The Meadow Next Door

115Every year I plant the front of the store differently; this year I wanted the planting to feel like a meadow.  The big bed of violet colored verbena bonariensis and white cosmos is almost always in motion.  The marguerite daisies and petunias in the roof boxes are thriving,  sheltered by a hedge of Nero di Toscano kale that will be the star of the show by fall. The kale does for the daisies what the boxwood does for the verbena; their respective relationships are good ones.

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We will be inundated with verbena seedlings next spring, but how I love how it looks right now.   It needs no staking, is drought tolerant, and doesn’t want much in the way of nutrition.  This is one of those large growing annuals that do not show well in flats, so few nurseries grow it.  I have always loved white cosmos-just not their ungainly habit of growth.  Sonata cosmos is a dwarf version, perfect for giving me color at another level.

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We have a meadow of another sort growing in the lot next door – in which I had no hand. The property was once home to a dilapidated and abandoned concrete factory; the county tore it down. Though the property was offered for sale, unbeknownst to me, at a tax sale, and sold, it has been sitting unattended for many years.  The county is looking to recover the 90,000.00 it spent taking the factory down, and thus would be reluctant to approve a variance to build anything on a property that is too narrow to built on without that bill getting paid.  So it sits.

412However, as any gardener knows, nature never sits. Someone once put it to me like so-nature abhors a vacuum.  So this property is in phase one of its ecological evolution; disturbed ground is first colonized by grasses and other tenacious and vigorous plants, popularly known as weeds.

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However, I think this weeded lot has plenty going for it.  There are not so many species growing here, and they all seem to share the space equitably.  The cream color of foliage gone dry, the dots of purple from the centaura and the white of annual clover is a beautiful color and texture mix.  A breeze makes it all the more beautiful.  The ground is completely covered with one big natural plant combination.  The appearance of this  meadow changes so much, given the weather, or the quality of the light.

612 Queen Anne’s Lace is one of my favorite flowers.  I buy bunches of it at market this time of year.  Its tap-rooted vigor makes it a poor choice for a cultivated garden, but it vastly dignifies the look of vacant lots like this one.  Its more civilized cousin, amni majus,  can be grown in a garden to great effect; it is grown routinely for the cut flower trade.  However, I am perfectly happy with this distant and unruly relative.

710Chicory is the devil to get rid of; it is perfectly capable of worming its way through a crack in a concrete road.  It is the most beautiful blue, a color not often seen in Michigan gardens.

88The mix of  colors, the uniformly wispy textures, the motion of it all – breathtaking. There are garden flowers that have a meadow-like habit-panic grass, hyssop, bee balm, boltonia and so on-but there is no scripted garden  that looks quite like this one.

A Wonder-Room

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So once you suspend your disbelief, and get used to a shell tower rising 14 feet of the floor of the porch, framed by a ceiling of moss, what happens in that porch?  This porch used to be an exterior quarry tile terrace; someone before me enclosed it.  Thus I have an indoor downspout; what magic to hear that water rushing off the roof and down, inside.   Cabinets of curiousity, or wonder-rooms, have for centuries housed antiquities, examples of natural history, works of art, and relics, keepsakes and mementos.  Souvenirs, if you will.  My shell tower was about to get a room full.

210An old French wire  garden table and chairs provide seating.  A pastel self- portrait I did 30 years ago shares the wall space with specimens of butterflies, bugs and moths. Objects of meaning to me – as in, the clay bust I made of Julius Caesar in the third grade, letters from my Mom while I was in college, a collection of early twentieth century American fish plates-all the quirky things that have held my interest or been significant to me at one time or another, have a home together.  The souvenirs of my life. Though the word souvenir now brings to mind postcards or paperweights from some tourist attraction, that was not always the case. The word souvenir, translated literally from the French, means “the act of remembering”, or “that which serves as a reminder”.  There are times in my garden when the season or the light or the rain is just right such that memories will come strongly to mind.

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This antique 19th century French orrery evokes some  of my most treasured memories as a garden maker.  An orrery is a model of the planets and moons, with the sun represented at the center.  It was a birthday gift from a client  whom I have had not just known 25 years, but with whom I’ve had a serious and significant relationship for that long.  I have many memories of designing, working, interacting-even fighting with her, over her landscape and garden.  Any one of many memories might pop up; this is an object with an aura, an atmosphere far beyond the solar system it represented in the 1830’s.

79At the time of its making, only seven planets were known.  Though it is a beautiful relic from a culture and time vastly different than mine, it is a reminder that one’s world is only as large as one sees to making it. 

611The sun, represented with a human face sporting a wry, quizzical , perhaps world weary expression, is as much a fine piece of art as it is some unknown person’s memory and concept of the natural world.

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The face of the sun reminds me much of this face.  I bought this watercolor mostly as it reminded me of my Mom-the scientist, the naturalist, the photographer, the gardener.  She was at the center of my universe for a very long time, doing a great job of seeing that all my planets and moons continued to revolve as long as I needed that.  Now I have an orrery that reminds me that I am able to keep revolving, and discovering in great part from the sponsorship of others.  From them, I know as long as I am able to do, I should.

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So as long as I am able, I will.  This room is a record of that.  On occasion I visit,  so I  remember this.

A Folly

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The benign looking mini- roof structure you see in the above picture houses my folly.  Folly?  The Oxford English Dictionary defines them as “…any costly structure considered to have shown folly in the builder.”  Others have described them as buildings, or remnants of buildings useful only as ornament. I am greatly enamoured of the shell grottoes in England and Italy.  Not to mention sculpture at Bomarzo in Italy, or the French folly garden Le Desert de Retz by Monsieur de Monville. Somehow I got the idea that I should have one, though no shell structure could survive an outdoor installation in my zone.  Nor would my 1930’s vintage house suffer some 19th century ruin wedged into the side half-lot. So bring the garden inside.   The fact that I designed and built this mini-tower through the roof of my back porch,  encrusted it in glass and shells-a project that took more money and even more time than I ever imagined-makes this a  folly, no question.

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I had a contractor cut a 6′ by 6′ hole in my porch ceiling, and build a four sided exterior plywood tower with half moon windows that goes up 14 feet from the floor of my porch to a squarish dome.  He shingled the structure with left over shingles I found in a closet in the basement. He covered the outside in MDO board, milled and installed moldings, and finished the outside gracefully; only I see the folly part-not my neighbors. No, I did not apply for a permit for this; can you imagine the questions?  He also removed the plaster ceiling of the porch, and installed more plywood;  I had something weighty in mind. He thankfully  never inquired abut my intentions-how would I have explained?

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I rented a scaffolding (which I was sure I wouldn’t need longer than 3 weeks) and assembled two ladders. One ladder to get me to the platform, and another to get me up to the top. I glued some 900 pounds of recycled, tumbled bottle glass fragments on the ceiling  one piece at a time.  Each frosted white, random sized piece, I buttered liberally with ceramic tile mastic, and pushed into the surface, until it stuck.  I am sure you are starting to understand that I had no idea what would really be involved in making this.

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It was a huge relief to get off the glass part, to the shelling; I could stand on the scaffolding and work.  Working high up on that ladder, over my head made me very uneasy.  I had no plan for the shells.  I bought  numbers of shells that I liked from Shell Horizons in Florida-by the gallon, or by the pound. White, orange, and orange-brown.  Then I tinkered, until it seemed like I had a design that would work.

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Obviously this was a winter project.  I would go to work for 2 hours in the morning, and two hours in the afternoon, and glue shells in between.  For what seemed like a lifetime.  It seemed like every week I needed more shells.  Not the least of my concerns was that I had planned to shell the entire porch ceiling, once the tower was done.  I started to worry I would never have the stamina to finish.

59Happily I came to my senses when the tower was done.  More shells on the ceiling would just distract from the tower, right?  So I mossed the ceiling;  a little construction pressure can jump start the imagination.  Gluing dried moss onto sheets of foam core that could be stapled to the plywood in big sheets-the construction of this part of the folly took long-but not nearly as long as that tower.

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No doubt this has that folly aura, but I absolutely love it.  Having admired shelled grottoes, buildings, furniture and the like my entire gardening life, I no longer needed to dream about having one of my own.

Sunday Opinion: Tunnel Vision

A client broached the topic.  “I am afraid I have tunnel vision about my landscape, and I don’t even know it”.  She made me laugh. That is a paradox if I ever heard one; I told her.   If the words were coming out, the idea had already taken hold.  It says a lot about a certain kind of good design process that she would even consider the pitfalls of  tunnel vision.  It is worth worrying about-no question.  Ranking right up there with sheets that have been on the bed one too many days,  every gardener needs to think about what it would be, how it could  be better, to make a change or two.  Do new. Prune up, remove, take a new direction-get fresh.  Think about what it would mean not to have something. I have an old, big, and not good looking maple on my driveway. What is left of a crown that has been greatly thinned by scald and maple decline, does not screen any untoward view.  What would it be like to cut that thing down, and put a sculpture on the trunk that has been left really high?  As I view the tree from my Romeo and Juliet balcony, a tall trunk and sculpture might be striking. Pleasing.  Better than what I look at now.

Am I a victim of my own tunnel vision?  The tree was fairly mature the day I moved in 15 years ago, albeit in better condition than it is now.  If its always been there, does that prove it should always be there? Getting fresh can be plenty scary, especially when it involves taking down a tree.  But sometimes a tree is just one of God’s biggest weeds. Just because something is big, doesn’t make it precious. I would never take down a healthy  tree on a whim; I would rather design around it, or showcase it.  It is a case of tunnel vision, though, when you can’t see that some trees are just weeds.

Tunnel vision is as common as a dandelion in a lawn.  Don’t worry if you have them every so often. Start to worry when your one dandelion is starting to colonize.  I have a neighbor who has thrown his Christmas tree in his back yard for the past two years.  Now he has 3 little dead magnolias he put in, and didn’t water; they are still in the ground.  And later, plastic pots on their sides have the skeletons of  dead plants in them.  A decaying rowboat makes another statement.  He somehow got the idea his backyard was a place for refuse; now it has become a refuse dump.   Never mind him; my Princeton Gold maples are screening that mess from my view.  But if you come to some day,  and find you have tunnel vision colonies, get the best professional help you can find.

I am the first to admit that I am my own worst enemy in my yard.  I have a thing about history in a garden.  I have two old Palabin lilacs on standard that I inherited; their heads must be 8 feet in diameter.  I have always barked underneath them-why?  Because that has been their history.  I know there are plenty of times I would give anything for a good designer to shake me.  Even when I do get it, from Buck, or a friend, I still can be stubborn about holding on to what has always been for dear life.  The process of change is not really that charming.

I lived in my house for 6 years doing nothing except watering, and barking the beds I inherited.  It finally occurred to me that no matter how busy I was, if I were going to get a garden made in what lifetime I had left, I had better get moving. The best thing about sponsoring a garden tour to benefit the Greening of Detroit was raising 12,000.00 for them.  The second best thing was hearing people tell me they were inspired to ditch the blinders, and take on a project that had been been staring at them for a good while.  As I like to be encouraged too, this felt good.

In my dreams, I would throw off the constraints of my history, I would entertain new ideas;  I would embrace the unknown. I would research.  I would stop fussing, and look at things from a different angle, or in different light.  I would learn, digest, and make plans.  I would fume, and come up to grade like a firecracker that just got its fuse lit.

Every day I ask my clients to give up the ideas they have had about their landscapes for a new and fresh idea.  Old landscapes may need some chopping, some rearranging.  and some re-orienting, I tell them. There are those places that only a bulldozer can rescue.  Or places that need more lawn, or a thorough cleanup.  I am familiar with their shock.  One very good client whom I told over the phone that she needed to take down two gigantic spruce trees that covered most of the gorgeous facade  of her house, and plant a garden there instead, told me to shut up; then she hung up on me.  Two days later the trees were gone.  My clients put up with plenty from me; I know  first hand that feeling of dread and distaste that comes along with knowing there needs to be some changes made.  But in truth, a little change can be like a new sparkplug for your gardening engine.