The Silver Maple

A client purchased an empty lot next door to them, with the idea of completely reinventing the landscape such that two properties would read as one. Though it did not have the best looking shape in the world, there was an existing silver maple they were reluctant to take down. I understand this feeling completely; I do not like to take down trees either. I work with existing plants all the time; we would work with this one. 

Every other plant on both lots was dug and moved.  The maple was out there on its own. I did not want to design a landscape around this tree; it was in less than ideal condition.  There were views across the new lot that would be important from the rear porch; I could tell right away that the landscape design would be impacted by this tree.   I designed the schematic landscape as if it were not there, knowing that when the time came, I would be working around that tree. 

The landscape eventually called for four large perennial beds that would terminate in a radius of arborvitae.    A pergola 27 feet long set midway and perpendicular to those beds visually anchors the space.  The silver maple is just barely visible on the left; the trunk is half in, and half out of the bed.  I rather like a very formal design that is punctuated by some unexpected  element.  The element of surprise can be a very effective way to focus attention on the overall geometry of the space. 

There was but a very short time that this view would be visible.  Once the plants were installed, it would look like that tree had sprouted and grown out of an existing garden. The fact that the trunk tips slightly away from the garden lends a little visual weight to that argument.  Much more difficult than than getting this tree to work with these four quadrant gardens would be getting the perennials to work with that tree. The maple casts a good deal of shade-the shade was by no means even.  I wanted a tall and substantial garden with plant material that repeated the same mix in each quadrant.  My client wanted perennials with white, lavender and purple flowers.

The view out to the gardens is a long one. What was an empty lot is not so empty anymore. I believe that even if the maple had fallen within the grass path out to the pergola, the design would still have worked. Three multi-trunked birch that had once been in the back yard were successfully transplanted to the side lot. 

I chose plants with a reputation for tolerating varying conditions.  Hellebores I knew would do fine even in the sunnier areas. Bridal Veil Astilbe, and Astilbe Tacquettii Superba do well here.  Gold drop hosta, Jack Frost brunnera, White Innocence and Concord grape tradescantia and alchemilla mollis were planted along the border with sufficient space in between to allow for some low annual planting. The dominant plant is snakeroot-cimicifuga racemosa.  Its white bottle-brush flowers on long graceful racemes give a garden the height I was after.  Monarda fistulosa Claire Grace gives a  great show of lavender flowers at about the same time.   

The pergola was planted with sweet autumn clematis, clematis Jackmani Superba, and clematis viticella violacea. It has been a challenge to keep the rabbits away from them, but they finally seem like they are taking hold. 

I plant an occasional nicotiana alata white, here and there.  White Japanese anemone and aconitums are the star of the show in very late summer. They are just budding up now.

It has been three years since this garden was planted; it seems to be doing well.  Of course there will come a time when some division or replacing will be necessary.  The clematis are a little behind schedule-the day when they are dripping from the roof of the pergola will be a good day. 


The silver maple in question has company now.

A Designer’s Garden

The time I spend planting pots and containers for clients sometimes enables me to see landscapes I would not otherwise see.  This old and stately Tudor style home has a landscape of considerable age- still viable, and still beautiful.  I am sure I have quoted Henry Mitchell at least three times on this topic.  “There are no beautiful old landscapes…beautiful landscapes are a result of the intensive care of the present.”  That being said, there are times when intensive care really means sensitive care.  Though this client is an interior designer of considerable skill, she felt no need to take apart, streamline, cleanup, remake, or other wise impose on a landscape beautifully situated and thriving in its own right.  

There is an understated but fully mature beauty to this property.  It takes a very mature and sure eye to leave untouched what is an integral part of the history of the property.  Her ability to leave be is pretty impressive.  These vintage wood boxes at her front door got tree-form hydrangea “Pink Diamond” .  It is a classically beautiful white hydrangea of paniculata grandiflora heritage, whose blooms pink as they age.  They seem so appropriate to the architecture of both the house and landscape. There are times when seeing what you expect to see is completely satisfying.  Certain plant materials feel right with certain architecture.  Nantucket style houses have a love affair of long standing with Rugosa roses.  1950 style ranch homes, on the other hand, can easily handle boxed hedges of gold vicary privet.  These plant materials are authentic to their respective time and place.      

This gorgeous stone staircase which I am guessing dates back to the 1920’s, is a home to old boston ivy vines.  My client made no effort to break up this old relationship-she only and gently prunes the vines away from the stair treads.  The urn set in a bed look like it has been there many years.  I have been guilty as charged plenty of times-thinking that gardening is another word for housekeeping. Like most people, I can be a contradiction in terms.  The Italian garden on the verge of ruin that I love so much I would never permit on my own property.  So I do recognize and respect a designer who deliberately keeps her hands from cleaning up the evidence of age from her landscape.

This pool is original to the house; the horizontal arms are a lap pool; the vertical arms designed for lounging in the water.  I have never seen another pool of this shape and design in person or in books. How it works to accomodate swimmers and loungers alike is simple and effective.  The overall shape striking-and well worth preservation.  

This very large oval wirework plant stand of an age and design quite sympathetic to the house and grounds, does not hold individual clay pots, as it once would have.  My client wanted to plant it of a piece.  Her point of view contrasts with the original intent of the piece, in a very effective way.  A garden of size is growing here.  The blues and whites are friendly to the overall white and lavender color scheme in evidence in all of the garden areas.  The piece sits on a bluestone terrace adjacent to the kitchen, at the rear of the house.  This garden is a very private space.   

A contemporary French terra cotta pot from the south of France is whitewashed, and planted in concert with the wirework stand.   Like other places in the landscape, my enchantment with the space does not rely on surprise. Every element seems to belong.

New to the kitchen terrace this year, a table and chairs in an entirely contemporary vein. The terrace has a new reason for being.


As sculptural as they are utilitarian, the suite is a substantial and confident dose of individual expression.  Unexpectedly, I really like it.

The Big Picture

I have been consulting with a client who has an existing landscape.  They know it is unfinished, and unresolved.  They gave me their drawing in tandem with a request.  We cannot really explain what is not working here, but can you help us get a little room for something colorful and lively?  I plan to help them.  So what do I not like about this drawing?  The drawing is not color coded. I can read lines, but I do this for a living.  A group of lines-not friendly to a client.  Would it not be good to differentiate the like trees from the grass from the like and the different shrubs?  A landscape drawing may make me think about the artful signature that is a line-but a landscape schematic needs to explain clearly its idea to its intended.  Where is the house?  What part is the driveway, and what part is the living landscape? Where will the tulips go?  Four rectangles at an angle strongly suggest the parking scheme-at least to me.  But where is the living and breathing part?  Where in this drawing is what will make architecture and nature intersect, beautifully?  Everyone wants to come home, and be glad for where they live-a good landscape plan fosters this.  A clearly drawn plan will show if this is working, or not.      

My client has no end of boxwood-strikingly well grown, and maintained.  Miles and miles of it.  Well grown plants do not necessarily make a coherent and beautiful landscape-I tell them.  I have plenty of personal experience.  My perfectly grown clematis, the hybrid known as  Sho-Un, was planted in a spot the most rank amateur gardener would avoid-what was my problem? Five years later, I had to move it-and in moving it, I killed it.  I understood my clients concern about changing up many miles of beautifully grown plants., but in this case, I think it is worth the trouble.    

The dominant feature of this entry landscape drawing is a drivecourt of monumental proportions.  I could stage a rock concert here, or a reception for four hundred people, and have room to spare.  As much as I admire its bold scale, it seems natural to key the landscape elements in recognition and reinforcement of the shape it describes. There will be no ignoring it.  It is large enough that a landscape feature could exist in that oval of paving stone, and not obstruct traffic in the least.

This photograph may give you a better idea of the drivecourt square footage in question. The center oval detailed in a different material from the rest of the asphalt drive was a good move. Nonetheless, we are looking at a giant space here.  A sweeping move of this scale needs friendly and solid company.  The existing landscape pays no mind, does not follow up a gesture of this scale.  The drivecourt as it stands-lonely.  The boxwood look very small, and not as visually important as they should.  Some larger growing plant element backing up that boxwood will add weight and visual heft. 

The walk to the front door needs to set a mood.  Hello, and welcome to my home-this idea does fine, for starters.  Beyond the welcome, that walk should represent a distinctive and strong hello.  A house is a very large object; the landscape should help sit that structure down onto the land.      

These gorgeously grown diamonds of boxwood are just that-gorgeously grown diamonds.   This shape and configuration is outside the language established by the architecture of the house,  and its attendant drivecourt. The drivecourt, in my mind, is all about beautiful curves, and not much about diamonds. What will I do with these boxwood diamonds?   

The original drawing is focused on the drivecourt, with no indication of how that landscape would sit on the property as a whole.  My perspective?   Every landscape composition needs to be detailed with all the edges in evidence.  The foreground space implies a midground space-and a far view.  I orient my drawings to the primary view-from the front door out. I redrew their landcape plan in an effort to make the house, drivecourt and landscape more harmonic, and less fussy.  What would you want to see every day? My idea-emphasize what is already there in such a way that the big picture is clearly stated. 

This drivecourt-of massive proportion and clear design-I have a mind to go along amicably, and reinforce its big statement.  The big statement in any landscape-I would advise you to figure out what that statement is, and go for broke-in support.  I come in contact with plenty of statements not of my choosing or design-this does not bother me in the least.  Any existing big statement implies consent.  I have no need to go back to the beginning.  I like to put my weight to any idea a client felt comfortable consenting to. If you have inherited a landscape, what are the strong elements well worth keeping? 

The both of them understood the difference between beautifully grown plants, and a beautiful landscape.  We spent the better part of two hours going over their issues.  Hopefully moving some plants, and adding a little of this and that will better serve them-and showcase all those beautiful plants.     


What they see, near and far,  should provide visual exploration of the big picture.

Design Elements Matter

 

Those of you following this blog on garden design may be crossing your eyes and feeling like blacking out this past few weeks.  I have gone on about the elements of design-maybe too long. I try the best I can to illustrate, and not instruct.  My ability to peel off into a snow bank, or winter weary meadow, is a little compromised right now, so I have been photographing close to home and on solid ground.  When I am done apologizing, I am still left with the conviction that a clear understanding of the elements of design applies to any 4 square feet on your planet-your dining room, your kitchen, your garden, your driveway. No kidding.  I hope to illustrate and not instruct- via this very small property I landscaped some years ago.  Though the front door is massive, the property square footage is very small. No need to put the landscape under a microscope-the house came with an intensely small space. Every move counts.   

This landscape relies much on a configuration of evergreens that stand fast every month of the year. Whatever the weather. My original client sold this house some time ago-my new clients are grade A stewards-any beautiful old landscape is a direct result of the intensive care of the present, and not age-this idea via the essays of Henry Mitchell. The yew hedge fence, and its black stained posts and rusted finials, echo the rusted obelisk placed front and center.  A pair of pots on pedestals placed side to side, and planted for each season-who knew a pair of pots could rule a garden like these do.  


It cannot be 20 feet from the street to the front door.  I persuaded my clients to install a wood sidewalk-each length of pressure treated lumber was routed to resemble bricks-after one year of weathering, I stained them black.  There was a time when roads were made of wood-that history is not especially pertinent to this design. What is pertinent is what one sees.  A look needs to stand on its own, no matter any history or explanation.   A short walk needs a distinguising feature-a new thought.  Any gesture, no matter how short,  can illustrate a love of the out of doors without instructing. A wood sidewalk-different.  Still looking great after all these years-this I love. 

The rear yard-a patch of ground that would comfortably accomodate 12.  The simple solution-gravel the entire area.  Plant four lindens at the four corners, to provide some natural shade corner to corner.  The steps to the back door-I did not switch materials.  Simple in a small space means the repetition of one material amounts to the impact of many hands to the same end.  These corten steel risers retain the gravel surface steps.  On the floor, everywhere else, gravel.    

When winter comes, leaves are shed. Shrubs of great volume are but a shadow of their summer self.  The evergreens keep on going on- but what is remarkable here, given it is mid-January?  Those two pots on pedestals, stuffed with materials for the winter, carry the day.  The design elements in play here are many.  No need to know the words, if you can see.  

No matter the late lame snow, the design elements of this garden are strong; grown in. There is a living presence, and pattern, that pleases the eye.  Their garden ornament takes on a bigger role in the half year we know as winter.  I like my front garden and landscape to be eye-ready, no matter the season.    

Once spring comes, we change out those pots.  Their idea of spring brings the neighborhood to life -many houses on this street do much the same.  Designing thoughtfully to the betterment of all -what a great idea.  Those elements that make a difference-take some time to look, and make them work for you.