Weather | Deborah Silver & Co.

Good Bones

The picture above was taken in the early morning of Jan 3, 2021. I remember waking up well before dawn to a landscape whose every surface was transformed by mounds of snow. Giant snowflakes floated downward on the still air like feathers, and stuck to whatever surface they touched first. The quiet was disconcerting. My yard was truly a fairyland – the first time ever quite like this. Every shape in the landscape was faithfully described and added to by this extraordinary snow. Within minutes of opening my eyes, I was dressed, out the door, and marveling. I took photographs for several hours, and several hours after that the snow had completely melted and was gone. This was an incredible weather event of breathtakingly striking and shocking beauty, the likes of which I had never seen before.

That snow dispassionately described the landscape design. I was happy about what that revealed. A good landscape composition celebrates the depth of a space by beautifully revealing its background, mid ground and foreground. Of course a landscape is a sculpture – a three-dimensional object, if you will. Great landscape design explores that uniquely spatial quality created by land and sky-and edges. I can’t really explain what I mean by edges, except to say that everything and everyone has them. Expressing depth in a composition fuels the means by which a landscape space can be wrought and experienced. A design. Depth in a landscape composition creates mystery, and reveals surprising outcomes at unexpected or opportune moments. Some designers describe this as flow. Others describe this as rooms with transitions in between. The background space above is a thicket of tree branches indicating trees that are a ways away. The focal point of that background space is a a centrally located container with a cut evergreen tree inside. That planter box is in the front of the back – ha. The mid ground space is defined by the hedge of arborvitae that is open in the center to permit travel and views through. The gate marking that entrance and exit is overseen by a steel arbor wreathed in a pair of John Davis roses. That gate explains how the end of the mid ground space becomes the beginning of the foreground space. That arbor is centered in the transition between the front and the back. It also separates the public space from the private. The structure of those climbing roses in the snow is every bit as beautiful here as they are in bloom in June. I mean this. The foreground space features Limelight hydrangeas, faced down by hedges of clipped boxwood, and opens up to a widening path of snow covered grass. This composition features layer after layer of plants from front to back. What is it that makes the relationships established by this design so dramatic and clear? The weather.

The landscape here is very simple. Lots of boxwood clipped in various shapes, heights and volumes, and symmetrically placed containers framing the walk to the front door. The containers feature fan willow faced down by cut fir boughs. This view is unexpectedly dramatic, given this rare type of snow. The snow reviewed the design, as it reduced all of the major shapes to their simplest forms. What is usually experienced in varying and often romantically subtle shades of green is presented without ceremony in black and white. A significant snowfall can reveal the bones of the design. Are they good sturdy bones?

Our most recent snow was not nearly as spectacular as the 2021 storm, but it was good nonetheless. The skirt of this container is set with cut evergreen boughs that radiate out from the center. A second set of evergreen boughs are set on end against the centerpiece. Separating the vertical fir from the horizontal is a loosely defined ring of green and white pine cones in a nest of lights. A single evergreen material has special visual interest given its multi-dimensional placement. This simple arrangement with only a few elements is all the more striking given the landscape around it. The snow tells that story.

A different year in this location, the container sparkled with an abundance of lights. An unusually textural snow cover produced yet another visual version of this landscape. Over the course of a year or a gardening season, the weather should play a major role in the landscape design. I am an advocate of landscape design which takes a sweeping bow to that element we call nature.

Rob took this photograph of my driveway near the garage a few nights ago. I have not parked here for better than 15 years, so the landscape has grown in and over the edges of the space. I like that. I have a piazza now, rather than a driveway. There is no real need to shovel the space, as it is for viewing, and not foot or car traffic. It is amazing what an enormous difference it makes visually to make such a simple change in the treatment of a landscape space. The snow revealed this.

That same night, the snow illustrated the transition between the driveway and the fountain garden. The pots, arbor and fence occupy that mid ground. That middle ground space can be the most difficult to define and develop in a landscape. It sometimes involves putting an idea or an object or a plant out there in the middle and building from there. Starting a design at the front or the leading edge or the beginning is not necessarily the best or only way forward. A landscape will speak back, if you give it sufficient time. This mid ground space took many years to establish. There is no substitute for age on a landscape.

This is as close as I have been to that extraordinary snow in 2021. I am happy for it. Beautiful snow is a hallmark of our winter. Having a well designed landscape on which beautiful snow can act makes the winter season welcome, yes. The fence pictured above, punctuated by a gated arbor and flanking pots, is not that unusual a treatment of an outdoor space – but the considerable change of level does give pause. But the simple arrangement of bold and thoughtful forms emphasizes the main idea. The legibility of intent is key to good landscape design.

Most of my landscape is going on 28 years old. That age has enriched design decisions made decades ago. Sometimes it is good to stay the course, and see what grows.

Posted on: February 6, 2025 36 Comments

Filed Under: Landscape Design, Garden Design, Good Design, Lighting, Deborah Silver and Co Inc, Weather, Seasonal Tagged With: winter containers, Landscape Design, winter pots, winter lighting, winter, winter weather, winter landscape design, evergreen boughs in containers, wintry weather

Some Thoughts On Places and Spaces

What are we looking at here? Lacking any recognizable objects or context, it is tough to tell. As this is not a quiz, I will identify it. A 10 foot tall concrete block wall behind Detroit Garden Works, covered with the skeletal branches of Boston Ivy, has a hat of windswept snow. Behind and above it is a typically and uniformly gray Michigan winter sky. This is a verbal explanation. But the story told by the photo is not about what it is, or where it might be. It is about how colors, shapes, textures and volumes compare, contrast and relate to one another. The color of the sky is so uniform that it appears flat. The snow roll looks volumetric and sculptural, courtesy of a variety of colors in tones of gray and white. The fanciful story is how that substantial shape of gray space is weighty as there is so much of it, and in the process of bearing down on the wall, it is squeezing a textured and frozen bead of snow over the leading edge of that wall. Another rhythmic interpretation might be that the dark textured shape is rising to meet the light shape, and what oozes out once the two shapes meet appears to have depth and volume. Freed from a discussion of what we are looking at means there is an opportunity to see relationships in a composition on an abstract level. What role does seeing abstract shapes have to do with landscape design? Great landscape design begins with the bones. And the bare bones can readily and most easily seen in the winter. Looking at a landscape critically in the summer season is difficult. It is easy to get distracted by the flowers, weeds, leaves, scents, sounds, the neighbor mowing his lawn, and all of what else goes on outdoors in the summer. The winter is very quiet. I am a solitary visitor to my garden. I am not distracted by weeding, watering, dead heading, smelling the roses, serving dinner or working out issues from my client’s gardens. My mind can be as blank as the winter sky, should I tune in to the landscape around me, and let it speak. The winter season is the perfect time to be receptive to the landscape speaking back. It is a time to rest, reflect, reminisce, and reconsider. It is a time when there is enough time to think. It is also a time to take advantage of how winter weather recasts a landscape in a simple and abstract way. The above photograph is nature’s snowy rendering of my fountain garden. All of the textural details of the landscape have disappeared. The snow has recreated the flat land in this garden in an intriguing and sculptural way. What will I conclude from what I see? That large undulating space that ramps up at the fountain’s edge that occupies most of this garden place is intriguing. Actually grading the ground around my fountain in this way would be difficult and certainly contrived. But I certainly could test that theory on a small scale in the spring. Strongly sculpted soil would not necessarily be compatible with the other landscape elements already existing. There is no harm in passing by what a snowstorm suggests. However, it is striking that there is no landscape element in the foreground framing or defining that view out. The bottom edge of this two dimensional photographic rendering of my landscape has nothing to say. I see that now. What would it be like to look through the branches of some trees to the fountain? Large tree branches in the immediate foreground, and the background tree branches that look smaller as they are a distance away, would provide a visual description of the depth from near to far. A landscape design that creates visual depth from a view can be a very successful landscape indeed. The winter is making me rethink this portion of my landscape.

The winter reduces a landscape to its simplest iteration. All that remains are the big gestures. A heavy snow amplifies those bones and makes obvious the relationships between the occupied places, and the empty spaces. This photograph after a heavy snow storm at the shop is a landscape of a different sort. How we arrange garden ornament is suggestive of the possibilities to gardeners who shop our place.

The place occupied by a pergola in this landscape is both a place to be, and a place to see. What permits a clear description of the place is the empty spaces all around it. The snow strongly describes that emptiness. There is a balance between that richly layered structure, and its minimal environment. That will change some, when the climbing roses grow. But their footprint on the ground plane will be vastly less complex than the expanse of roses up towards the roof. In the summer, that ground plane will include grass, gravel, limestone stepping stones, and a fountain surround. In the winter, all of the detail washes away, leaving only an abstract description of a strongly uniformly flat plane. That plane is a place for that pergola to be.

This drone photograph is courtesy of the Sterling Development Co. This bird’s eye view reveals the relationships forged between densely populated places, and empty spaces. I will confess that I was pleased to see this photograph. The drawing of this landscape is quite similar to this photograph. I was happy to see that the plain spaces-the roof of the house, the grass and the terrace – feature the pergola and the property border landscape. There is a balance struck between places and spaces. There is a tension created by that contrast that is interesting and satisfying. To my mind, anyway. I am a designer with a certain point of view. You may have other ideas.

A wet, windy and heavy snow storm describes a window captured all around by a galvanized metal hat, a window box below, and a pair of shutters on each side. This stripped down winter version of the landscape scene describes the window in a way that challenges and informs my decisions about how to plant those boxes.

Years ago I planted some scotch pines on standard in giant casks Rob bought in Belgium. This winter version of that planting is a study in scale and proportion. The contrast of empty and active spaces. The heavy snow on the boxwood and scotch pine, and the windswept snow coating the north side of this cask made me realize that our winter weather distills the relationships between places and spaces in a way I never could. The winter season can be observed, and much can be learned from it.

The snow hat on this finial, and the simple heft of the column supporting it are all the more beautiful for the snow covered branches surrounding them.

The snow is not always a blanket that obliterates every detail. Some times it describes the most ethereal of gestures.

If you are a designer for yourself or others, I would take advantage of the what the winter season has to offer.Truth be told, it is not an off season.

Posted on: February 19, 2020 14 Comments

Filed Under: nature, Weather, Deborah Silver and Co Inc, Winter, Landscape Design, Good Design, Garden Ornament Tagged With: balance in the landscape, snow on the landscape, Landscape Design, landscape design elements, texture in the landscape

Some Thoughts About Design

Late in December of 2012, we were gearing up to install the winter pots and lighting at Detroit Garden Works. Central to that display were 6 tall narrow concrete pots that had been fabricated at Branch. They were the devil to address, no matter the season. How so? Despite their height and heft, the top opening was a paltry 11″ by 11″. Barely enough space there to say hello, much less make a statement. Making a statement in the landscape involves a grasp of scale and proportion. This is a way of saying that every gesture you make will read better if it is generous enough to hold its own in a natural environment. Tomato cages had prongs only 9″ apart-they would easily fit down into the pots. 100 stems of copper curly willow were zip tied in 2 places to each form. When you compare the volume and square footage of twigs at the tip top to the space occupied by the prongs at the bottom, it is easy to see how something of great scale can be fashioned from an opportunity created by a tool, device or armature. Absent a tomato cage, some bamboo stakes or stout branches held in position with wire could accomplish the same thing. Absent a stash of copper curly willow, pruning debris, or the skeletal remains of weeds in the field could create the same shape. The human species is one of very few that comes standard issue with the ability to make and use tools. And the gift for improvisation. Nature is an awe inspiring and implacable force. As is, on a smaller but surprisingly determined scale, the evidence of the human hand. That intense interaction between forces over the the landscape and garden has held my interest for a half century. That time seems short to me, for as much as the laws of nature continually and unpredictably assert themselves, a landscape and garden continually presents a fresh opportunity to respond and interact with the out of doors. Some interaction is characterized by defiance, as Henry Mitchell so famously once said. Other relationships forged over design are marked by surprise, discovery, or dismay. Add a dash of regret and a sprinkling of wrong thinking – you get the idea. Such is my anecdotal evidence that a landscape imagined and created by design can be a very long and satisfying affair.

I was hardly prepared for the outcome of the willow stacks, once they were placed. The thick glossy and architectural willow stems en masse were cloud like from even a short distance away. The repetition of the pots visually strengthened and clarified the the idea. The blue gray skies made that orange colored willow all the more vibrant. In no way did that color blend in with or repeat an existing color. It was a dramatically contrasting element. The verticality of the willow was in opposition to the long lengths of boxwood. The willow soared over a largely horizontal landscape. All this from some willow zip tied to a tomato cage. The success or sleepiness of any designed element in a landscape is revealed the moment it is put in place. It is simple to see what reads well once nature has had a chance to work on it. It is very hard to anticipate what will work in advance. Designers do drawings and make models, but the longer I design the more I am convinced that drawings are most useful for the parameters they set, and what they suggest. Drawings are certainly of use In this case, I made a decision about how to handle the pots, and was prepared to revise and adjust, once they were placed.

By landscape elements, I mean plants of every description size and habit, water, hard surfaces, structures, pots, ornament and sculpture. It is difficult to place some of these elements and then revise. How painful to move a walkway, or increase the size of a terrace. No one ever promised that a successfully designed landscape and garden would be easy or formulaic. But a willingness to revise the design of a landscape indicates great respect for the point of view exerted by natural world. Be advised that nature will have eventually have a say in it all. Design as you will, plant and place – the critique from nature will follow shortly. That critique will be dispassionate, and likely maddening. Relishing that interaction will make every gardener a better designer. And every designer a better gardener.

Light is essential to life. Landscape design mindful of lighting conditions for plants and for people is good landscape design. Every gardener in my zone is aware of how the short gray sunless days reiterates that the garden has gone dormant. I would rather design my way around that situation rather than go dormant. Good design directly addresses as many scenarios as possible. Even the dark daunting days. Nature always suggests how I could better accomplish that by looking over the work. A landscape lighting design for the winter landscape is design fueled by need. Nature obligingly provides the dark days. A good designer is willing to take that cue, and shine. Lighting by design makes every landscape engage the dark in a way that is friendly to people.

I have been designing and installing a winter garden for Detroit Garden Works for the past 15 years. Every year is different. But no matter the specifics, I know that garden has to withstand the worst of what nature has to dish out. The wind, cold and snow can blow away all and everything that is not secure. Any landscape element needs to be constructed with strength and longevity in mind. Make to last.

Once the wind quits blowing, the effect of the snow dust on the willow is enchanting. Since the weather makes itself known in a different way each and every day, landscape design which showcases that unique natural phenomenon produces a landscape that is revitalized daily. Well, sometimes vitality. Sometimes mortality. The same result can be had by placing plants in conditions in which they thrive. Nature will be in charge of how plants prosper, or fail. These cut natural materials cut nature out of a portion of the winter relationship. I will not need to worry about how the twigs and greens will prosper and grow. The winter seasonal display is a rare opportunity for a designer to express themselves freely. Nature provides the frosting.

It is not as if anyone could fault the winter landscape at the shop without the pots and lights. It would be equally dour and dormant as all else within view. But the landscape, pots, lights, gray skies and snow from 2012 tells a story. A story I am happy to tell again.

Fire and ice

winter landscape lighting

winter’s night

Why am I blathering on about design at such length? Because it is January. I have time to. You do too.

Posted on: January 23, 2020 29 Comments

Filed Under: Winter, Detroit Garden Works, Holiday, container planting, Lighting, Deborah Silver and Co Inc, Weather

Do Not Go Gently

No gardener in my zone goes gently into that night we know as winter. Should you live in Georgia or Tahiti, I imagine the garden goes on year round. I am sure come mid February, I will be longing for another place to be similar to the aforementioned. Those of us in northern zones dread the inevitable. The weather goes cold. Cold enough that every deciduous plant sheds its leaves. Cold enough to deeply freeze the ground and frost it with snow. With the cold comes brief gray days, and long dark nights.. The cold and the dark has that aura of endlessness about it. It is a tunnel that takes months from which to emerge. The not gardening season has arrived.

A mild December for us followed a very cold November. This means our first taste of winter is about the fog. The 40 and 50 degree daily temperatures hovering over frozen ground made for one beautifully foggy day after another. Not to mention very friendly conditions for installing winter container arrangements and lighting. The installation of pots and lighting at home come last. I was pleased that none of us were working there in 20 degree weather. The evergreens have taken on that olive/bronze winter color, as has the grass. Grass? It is a broadleaf evergreen in my winter garden.

That warmer foggy weather made it so easy to take picture after picture. It also endowed all of my pictures with a color saturation that parallels my visual experience. What you see is what I saw. If you live in my neighborhood, I am sure you see me out there touring the garden routinely. Spring, summer, and fall. The winter tours go on until the snow that is deeper than my boots are tall. The foggy early winter weather has been unexpected, and exceptionally beautiful.

The mature flower heads of the limelight hydrangeas are spectacular right now. Funny that I have never thought that hydrangeas were worthy to plant for their winter interest, but interesting they are right now. The color and texture is a standout. The flowers will persist well into March. The color of the early winter hydrangea flowers is a version of cinnamon that is repeated in the the flame willow, and the obverse of the magnolia leaves. The pot pictured above is English made concrete in the classical Italian style. This weatherproof terra cotta wil endure the winter. All of that burnt orange color contrasts and resonates with the winter color on the boxwood. This is an unusual version of early winter that is worth savoring.

The garland over my door and porch windows will stay in place the entire winter. It will last as long as need be. It has a wintry, as opposed to holiday look.

I do have a cut evergreen tree in the pot in my side yard. My crew sinks the trunk into the soil. The tree is stabilized with concrete wire guy wires attached to four pieces of steel rebar sunk into the pot. The tree is loaded with LED lights which will light up this side garden all winter long. The arborvitae in the foreground, the boxwood and the grass provide green to this scene all winter long. The bare branches of the Princeton Gold maples are sculptural-especially in this New Year fog. The brick approach, the gate, the steel edger strip, the chair and the pot are all good examples of how objects stirred into a garden mix can create a little magic, no matter the season.

This lighted tree was a celebration indeed from before Christmas and through New Year’s. But it will keep on singing throughout the winter. Yes, I keep the lights on. I enjoy them as much during the day as I do at night. That subtle twinkle helps to stave off the gray. The daytime winter side garden view is a much muted and moody version of the summer. It seems appropriate to that season when the garden goes dormant. Once winter approaches, I am so pleased to have lots of evergreens.

I did spray all of my boxwood late this fall with VaporGard. It is an all natural product fashioned from pine resin that coats every leaf with a resinous wax. Properly applied, it stays in place all winter long. Broad leaved evergreens can suffer in a winter that is exceptionally cold and windy. Their thin broad leaves transpire with no opportunity to take up water from the roots. They can be severely damaged over the course of a bad winter. This coating helps prevent undue evaporation from the leaves. Juicy leaves are good looking and healthy leaves over the dormant season. Of course I watered my evergreens until very late in the season. That waxy coating is much better looking and more effective than burlap.

My garden is an at home real time version of nature. I am sure there are other places where the beauty of nature is more spectacular and showy, but this suits me just fine.

The view in from the street

The view out

The view from above

The warm temperatures have meant I have been able to tour after dark. Evening in the summer garden is a great pleasure. But an after dark experience of the winter garden is a once in a while experience. The seasonal lighting makes it easier to navigate in the dark.

A new dusting of snow creates beautiful shadows.

This container lights the stairs from the deck down into to the back yard at night. Of course I would want it to look good during the day. Those tall twigs are Japanese fan willow. The short brushy twigs? alder.

I can see my way at night going up and down. Milo is on the upper and I am on the lower. Such is our evening outing. He is on the elderly side now, so some of my tours he waits out. I can hear him barking for me, no matter where I am in the yard.

The lighted tree in the side garden tells a different tale every hour of the day and night. At dusk it begins to glow.

The Welsh poet Dylan Thomas wrote a poem called “Do not go gentle into that good night” in 1947. Pictured above is my garden sculpture version of that poem.