Archives for 2012

Spring Fete

greenhouse space

Jenny did get a chance to take a few pictures at the beginning of our 2012 preview party last night.  Perhaps some of them will at least give a feeling for what the shop looks like the first day of the gardening season.  I hate for anyone who couldn’t be here to miss out on the feeling of it all.  There is nothing quite like spring.  The time for plans, new ideas, getting back outdoors-and that lime green color that says spring so eloquently.     

French glazed terracotta

Our winter has been anything but.  I do not believe the ground ever froze.  I have lots of friends and colleagues in the nursery business-none of us know what to make of this.  Or what it means for the spring.  March ordinarily is a winter month for us.  It usually is milder than February, and much milder than January-but winter nonetheless.  I not only have forced bulbs in full bloom, my tulips are out of the ground.  The espaliers in the garage are breaking bud.  Today, 38 degrees and snow showers.  Tomorrow night, some say 12 degrees, others say 17.  We jut decided to go ahead with a little spring all of our own invention.  Yes, we had the heat on.   

Rob’s trip to France in September resulted in a late January ship date.  A relatively easy trip through customs meant our first container arrived while he was in Italy.  In 1`6 years, this was the first time he was not here for an unloading.  My landscape crew has worked steadily this winter, as the weather permitted such.  They played an unprecedented, but substantial role in transforming the shop from last season, to this season for the simple reason that it was possible to work. 

Detroit Garden Works

Weather of a markedly different sort is not that unusual, if you look back long enough.  I am sure there are those gardeners who lived out long and comfortingly average gardening years without so much as a blip.  My apprehension about a strikingly atypical winter is is fairly well matched by my interest and curiousity about the unknown.  So we are celebrating our usual March 1 reopening with an emphasis on spring-as that spring seems to be lurking about.   

helleborus orientalis
Rob sourced some great hellebore plants-we potted them up in plain clay pots, and set them in saucers-old fashioned, this treatment.  These spring blooming helleborus orientalis cultivars can be planted out, and enjoyed for years to come, in April.  But this moment, hellebores blooming March 1st is an enchanting promise of spring.  Lots of them went home Thursday night.

glazed French pots

The French glazed containers, antiques, and vintage garden ornament looked so good to my eye-and my gardening heart.   So many years ago we brought over containers of French pots from a number of regional poteries.  This newest group brings back so many memories of our early years.   They also are so strikingly different than the containers from years ago.  Every reference to the history of French pot making is intact, but each poterie has a contemporary interpretation of that history all their own.  These cream white glazed French pots are offered with a new option of a square base.  How I love that Rob saw fit to include these glazed bases.   How these footed urns sit now-graceful and solid. 

hellebore hybrids

Today we had lots of company-there are many other gardeners anticipating spring just as much as we are.  A vintage French wood sink on legs stuffed with hellebores-does it get any better than this? Sure it does-but for March 1st, this will better than do.

forcing spring bulbs

We did pot up and force bulbs in containers.  How I managed to get color showing March 1-I have no tips to offer other than to say our unheated garage was warmer than usual.  My potting schedule and treatment was the usual.  

We added bits of forsythia branches, moss and lichens to some of the bulb plantings in baskets. A spring scene that might help fend off the worst of this season with no name.  On the table, bunches of faux tulips to be added at that later date when the real ones have run their course.  Why not?  

forced spring bulbs

The corgis are back on duty now, after a long hiatus.  They like having visitors, just like we do.  We have coffee and sweet bites, if you have a mind to get out of the cold, and warm up to the our idea of spring.

 

Packed

garden shop

Have I mentioned that the shop is reopening tomorrow afternoon, March 1st, at 5?  We dial down January 15th-this means we are open by chance (which is every day) or by appointment.  How so?  It takes 6 weeks to clear everything out of the shop, clean like crazy, and repaint.  In February we had 2 containers arrive from France, and numerous other domestic shipments-in preparation for the spring gardening season.  Every new garden ornament needs to be introduced to what we love, and have.  The introductions can take longer than you think to make work.  I know we are ready-Jenny says the place is packed.  

potted spring bulbs

Tomorrow night is our preview night.  We have never done a March 1st event at the shop before, but the weather has been very mild, making all of us all the more anxious to get outdoors.  And our new things for spring are very beautiful.  One of the best parts of having a small business is that new ideas are always welcome. Spring on March 1st in Michigan-why not?  We plan to make a party of it.   

French terracotta pots

My favorite part of the shop spring are customers telling me that the place looks entirely different than the last time they were here.  It is especially important that we get the old blood moving, reassess, clean and clean out, and renew.  Redo.  This is no small part of the satisfaction I take in having the shop.  I like to change things up.  This means that sooner or later everyone will find something that really appeals to them. The work involved in this is considerable, but I do that work willingly.  Every gardener has a story to tell-I am no different.  

English salt glazed pots

Gardeners are a very diverse lot.  God forbid there there would ever be a country called Gardenia-how would the populace ever agree on a Constitution, much less a Bill of Rights?  It would bore me beyond all belief to be on either of these committees.  I am in favor of freedom of expression.  Great objects for gardens, and great plants help serious gardeners to express themselves.  They also help any person for whom gardening suggests a way of life express themselves.    

garden shop interior

I especially like this year’s mix of big and little, serious and whimsical, antique and contemporary, purely beautiful and utilitarian.  Anyone who has an interest in gardening, design and the natural world-we are interested in them.  There have been enough people that like this that I am happy to say the shop is celebrating its 16th spring.

antique-French-crates

By no means did the last 6 weeks happen by my own hand.  There is Rob-if you shop here you know him.  He does the buying.  Before he buys, he dreams it all up.  Once everything gets here, I spend a lot of time looking it all over.  My landscape crews are instrumental in the moving, the painting, and the re-installation.  7 people on this crew.  5 people staff the store.  It takes everyone of the 12 people involved to remake 10,000 square feet.  I would invite you to come and see what they did. 

Mcat has change of routine issues.  The past 6 weeks I have seen him everywhere, trying out a new patch of sun, or a new arrangement.  I admit to a little of this myself.  It takes 6 weeks to shed what was.  Years later, I still have projects, and container plantings I still really like, but I always grateful, and energized,  for the chance to start over.   

antique French porcelain sign

The shop this spring has a decidedly French flavor.  What’s to like about French gardens, pot makers, garden antiques, vintage French grape gathering crates, contemporary garden ornament?  Just about everything.  The French have an ability to edit that I could only imagine in my dreams.  French gardeners never forget their agricultural history.  They know how to be fancy, they know how to live in close proximity to the earth.  They made great wines, great cheese, and great gardens. 

This is Rob’s idea of a container planted in the French style.  I should rephrase this-he plants containers all of his own invention.  But I see the impression this last trip to France made on him.   A forced cluster of crocus bulbs got the soil washed off, so they could be replanted with those bulbs above ground.  The bulb is as much about the presentation of this plant as the flowers are.  The container-very simple and roughly textured-a great contrast to the delicacy of the crocus.  The tufts of coir fiber stuffed into the dirt-all about a wiry description of the airspace.  This container, barely 8 inches tall overall, is about great design, grace, and restraint.       

faux grass stems

I still have work to do tomorrow.  Some places need finishing touches.  The garage is clean and organized.  William Schwab, a sommelier with Papa Joe’s for 14 years, who has his own shop in our neighborhood now, will be pouring and discussing French wines tomorrow night.  Rob shopped personally for the little something to eat-French cheese and the attendant crackers, figs, pears, and grapes.  He redid all of the lighting last night.  French music-of course! We had help with that-thanks Michael. If you are local to us, I hope you will come by either tomorrow night, or over this early spring celebration weekend.  If you are reading in another state or country, I will post more pictures.    Jenny promises to upload all of our spring things on our website this Friday.   

garden shop

It is so great to be 61, and having the time of my life.

Through The Lens Part 3

I heard from Bob Stefko a little while ago-he checked out Dirt Simple for the first time. He liked the snapshots I took of him working-I like that. He did admit that the cold made this shoot a real challenge. Funny how this made me feel better.  After a 12 hour day on Saturday, he and I were back to work at 6:30 Sunday morning.  By 8:30 am we had a little sun.  This meant he had to work fast.  Too much glaringly bright light can wash the color and detail right out of a photograph. This means I take pictures of the landscape on overcast days.  For him, it just means more work.


These winter pots feature whitewashed eucalyptus and natural sticks bleached to a plae cream color.  The colors are great with the tawny shingle siding, and the dark blue grey door.  The wood boxes are handsome.  The architect found them-I do not know the maker.  But I do know I like them.  The textures and colors of all of the building materials are so striking. 

The winter pots feature a subtle third element-some curly willow.  These curvy twigs are a great foil to the solid mass of eucalyptus, and the uniformly cut cream sticks.  They make for another layer of interest that is not so apparent until you are closer to the door.

Three handmade English stoneware pots sit on a short wall that separates the driveway from the bluestone walk to the side door.  My pictures from this side, the west side, reveals what happens when I shoot into the morning sun.  The color goes dull, and the shadows really dark.

From the east side, with the sun behind me, the yellow twig dogwood, dark brown bahia spears and lavender eucalyptus look sparkly-richly colored.  The mix of boxwood, and yellow variegated boxwood looks as green as green can be, though these stems have been cut for at least 4 months.   

The red twig dogwood, and Michigan holly stems at this front door are just as richly colored.  Our key to insuring that the Michigan holly holds its berries throught the winter-Vaporguard.  This spray is considerably better than Wiltpruf at limiting transpiration.  With the moisture sealed in the berries, they stay plump, and hold on.  Bob had a challenge photographing these pots.  Tucked between a wall, and the step railing, the range of views was narrow.  I will be interested to see how he interpreted this space visually.   This house has very beautiful stone on the outside-the red makes much of this.

What?  You see snow in mid air here, yes.  How so?  The winter container had thawed some, putting a puddle on the terrace.  You can see that dark spot without any problem.  Bob wanted the entire terrace surface either all wet, or all dry.  We had few options for drying, but we had snow.  We shovelled snow onto the terrace, and swept it around until the entire surface was uniformly wet. 

This mid century modern house designed by Harold Turner, a master builder for Frank Lloyd Wright, is  a gem of a house.  My client-better than any gem.  He insists on utterly simple and sculptural, whether inside or out.  I did bring this sculpture of a concrete hound, thinking it might add a certain something to the photograph.  The photograph would not have much detail of the architecture-nor any detail of this client, and his passions.  This is my favorite snapshot of the shoot.  Man/photographer, man/owner, container, and dog. 

The tiles in this small entry terrace looked great, soaking wet.  The hound seemed like he belonged there.  The pot is a contemporary Italian terra cotta pot from Francesca del Re.  The clay body is loaded with minerals such, and fired at such high temperatures  that these pots are fine outdoors over our winters.  The iron stand is plain-the big idea here is to feature the sculptural aspect of the pot.  A substantial centerpiece of yellow twig dogwood is faced down with a thick and wide noble fir base.  This arrangement features the container.  That hound-he does add a certain something to this scene, does he not?

As we were packing up, my client appeared. He tells me, if this stray dog does not have a home, I will speak for him.  I was delighted to oblige. We left the hound on the terrace, just as Bob photographed it.  Irving offered a tour of the house to our photographer Bob-what a treat.  He has a particular interest in mid century modern architecture.  He got the cook’s tour.  This part of the shoot was not choreographed, or anticipated.  Every client that participated in this shoot was enthusiastic, and accomodating.  Irving-he lives with the idea that he should speak up and out.  No one says welcome better than he does.   I like that idea of his. I like that a great sculpture of a hound got a great home. 

Sunday at 1pm the shoot was done.  What an experience!  Many thanks Bob-it was my pleasure to meet, and work with you.

Through The Lens, Part 2

 

 

Yesterday’s photoshoot took 12 hours.  I was relieved to hear Bob was as tired as I was, at the end of the day.  We parted ways at 6:45 pm, with a plan to meet at 6:30 am this morning.  I was 5 minutes late-I was relieved he was not yet there.  Three of the photographs requested were slated by the BHG Art Director to feature winter pots with lighting.  This meant photoigraphs taken very early, or very late. Bob and I have been on deck both early and late.  I was so sleepy this morning I forgot my camera-pardon this unfocused picture taken with my iphone. I was a little alarmed to see that the lighting in the pots trumped by the lighting from the sconces on the house.  I had a feeling I would hear about this.   

Sure enough, Bob was not happy about those hot lights.  After some discussion, I asked him if he could unscrew the light bulbs in the lanterns.  6:30 am is no time to call an electrician.  No doubt,  my job was to help solve problems.     

 

 This winter pot features strings of mini lights, interrupted every so often by a light cover.  A light cover?  Years ago a company we bought from sold boxes of plastic spheres with an icy texture-designed to slip over a mini light.  What a great idea- these globes of light are so beautiful in our dark season.  We have never been able to source them again.  When I retire, I may design and manufacture light covers-do they not look great?

I was relieved that Bob was able to do his work, once we dialed down the lumens from those lanterns.  Of course the lights in the containers went off midway through the shoot.  I disabled the timer long enough for him to get what he wanted.  After the shoot concluded, we screwed every light bulb back in, and reset the timer.   

 

 He photographed the lights at the shop late in the day.  These pictures of mine were taken at dawn the day before he arrived.  I was ready 45 minutes before dawn to take some snapshots-this would help him plan.  The corgis were unsettled by this change in routine-breakfast at 5:30 am-really?

I never have any need for an alarm clock.  I am always up early.  But I set an alarm on a little digital clock I have had almost 40 years.  I wanted to be sure I was on time.  Once I got to work, and had a second cup of coffee, I was happy to be there.  The corgis quieted down, and rose to the moment.  We have had so little in the way of winter weather, I was delighted for this particular moment in a place I have come to every day for 16 years. I have nature to thank for that.  This particular moment. 

Bob says he was pleased with his photographs of the lighting in the winter pots at the shop.  He photographed from across the street.  Really?  Like I said, this was an educational trip. 

 Rob made this pair of winter sculptures for me every year.  I never ask for them.  I never make any suggestions.  What he does is a gift-I treat them as such.  They sit on top of a retaining wall at the end of my driveway.  They are what I see when I leave home in the morning.  They are what welcome me home at night.  I took this snapshot of them this past December.  They make me certain that there are certain seasonal elements in a landscape that truly do provide seasoning.  I would not want to do without them.  I take pains to make room for a little seasoning in every landscape I design.  What landscape would not be better, given the fragrance from lavender, or rosemary, or basil?  Winter pots provide a seasoning unlike any other-especially if you live in my zone.   

Late in the day, or early in the morning, these pots light my way, and my heart.   

Bob photographed them at 6:30 am the first day he was here. I was not privy to anything he did-I was completely absorbed with unfreezing the lock on the gates.  He wanted the gates open.  In retrospect, I understand this.  Every garden should issue an invitation.  An invitation to interact-an invitation to share.  I did finally get the gates opened.  What Bob photographed-I have no idea. 

The first day of this shoot was day and night.  I was great fun to be a part of that.