Day And Night

My post from November 11 concerning the construction of centerpieces for winter pots included this picture of Sal finishing the job of strapping very tall red twig dogwood branches and red berry picks to a tomato cage. It was obvious that a centerpiece of this size was destined for a very large pot. The substantial centerpieces would set the tone, size and proportion for all else that was to come. But what is to follow next is not so much about the mass and proportion required by large pots, but instead a discussion of that most ephemeral of all landscape design elements-light.

Gardeners are very aware that every plant has specific requirements for light to thrive. A fern will not prosper in full sun any more than a succulent will prosper in deep shade. The quality of light in a specific spot in a garden can vary significantly over the course of the day. I will plant hellebores in sunny locations if I can provide them extra water. Some sun loving plants are still willing to perform in part sun. There is that dance, matching a plant to the existing light conditions. I have been guilty of pushing that envelope too far. I may want a plant in a certain location, but time will tell whether the risk I took is a reasonable risk. Too far over the light line, and I have a failing plant on my hands. Every living thing needs light, to one indeterminate degree or another. But placing the plants in proper light spots in the garden issue aside, everyone benefits from an extra dose of light over the course of the winter.

The winter containers are vastly easier to manage than a garden. The evergreen branches are cut. They will stay green the entire season, until warmer spring weather turns them brown. The cut dogwood branches will keep their color the entire winter, regardless of the light. Those branches may be inclined to push forth roots in the spring-astonishing, this. And the faux berry picks-they are faux. So the quality of light has no bearing on their performance. In sun or shade, they will provide visual service for years. The winter materials are not especially light sensitive. But we are! Winter container arrangements can provide any gardener with a spirit lift. I recommend them. An empty container over the course of the winter bothers me. I have no interest in being crushed by the winter season. I would rather find a way to celebrate it.

The quality of the winter light does affect people. Our winters are long, and feature snow, ice and wind.  But most significantly, they are gray. Even a sunny winter day is over by the late afternoon. For the entire winter season, we have equal parts of light and dark. Or equally parts of gray and dark. That lack of light is demoralizing, and can make even the most good natured person cranky. This is why we feel lighting the winter pots is an essential part of their making. They need to be beautiful day and night.

During the day, the color, texture and mass of a winter container provides visual respite from the landscape gone dormant. They push back against a garden that has gone quiet and frozen. It is not possible to recreate the spring summer and fall, but it is certainly possible to express remembrance. Every beautiful winter container makes me remember the beauty of the nature in full swing. The red twigs and berries are a welcome pop of color.

Dusk comes around 4pm every day in my zone. This is 5 more hours of dark than I have at the height of summer. Lighting in winter pots provide visual warmth, when there is little. They banish that relentless dark. They light the way to the door in a personal way. They can be an effective alternative form of landscape lighting. Night light is both cheery and dramatic. The invention of LED string and specialty lighting has revolutionized how we light pots. They require so little power that they are amazingly economical to run.

These pots at night are transformed by LED compact string lights. 1500 lights all on one strand that is 111.5 feet long. In the center is a Light Burst-a 3′ tall twig like contraption with moveable arms featuring an anchor at the bottom, and 240 brightly shining lights at the tips. Winter pots that are beautiful during the day need a mechanism for transforming them into their evening wear. This has never been easier to achieve.

Cozy as a campfire, these winter pots at night are every bit as striking as their daytime appearance. The pots do a great job of illuminating the driveway drop off.

electrifying, this.

The Winter Pots: A Visual Tutorial

To follow is a visual tutorial, from start to finish, of how we construct winter and holiday arrangements. We do rely on the armature for both fresh, dried, and faux stems and branches provided by dry floral foam. Once we create forms for a client, those forms are used for a good number of years. The forms you see in the upper left of the picture above are 4 years old. Yes, we patch them, when the forms get elderly.

the first gesture, for a new client.

later

The lines scribed in the forms indicate how wide the centerpiece will be.

These centerpieces under construction include a mix of faux berry and ball picks, and fresh cut magnolia stems.

An outer layer of fresh cut red bud pussy willow stems follows all around the centerpiece.

As David is doing here, always look up to determine where you want any element to land.

Karen took over the greening of these centerpieces.

Every fresh cut evergreen stem has been sharpened. The idea is to insure a tight fit between the wood and the foam. We have winter weather ahead of us. This means that whatever we fabricate needs to be winter hardy.Karen is gifted. She can assess the volume and mass of a centerpiece, and give that centerpiece a green place to be of proper proportion.

finished centerpieces ready for the installation

the centerpiece was constructed around a light burst. Lots of LED lights on a twig like structure with stakes in the bottom is such an easy way of lighting the vertical elements in a winter arrangement.   LED Lightburst

The right hand pot, installed.

The left hand pot, installed.

Start to finish, I could not be more pleased with the work my group turns out.

 

The Winter Pots: Constructing A Centerpiece

A customer in the shop yesterday remarked that the beauty of a winter or holiday container begins and ends with gorgeous fresh cut branches. I am inclined to agree. Our first delivery of fresh cut branches arrived just in time for our winter open house weekend. The tall sized second year red twig dogwood that came in has plenty of lateral branching, and astonishing height. It is clear our grower had plenty of rain this season. All of our branches are farm grown, and harvested when they are at their peak of size and color. Graded by height, they are tied off in bunches of 10 stems each. Every brightly colored and glossy surfaced branch bunch is our call to set up and begin constructing centerpieces for our winter pots.

Do all of our winter and holiday pots have a tall branchy element we would call a centerpiece? No. But there are plenty of reasons that a tall twiggy element makes visual sense in a container. Shrubs are readily identifiable in the landscape. Post the fall leaf drop, they are a tall and multi-branched presence in the winter landscape. A branch centerpiece repeats that shape and texture. Many of our tall branches have astonishing color. Red, cardinal,  black and yellow twig dogwood,  and flame and curly copper willow endow containers with a strong dose of vibrant and natural color. A vertical centerpiece is a pleasing contrast to the lower and more horizontal elements. A robust centerpiece can provide great scale and proper proportion to the container to be filled. Some height in a container can provide plenty of visual action at eye level, or from a distance. Last, but certainly not least, my zone is very hard on live plants in containers. Few can survive our harsh winters with their roots in a contained area above ground. The cut branches are especially welcome in containers on properties too small to grow large shrubs specifically for winter color. They are equally welcome in commercial settings where the landscape is sparse.

Any vertical element in a winter pot of ours needs to be constructed such that it shrugs off the gale force winds, snow, and ice prevalent in my zone. A centerpiece gone over in 6″ of snow will be very difficult to make right. Anyone who has tried to stake Annabelle hydrangeas in full bloom that have gone over in a heavy rain knows exactly how providing structure after the fact is very difficult to make work. The anticipation of trouble is not the most creative or interesting part of the job, but it does enable every gesture to come.  Very large centerpieces required for very large pots need the the most in the way of thoughtful construction. Thoughtful does not imply difficult. Preparing just takes a little time. This centerpiece of red twig dogwood will be placed in the center of a pot 36″ in diameter, and 36″ tall. This calls for an armature, or metal frame that will provide support to a host of very tall branches. Every gardener knows how much living wood can weigh. Shrubs and trees have an extensive network of roots that keep them upright. Cut branches need another scheme that can provide strong support. A pot of this size will need a bold centerpiece of considerable volume and height in order to appear proportional to the size of the pot. There is no need for a centerpiece to be under scaled. An armature does not need to be custom welded. The armature for this centerpiece is a tomato cage, repurposed for the winter season.

Each branch of this red twig, every bit of 8 feet tall, is zip tied with 8″ zip ties to every horizontal ring the tomato cage. This tight profile makes it easier to handle the centerpiece while it is under construction. We have spaced the branches as you see, as there are other elements yet to come.

A round of faux red berries are zip tied in to the spaces between the red twig dogwood. The top layer of zip ties have been clipped off, so the dogwood branches are free to arch out more gracefully. We have left plenty of open space between as we plan to light the interior of the centerpiece.

The long legs of the tomato cage will be pushed down as far as possible into the soil in the container. The bottoms of the twigs will also be below ground. Once that soil freezes, those steel rods and the bottoms of those branches will not move. But we will add 2′ long steel rebar in 4 or 5 spots that is secured to the tomato cage both above and below ground. This will provide that last and most serious measure of security.

Smaller centerpieces do not require but a single armature. All of the elements in these centerpieces have been arranged around a stout bamboo pole. It is essential that the centerpiece be zip tied in 2 spots, so the twigs do not shift. In the left centerpiece pictured above, the top of that pole is visible half way up the centerpiece. Once we center this in the pot, we will pound that bamboo stake down into the soil of the pot.

The bamboo stake is an essential element of our centerpiece construction.   A 1″ pole requires a saw to make it shorter. That pole is rarely more than 3′ tall. It is light weight, and astonishingly strong. Every element we plan to add to a centerpiece gets arranged around this pole.  Once that pole is driven down into the soil in a pot, it will provide all the ballast that centerpiece needs to stay upright.

A number of bunches of tall pussy willow, and a generous number of faux berry picks will be kept perfectly vertical all winter long – courtesy of the pole.

Constructing the the winter pots in our garage was an innovation that took quite a few years to perfect. I would suggest that a warm place is the best place to fabricate a centerpiece, and all else intended to go in a winter pot. The best work gets done when your fingers are warm.

These centerpieces have the bamboo pole pushed up so it is flush with the bottom of the twigs. But it is in there. A tree stand is a great way to keep a centerpiece upright while it is being worked on. Positioning the materials at a proper height to work on makes for a better quality outcome.

Once this centerpiece is truly centered in the pot, it will take one person to separate the branches so another person can drive the bamboo down into the soil with a hammer. A centerpiece of this size will need some steel rebar pounded down around it. A number of rotations of concrete wire tightened with pliers will bind the rebar to the centerpiece.

Sometimes we insert the twigs one stem at a time into the dry floral foam that secures the greens. As the weight of the branches is spread out, there is no need for an armature.

steel topiary form acting as an armature for tall pussy willow stems

steel armature with twigs and berries inside

a winter container without a centerpiece.

3 identical centerpieces installed side by side for a rectangular container

one stick at a time

The steel topiary form in this winter pot is strictly ornamental, and not structural. It does provide a framework for lighting. The structural armature holding the centerpiece aloft is not visible once the container is finished.

Whatever will be the centerpiece of your winter pots, a method to construct and secure it is an essential element of the process.

 

Berried Treasure

It is not hard to believe that we will be beginning our winter and holiday containers and decor in another week or so. The past 10 days have been an intense effort to unpack and display in the shop all of the materials Rob purchased almost a year ago for this season. Our kickoff open house begins November 7-just a few days away. I like this moment. It requires looking at countless individual materials with the idea to put them together in a way that makes visual and emotional sense. The beginning is always about fits and starts, with a liberal dose of hand wringing. What seemed like a good idea on Monday gives way to another idea on Tuesday. But eventually we all settle in to the job at hand, and the work of it evolves and gets done. It is the very best way to become familiar with what is available to include in winter arrangements. As I most likely was a gardener from the first moment I took a breath, of course I favor natural materials from that garden for the winter pots. Rob addresses that basic need with an incredible collection of fresh cut farmed twigs in a variety of species and sizes. They come from all over this country of ours. Densely branched bunches of lustrous alder branches-we carry them. Sumac and poplar branches harvested from our collective properties are so sculptural. The glossy cinnamon gold colored flame willow branches both straight and branched always arrive first, as their leaves are the first to drop. Soon to come are the pussy willow, the copper curly willow, and the red and yellow twig dogwood. The premium cut greens of all types are equally as juicy and lively. Pairing those branches and greens with berry stems for winter containers is a natural. The fresh cut branches of Michigan holly, ilex verticillata, are drop dead gorgeous. However, they come with a steep price, and require some serious prep, if they are to survive the season. The ilex berries above, zip tied to a stout stand of fresh cut first year growth red twig dogwood, need a thorough soaking with VaporGard prior to their installation. This agricultural grade natural anti dessicant formulated from pine resin will keep the berries attached to the stems, and plump – for months. The centerpieces pictured above went to a client willing to go the distance to have fresh cut berried stems in their pots.

There are alternatives. The quality of the appearance and manufacture of faux berry stems has improved at an astonishing rate over the past 10 years. What used to be an embarrassing imitation of the real thing has become an entirely convincing expression of the beauty of berries. This new generation of faux berry stems are manufactured as much for durability as beauty. The color can be true enough to fool the eye. Or unabashedly dramatic. The stems do not disintegrate or discolor outdoors.

There is an astonishing artistry that is evident, both in the design and construction. Though these stems are faux berry stems, the evidence of the human hand is obvious. These materials make it possible for me to construct winter arrangements that can handle gale force winds, endless snow and relentless cold. Packed away for the summer, they will be equally as beautiful in year two or three. Many of them that Rob purchases are tall enough to be seen from a good ways away. The berry picks pictured above are unabashedly cheery – the prefect antidote to the landscape going dormant.

There is much to love about having choices in stem length, branching, and berry size. Choosing materials that are a proper proportion to the overall size of the arrangement is important. Do all picks need to be inserted into the soil or a dry floral foam base? No. If the perfect stem is not tall enough, they can be discretely zip tied to a neighboring natural branch. Picks with flexible branching permit an arrangement that is graceful.

Berry beautiful.

Red berry picks destined for outdoor pots need to be completely weatherproof. It only took one time seeing red berries disintegrate and run red on the sidewalk to drive that point home. We test all of our picks by soaking them in water, even if we have been told they are weatherproof.

44 inch long red berry picks in concert with a mass of cut red twig dogwood branches will make a statement in a container all winter long. That red will be strikingly handsome set in a landscape renowned for its gray and brown. It could be I enjoy the winter pots better than any other season. They most certainly last the longest. I will take my own apart in March, mostly from the embarrassment of seeing the snowdrops and the berry picks at the same time.    Red berry picks are the norm, but they are not the only game in town. It is great to be able to take your pick.

black and white

blueberry picks

golden ochre

green

cream berries with brown stems

fuzz ball style berry picks

short blueberries

I have yet to see a winter container that had too many berry picks, but even just a few adds a lot to the mix.If a project calls for lots and lots of berries, sticking them individually is a better strategy than attaching them to the twig centerpiece. Once a centerpiece reaches a certain weight, keeping it perfectly upright will require additional ballast. Hand sticking berry stems is more time consuming, but it can provide a welcome intermediary layer between the vertical and horizontal elements. Winter pots can be the most challenging to create, as nothing will grow or fill in. The day they are done, they are done.

Looking forward to the berries.