Pruning The Boxwood

boxwood hedgesThe day that Melissa and her crew comes to prune my boxwood is my favorite day of the gardening year. First and foremost, their pruning is extraordinarily true and square. So precise. It takes a while to set up all of the level lines that will serve at a cutting guide. But beyond the string lines is a skill that is astonishing to watch. The coordination between the eye, and a heavy pair of shears held either horizontally or vertically takes strength, patience, experience, and talent. Loads of talent. I so admire their skill, concentration and resolve. Pruning my boxwood takes the better part of a day.

Secondly, that pruning is a natural extension of the intent of the design. The pleasure I derive from my primarily evergreen landscape is a simple one. I like what weather does to the landscape. Weather acting on the landscape changes the look and experience of it, day after day. The sunny days create shadows that highlight the forms. Overcast days emphasize the contrast of the leaf texture with the volume and mass of the shapes. The random leaves falling from the trees in October provide as much fresh interest as a dusting of new snow. Rain makes all of the evergreen surfaces sparkle.

The boxwood is the most formal element of the landscape, as both the placement and pruning is formal. That hand pruning makes all of the forms clear. That snip snip snip goes on all day long. The sound is regular, and musical. The painstakingly trimmed boxwood is a beautiful contrast to the big wild growing hydrangeas. Boxwood left to its own devices has a beautiful and gently shaggy appearance. That look can work well in a variety of circumstances. But I favor a look that is orderly and defined. I find that clean crisp look relaxing. It is the feeling I want, when I am in the garden.

Melissa and her crew take what I have taken great pains to grow, and prune them into distinct shapes. It is amazing how much they grow out in a year’s time. The pruning timing can be tricky.  I do not like to prune before the spring flush is finished. Pruning too early means it will take another round later on to keep them neat. So later in June, in my zone. I also like to prune before the weather gets too hot.  Pruning on a 90 degree day will insure that the tender growth underneath that has been completely shaded will burn in the blazing hot sun. Pruning is a call to grow, so I try not to prune later in the season.  Evergreen plants should begin the shutting down process in August, so when the winter comes, they are completely dormant.

Most of these boxwood are better than 20 years old. Clearly they cheerfully tolerate this type of pruning. Not all evergreens like this.  Yews especially can die out on the interior if they are pruned into densely formal shapes.  They need some air and light to penetrate to the interior.  All of the spreading yews on my property have a natural look to them, for exactly that reason. A healthy plant is a beautiful plant. If I am looking for a hedging yew with a formal shape, I choose a cultivar that grows that way, naturally. Taxus media “Mooni” is a formal grower, and rarely needs much pruning to keep it in shape.

At days end, I still like the composition decades old. And I know that, as Henry Mitchell once wrote, great gardens are the result of the intensive care of the present. The care my landscape gets might easily be more important than the design. Well cared for is always a good look. Mow the grass, pull the weeds, and prune the shrubs.

I drive Milo and I here every day after work. For several years now, I have parked in front, and ushered my dogs up the front steps. Howard needed help going up even a single step. This was the easiest way in for him. I could lift him over the two sets of two steps. He passed away in late May, but Milo and I still enjoy coming home, and walking up to the front door. How this looks after the trim makes me happy to come home.

I do have a secondary entrance to the side garden. Trimmed boxwood hugs the grass ramp up. The design here makes much of the foreground boxwood, the midground hydrangeas, and the far ground container in the side yard. In the background is a glimpse of the Princeton Gold maple trees. This is a good summer look, but it looks good no matter the season. And no matter the weather.

The side yard boxwood is accompanied by an old hedge of thuja nigra, and a stand of Princeton Gold maple trees to the east on the lower level. I like all of the green. From the trees down to the grass. Peaceful, this.

These side yard boxwoods are at least 20 years old. All trimmed up, they do my head, heart and eye a world of good.  The edger strip enclosing the gravel at their base has been in long enough to go wobbly. But the boxwood is as level straight and true as can be.

See what I mean?

Buck, Milo and I come up here every night to talk over the news of the day. This years news? The boxwood has grown out enough to be flush with the raised steel edger strip. It has taken many years to get to this point, but I am loving the look. The big idea? Those simple pleasures in a landscape can mean so much. Simple is good for the three of us. Well maintained makes every garden maker feel better.

As a designer, I take a good bit of time trying to find out what clients want from their landscapes. That is key to providing them a good design. This client has some big boxwood in her future.

 

A Modern Landscape


I am sure every city in every state in this nation has those larger than life, extraordinarily talented people who produced design that endures.  My city has many examples of residences conceived and built by Harold Turner. This master builder, responsible for the construction of many buildings of Frank Lloyd Wright, went on to build a number of residences in my city whose beauty still shines so many decades later.  I am not an architectural historian, nor am I well versed in the life of Harold Turner, but I knew my client had purchased a home of architectural and historical significance.  My part of this-study that building, the grades, the views,  the spaces-and make a move in concert.            

The living room of the house faces the rear of the property.  Floor to ceiling windows ask for the outside to work seamlessly with the inside, and provide year round interesting views. A wide open L shape, each wing of which is some 30 feet by 14 feet,  describes on the ground plane a pair intersecting glass walls.  Terraces at either ends of the wings suggests a landscape which permits leisurely travel from one end to the other. 

The strict geometry of this rear profile of this Turner house filled my head with curves.  How so?  The glass prow is so strong, why would I interpret or dilute that gesture?  Repeating the geometry he established for the house-what need would there be?  It seemed to me that a simple but sculptural landscape that made much of the view the design of the house made possible was in order.  

This landscape plane was entirely grass when I first came to visit. A default design.  This space had no need of a mower-it had need of a landscape of interest that would look good in any given season.  The journey from the library side of this house, to the master bedroom side of this house-it seemed to me that a path would figure large in the landscape design. The stone retaining wall casually stacked and irregular in shape seemed out of keeping with the palette of materials established by the house.  An initial hedge of Green Velvet boxwood screens that stone from view, and encloses the space.   

Decomposed granite is a favorite material of mine.  I mulch plants, I build driveways, I compose entire landscapes around that material that brings the parks in Paris to mind.  A walkway all about generous curves seemed a good companion for this house. My client does like to entertain; the wide walk makes for places for guests to visit, and good circulation.  The granite is a quietly versatile material that echoes the surface of the existing concrete aggregate.  Used in conjunction with steel or aluminum edging, it can cleanly outline interesting shapes.


There is always the danger that a small space will become a corridor to somewhere else-a visual racetrack, if you will.  Planting another series of boxwood, set perpendicular to the house and boxwood hedge, will slow down the traffic.  Unlike the boxwood in the hedge, these plants are placed in the bed, and in the gravel individually.  Individually placed plants read as individual sculptural elements.   

Seven sets of three plants each are placed such that the gravel walk space opens and closes.  Pachysandra fills the empty spaces in the beds; when grown in, their mass will reinforce the pattern of the walk.     

There will be decisions to be made about the pruning.  The hedge could be boxed-the individual boxwoods pruned as spheres. Or vice versa.  The boxwoods set in gravel could alternately be pruned as squares and spheres.  The distinction that is drawn between the inidivdual plants and the hedging plants will be an important part of how the landscape reads visually.  We will see what direction my client is inclined to take.  Beyond this decision, the maintenance will be minimal.