In Process

I am hoping you remember my post from not long ago about a young but very articulate client whose parents rank right up there on my list of “ten people I cannot do without”. I will amend that statement.  Cathy and Dick rank right up there with my most favorite clients, but kid Rich is getting my attention.  This rear yard, post a big house renovation, has been laying in wait.  Sue is so over the laying in wait phase-Rich is lucky to have her.  Thank you Sue, for getting Rich to get moving.  We got going with the landscape a little more than two weeks ago.  

Four Bowhall maples were planted first off.  Trees of this size require planting via a tree moving truck as big as a garbage truck.  The rootballs were 120″-10 feet-in diameter.  A house bereft of any plant of scale asks for a little something big.  Given the prized views to the golf course, columnar trees seemed like a good idea. 

A fountain figures prominently in the design.  A 10′ by 10′ fountain, 18″ above ground would feature a galvanized and acid washed steel surround, and a likewise contemporary steel vase skimming the surface of the water, and spouting.  This picture of Buck’s shop, and the fountain surround was shot from the mezzanine level at the Branch studio.    The surround in question was ready for a trip to the galvanizing plant.   


A complicated landscape installation involves the coordination of a lot of contractors from different disciplines. GP Enterprises would install the drainage first up, and then the big trees.  We would install the landscape.  Concurrent to our work, Gillette Pools would begin the installation of the fountain.  The irrigation work-a whole other issue we hope will get done today.   

Nothing gets done in the blink of an eye-just ask my client.  Each phase has its issues that need sorting out.  Careful and thoughtful sorting out.  Who needs a poorly planned installation to be evident at the finish?  No one.  The forms for the fountain seem like the work of a boy scout project, but they are anything but.

Wes Gillette has been installing fountains, spas, and pools for a good many years.  His work I can rely on.  I know this fountain will be reinforced with steel, level, and true.  Exactly what was drawn on the plan.  I can expect that he will coordinate with Buck on the installation of the steel surround, and fountain vase.

This fountain goes the extra 50 miles, thanks to Wes.  The water will be filtered and cleaned, just like a spa or swimming pool.  Though they were not interested in a swimming pool or spa, they greatly liked the idea of a fountain that would be people friendly.  The 8′ by 8′ water surface will have a fountain vase 4′ in diameter, and an overall depth of 23″.  I can see friends, kids, and family in the water.


Though the forms pictured may seem slight, the finished concrete work is solid.  This fountain will need its surround, its coping set at seat height, its pumps installed, its fountain vase levelled and fastened securely.  Every part of this fountain will need to be level.  My conversation over the Labor Day weekend with Buck-mostly about how to set and fasten that fountain vase level.

A Restoration

Some garden ornament is so irresistable that you don’t mind doing some restoration. This very old French cast iron and porcelain vase is dated on the side-Paris, 1827. That it was 183 years old, of great size, and unusual in its construction and surface-this made it a very intrigueing and compelling object.  I arranged to purchase and ship it to Michigan from Florida-having only seen pictures. 


Though I expected to see considerable evidence of its age, pictures do not tell everything.  I was enchanted with its worn porcelain surface; the original pattern is so beautifully faded.  I had visions of it placed and planted in a landscape such that the benefit would be to everyone’s mutual satisfaction.  The sheer scale of it was exciting.  One of Rob’s pictures from Italy is of a massive Italian olive jar that served as a prop to an old climbing rose planted next to it. This vase brought the possibility of that level of romance to mind again. 


However, the vase had issues. The thick cast iron base plate had deteriorated considerably over its very long life.  Buck doubted that the trip from Florida had anything to do with the fact that the base was in pieces.  The bolts which fastened the base to the top had completely rusted through. It was just very old, and in need of some restoration. It took four people to get this piece over to the Branch studio.  Buck had a 1/4 inch thick piece of steel cut to make a new base; the restoration project would have to get in his queue-at the end of the line.  

He had the base drilled with holes, hoping that he could weld what was left of the bolts to the new base.  He  would work on it as he had time; the new base and feet got completed in fairly short order.  What was to come would take a lot more time, and be quite involved. It would have to wait until there was time.  Early this summer a landscape project came along that was calling for this vase. My client fell for it just as fast as I had; the restoration process picked up speed. 

The first order of business-getting the vase in a position and at a height where he could work on it. A bridge crane in his studio which can lift and move up to five tons at a time is a handy gizmo at a time like this.  He was able to thread straps through the bottomless pot, and set it on a work surface.    

The vase is comprised of six separate cast iron panels.  Each panel had two flanges which allowed each piece to be bolted to the next.  Construction of course was dependent on the technology of the time.  The inevitable spaces between adjacent flanges were stuffed with some kind of caulk which had dried, shrunk and otherwise deteriorated to an alarming degree.  Once the vase no longer had a bottom, realigning all the panels to recreate the original round shape was a challenge.    

With the pot stabilized on the table, the bridge crane would help him maneuver the base into place.  The process of fitting the new base to this piece took what seemed like days. 


Buck finally called this morning to say vase and base were one again. He was able later to weld the old rusted stubs of the fastening bolts to the new base.  He plans to finish the steel in dark grey automobile primer.  I know it will be beautiful.  The landscape installation is finished, and ready for the delivery and planting of this vase.  I cannot wait.

At A Glance: The End Of Buck Week

the tapered Hudson planters

oak garden bench

Steel table in four sections

Pergola

Breakform V-pot and sphere

event tents

bus stop pergola with oak bench

conservatory table

spheres

sculpture/fountain

steel and concrete bench

oak and Valders stone garden table

firebowl

The Solver Boxes

I have no idea whether you are enjoying the Buck week posts-but I know he is.  It is tough when you make things, and never see what becomes of them. The finish of a box is not really the finish.  The placement in a garden, the plants-there is a whole other melody to come once they leave Branch.  Any garden box asks for planted material-he is seeing that relationship in some cases for the first time.  Some boxes are one of a kind, but have no name-as they are much more about what gets planted inside, than their aesthetic appeal as objects.  These galvanized and painted sheet metal boxes are a vehicle for a planted expression.  Sturdily made, and held by substantial steel brackets, they are a forum for a planted discussion on a garage wall. The garage wall-not so prominent now. 

This giant box at the end of this driveway has a purpose.  Drive an additional three feet-you and your car would be presented with the prospect of a steep ravine.  This box is a not only a stop sign, it will stop you should you be coming down the drive on icy pavement. The boxes and plants are so much window dressing-who would guess they are more importantly a substantial safety feature.    This home is paved right up to the front of the garage and house-not much opportunity for landscape to soften all this hard surface. These boxes on the second story are galvanized sheet metal-with a sanded and painted finish antique like finish.  The color is much more punchy up close-at a distance the color is soft and unobtrusive.  This makes the view much more about plants, than about boxes.  They also make the house look warm.

A corner sun porch just 3 feet from the lot line makes an in ground garden all but impossible.  The wall hung boxes permit a garden to be viewed from inside, and do not obstruct traffic from the front yard to the back. The square footage of soil is considerable; my first complaint about most boxes like this is that they are too small.  It is not long before the planting virtually obscures any mention of the word box.

This box I did name-but Buck only made four, and they are gone now.  I call this the Charisse box, as in Cyd Charisse.  A dancer whose long legs were a legend in the entertainment business; this box has legs I like.  The flared bell flower shapes on those legs-a beautifully decorative detail.  The scroll arms and handles were time consuming to make; I never hear Buck ask when we are making them again.  But I  have not forgotten them.  They went to homes not known to me-I have never seen them planted. They do indeed make me smile-they are so light on their feet.  Not every space asks for a handsome box-some spaces call for pretty. 

These massive boxes are also contructed of galvanized sheet metal-this is a much less expensive material than 18 inch or 1/4 inch steel.  A second story balcony terrace was completely exposed to view from neighboring buildings; this client needed big boxes, and lots of them.  The first year, we planted them as a meadow.  In recent years, they have done a good job of providing a permanent home to a hedge of arborvitae.  The trick to maintaining evergreens year round, above ground-as big a soil mass as you can manage.  This minimizes the effects of freezing and thawing that ejects plants from pots, and exposing their roots to the air.  This client has a completely private outdoor terrace, thanks to this wall of boxes.

Some less than visually thoughtful builder installed a giant downspout dead center in an alcove on this client’s rear balcony terrace-unsightly. One of our two extra balcony boxes was modified and placed here.  Buck made a steel stand for the box, which includes an armature on the back which bears most of the burden of supporting this substantial decorative iron panel.  A morning glory, and a pair of cherry tomatoes will help to obscure the drain pipe from view.   

The last of the balcony boxes landed on the ground-in a bed.  I like this unexpected treatment; flowers at the bottom of the box look great.  The bed is too narrow for any garden of size; the wall behind it is very tall.  A little change of level provides some interest in a tight space. In retrospect,  I probably should call these boxes the Solver boxes.