.  I have learned plenty from her, and from her garden, over the years. In the beginning, I planted flowers for her.  Our relationship developed such that I began to design, reshape, and replant her landscape.  She was passionately involved in every square foot of her 8 acre park.  Needless to say, the years flew by, one project to the next.  I have favorite projects.  A collection of fine white peony cultivars dating from the late 19th century was exciting to research and plant.  A grove of magnolia denudata came a few years later.  Another year we completely regraded all of the land devoted to lawn, and planted new.  I learned how to operate a bulldozer,  I so wanted to be an intimate part of the sculpting of the ground.  There were disasters to cope with, as in the loss of an enormous old American elm.  Deterring deer was nearly a full time job.  Spring would invariably bring or suggest something new.        

In a broader sense, vernissage refers to a beginning- any opening.  This has a decidedly fresh and spring ring to it.  I routinely expect the winter season to turn to spring,  as it always does.  But every spring opening has its distinctive features. Last year’s spring was notable for its icy debut. Grape hyacinths and daffodils ice coated and glittering and giant branches crashing to the ground.  This year, a different kind of drama altogether. My first sign of spring was the birds singing, early in the morning.  It was a bit of a shock, realizing how long it had been since I had heard the birds.  Why the break of my winter this year is about hearing the singing-who knows.  Maybe I am listening for the first time, or maybe I am hearing for the first time.  Every spring gives me the chance to experience the garden differently.  To add to, revise, or reinvent my relationship with nature.

Much of what I love about landscape design has to do with the notion of second chances. I have an idea.  I put it to paper.  I do the work of installing it.  Then I wait for an answer back.  It is my most important work-to be receptive to hearing what gets spoken back. The speeches come from everywhere-the design that could be better here and more finished there. The client, for whom something is not working well, chimes in.  The weather, the placement and planting final exam test my knowledge and skill.   The land whose form is beautiful but whose drainage is heinous teaches me a thing or two about good structure.  The singing comes from everywhere. I make changes, and then more changes.  I wait for this to grow in and that to mature.  I stake up the arborvitae hedge gone over with ice, and know it will be two years or more-the recovery.  I might take this out, or move it elsewhere.  That evolution seems to have a clearly defined beginnings, and no end.  

But no matter what the last season dished out, I get my spring.  I can compost my transgressions. The sun shines on the good things, and the not so good things, equally.  It is my choice to take my chances, renew.  The birds singing this first day of April means it is time to take stock.  Start new.

  I can clean up winter’s debris. My eye can be fresh, if I am of a mind to be fresh.  I can stake what the heavy snow crushed.  Spring can mean opening-the opening of the garden.  Later, I can celebrate the shade. I can sculpt ground. I can move all manner of soil, plant seeds, move, and renovate.  What I have learned can leaven the ground under my feet-if I let it.  Spring will scoop me up.  Does this not sound like a life? I can hear the birds now; louder.

Vernissage. Think of it.  Spring

 

The client I spoke of in this post April 1 of 2009 is moving to a new house, a much smaller property the end of this month.  Her passion for one garden is coming to a close.  A new garden is waiting.  No spring that came before will be quite like this one.Though I have published 987 essays in 3 years, the most important one is the next one.  And the next one after that.  Today also marks 20 years to the day that Rob and I began working together. There have been ups and downs, but the relationship endures, and evolves.  Suffice it to say that Detroit Garden Works is an invention that reflects that relationship.  Vernissage?  This 20th anniversary is most assuredly a spring moment.  The both of us, in concert, and individually,  have plans for the next twenty.  Yes we do.

Sunday Opinion: Heart And Soul

I am reluctant to have plants at the shop too early in the spring.  As Rob has said, it takes mother nature a long time to make up her mind to commit to spring.  I hate to see plants damaged by frost.  We do have a green space of sorts where we can stash plants during inclement weather.  I cherish that glass roof. It makes reference to the living and the breathing that is the heart and soul of a garden.  Sun streams through the roof.  We sawcut and removed the concrete floor adjacent to 3 of the walls. We planting creeping fig at the base of 2 of those concrete block walls 10 years ago.  These green walls are lush and thick year round, and provide a green backdrop for the plants we house there year round.

Plants and water-we felt these two elements were an essential element of any garden shop.  We tore the midsection of the roof off the building in this room.  It sat exposed to the weather for 3 months, until we found an old used Lord and Burnham greenhouse for sale.  I remember watching rain falling inside that room.  The floor was greasy and slick from years of cutting oil that lubricated the machines bolted in place. The rain puddled on the floor, until we shotblasted that surface clean.  A steel storage tank that held waste oil was pumped out, and filled with sand.  A built-in concrete wall fountain designed after a French original sits on top of that old tank.  Eventually we set the peaked roof and hip of that greenhouse on top of the existing flat roof.  The room was flooded with light.  The exposed steel H-beam is a strong visual reminder of the industrial history of the building.  The glass roof still has the original old chains that open the vents.  I would not call this a conservatory-that would be laughably overblown, and altogether missing the point.  It is an old factory room repurposed such that we can shelter plants.

I am sure I have talked before about the purchase and reclamation of this building.  A good portion of it was built in the 1920’s-the rest in the 1940’s.  But that protected green space is much on my mind now, given the weather.  I have been uneasy about the unusually early warm weather-uneasy enough to be sure I had a giant roll of floating frost cover on hand.  A frost warming last night, and a freeze warning for tonight makes me glad I have it.   Yesterday afternoon we brought almost all of our plants indoors in anticipation of a threat of frost last night.  The glass house is stuffed with plants-hellebores, primulas, rosemary, ivy, myrtle topiaries and so on.  Ordering in plants in the spring can be dicey; that room has my back right now.  Most of our pansies are still outside, under steel plant tables covered in several layers of row cover. All of the espaliers are under cover, in the garage.

None of the plants in that space are rare but for our Wollemi Pine.  It is a small start of the rarest of all trees.  Only one stand of about 50 trees in some undisclosed location in Australia is known to exist. I bought a seedling propagated from an original tree from the Brooklyn Botanic garden 8 years ago.  The sale of these seedling trees goes towards protecting the habitat of the original trees. I like that it lives and thrives in our glass house.  The other plants we have you might well expect to see for spring, or perhaps they are unusual in commerce.  But what really makes them different is that they are very well grown, or in large sizes as in a 25 tear old lemon tree. Or that we created a space so we could properly look after them in stormy weather.  We will haul our usual standard spring plants in and out as often as we have to, until the night temperatures are reliably friendly. 

In the same vein, there is nothing about this standard issue old concrete and steel factory that is of any particular architectural interest.  The renovation and repurposing of an old building-our own showstring version of urban renewal-isn’t particularly newsworthy either.  Lots of people do this.  But standing in that glass house this very cold March morning, I felt such relief that we were at least able to protect some of our plants.  I cannot do a thing about my Galaxy magnolia in full bloom which will possibly be subjected to 25 degrees tonight.  If every flower freezes and falls tonight, there will be the ordinary heartbreak that is part and parcel of a gardening life.  But I could hardly sleep last night, worrying that gardeners in the northeast are facing much more seriously damaging low temperatures overnight tonight than I.  Godspeed, all of you.