The Language of Design

boldforms1Everyone makes decisions about a life’s work.  Whether they think it through, or not,  decisions get made.  As a landscape designer,  I realized part of my life’s work was to plant magnolias-all manner of magnolias, every where it made good design sense to plant them. I am a  designer who in part came to design via a love for plants.  Plants are part of the vocabulary that helps give voice to a point of view. Every designer needs heart, soul, and nerve-but they also need language.

But back to magnolias. There is a history to my love for them. My design mentor Al Goldner had a big love for plants, but also a penchant for dragging along, and provoking his young staff, with beautiful  plants.  He took me to the garden of Phil Savage 35 years ago, give or take. I have not one shred of memory of the visit. But thanks to a thoughtful niece, I visited there last spring, after his death.mag

mag2Phil Savage,  lived on almost 8 acres-most of which reflects a lifetime growing and hybridizing magnolias.  He also grafted magnolia cuttings onto ash tree root stock-these trees are 70 feet tall on his property, as we speak.  He hybridized “Yellow Butterflies”;  when the spring weather is perfect, it is a dream come true in bloom.  Later, it is sturdily and robustly green.  His property had magnolias of a size, with flowers in colors, I have never seen-yellow, peach, orangy pink.   It was like a visit to another planet.  But no, just a visit to a man who knew and lived his life’s work.

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I have a magnolia in my yard, which I inherited.  It looks like no magnolia I know. It is the first thing to make a move,  in the spring.  I have a  supposedly “hardy” hybrid of Magnolia Grandiflora tucked into a corner, hoping nature won’t notice.  In pure envy of the British, I am growing an arbor of Magnolia “Galaxy” over my driveway.  My neighborhood dating from the 1930’s is peopled with Magnolia Soulangiana trees of immense size-mostly poorly placed.  Plants have a will to live, thank God.   The day they drop their petals, one could weep.

The point of this-you don’t need to know the words magnolia soulangiana.  But you may need that tree somewhere in your landscape that is asking for bold form, flowers and leaves-so put its image in your  design dictionary.  If I have my way, my life’s work will make for a whole  blizzard of giant petals, dropping softly, every year, on one particular spring day.

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Butterburs In Your Future

butterburr23The temperatures still hover at or below the freezing mark here-typical for the Midwest.  But there are signs of life.   The butterburr flowers are stirring. They are preceded by huge cracks in the earth. Ungainly and ill-proportioned, they look dead as they emerge from the ground, and grow downwards back to the earth-astonishing.  However unappetizing, these flowers are quickly replaced by giant, faintly prehistoric, leafy plants of  equally astonishing scale. They form large colonies overnight-the kind that would spread into your house via the bedroom window-if you are not the vigilant sort.butterburr4

Their immense leaves are stunning. There is no texture like this, unless you live in the tropics.

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How dramatically they fall to the ground in a heap when dry will make you laugh out loud. They compliment bitty -textured plants beautifully. But like many things in this world, they are willing to a fault. Give them an inch, and they will take Ohio.  They spread uncontrollably, into the most unlikely places.  The cracks in the driveway, the center of ancient and bristly yews-some surprise you by breaking forth many yards from their home. Shade will slow them down, should you have some. The butterburr battle is a loosing battle that I do not tire of.  Once I spent days removing every scrap and shred of them from a large bed. In three weeks they were back with no sign that I had ever touched them. So I embrace them, and chase them.  Our relationship is my idea of garden drama.
The design lesson here: the things you cannot change- the driveway you were dealt, the weather, the boundaries of your land, the butterburrs-make them work for you.
Give thought to where you are, who you are, and what you want. Most of all, sort out what you think is beautiful.  Be prepared to revise these answers regularly.  Then design. There could be butterburrs in your future.

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Working the Earth

scan0003OK, I have spent days detailing my childhood exposure and love of dirt-how does this pertain to you? Sculpting ground-this is a fancy definition for “grading”.  Grading dirt, simply stated, it is the process of moving dirt around, so water drains, there are flat places to be, and the sculpture of the ground which will become your landscape, looks interesting, and beautiful.   We can lower the dirt here; we can raise the dirt here. We can feather that area into this one.  How the house sits on the land is a big issue for new homes-thus many cities require grading plans. The project pictured tried to address a specific landscape issue.  A giant bumpy lawn on a considerable slope was not hospitable to either my client, or her guests.  The space needed some flat ground, and a sense of some intimacy.  The lawn was greatly over scaled for people.  Nor was the shape of the lawn beautiful.  With an earthmover, and rakes, the ground became sculptural and beautiful-but also useable.  I call this a grass amphitheater.earth1

When I design, I never assume the lay of the land is a given.  I can sculpt dirt.  I can sink it down.  Conversely, I can make a mountain, with a beautiful contour.  I can dig in; I can create a perch. I can swirl to the east, and stop abruptly in the west.  As a child, I moved dirt with a spoon-sometimes an incredibly lot of spoonfuls.  As an adult, I move dirt with a front end loader, my orange Dooney and Burke purse, with the rubber bottom, in tow.

scan0004 As I have said before, I have loved moving dirt my whole life.   How this helps you is as follows.  You have a life you are dealt, and a life you make.  Look at what you were dealt, and imagine it better; imagine it beautiful, then move some dirt around.

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Plant Some Pots

Diana has been planting pots for me for 10 years.  She starts with a square of landscape fabric over the drain hole, and adds drainage material to 2/3 of the pot. Another layer of landscape fabric prevents the soil from sifting down into the drainage layer.  We use a topsoil/compost mix for pots.  Soil-less mixes are great for professional growers, as it is sterile. Professional growers know how to water and fertilize properly. I like real soil. We mix in osmocote, a time release fertilizer; the rate of release speeds up as the soil temperature goes up. Apply according to directions. We go for that lush look; we pack the plants in, so they look great from the start. Later, we groom the pots.  We remove excess growth underneath to keep the air circulation good, and the possibility of fungus low.  We cut back the dead flowers and leaves.  We may even shape the overall composition by trimming and cutting back.  Does she not make it look easy??
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april_16_029april_16_030april_16_039Spring plantings do look great in old crates, wood boxes, buckets and baskets. Landscape fabric can help hold the soil where you want it; coir sheets can be cut for boxes with big open spaces.  Coir is a mat woven from the fibers of the hull of the coconut; it is sometimes called coco fiber. Have at planting some pots.
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