The Roundabout

new-house.jpgBig houses on very small properties-a given, in urban areas.  A very small property that is hosting a very large house presents a special set of design considerations.  The entire space is  instantly visible.  This makes it very difficult to create a sense of mystery, or discovery.  There are few opportunities to create “rooms”, each with their own distinct atmosphere.  There is a single view, and few options to generate other views.  It is easy for a large structure placed in a small space to look uneasy or unsettled.  Big buildings loom over small spaces.  They block the light.  They are the dominant landscape feature with a capital L.

concrete-aggregate-driveway.jpgThis particular property is very narrow.  Critical to a successful landscape design is an assessment of how the house sits relative to the grade.  This house is set very high, given that the client wanted window wells that would add light to the basement level rooms.  This meant that a retaining wall and curb was necessary to create a driveway which is level.    A driveway would necessarily be a big feature of this landscape.  There is no room to make it a secondary feature.  Given the stone on the house, I designed a concrete aggregate driveway with a stone curb.  Why so much fuss over a utilitarian feature?  When the driveway occupies a big part of the front yard landscape, that driveway needs to be functional and beautiful.

 

landscape-design.jpgI like a front walk which begins at the sidewalk, and ends at the front door.  That route may be direct, or meandering.  It is also nice to have a walk from the driveway to the front door.  This is a matter of convenience.  The idea of pair of walkways in this small space seemed overpowering.  I was thinking about a landscape which would be based on an ellipse.  Much like a roundabout that enables traffic to flow, without stopping and starting.  Though I am nervous approaching a roundabout, I find the process goes smoothly once I am in it.  A gravel ellipse would touch the concrete aggregate drive such that a path from the drive to the front door would be visually unobtrusive.

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The gravel ellipse would be bordered on each side by garden.  This would help to keep the gravel surface out of view from the street.  The elliptical ring with the blue handled  flat shovel pictured above would have a gravel surface.  The innermost ring would be grass.

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The property had been overrun with trucks over the course of the construction of the house.  Given that the soil had been compacted to an extreme, we dug into it with pick axes and shovels.  We would eventually work some compost into the soil, but I subscribe to the idea that plants will thrive if they like the existing planting conditions.

elliptical-fountains.jpgA pair of half elliptical fountains would be installed in the center of the garden. As much sculpture as fountain, they provide a focal point for the landscape. They could be planted with water plants, or not.

 

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The big gestures are strongly horizontal, in contrast to the strong vertical lines of the house.  Once the arcs of Hicks yews adjacent to the house have a chance to settle down and grow in, they will be maintained at a height below the ground floor windows. The gravel path from the drive to the front door is already invisible from the street. The yew, boxwood, and a pair of DeGroot Spires arborvitae will provide evergreen interest over the winter months.

lawn.jpgThe garden adjacent to the lawn features plants that grow three feet tall, or less.  This garden will be dominated by peonies.  Beautiful in bloom, the make compact and glossy leaved shrubs that look good all summer.  The plants are spaced such to permit the additional of taller growing annual plants.

landscape-design.jpgThere is a mix of plants. The outside garden will be taller, once it grows in.  The Little Lime hydrangeas grow 4-5 feet tall, as will the roses. Russian sage and shasta daisies are bordered in the interior by stachys hummelo and Visions in Red astilbe.    This garden will provide a sense of privacy and intimacy for the inner fountain garden.  Adjacent to the sidewalk, a buffer of lamb’s ears and moss phlox. On the lot line, a single Vanderwolf’s flexible pine, a few magnolia stellata, and a grouping of fothergilla gardenii.  A few lilacs, a favorite of the client, were placed where they would have room to grown.  The lilacs are faced down with lespedeza.   Euonymus “Moonlight” is planted behind the yews.  A stand of “Goldner’s Bouquet” daylilies were planted on the south side of the house.

elliptical-fountains.jpgBordering the fountains, a frame of sedum John Creech will help to keep the lawn mower at bay.  Interestingly enough, it is remarkably tolerant of the overspray from the fountains.  This landscape has only one organizing idea.  But rather than a beginning and an end, there is a roundabout.

schematic-=landscape-plan.jpgA schematic landscape plan is a simple series of shapes that indicate what goes where, and how one travels from one place to another.  If the landscape plan works well on a structural level, then the additional of the plants will bring a sculpture to life that is pleasing to the eye.

The Spheres For Thomas Hobbs

Southlands NurseryThomas Hobbs and his partner Brent Beattie own and operate a nursery in Vancouver British Columbia called Southlands.  I first became aware of their nursery via an article in Gardens Illustrated magazine years ago.  As this publication only rarely features gardening places and people outside of England, I knew this place had to be extraordinary.  It is.  Rob made a point of visiting Southlands a few years, as I was so keen to know more about their vision of beauty, their love of the garden, and their love of the gardening trade.  Thomas has written several great books.  Both “Shocking Beauty” and “The Jewel Box Garden” are well worth reading.  His chapter about “bell’occhio”,  literally translated as “beautiful eye”, was an influential read for me.  We struck up a friendship after my first blog essay about him some years ago.

June 24 2013 (5)What has Buck been up to?  Making his steel garden spheres, among a lot other things. If you are not familiar with them, they are a classic style garden lattice re-imagined and constructed in the round.  Buck knew exactly how to make them, but could not draw them.  After much discussion, I finally told him to just make one.  The CAD drawings could come later. The first strap steel sphere-not welded, but riveted together-was big, light, and gorgeous.  Never mind the drawings.  We now make them in both strap and rod steel,  for clients both local and distant.

delivery of the spheresIt was a good thing that we had some spheres on hand, as Thomas decided he wanted 6.  3 strap steel spheres.  5.5 foot in diameter, 4.5 feet in diameter, and 3 feet in diameter.  He wanted the same number and sizes in the rod steel-sent to Vancouver in time for an event.  Buck crated each sphere with the same care he exercises when he makes them.  They had a big journey ahead of them.   Exportation to Canada involves a lot of paperwork, and a customs broker.  The spheres are manufactured in the US, and are made from steel that comes from Canada.  We verified that to satisfy the requirements of our trade agreement with Canada.  The truck that picked up all six spheres was a dedicated truck, meaning no other freight on board.  From Pontiac Michigan, to  Vancouver, British Columbia took two days.

deliveryThe  spheres arrived in time for the hardy plant study group that was to visit his garden in June.  He told me he felt like the the spheres had been crated by the Louvre.  Buck did crate like the Louvre.  We wanted those sculptures to travel from our hands to his-without a hitch.  Happily,  they arrived without so much as a scratch.

uncrating the spheres
Thomas and I have never met.  We may never meet.  But we have a strong relationship over the garden.  I am thrilled that 6 of our spheres are part of his new meadow garden.

Thomas Hobbs 12He has been sending me pictures. This new garden of his is young, but he has a vision for this space that is timeless.  I can see that as this garden grows, those spheres will be a sculptural element  that will keep pace with the passing years.

Thomas Hobbs 6I imagine that he has been moving them around since the day he uncrated them.  He is testing them in this spot, or that spot.  From the pictures, I can see that he is interacting and responding to them.  Sculpture that graces a garden is much about the gardener in charge.  As a designer,  I rarely presume to suggest a sculpture for a garden.  I can never predict what a gardener, an individual, will find appealing.

Thomas Hobbs' spheresBut given the pictures I am getting every day from Thomas, I think these spheres touch and reach him in a very personal and serious way.  My advice?  Only commit to art that truly moves you.  Any sculpture you place in your garden should enchant you every time you pass by.

Thomas Hobbs 3Judging from the pictures, I would suggest that Thomas Hobbs is perfectly in touch with what enchants him.

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Hobbs spheres

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days end

Thomas Hobbs 5The visual news from Thomas Hobbs.

 

More Romance

gravel-driveway.jpgI spent the better part of the day planting containers for a client who engaged me to design and install the landscape for her new lakeside home-last year.  Most of what I saw in ground today is a year old.  I was more than happy by what I saw.  I credit the degree to which her plantings have taken hold to the grading, the drainage work, and plant choices that matched her existing conditions.  I know am posting many too many pictures.  But perhaps the oversized collection of pictures will give you a feeling for the overall landscape.  Many of her John Davis climbing roses are now over my head.  The romance of that was considerable.

front-door.jpgBuck built the ipe benches specifically for this porch.   The concrete pots are our interpretation of an original French faux bois box.

katsura espaliers.jpgThe espaliered Katsuras in this 36′ foot long raised stone planter provide screening from the house next door, in a space barely a foot in depth.  These espaliers are well on their way to making a green wall.

lakeside-landscaping.jpgThe lakeside has a pair of perennial gardens, endowed by patches of little lime hydrangeas, and some birch.

wet-meadow-garden.jpgNear the water, several meadow areas planted with chasmanthium latifolium grass, wild daisies, and amsonia Blue Ice.

wet-meadow.jpgThe meadow garden

dock.jpgLater in the season, the meadow will feature monarda and asters.  Last fall, we planted lots of blue and white camassia-for this spring.  Some of them are still in bloom.

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The more formal perennial gardens feature nepeta, stachys hummelo, and phlox.

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The alliums-we could have planted many more.

nepeta-blooming.jpga view of the garden

lakeside-landscape.jpgIt is easier to see the design of the lakeside landscape from the second floor balcony.  Very formal landscape elements contrast with less structured gardens.

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Even informal gardens benefit from beautifully generated curves.

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The roses and clematis on the pair of pergolas-they are obviously very happy.  I am astonished at how much growth they have put on-in just one year.  This willingness to settle down and grow makes me feel like the selection and siting of plants was correct.  And that the maintenance has been good.

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There is plenty of romance going on here.

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roses and clematis

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pergola garden

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The June garden is represented by large flowered clematis, and John Davis climbing roses.

pergola-garden.jpgVenus dogwoods blooming

annual-planting.jpgcontainer planting at the front door

rosemary-on-the-roof-terrace.jpgrosemary, on the second floor terrace.

side-garden.jpgThis semi shady side garden is simple.  The privacy afforded the second floor terrace is courtesy of 14  6″ caliper Bowhall maples. All of them seem to be taking hold, just fine.  All in all, I am very happy about what I saw here today.  Planting the pots-my pleasure.

 

Garden Designer’s Roundtable: Transitions

stone-stairs.jpgTransitions broadly refer to change.  A change in status, as in child to teenager.  as in working person to retiree.  As in winter into spring.  The moment in the garden which is neither winter nor spring, neither summer nor fall, neither fall nor winter-these are transitory periods.  Change of any kind implies challenge and uncertainty.  As a designer, I am routinely asked to address the change from one level to another.  If you have ever climbed a steep set of stairs, you know how much effort is involved to make the transition from one level to another.

stone-stairs.jpgA beginning college course in calculus is just that-a beginning.  Advancing from one level of proficiency to the next is greatly helped by a friendly transition process.  The effort it takes to move to the next level-considerable.  Steps in the landscape were invented to make that transitory experience as easy and as interesting as possible.  When I am in New York, and zooming up an elevator, I wish for a transition from the first floor to the 28th floor with some grace and style.

bluestone-stairs.jpgSometimes long flights of steps from one level to another  are unavoidable.  I try to make that trip as visually interesting as possible.  This makes the transition from one level to another an experience-not a chore.

transition.jpgThe transition from the public landscape to the private and personal landscape can be brief and substantial-as in a wall.  A hedge.  A gate.

slope.jpgA subtle transition in grade can be dealt with in a number of ways.  Short flights of steps endow a long and gently ramped soil, with a little lively punctuation.

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The walk to the front porch is traveled by good friends, family, and UPS.  The front porch-a formal transitional space that gives friends, family, and delivery people a moment to collect themselves.  A little time to compose themselves.  A little time to shed the cares of the day, and focus on the moment.  I like big wide and ample  porches.

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Any transition from one level to another asks for an inventive solution.  An invitation to move from one place to another-both physically and emotionally. The time it takes to make a change from one place to another-transitions in the landscape need to be big and generous.  Transit implies a movement from one space to another.  That transit space needs as much patience as any other space in the landscape.

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A steep slope  is not so friendly to people.  Some slopes can be addressed with steps.  Some slopes can be addressed with soil graded into tiers, and grassed. Any transition in the landscape needs to be addressed thoughtfully.   Imagine yourself at that transitional moment.  Design with that moment in mind.

I am keen to read what other members of the roundtable have to say about transitions-please join in!

Jocelyn Chilvers : The Art Garden : Denver, CO

Scott Hokunson : Blue Heron Landscapes : Granby, CT

Mary Gallagher Gray : Black Walnut Dispatch : Washington, D.C.

Debbie Roberts : A Garden of Possibilities : Stamford, CT

David Cristiani : The Desert Edge : Albuquerque, NM

Jenny Peterson : J Petersen Garden Design : Austin, TX