Sunday Opinion: What To Do

I have spent the last two days, and Memorial Day yet to come, talking to gardening clients about what to do.  What pots are right?   What shall I plant in those pots?   What trees would be good; I need some shade.  How can this perennial garden be a little better  than last year?  What is my problem, that I can’t grow columbines? What do I do about the woodchucks, the chipmunks, the rabbits, the neighbor’s dog and the Japanese beetles?  What will tolerate all the wind off the lake, the heat of the pavement, the soccer ball?  There’s excitement in the air;  the season is in session.  There’s grumbling about the cold spring, the vicious winter that claimed this old tree wisteria and heaved up a slew of new perennials planted a shade too late the previous fall.  We are talking about graduation parties, potato salad,  where to get grill parts, do you favor powerwashing decks, or not?   Needless to say, given all the activities that come with being able to live a little outdoors,  I have talked a lot the past 2 days.

But the best advice I have: plan your moves.  Pick a project. A reasonably sized project. Master plan the next 5 years of your landscape in the winter. If your landscape is important, its not a Memorial Day emergency.  If your garden is an emergency, its not that important.  Get organized.  Cut out pictures of things you like.  Make a file; write your thoughts, then figure out what about each picture interests you-with people there are threads that can be woven together to make something.  If you try for everything and everywhere all at once, nothing will be thoroughly executed, and everything will show the lack of focus.  We Americans live such crazy lives-take a two hour lunch, and dream a little.

  Read up on all those annuals and perennials you see only in leaf-do not succumb to buying only those things you see in bloom. So much of a garden is about seduction-give in to it, but be good natured about the outcome.   Do not succumb to pictures in catalogues-a photograph records only 1/125 of a second in the garden-do read about things you like-assess their staying power.  Visit other people’s garden’s. Move things around. Go for broke.  Hang back, if something makes your pulse go quiet.    Most everyone has an imagination that works, if you give some time to letting it work. Read the tags, ask for help, take notes. Give it some time.   Be in charge of your garden; no one cares about it more than you do. 

In short, do something.  This season is in session.

At a Glance- Spring Violet

Violet Mix

Violet Mix

Viola and Pansy Mix

Violet Mix

Purple Mix

Violet Mix

Sweet Alyssum

Sweet Alyssum

Lilac

Lilac

Sweet Alyssum

Sweet Alyssum

Phlox Divaricata "Loddon's Blue"

Phlox Divaricata "Lodden's Blue"

Pansy

Pansy

Purple Mix

Purple Mix

The Music of the Spheres

sphereThough I am fond of almost every geometric shape, I am especially enamored of spheres.  Spheres in any material or arrangement.
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I manufacture large garden spheres, thanks to the conceptual and fabrication talents of one Buck Moffat.  An architect for 30 years, he now fabricates pergolas, boxes, furniture-and these spheres, from welded steel.  We galvanize and acid-wash the raw steel, which produces a finish not unlike the look of lead.
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This finish is as close to permanent and maintenance-free of any exterior finish on steel that I have seen.  Although I recognize that anything to do with gardening, or life for that matter, requires maintenance, I like these things that quietly and effective resist the elements.
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Designing and fabricating these spheres was his idea.  Only after he built the first one, did he do a CAD drawing of it.  Its a gift, to be able to conceptualize like this. He’s a person who loves old industrial steel in any form-bridges, buildings, gears and the like.  He thinks the old factories along the Rouge River in Detroit are gorgeous. One of his favorite possessions is a collection of the fabrication drawings for the Eiffel Tower.
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It’s quite a feat, building these spheres.  The strap steel is rolled, hoisted up on a bridge crane, then each strap is placed on a specially made jig- in order to spin the steel ribs in the round without having to lift  them.   Each juncture is hand riveted, so the finished shape is precisely spherical.  They have mass and presence with no mass.  They describe a  specific volume of air. They are all the more compelling for what isn’t there.  I have seen them roll off in a wind.
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The rod steel spheres approximate a perfect sphere in a believable way, and are less labor intensive to construct. We hang them from trees, set them in very large containers, or simply roll them onto a lawn. Most large spheres I see are constructed in two hemispheres. This just isn’t the same, as a sphere all of a piece.�
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Jonathon Hofley owns the Michigan Gardener Magazine, and Motor City Publishing;  he has done all of my advertising and PR for many years.  He kindly agreed to photograph the spheres for me in the tall grass which came with the property where Buck makes these spheres;  thanks, Jonathon.sphere7

Like a good landscape, these spheres look all the better for the environment in which they are placed .sphere8

That garden sculpture can energize a landscape space with a particular point of view is a given. But I hear music when I look at these spheres.

A Stumpery

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When a client asked me to place a bronze sculpture of a bear sitting on a beaver dam, what came to mind is a stumpery.  I first read about them in “The Gardens At Highgrove”,  Prince Charles book about this garden of his. It isn’t very hard to explain;  large stumps and other dry wood are integrated into a landscape or garden as a sculptural element.  What better home for a bear, than a landscape that suggested a primeval forest.�
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The first order of business was providing water for the bear, and his beaver dam.  As the property had natural fall, it wasn’t hard to visualize a stream bed, falling over a cliff of rock, to a pool below.  This was a construction project of considerable length, involving large machinery and many tons of rocks, plumbing and filtration.  That bear was unperturbed throughout the process.
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The entire landscape was designed around the bear.  Outdoor sculpture of great size asks for a compelling and convincing landscape . Some sculpture is best in a big open area, but representational sculpture comes with a story.  The landscape can represent that story.
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Farmers in the thumb area of Michigan pile up the stumps of their dead trees on the edges of their fields, or on their property lines.  These natural fences are wildly beautiful.  All manner of seeds blow in, and soon the fence is a living thing. I found one such farmer who was willing to part with some of his stumps.�
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We trucked them on a giant flat bed, and placed them on the slope with a skid steer.  That piece of equipment seemed dwarfed by what was chained to the forks.
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If this looks precarious to you-it indeed was.  Once we set a stump down, we dug it into the ground.  As if a storm had upended it. I always try to dig in hard materials, so there’s a physical connection with the ground.
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At this stage, the idea is starting to become clear.  Though the bear is tucked into the slope, the scale of the surrounding landscape seems scaled to his size and presence.�
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The sculpture and materials are very much larger than I. An overscaled landscape can be very dramatic.  Interesting enough, this whole area is almost completely invisible on the house side.  This landscape is a room all its own.�
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The first day the waterfall ran was an anxious moment.  Once it was determined that everything was working properly, we installed the plant material.  Comprised largely of different types of dwarf evergreens, and clematis to soften the stumps, the plant choices are as hunky and massive as the bear.
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The plant material greatly softened the appearance of all the stone, and this garden is aging gracefully.  That bear has a home.