Eight years ago, on April 1 of 2009, I published my very first Dirt Simple blog post, appropriately entitled “Vernissage”. As much as it was the ordinary beginning of my gardening season, it was a very special beginning of my writing a journal style blog focused on garden and landscape design. To date I have published 1560 essays. Some are good, some are OK. Some are fun, and others I hope are challenging. You decide. But I have thoroughly enjoyed the process of organizing my thoughts, and writing them down in some in some coherent form. Every moment that I have spent photographing gardens, landscape projects, and plants for this column has been time in the garden that has made me slow down, and observe. More recently, my posts are longer, and more detailed-and fewer. I write when I think I have something to say. To follow is a revisited, rethought, and revised version of my first post in 2009, annotated in 2010, 2012, 2014,2015, and 2016.
Strictly speaking, the French word vernissage refers to the opening of an art exhibition. I learned the word 23 years ago from a client with whom I have a history spanning 25 years. She is an art collector. Our conversation over the years spoke to the value of nurturing long term interests and commitments. I have learned plenty from her, and from her garden, over the years. In the beginning, I planted flowers for her. Our relationship developed such that I began to design, reshape, and replant her landscape. She was passionately involved in the disposition of every square foot of her 8 acre park. The years flew by, from one project to the next. I had favorite projects. An edited collection of fine white peony cultivars dating from the late 19th and early 20th century was exciting to research and plant. A grove of magnolia denudata “Ivory Chalice” came a few years later. Another year we completely regraded all of the land devoted to lawn, and regrassed. I learned how to operate a bulldozer, I so wanted to be an intimate and hands on part of the sculpting of the ground.
There were disasters to cope with, as in the loss of an enormous old American elm. Deterring deer became nearly a full time job. Spring would invariably bring or suggest something new. All those years later, there is a body of work generated by the two of us that I call the landscape – that living and breathing discussion about nature that draws every gardener closer to the knowledge that life is equal parts mystery and miracle.
She sold this property 7 years ago. Change comes sooner or later to people and gardens alike. The landscape of her new and much smaller property was and needed to be designed by her. That new landscape was all about letting go of what had brought her so much pleasure, and embracing the challenge posed by beginning anew.
In a broader sense, vernissage does refer to a beginning- any opening. The opening of the gardening season has a decidedly fresh and spring ring to it. I routinely expect the winter season to turn to spring, and it always does. Every spring opening has its distinctive features. Some springs are notable for their icy debut. Grape hyacinths and daffodils ice coated and glittering and giant branches crashing to the ground-this is not so unusual. Snow can be very much a part of the landscape in mid April. This year, a different kind of no-drama altogether. A very warm February, and then a stony March cold we have yet to shake. Loading trucks this morning for our first spring container planting job, the temperature was 37 degrees.
I usually associate spring with the singing of the birds. I hardly noticed the singing this year, until this past week. The cold that has been reluctant to leave means there has been much more anticipation than experience. I see the signs now. The snowdrops are in bloom, as are the crocus. The magnolia stellata is still silent. Perhaps there will be no flowers this year, but perhaps there will. To add to, revise, or reinvent my relationship with nature is a challenge I usually anticipate. It has been hard to rev up. The last of this persistent cold just about reduces my spirit to a puddle on the ground. A client suggested yesterday that February had been steady at 60 degrees, and March seemed to last 60 days. How well said! Spring is finally within sight, in a chilly and miserly sort of way. Everywhere I see fat buds, waiting for that signal to proceed.
Much of what I love about landscape design has to do with the notion of second chances. I have an idea. I put it to paper. I do the work of installing it. Then I wait for an answer back. This is the most important part of my work-to be receptive to hearing what gets spoken back. The speeches come from everywhere-the design that could be better here and more finished there. The client, for whom something is not working well, chimes in. The weather, the placement and planting final exam test my knowledge and skill. The land whose form is beautiful but whose drainage is heinous teaches me a thing or two about good structure. The singing comes from everywhere. I make changes, and then more changes. I wait for this to grow in and that to mature. I stake up the arborvitae hedge gone over with ice, and know it will be years or more-the recovery. I might take this out, or move it elsewhere. That evolution of a garden seems to have ill defined beginnings, and no end.
This spring will see an average share of burned evergreen and dead shrubs. The winter cold and wind was neither here nor there. I am still wearing warm clothes. But no matter what the last season dished out, sooner or later, I get my spring. I can compost my transgressions. The sun shines on the good things, and the not so good things, equally. It is my choice to take my chances, and renew my interest. The birds singing this second day of April l means it is time to take stock.
I can clean up winter’s debris. My eye can be fresh, if I am of a mind to be fresh. I can coax or stake what the heavy snow crushed. I can prune back the shrubs damaged by the voles eating the bark. I can trim the sunburn from the yews and alberta spruce. I can replace what needs replacing, or rethink an area all together. A week ago I removed 100 Hicks yews that have been in my garden for close to 20 years. They have been ailing for years in a way that defied any remedy. Now what? I can sit in the early spring sun, and soak up the possibilities. I can sculpt ground. I can move all manner of soil, plant seeds, renovate, plant new. What I have learned can leaven the ground under my feet-if I let it. Spring will scoop me up. Does this not sound good?
April 1 marked 25 years that Rob and I began working together, and 21 years that the shop has been bringing our version of the garden to all manner of interested gardeners. That relationship endures, and evolves. Suffice it to say that Detroit Garden Works is an invention from the two of us that reflects the length and the depth of our mutual interest in the garden. In 1996, our shop was a one of a kind. We plan to keep it that way. No matter how hard the winter, once we smell spring in the air, we stir. Rob’s 2017 collection of hellebores and topiary plants is a delight to the gardening eye.
We have begun to plant up spring pots. What a relief to put our hands back in the dirt. Being outside today without a winter coat- divine. The thought that the entire gardening season is dead ahead is a very special kind of gardeners delight. Vernissage? By this I mean spring.
