My last post about this project centered around a winding and and most beautifully curvy driveway, and the landscape views proposed by that drive. The major portion of the landscape, including this driveway, was designed with an informal and park like atmosphere in mind. It features a collection of specimen trees, each one placed individually. It is a property with long views. The placement of the trees involved a lot of walking, and seeing. The result, to my eye, is a landscape that is natural, and subtly polished. The following pictures are about the landscape immediately adjacent to the house. This part of the landscape dramatically contrasts to the rest of the property. It is as much formal as it is contemporary, in design.
Formal landscapes are predicated on a series of geometric shapes generated by horizontal and vertical axes. Formal landscapes are usually symmetrical, as in equally representing on both sides of an axis. You may only see the axis as an imaginary line, a construction line drawn on a plan. Contemporary landscapes can be quite formal, in a geometric sense. They are not necessarily symmetrical. Both formal and contemporary gardens are more about spacial concepts, ideas or visual tension than they are about individual plants. Contemporary gardens are edited. The less said, the better. Some contemporary landscapes are so minimal that they make my mouth go dry. This landscape is not stark. The shapes of the plants, and the texture they create in numbers is lush.
This landscape needed to quietly describe the plane of ground in question, and cleanly describe the geometry of the drive court, and the shapes described by the house.The walk from the garage to the drive court is formally outlined in brick pavers set on end. The stepping stones are square, and set in grass. This walk is set down in a mass of 18″ Green Gem boxwood on both sides. It is not part of the presentation of the landscape entering the drive court. A secondary walk calls for a secondary and circumspect placement.
The widest portion of the east side of the drive court is but 6 feet from the property line. The neighbor graciously agreed to let us encroach on her property just enough to screen the houses from each other, and reiterate the very strong circular shape of the drive court. The boxwood facing down the Joe Burke flexible pines are set on a slight slope. That slope speaks to the rhythm established by the curve of the drive.
The old spruce in the background of this picture belong to the neighboring property. We did borrow this view. A small and solitary columnar ginkgo to the center left will provide a considerable and beautiful vertical element at the entry to the drive court, once it settles in, and grows.
I believe the landscape respects the strong and compelling geometry of the house. Mind you, this is the first season of the landscape. I am pleased to say all of the plants seem to be making themselves at home. I am happy about that. The strength of the architecture greatly influenced my design, as it should.
A custom made planter set in the corner between the house proper and the garage is planted with an incredibly beautiful Japanese maple. Yes, we will try to over winter this maple in the pot. The location is quite protected; this north side niche is stone on three sides, and is partially protected by a generous roof overhang.
I persuaded the tallest member of my landscape crew to take this picture from inside our dump truck. I wanted to look down on the landscape, and have a view of the house skirted in a simple and low profile landscape. I knew from the moment that I saw this house, that the landscape would not be able to ignore the architecture. I am fine with the outcome.